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Developed by coffee
Instant coffee 50g/L
sodium carbonate (Na2CO3) 50g/L
VitaminC 10g/L
15min. at 20°C
fixed by super fujifix-L
Develop Your PR Skills by Lucy Laville and Neil Richardson of Leeds Business School was launched with a celebration event at the Rose Bowl, Leeds Metropolitan University, on 21 July.
This book is designed to maximise a company's potential in public relations, with a view to supporting SMEs and voluntary sector organisations who until now may not have had either the budgets or the skills to have a go at PR. It is full of relevant case studies and helpful tips, each chapter ending with a series of exercises to build the reader's confidence in practicing their own PR. It aims to help the reader to gain a quick understanding of PR concepts and principles and to learn how to use them in real life business situations. Issues covered include strategic PR, PR and the internet, working with the media, dealing with different stakeholders and customers, dealing with a crisis, using internal communications, using research to get a competitive edge, evaluating the success of your PR and ethics and sustainability.
found film
developed in R09 1+100
i developed this roll of kodak Plus-x, bought on ebay.uk, inside some photos of what could resemble a trip in the countryside, with a visit to an archeological site.
the site is Gallarus Oratory (Irish: Séipéilín Ghallarais, literally "The Church of the Place of the Foreigners"), which is believed to be an early Christian church located on the Dingle Peninsula, County Kerry, Ireland.
as you can see, fungus and molds had spread all over the film.
www.facebook.com/pages/Found-film-photos/713395238686603?...
Taken with Mamiya M645 1000s and Mamiya Sekor C 80mm f/2.8 with no. 1 extension tube. Film used Kodak Tri-X 400 (at box speed). Film developed with Kodak D-76 1+1 in 22°C for 8.5 minutes.
A few words about this roll in blog.
11 Jubilee Court Nikon F80 Nikkor 28-100mm F3.5-5.6 Kodak Ultra Max 400 ISO Developed In Bellini Foto C41 26-1-2025
CLIK HERE TO DOWNLOAD ebookunlimited.space/?book=0749473800
EBOOK ONLINE Developing Mental Toughness: Coaching Strategies to Improve Performance, Resilience and Wellbeing For Kindle
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Casuarina developed by Synergy Farms - Gated community of 97 plots facing Yesaji Kank Lake on Velvandi River (Backwaters of Bhatghar Dam) near Bhor. For more Real Estate updates, visit indianconcretejungle.blogspot.in
cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=2508861...
The 16mm cine film Developing Tank appears unused
or if used has been cleaned meticulously.
The ORIGINAL box shows some signs of wear.
The Developing Tank is from Leningrad, Russian / USSR. It has a certificate.
It dates 18 VIII 1964. (That's 18th of August 1964)
The rubber pipes are in really good condition and not porous or brittle at all.
Quite amazing for this age. The Tank itself is almost scratch free, shining
and just looks fantastic. I do not know how to use it. And I am only selling
as I have course fees to pay, so it is a reluctant sale of an object I adore.
If you are interested in the Developing Tank then please see the
collection of youtube videos I made showing it from all angles
www.youtube.com/playlist?list=PL000C1C02C698EBC3
(at the moment I have 8 or so individual short clips of the developing tank,
arranged in a playlist, please check through them on you tube)
You should be able to see how good it looks. I can re-film any aspect of it
if you are interested, so please just get in touch, with questions and suggestions.
I am uploading the youtube videos at the moment, so they may take an hour or
so before they link up correctly.
I hope you will love this item as I did.
check this page it lists lots of tanks for sale in the US and UK, mine is the cheapest: www.super8camera.com/netsearch.php?zoekterm=developing+ta...
Under the Swastika
In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.
The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.
As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.
New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.
The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.
At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".
Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.
The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.
Unter dem Hakenkreuz
Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.
Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.
Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.
Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.
Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.
Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.
Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.
Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf
freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...