View allAll Photos Tagged dramaticlighting
Elle ne tient pas l’épée pour faire peur. Elle la tient comme on tient une décision. Le visage est calme, presque tranquille. Mais dans le regard, quelque chose ne cède pas. La lumière rouge durcit les contours, les ombres passent sur son visage comme des barreaux, et l’épée devient une ligne qui sépare le doute du reste. Il y a des combats qui ne font aucun bruit.
Pas de cris, pas de victoire à célébrer. Seulement cette force intérieure qui dit : je suis encore là .
EN She does not hold the sword to frighten anyone. She holds it like a decision. Her face is calm, almost quiet. But there is something in her eyes that refuses to give way. The red light sharpens the image, shadows cross her face like bars, and the sword becomes a line between doubt and everything that comes after. Some battles make no noise. No shouting, no victory to celebrate. Just that quiet strength that says: I am still here.
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Il existe des instants où le corps ne danse plus pour être regardé.
Il danse pour résister.
Chaque mouvement devient une réponse au chaos, une lutte silencieuse contre ce qui cherche à nous faire vaciller. Suspendue entre équilibre et chute, la danseuse trace dans l'espace une géographie fragile faite de courage, de tension et d'abandon.
Les lumières semblent l'encercler comme autant de présences invisibles, mais elle continue d'avancer, portée par une force intérieure que rien ne peut éteindre.
Dans cette posture incertaine réside toute la beauté de la danse : accepter le déséquilibre pour mieux trouver sa vérité.
Parce que parfois, la grâce ne naît pas de la perfection.
Elle naît du combat.
EN There are moments when the body no longer dances to be seen.
It dances to endure.
Every movement becomes an answer to chaos, a silent struggle against whatever seeks to make us fall. Suspended between balance and collapse, the dancer draws a fragile map through space, shaped by courage, tension, and surrender.
The lights seem to surround her like unseen presences, yet she keeps moving forward, carried by an inner force that refuses to fade.
Within this uncertain posture lies the true beauty of dance: embracing imbalance in order to find truth.
Because sometimes grace is not born from perfection.
It is born from the struggle.
This photo was shot along the river side, a boat has just past and these are the wave splashing on the land and rocks.
This is an image I took when I was doing the still photography on a short film called WUSS on IMDB www.bing.com/images/search?view=detailV2&ccid=6ET6ibK...
Every image tells a story, but some images define a story. This portrait was chosen as the official poster image for the short film WUSS, capturing the essence of its tone and emotion. The expression in his eyes, the subtle tension in his expression/posture, and the cinematic lighting all contribute to a visual that speaks before a single word is spoken.
This image is not just a still, it’s a moment, a feeling, a preview of a larger narrative. Can a single frame capture the weight of a film? This one tries.
It had been a long time since I had taken a I.B.D.T. shot nor posted one. Here's one I did with Holly.
Strobist ~ One Light ~ Nikon SB900 ~ Softbox ~ Triggered by Pocketwizards Plus II
Inside the Rundetårn (Round Tower) in Copenhagen, which I was climbing to get a nice overview image of the city from on high. This is a 17th-century tower built as an astronomical observatory in central Copenhagen. What you are seeing here is part of an "equestrian staircase" or corridor leading to the top, which has 7 1/2 turns. Frankly, it was a blast to climb. The top affords an awesome 360 degree view of the city!
This image captures a woman exuding elegance and sophistication against a dark, vertical-striped background. Her attire is a classic black dress with an off-the-shoulder neckline, complemented by her red lipstick, which adds a pop of color to the otherwise monochromatic setting.
Model : Fanny
Location: SKP, Chengdu, Sichuan province, China
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© Philippe LEJEANVRE. All rights reserved.
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The Interior of Scream Until You Like It...
Yeah, we took that dare, and went inside to see what horrors reside within the walls. ;)
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Manakha is located in the Haraz mountains, 85 kms (a good 2-hour drive) from Sana'a. It is located at 2300 meters above sea. As far as you can see there's mountains, smaller ones, bigger ones, and about 90 percent of these mountains are covered with terraces for agriculture. Not all of them are used anymore, because lots of locals have moved to the capital and there's just not enough people left to work all the fields. On every hilltop or big rock a town was built, for protection against enemies in the past, incredible constructions, it is mind-boggling how they managed to build them all ... and then : the fields and hillsides are so green, it seems unreal, as if it was painted on.
This photo was taken during sunset and I was rather lucky to get some clouds as the sky in Yemen tends to be just blue and blue.
Canon EOS 400D DIGITAL, f/3.5, 0.05 sec (1/20), ISO 200, 18 mm
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
This image captures the facade of a historic building at night, illuminated by artificial lighting. The building features a yellow upper section and a white lower section, with multiple windows arranged in a grid pattern. The most striking element is the large shadow cast on the building's wall, likely from a nearby statue or structure, adding a dramatic and mysterious effect to the scene. The contrast between the lit and shadowed areas highlights the architectural details and textures of the building, making it an intriguing subject for photography.
Sara photographed by Italian fine-art photographer Kevin Feriani in an intense close-up where her eyes emerge through white fabric and darkness. A distinctive example of contemporary fine-art portrait photography from the States of Light project. Discover Kevin Feriani’s dramatic light, artistic portraits and fine-art photography as his work reaches toward collectors, galleries and audiences in the United States: www.kevinferiani.com
The lingering light from a beautiful sunset in the Sierra foothills a couple of weeks ago. I MUCH prefer little m's shot of this tree and sunset, which included a lot more of this huge oak in the frame.
I took this photo today at Concours Hippique in Wehl the Netherlands. There were lots of horses and people.
This captivating studio portrait features a young woman standing barefoot beneath dramatic, focused lighting that creates a powerful visual presence. Her relaxed stance, crossed legs, and thoughtful upward gaze convey a sense of confidence, curiosity, and quiet reflection. The soft spotlight isolates the subject against a moody, darkened background, emphasizing both her expression and the elegant simplicity of the composition.
Dressed in a fitted white crop top and denim shorts, the styling remains casual and contemporary, allowing the viewer's attention to rest on the subject's natural beauty and confident posture. Her wavy blonde hair frames her face while the controlled studio lighting highlights subtle details and textures throughout the image.
A particularly striking element of the portrait is her barefoot presentation. Her bare feet add a sense of authenticity, freedom, and natural ease to the image, reinforcing the relaxed mood of the session. The connection between her bare feet and the studio floor creates a grounded, approachable feeling that contrasts beautifully with the dramatic lighting and artistic atmosphere. This simple detail enhances the portrait's sense of vulnerability, confidence, and individuality.
The minimalist setting removes distractions and allows the interplay of light, shadow, pose, and expression to take center stage. Combined with the shallow depth of field and carefully controlled lighting, the result is a portrait that feels both intimate and cinematic. The image celebrates natural beauty, youthful confidence, and the timeless appeal of studio portrait photography.
Prints and Canvasses Available
As the sky starts to clear a patch of strong sunshine lights up a snow covered Stang against a dark sky background.
Sunrise at Monument Valley
It's been a while since I've been to Monument Valley. This was shot w/ a Nikon D70. Don't really recall if these rocks in the foreground were the rocks right in the parking or I took a walk to find something different.
I do remember the Navajo guides talking about all the cool places they could take me to and all the different prices ranging from $200 and I talked some down to $40. That was in 2006, I wonder what they would charge now. I really wanted to go to Teardrop Arch but couldn't afford it at the time. Now I think there is plenty to find in the wilderness to go off and explore on your own.
I'm getting married tomorrow and people keep asking me if I'm nervous yet? No not yet, kind of perfectly calm. Excited yes!
First Day of Summer / Longest Day of the Year - 6/21/15
It was my intention on this longest day of the year, June 21st, to
take in every last moment of light, and it did not disappoint on this
fine night... Summer has finally arrived ~ Florida Everglades U.S.A.
Summer Sunset ~ Palm Beach County, FL ~ Quarta Sunset 279
(four more photos of this night in the comments)
Portrait of Sangeeta in her dining room. Sometimes you don't need a full studio and strobes - this was done with a single bounce flash while sitting at the dining table.
Single bare Yongnuo 560 II speed light bare slightly to camera right on 1/2...an hour before sunset (so still pretty bright out). Shot by Kaunis Hetki photography at House Of Refuge South Florida
As with the preceding photo, the nature of the sunlight here is what makes this image interesting. Driving home from West Virginia on a cloudy, sometimes rainy day in August, a break in the cloud cover let sunlight through in rather dramatic fashion. Fortunately, I was soon able to pull over at the top of the twisty mountain grade, just a short distance from the Virginia line. I've seen similar light before, but not quite as nice, and not when I could get photos.
Press "L" for larger image, on black.
Prints and Canvasses Available
Very strong winter sunshine and deep shadows create a dramatic scene in this view from Bail Hill above Mickleton.
Prints and Canvasses Available
Revelin Farm above Newbiggin lit by strong winter sunshine against a dramatic sky.
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
In the background is the steam ship 'Sir Walter Scott' on which we were about to travel - and yes, it did rain!
This fine art black and white portrait explores the delicate tension between light and shadow, strength and fragility. The subject’s half-concealed expression and textured hand gesture create a raw, emotive portrait that leans into vulnerability while quietly radiating resilience.
The interplay of dramatic lighting and shadowplay draws the eye toward the subtle details — every freckle, crease, and imperfection telling its own story. By removing color, the photo emphasizes depth, mood, and authenticity, inviting viewers to pause and look closer.
This is not only a monochrome portrait but a piece of fine art photography meant to connect through emotion and storytelling.
Taken for a Five Projects assignment, Theme: "Ash Makers"
Photo of the Day 12.05.07
Thought it was so cool that the tips of the matchsticks were green.
Aren't they usually red?
A rare celestial moment where the eclipse meets the sunset — golden light, dramatic silhouettes and a sky that feels almost unreal. Nature delivering a once‑in‑a‑lifetime spectacle.