View allAll Photos Tagged dramaticlighting
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The little village of Elgol is one of the most photographed parts of the Isle of Skye. Elgol is an increasingly popular destination for climbers and hill walkers of all levels due to its unparalleled access to the famous Cuillin Hills and the various smaller hills dotted around wherever you look. Elgol is a crofting and fishing village in the Strath area of the Island. The small, sparsely populated village is scattered along the final mile of the road from Broadford.
Though you may never have heard of the little fishing and crofting village of Elgol in the Scottish Highlands, there is a good chance that you have seen photos of Elgol's famous mountain and seascape scenery in postcards, Scottish books and even film scenes and television programmes. From the larger Skye village of Broadford many visitors have turned down the enchanting Elgol road completely unaware of the magnificent scenes that await them around almost every corner. The 15 mile journey over twisty single-track roads will take you past High Pastures Cave, one of the most significant archaeological finds in the area, then sweep you around the corner to the ancient, historical site of Kilchrist church
Every mile you drive on your journey from Broadford to Elgol will fool you into thinking that the scenery simply cannot be bettered. However, you will be proved wrong when you arrive in Elgol and reach the shore and the little fishing harbour. There is simply nothing on earth to compare to the site of the Cuillin Hills beyond the Elgol shore - a breathtaking view whether it is sunny or stormy.
There are various opinions as to the meaning of the name, 'Elgol' (or Ealaghol in the native Gaelic, some suggesting 'The Noble Dale' and others 'The Weeping Swan' (folklore details the story of a Viking captain who perished when his longboat named 'The Swan' came to attack the people of Elgol).
Camera Model: PENTAX K20D; Focal length: 13.00 mm; Aperture: 16; Exposure time: 20.0 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Prints and Canvasses Available
A brief break in the clouds provides a patch of watery sunshine on Upper Teesdale. Taken on a blustery and damp Summer Solstice, 21 June 2020.
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Shuwaikh (Arabic: الشويخ) is a part industrial and part rural area within the Al-Asimah governorate in the country of Kuwait. The majority of Kuwait's ports and several offices reside in the area.
Evening ride at Al-Shuwaik beach in Shuwaik Port, few moments after sunset.
Camera Model: Canon EOS 400D DIGITAL; Lens: 18.0-200.0 mm; Focal length: 24.00 mm; Aperture: 7.1; Exposure time: 1/100 s; ISO: 400
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Some portraits are not about being seen. They are about deciding how much of yourself to give away.
Here, the child is gathered into shadow, wrapped in the quiet weight of a hood, with the fabric pulled high as though the world has come too close. Almost everything is hidden. The mouth, the body, the easy expression we expect from childhood. But the eyes remain. Dark, watchful, blue with a small glimmer of light, they hold the whole photograph open.
The power of this fine-art child portrait is not in drama, but in restraint. The low-key light, cinematic colour, dark background, and muted teal tones create a private atmosphere, as if the image has lowered its voice so the viewer will do the same. Nothing here feels performed. The child does not ask to be understood quickly. The frame gives us only fragments: a hand, a hood, a guarded gaze, a silence with shape.
Childhood is often photographed as brightness and motion, but sometimes it is shelter. Sometimes it is the instinct to disappear a little before stepping forward again.
A child can hide a whole world and still let one small light through.
With all my ❤️ I thank you for your ⭐ or 💬 or just for 👀 it.
A 📷 taken by me + Camera Raw +ps + hdr
THIS PHOTO IT'S NOT AI 📀
You can look at the Exif data on your right.➡️ in pc, and on phone below the comments 👇
The Hungarian Parliament, one of Europe’s most stunning architectural masterpieces, appears even more imposing under the dramatic touch of black and white. Its neo-Gothic design, with intricate details and towering spires, stands out against a dynamic sky that adds depth and atmosphere to the scene.
The interplay of light and shadows enhances the elegance of the stone and the building’s perfect symmetry, evoking a timeless feel. This image aims to highlight the grandeur of a place rich in history, where every arch and pinnacle tells a story from the past.
Prints and Canvasses Available
Dramatic Light and a sinister dark sky as a heavy squall moves down the dale to Barnard Castle, Teesdale, during Storm Atiyah, 8 December 2019. Taken from the roadside opposite Egglestone Abbey, looking upstream over the River Tees towards Startforth
#MiddleOfTheNight
#NightVibes
#MensAesthetic
#Confidence
#VisualMood
#NightPhotography
#MoodyPortrait
#UrbanPortrait
#CityLights
#LowLightPhotography
#NightPortrait
#PortraitPhotography
#MalePortrait
#MensStyle
#ModernMasculinity
#MoodyTones
#CinematicMood
#BlueHour
#AestheticPhotography
#FineArtPortrait
#EmotivePortrait
#PortraitPerfection
#CreativePortrait
#DramaticLighting
#UrbanAesthetic
Strobist ~ One Light ~ AB800 ~ 50" Westcott Apollo Softbox ~ Triggered Pocketwizards Plus II
Website ~ www.jorgemorenojr.com
This image captures a headshot of a local, likely one of the guides, framed perfectly within the interplay of shadows cast by the late evening sun on the walls of Mutrah Fort. Perched atop a rocky hill overlooking the Mutrah Corniche, this historic fort dates back to the late 16th century, built by the Portuguese during their brief occupation of Oman. Once a critical defensive stronghold, it safeguarded the strategically vital port of Mutrah, a key hub in the region's maritime history – Mutrah, Muscat, Oman
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Prints and Canvasses Available
A patchwork of bright sunshine and shadows on Harwood under a dramatic sky. Farms in the distance from L to R: Peghorn Lodge, Honeypot Cottage, Unthank, Binks House, Marshes Gill. A little nearer at the right of the picture is Green Hills farm.
Prints and Canvasses Available
A patch of sunshine on Birk Rigg at Forest in Teesdale, with the dramatic Cronkley Scar in the background.
Sunset ~ Florida Everglades U.S.A.
South Florida ~ Palm Beach County
Fire Light Sunset ~ Summer 2015
(three more photos in the comments)
Mary Celeste (MM# 1509848). See album description for more details about this shoot at Atomic Canary Studio in Baltimore.
This shot is a BTS look at the lighting setup for the first shots of the workshop.
Lighting design and makeup: Carly O'Neil (MM# 144223).
THIS IMAGE IS PROTECTED BY COPYRIGHT. REPRODUCTION AND REDISTRIBUTION IS PROHIBITED WITHOUT THE EXPRESS WRITTEN CONSENT OF THE PHOTOGRAPHER. Inquiries to permissions may be made to this photographer through Flickr mail at this photo stream account.
On a night when it was so clouded over, there wasn't a chance for a sunset...was there?
And then a small window opened...the sun made a white hot brief appearance...and a few minutes
later, after the sun quickly disappeared, the skies began to develop a faint red appearance. As
I watched in disbelief, it grew brighter and more red...until it was a blazing road that glowed.
Incredible. Just when think there's no chance...something great happens. Patience pays off.
Sunset ~ Florida Everglades
A dark gradient chamber frames a figure adorned in lace and gold, where the necklace becomes a constellation of intention—pearls, metal, and shadow arranged like a coded invocation. Soft waves of hair fall into the quiet drama of the pose, and the lighting sculpts the face with reverence, as though the subject is emerging from a myth written in dusk. This portrait carries the gravity of a character who knows the weight of beauty, memory, and silent dominion.
The Night Stone Canticle
1.
You rise from the gradient like a whispered omen, A figure carved from the hush between breaths. Gold gathers at your throat like a vow, Waiting for the night to translate its meaning.
2.
Lace traces the border of your becoming, A map of stories stitched in shadow-thread. Your gaze holds the architecture of confession, Built from the ruins of unspoken desire.
3.
The necklace gleams with deliberate gravity, Pearls orbiting a center you never reveal. Each stone is a memory held in suspension, A relic of nights that refused to soften.
4.
Your hair falls like a curtain of dusk, Framing the myth you carry in your bones. The light touches you with ceremonial care, As though it knows your name in another tongue.
5.
You inhabit the stillness like a sovereign, A quiet ruler of the threshold between worlds. The portrait listens to your silence, And finds entire histories inside it.
6.
Every detail is a coded invocation, A ritual disguised as elegance and poise. You stand where beauty becomes a weapon, Sharpened by the gravity of your presence.
7.
The dark behind you hums with intention, A stage built for revelations yet unspoken. You are the storm before its first syllable, Holding the moment in deliberate suspension.
8.
And in this captured breath of becoming, You are myth, memory, and midnight combined. A canticle forged in the furnace of quiet power, Leaving the viewer altered, marked, and awake.
Scène de manifestation à Paris, en octobre 2026. La foule se déplace rapidement dans une rue enfumée, entre tension et solidarité. L’image témoigne de l’énergie brute et du désordre d’un moment de confrontation urbaine.
Protest scene in Paris, October 2026. The crowd moves quickly through a smoke‑filled street, caught between tension and solidarity. The image captures the raw energy and disorder of an urban confrontation.
Was it an accident or intentional? Will we ever know?
It's a humorous picture. I borrowed the golf club because golf isn't one of my favorite sports.
Prints and Canvasses Available
A wild looking sky taken on an extremely windy and blustery day. A brief break in the clouds produces some pale sunshine which highlights straw bales by the side of the track.
A quiet moment. A heavy one.
Playing with low light and shadows again - this time with darker mood.
Shot on Canon EOS RP 85mm f/2
Edited on Affinity Photo
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Prints and Canvasses Available
A wintry scene in the Hudes Hope, high in the North Pennines AONB near Middleton in Teesdale.
Prints and Canvasses Available
A hole in the cloud cover allows a patch of brilliant late autumn sunshine to fall on Cronkley Fell under a rather dramatic sky.
Mary Celeste (MM# 1509848). See album description for more details about this shoot at Atomic Canary Studio in Baltimore.
Lighting design and makeup: Carly O'Neil (MM# 144223).
THIS IMAGE IS PROTECTED BY COPYRIGHT. REPRODUCTION AND REDISTRIBUTION IS PROHIBITED WITHOUT THE EXPRESS WRITTEN CONSENT OF THE PHOTOGRAPHER. Inquiries to permissions may be made to this photographer through Flickr mail at this photo stream account.
A canal runs through old, industrial buildings in Birmingham, England.
At its working peak, the BCN contained about 160 miles (257 km) of canals; today just over 100 miles (160 km) are navigable, and the majority of traffic is from tourist and residential narrowboats.
A horn crowned sentinel rises from the forest’s breath, armored in gold filigree and dusk forged resolve. Her wings unfurl like ancient decrees, casting shadow and omen across the moss lit clearing. She is neither villain nor savior, but the hinge between worlds — the one who remembers the old pacts and enforces the forgotten laws.
This portrait captures the moment before judgment, when the sword lowers and the forest holds its breath, awaiting the verdict of a queen carved from myth and midnight.
________________________________________
I.
She steps from the hush of the green veiled deep,
Where roots whisper names the sky cannot keep.
Her wings are decrees from an age before flame,
Her sword is the ledger that remembers each name.
II.
Gold sigils shimmer like vows on her skin,
A covenant etched where the wild begins.
The forest leans close, as if eager to hear
The verdict she carries from far older spheres.
III.
Her horns curve like crescents of unbroken night,
Twin crescents that anchor her sovereign right.
She is the hinge where the dusk meets the dawn,
The keeper of balance when boundaries are drawn.
IV.
No tyrant, no martyr, no creature of spite—
She governs the shadows that temper the light.
Her presence is law in its purest design,
A justice that predates the concept of time.
V.
The mist gathers round her in reverent folds,
A choir of breath from the moss covered old.
They rise in devotion, in fear, in respect,
For she is the force they cannot reject.
VI.
Her blade hums softly with memory’s weight,
A chronicle forged at the threshold of fate.
It sings of the fallen, the faithful, the lost,
Of choices made sacred by consequence and cost.
VII.
Yet mercy still lingers in the tilt of her gaze,
A warmth that survives through the darkest of days.
For power means nothing without the restraint
To cradle the fragile, to pardon the faint.
VIII.
So she stands in the clearing, a myth made of breath,
A sovereign who governs both life and its death.
And the forest, eternal, bows low in reply—
For even the wild must honor the sky.
Sunset afterglow ~ Florida Everglades U.S.A.
South Florida ~ Palm Beach County, Florida
(four more photos of this night in the comments)
A monochrome hush holds her in its palm—hair sculpted in vintage waves, lips set with the quiet certainty of someone who has already outlived the world’s first impression of her. The chain around her neck glints like a promise she forged herself, heart shaped pendants catching the light as if they remember every vow she never voiced aloud. The contrast is deliberate, the shadows intentional: an old Hollywood invocation rendered with modern resolve. She is not posing; she is declaring—softly, steadily, without needing permission.
________________________________________
“The Monochrome Heart Ascends”
I.
She rises from the grayscale hush,
A figure carved from disciplined light.
Her silence is a blade sheathed in velvet,
Her gaze the doorway to an unwritten truth.
II.
The shadows gather like loyal witnesses,
Tracing the map of her unbroken calm.
She stands where memory meets intention,
Balanced on the edge of becoming.
III.
Her necklace gleams with quiet defiance,
Hearts forged in the furnace of resolve.
Metal remembers what flesh forgets,
And she wears that memory without apology.
IV.
Her hair curls like a whispered prophecy,
A reel of stories spooled in silver.
Every wave a testament to survival,
Every highlight a vow to rise again.
V.
She is the echo of a century’s glamour,
But her power belongs to the present.
No nostalgia can contain her,
No era can claim her silhouette.
VI.
Light drapes across her like a benediction,
A blessing earned through quiet endurance.
She stands unhurried, unshaken,
A portrait of strength disguised as stillness.
VII.
Her lips hold the weight of unspoken verdicts,
Truths she has no need to shout.
The world leans in, breath held,
Waiting for the moment she chooses to speak.
VIII.
She is the calm after a storm that learned her name,
The breath drawn before a decisive step.
Her presence is a disciplined radiance,
A fire that refuses to flicker.
IX.
In her eyes lives a myth of reclamation,
A woman returning to herself without ceremony.
The monochrome glow becomes her armor,
Soft, deliberate, and entirely earned.
X.
And so she stands—an oracle of quiet power,
A silhouette sharpened by intention.
In her stillness, the future rearranges,
Listening for the truth she carries.
I am a longtime Communications Professional specializing in photography and videography.
Located in the DMV (District of Columbia, Maryland, Virginia) region, I shoot real estate, events, fashion, events, news and sports. I have produced many TV commercials and corporate videos, and have a rather long credit list of local (to Southern Maryland) TV shows I have developed, hosted, shot, directed, edited and produced.
I'm interested in hearing from and interacting with serious hobby photographers and professional photogs and videographers, as well as hearing from anyone who wishes to discuss a photo or video project.
Thanks!
Tim
THIS IMAGE IS PROTECTED BY COPYRIGHT. REPRODUCTION AND REDISTRIBUTION IS PROHIBITED WITHOUT THE EXPRESS WRITTEN CONSENT OF THE PHOTOGRAPHER. Inquiries to permissions may be made to this photographer through Flickr mail at this photo stream account, or see my website.
On croit souvent que la chaleur est une question de température.
C'est une erreur de débutant!
La vraie chaleur n'a rien à voir avec le feu. Elle n'a pas besoin d'éclater, de brûler ou de réclamer l'attention. Elle existe avant même que la pièce ne s'en aperçoive.
Certaines personnes entrent dans un cadre comme d'autres entrent dans une conversation avec le besoin d'être remarquées.
D'autres n'ont pas cette préoccupation car elles savent déjà qu'elles resteront dans les mémoires longtemps après que le décor aura disparu.
Le feu impressionne mais les braises, elles, choisissent leurs victimes.
EN People often think heat is a matter of temperature.
That's a beginner's mistake!
Real heat has nothing to do with fire. It doesn't need to erupt, burn, or demand attention. It exists long before the room becomes aware of it.
Some people enter a scene the way others enter a conversation: desperate to be seen.
Others have no such concern.
They already know they'll be remembered long after the scenery has vanished.
Fire impresses.
Embers choose their victims.
Elle est là, seule dans le noir. Un peu de rouge vient découper le corps, accroche le tutu, glisse sur le visage. Le reste disparaît presque complètement. Elle semble avoir tourné la tête au dernier moment, comme si quelque chose venait de se passer hors du cadre. J’aime ce moment entre deux temps de la danse. La pose est presque immobile, mais le tutu garde encore le mouvement. Une jambe se pose, l’autre semble déjà prête à repartir. Sur scène, tout est fait pour être vu. Pourtant, il reste toujours une part qui nous échappe. Ici, c’est peut-être elle qui m’intéresse le plus...
EN She stands alone in the darkness. A touch of red cuts across the body, catches the tutu, brushes over her face. Almost everything else disappears. She looks as if she turned her head at the last moment, as though something had just happened outside the frame. I like this moment between two movements. She is almost still, but the tutu still carries the movement. One foot settles while the other seems ready to leave again. On stage, everything is designed to be seen. Yet there is always something that remains just beyond our view. Here, perhaps, that is the part I find most interesting.
A dramatic seascape captures the sun breaking through a heavy, dark storm cloud, casting a brilliant golden beam across the turbulent ocean. The foreground is a deep silhouette of a coastal dune and fence, contrasting sharply with the luminous horizon and the churning waves below. The image evokes a powerful sense of nature's raw beauty and the fleeting moment of light piercing through gloom.