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HM Dockyard, Gibraltar was first developed in the 18th century. After the Capture of Gibraltar, victualling facilities were provided from a small quay around what is now the North Mole, but a lack of berths prevented further development. In the 1720s, however, the building of the South Mole was accompanied by the establishment of a small dockyard facility consisting of a careening wharf, mast house and various workshops. The yard remained relatively small in scale for a century and a half, although coaling facilities were added in the 1840s.
In 1871 Captain Augustus Phillimore made the proposal that a new naval dockyard should be constructed in Gibraltar. Phillimore's scheme lied dormant in the Admiralty for 22 years before it was put to Parliament in 1895. The idea was to take five years and just under £1.5m pounds. In 1896 the scheme was further extended with the creation of new moles and three dry docks and a new budget of £4.5m pounds. The transformation was large and the government were still passing enabling legislation in 1905.
The three large graving docks initially known as docks Number 1, 2 and 3, were excavated on what had been the site of the old naval yard. Number 3 dock, the smallest at just over 50,000 tons of water capacity, was the first to be named in 1903 and was named King Edward VII, Queen Alexandra named the 60,000 ton Number 2 dock after herself in 1906, and the largest, Number 1 dock, which could hold over 100,000 tons of water, was called the Prince and Princess of Wales dock, having been named by their Royal Highnesses in 1907, subsequently King George V and Queen Mary.
In 1937 the warning of the Chiefs of Staff gave way to rearmament. The danger of a war being settled in the Mediterranean meant that No. 1 and No. 2 dock were extended so that Gibraltar could handle aircraft carriers and the new larger battleships.
(Text Wikipedia)
Kurt Cobain Guitar Statue at the Kurt Cobain memorial Park on the Wishkah river.
Camera: Leica IIIf
Lens: Leitz Wetzlar Summitar 5cm f/2
Film: Adox HR-50
Developer: Beerenol (Rainier Beer)
Taken in the Georgetown neighborhood of Seattle
Pentax PC550 28mm
Kodak Portra 400VC
Lab C41
Epson 4490
Newly developed into a sport crag, this is Watch House East, on the southern coast of the Gower Peninsular. Gower is an Area of Oustanding Natural Beauty, the rock is limestone and this crag offers gorgeous evening sun.
Gamla Model Makers was commissioned to develop a multimedia package presenting a patented concept of a Heavy Lift Cargo Carrier aircraft developed by ConcordLift TM. In a limited timeframe and budget we developed and produced 3D digital models of that conceptual aircraft, generated 3D based line drawings and photorealistic color renderings/illustrations, and even produced a short animation film illustrating a take-off procedure of the aircraft. According to the Client's wish we developed separate 3 packages presenting 3 versions of the aircraft: 20 TEU capacity Cargo Carrier, 90 TEU capacity Cargo Carrier and a RoRo - a Cargo Carrier customized specifically to transport a large number of automobiles.
This is one of the 3D based renderings, representing a version of the aircraft designed to carry 20 standard 20' shipping containers.
Please, note: it is not our intent to initiate any discussions concerning the concept of the aircraft and proposed innovations included in its design. Our only intent is to show a samples of our work in the field of 3D modeling, creating 3D based presentation materials and 3D based marketing animation as well. Please, do not post any comments concerning the concept and design of the aircraft itself - such comments are not relevant and we reserve the rights to remove such comments.
This is Caitlyn Odette. Now *nervous cough* at this point in the left of the picture she is "giving into her addiction to majuana" - KIDS!! SMOKING IS NOT COOL!!! - and yeah in the right of the picture she is scratching her head lol and pretty much high. This is sometimes how her power to control the elements can be activated. And with all the "abiltated" characters in my comic their eyes turn white when they are in control of their powers or have activated their powers - I showed this to a classmate and he thought she was posing in an "erotic way"...she isn't! *smiles*
Students and young professionals discuss their projects during the 2023 DEVELOP Day, Wednesday, Aug. 9, 2023, at the Mary W. Jackson NASA Headquarters building in Washington. Every summer students and young professionals from NASA’s Applied Sciences’ DEVELOP National Program come to NASA Headquarters to present their research. This year marks the 25th year of DEVELOP, a training and development program where students work on Earth science research projects, mentored by science advisors from NASA and partner agencies, and extend research results to local communities. Photo Credit: (NASA/Joel Kowsky)
The last few times I have developed Sahnaghai GP3 film in Rodinal 1:200 stand development for 2 hours, I have noticed a recurring problem.
You can see in the top right hand corners of the image, the blotches that are throughout the image.
Perhaps not enough developer is getting to the film throughout the stand development process?
I thought my Fixer may be exhausted but I have developed other films without this problem.
This problem seems to be consistent with the Shanghai GP3 .... Any thoughts on why this may be happening ?????
Hasseblad + 80 mm + Shanghai GP3 + Rodinal 1:200 Stand Developed @ 2hours
15 Bury St Edmunds Hardwick Lane And Westgate Street Minolta Dynax 7000i Minolta 35-105mm F3.5-4.5 Kodak Gold 200 ISO Developed In Rollei Colorchem C41 30-1-2023
First pictures developed from my "new" (expired 1993) 9x12 Fuji 160 NSP film.
9x12 is the european equivalent of 4x5. Film holders have the same external dimensions, but film area and dark slides are different.
I shot the film at ISO 100 with my Crown Graphic. Developed in Tetenal Colortek C41.
Although a 19 year old film, I am pleased with the results - colours are good, film is a bit grainy, but acceptable.
Culture can influence a child＇s development from birth and continue throughout their life. Culture can shape how children develop their values, language, and sense of identity. It can also impact how they interact with others and how they see themselves in relation to society.
Changpa Shephard Kid is trying his hand on the sling to control heard of goats and sheep in winter months, Changthang, Ladakh
Image: _ML_1063
A local Afghan offers a French soldier tea in eastern Afghanistan. (Photo Courtesy of Task Force Lafayette/French)
Together with Karel and neighbor boy Afra we made a new board game and tested it - the boys' sisters played along, too. Most of the rules were my idea, but they're subject to change as we test the game.
Everybody rolls 2 dice at every turn. One special die (made with the Lego die) and one regular one.
The special die has the following sides:
CLOSE - close the gates on the board
OPEN - open the gates
MONEY - get a chip
PURPLE - pay a chip
The regular die is for walking, of course. The figures can pick their route on crossings, but cannot go backwards.
Every player gets a 4x10 plate to put the chips (round 2x2 tiles) on; objective of the game is to collect 10 chips so that the plate is full.
There are the following special fields:
- White jumper plate = sing a song and earn a chip
- Brown jumper plate = do a dance and earn a chip
- Red jumper plate = make a drawing and earn a chip
- Tan jumpuer plate = go two steps forward and earn a chip
- Field with a gold or silver ball = earn a chip and put the ball in the bucket. When the fourth ball goes in the buckets, all balls come back in the game at random
- Golden gate: must be open to pass. Earn a chip
- Start gate: must be open to pass
- 'Hit the wall': if you land on the field adjacent to the outer wall with the castle windows, you skip two turns
- Shelter: skip one turn
- Stop sign: skip one turn
- Arrow tile: roll again
- Field with soccer ball: go to the field before the golden gate and put the soccer ball somewhere else
- Antenna: go to the field before the golden gate
Things that need to change:
- Maybe the routing isn't clear enough. Madelief insisted on turning left where she couldn't (hence the pout), maybe I should add an arrow sign. (The way she went about, she'd skip the bit with the gate)
- I designed the game with just one OPEN and two CLOSE sides on the special die, but kids are waiting behind closed gates too much.
- That START gate was annoying. Everybody was waiting for the gate to open and got fed up. It should go.
-Reaching 10 chips may take too long. Maybe I should use smaller plates or let the game end when the first player reaches the slide.
During the works to develop the former Yellow Buses depot in Mallard Rd into a retail park the corner of Castle Lane West and Mallard Rd was remodelled which included the demolition of approximately eight properties.
Two were demolished back in May 2002 and the site remained vacant until the works began in 2006. The site was eventually where the new council homes on the redesigned corner of Castle Lane West and Mallard Rd were built.
Another two were demolished in March 2005 to create the new Castle Way where new homes were built on the site of the former bus depot staff car park, although the right hand property was eventually replaced by council homes.
One older detached house initially survived the works but was itself demolished in December 2011 with new homes planned for the site, as seen above.
When the stretch of Castle Lane West between Cattistock Rd and Mallard Rd was widened during the works to construct the Castlepoint shopping centre in 2001 / 2003 six mature oak trees that lined both sides of the road were cut down.
During the works to develop the bus depot into the retail park another mature oak was also cut down.
Strouden Park has a number of fine mature oaks but to lose seven was undoubtedly a blow to the area and this doesn't include any lost since the late 1920s/early 30s when the area began to be extensively built upon.
For decades, developing and emerging economies have relied on traditional financing solutions intermediated by commercial banks with limited capital market activity. A vital challenge for these countries is how to mobilise more finance to help accelerate their development and achieve the Sustainable Development Goals (SDGs). This event comes at a critical juncture as developed economies begin to tighten their monetary policies and geopolitical tensions increase dramatically, raising new questions on how sustainable capital market ambitions could be achieved going forward.
The current turbulent environment in Europe has also highlighted the importance of energy security and the pressing need to fast-track decarbonisation efforts. This panel explored how emerging economies can achieve significant breakthroughs by mobilising cross-border finance focused on sustainable and inclusive solutions. In particular discussing the growth of blended finance and impact investment flows and their role in building up the stock of assets in emerging market economies with the aim of achieving sustainable development impact.
At the heart of the EBRD’s mandate lies a focus on environmentally sound investment and sustainable development, and the Bank is determined to promote Environmental, Social, and Governance (ESG) through a unique combination of policy dialogue, investments, and private sector focus. The panel also explored how various parties -- the emerging countries’ authorities, advanced economies’ governments interested in supporting sustainable development, impact investors and IFIs - could work together to support the much-needed quantum leap in finance.
Featuring:
Andre Kuusvek
President & CEO
Nordic Investment Bank
Alex Pivovarsky - Speaker
Director, Capital Markets Development
EBRD
Developing children’s passion for music
Llanelli Music Hub brought a festive feel with a musical performance at Coleg Sir Gâr where the group has been honing their music skills on a weekly basis.
The hub consists of pupils from Bryngwyn, Coedcae, Glan y Mor and St John Lloyd secondary schools and its aim is to encourage more children to have access to specialised teaching and music facilities to enable a lifelong passion for music.
For decades, developing and emerging economies have relied on traditional financing solutions intermediated by commercial banks with limited capital market activity. A vital challenge for these countries is how to mobilise more finance to help accelerate their development and achieve the Sustainable Development Goals (SDGs). This event comes at a critical juncture as developed economies begin to tighten their monetary policies and geopolitical tensions increase dramatically, raising new questions on how sustainable capital market ambitions could be achieved going forward.
The current turbulent environment in Europe has also highlighted the importance of energy security and the pressing need to fast-track decarbonisation efforts. This panel explored how emerging economies can achieve significant breakthroughs by mobilising cross-border finance focused on sustainable and inclusive solutions. In particular discussing the growth of blended finance and impact investment flows and their role in building up the stock of assets in emerging market economies with the aim of achieving sustainable development impact.
At the heart of the EBRD’s mandate lies a focus on environmentally sound investment and sustainable development, and the Bank is determined to promote Environmental, Social, and Governance (ESG) through a unique combination of policy dialogue, investments, and private sector focus. The panel also explored how various parties -- the emerging countries’ authorities, advanced economies’ governments interested in supporting sustainable development, impact investors and IFIs - could work together to support the much-needed quantum leap in finance.
Featuring:
Andre Kuusvek
President & CEO
Nordic Investment Bank
Alex Pivovarsky - Speaker
Director, Capital Markets Development
EBRD
nwboatschool.org
The Batela is a traditional Venetian boat, that is, developed in the Italian city of Venice. It is a flat-bottomed boat with a slight degree of rocker (meaning, the bottom is curved from bow to stern) to make it easier to row and control. Rowed standing up, it is essentially a cargo carrier or ferry.
The Traditional Small Craft class of 2014 under the direction of Master Instructor Jeff Hammond will build the boat.
The batela is approximately 30 feet long, and will be built largely of western red cedar over sawn frames.
This is an extremely interesting commission in that the boat was developed using design input provided by the owner in the form of sketches and commentary accompanied by video of Venetian batelae. Jeff drew the boat using that data, and refined it based on additional commentary and guidance to meet the owner's direction.
A good picture of a classic Venetian batela can be seen here: tinyurl.com/kvnnvyj on the webpage of Row Venice. There are more pictures at rowvenice.org/whos-row-venice/
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
We build both commissioned and speculative boats while teaching adult students the traditional wood and wood composite boatbuilding skills they will need to work in the marine trades. We sell our boats to help support the School. Please feel free to give us a call should you like to discuss our building a boat for you.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
Photos by Philipp Geist ©2013 / VG BildKunst
WAGNR RMX - Philipp Geist
WGNR rmx 2013 - PHILIPP GEIST
Light Installation / Video Mapping Installation
New City Hall Bayreuth from July 7th to August 28th On the occasion of Richard Wagner’s 200th birthday the Berlin artist Philipp Geist (1976) develops a comprehensive light and video mapping installation on the external walls of the New City Hall in Bayreuth over a period of 40 nights. The artist dismisses the use of screens and projects his artistic image and light projections directly onto the facade. The projection merges with the location and invites visitors to linger around the New City Hall. The art installation is going to be further developed and enhanced during the mentioned period.
The subject of the artistic installation is Richard Wagner and his works; images, words, quotes, and associations from his operas are artistically interpreted and incorporated into the installation. These terms and quotations from Wagner's operas are projected in a "carpet of words" and abstract verbal images on the facade. With his pictorial language the artist Philipp Geist develops his own artistic interpretation of Wagner's themes. Geist creates a dialog between the location, i.e. the New City Hall, the visitors, and the artistic works of Richard Wagner. In the process, the access to the "Wagner" topic is complex: On a first direct level, concepts and images of his major works will be displayed on the facade by means of the visual language of Philipp Geist. Visitors will be inspired by individual characters and scenes from the rich repertoire of fine arts, from paintings and illustrations, especially from the 19th century. However, the characters and scenes will be alienated and integrated into the abstract structures of Philipp Geist’s worlds of images. Known Wagner themes, such as fire, natural phenomenons, and symbols like the ring, the sword, and the storm as a mirror for the inner turmoil, can be re-experienced and emerge as quotes in the form of images. In this way the installation demonstrates connections in a non-narrative manner and thus admits a different modern and contemporary access to Wagner’s works.
In this manner the radiant face of the hero appears in order to darken and vanish in the next moment. The great void comes into sight through the building bathed in darkness symbolizing the fraud, the vile and the dark side existing in men.
A scenery appears for an instant to dissolve in a flash into a graphic pattern again. Pristine landscapes turn into pixels and remind the viewer of the actual romantic ideal.
The Rheingold shines and sparkles through a hinted blue surface of water to crumble to dust a moment later. Gray and white particles float over the facade; the material transience is almost palpable.
The symbolism of the colors is adopted from the works: white sails become black, and vice versa; for the contemporary video projection technology it is easy to decide instantly on fateful questions. The sails may also turn into colorful triangles and fly away over the facade as a graphic pattern. At the same time, it is the random and ludic character of the installation that lures out the tragic and borne nature of the Wagner pathos and allows viewers of any age to envision uncountable points of contact. The installation celebrates Wagner, but it also uncovers critical voices: polarizations like genius and kitsch clash together and cover the building as one, quotes as Wagner’s "Aber, aber, was sollen die Sentimentalitäten" [But for all that, what’s the point of all these sentimentalities] wander along the facade.
On another level the approaches followed by Wagner matter for Geist’s installation: Wagner crossed the boundaries between the different arts and contents. He allied image and sound, music and stories, symphony and legends. Also Geist’s installation is influenced by Crossover: the multimedia artist creates a synergetic work on the City Hall giving rise to images from texts and mixing the analog with the digital by painting with light and his computer
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
WAGNR RMX - Philipp Geist
Lichtinstallation / Video-Mapping-Installation
Bayreuth Neues Rathaus 20.07.2013 bis 28.08.2013
KONZEPT PHILIPP GEIST
Anlässlich des 200. Geburtstags von Richard Wagner entwickelt der Berliner Künstler Philipp Geist (1976) über den Zeitraum von 40 Abenden eine flächendeckende Licht- und Video-Mapping-Installation auf das Neue Rathaus in Bayreuth. Dabei verzichtet der Künstler auf den Einsatz von Leinwänden und projiziert seine künstlerischen Bild- und Lichtprojektionen direkt auf die Fassade. Die Projektion verschmilzt mit dem Ort und lädt Besucher zum Verweilen am Neuen Rathaus ein. Über den Zeitraum der Installation wird die künstlerische Installation weiterentwickelt und ergänzt. Inhalt der künstlerischen Installation ist Richard Wagner und sein Werk; Bilder, Begriffe, Zitate und Assoziationen aus seinen Opern werden künstlerisch interpretiert und in die Installation eingebaut. Dabei werden Begriffe und Zitate aus Wagners Opern als Wörterteppich und abstrakten Wort-Bilder auf die Fassade projiziert. Der Künstler Philipp Geist entwickelt mit seiner Bildsprache seine eigene künstlerische Interpretation der Wagner-Themen. Geist entwickelt einen Dialog zwischen dem Ort, also dem Neuen Rathaus, den Besuchern und dem künstlerischen Werk von Richard Wagner. Der Zugang zum Thema „Wagner“ ist dabei vielschichtig. Zum Einen auf einer ersten, direkten Ebene, werden Begriffe und Bilder seiner Hauptwerke in der Bildsprache von Philipp Geist auf der Fassade zu sehen sein. Einzelne Figuren und Szenen aus dem reichen Repertoire der Bildenden Kunst, aus Gemälden und Illustrationen v.a. aus dem 19. Jahrhundert werden dem Besucher begegnen. Sie werden jedoch verfremdet und in die abstrakten Strukturen von Philipp Geists Bilderwelten integriert. Bekannte Wagner-Themen wie das Feuer, Naturereignisse und Symbole wie der Ring, das Schwert, und den Sturm als Spiegel für die innere
Aufruhr werden neu erfahrbar gemacht und tauchen als Bildzitate in der Installation auf. Die Installation zeigt so in nicht narrativer Art Zusammenhänge auf und lässt somit einen anderen modernen und zeitgenössichen Zugang zu dem Werk Wagners zu. So erscheint das strahlende Gesicht des Helden, um sich im nächsten Moment zu verdüstern und zu verschwinden. Die große Leere erscheint durch das in Dunkel getauchte Gebäude und symbol- isiert den Betrug, das Niederträchtige und Düstere im Menschen. Eine Szenerie taucht auf, um gleich wieder in ein grafisches Muster zu zerfließen. Unberührte Landschaften werden zu Pixeln und führen dem Betrachter vor Augen, dass es sich um ein romantisches Ideal handelt. Das Rheingold strahlt und funkelt durch die blaue angedeutete Wasseroberfläche hindurch, um im nächsten Moment zu Staub zu zerfallen. Graue und weiße Partikel schweben über die Fassade, die materielle Vergänglichkeit wird geradezu greifbar. Die Symbolik der Farben wird aus dem Werk übernommen, weiße Segel werden zu schwarzen und umgekehrt, es ist der zeitgenössichen Videoprojektionstechnik ein Leichtes, ganze Schicksalsfragen zu entscheiden. Vielleicht werden die Segel auch zu bunten Dreiecken und fliegen als grafisches Muster über die Fassade davon. So ist auch das Zufällige und Spielerische Merkmal der Installation, die das Tragische und Getragene des Wagner-Pathos herausfordert und eine Vielzahl von Anknüpfungspunkten für das Publikum jeden Alters ermöglicht. Die Installation feiert Wagner, macht aber auch kritische Stimmen sichtbar: Polarisierungen wie „Genie“ und „Kitsch“ treffenen aufeinander und ziehen sich gemeinsam über das Gebäude, Zitate wie Wagners: „Aber, aber, was sollen die Sentimentalitäten“wandern die Fassade entlang. Auf einer weiteren Ebene werden die Ansätze, welche Wagner verfolgte, auch für Geists Installation von Bedeutung sein: Wagner überschritt die Grenzen der verschiedenen Künste und Inhalte. Er brachte Bild und Ton, Musik und Geschichten, Symphonie und Sagen zusammen. Auch die Installation von Geist ist geprägt vom Crossover: Der Multimedia-Künstler erschafft ein synergetisches Werk auf dem Rathaus, lässt aus Texten Bilder entstehen und mischt Analoges mit Digitalem, indem er mit Licht und dem Computer malt.
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
Studio Philipp Geist
Post Box (Postfach) 080311
10003 Berlin/ Germany
Leipziger Str. 6610117 Berlin Studio PHILIPP GEIST - Leipziger Str. 66 - 10117 Berlin
Thailand - A magical land
This is a scanned wet print i developed and printed at home. I had a great experience in Thailand when shooting for my end of year b&w first year school assignment. My lecturers judging my work didn't like them much, preferred the more set-uped images with proper exposure and composition. Also my prints was not uniformed. Oh well, did my best.
Tech Info:
Olympus OM-2n Analog Film SLR
Vivitar 28mm f/2.8 Manual Prime Lens
Fuji Neopan 400 ASA B&W Film
Kodak D-76 Developer and Ilford Stop & Fixer
Ilford Pearl Paper
Cheap Canon Multi Purpose Printer/Scanner
Watermarked with Adobe Bridge
Developed by Remedy Entertainment | PC version | Screenshots taken with Hattiwatti's cinematic tools
Film Developing Minolta Dynax 5 Tamron AF 28-200mm Kentmere Pan 400 Home Developed Ilfosol 3 22-8-2022
From Wikipedia:
"Developed in African-American communities in the United States, the Charleston became a popular dance craze in the wider international community during the 1920s. Despite its origins, the Charleston is most frequently associated with white flappers and the speakeasy. Here, these young women would dance alone or together as a way of mocking the "drys," or citizens who supported the Prohibition amendment, as the Charleston was then considered quite immoral and provocative."
I love fancy dress parties, and I'm always getting hold stuff that could be useful as vintage fancy themed outfits. I'm weak for hats and head ornaments, so this sparkly number just caught me!
I couldn't quite reflect all the drama, I envisioned for this photo, but there you go!
Developing ferns - Helechos desenrollándose; camino de regreso del mirador; Parque Nacional Omar Torrijos Herrera, El Copé, Coclé, Panamá
This is from my first home-developed roll of color, using the Tetenal Colortec C-41 Rapid Negative Kit. I'm really excited to have decent first results. :-)
Yashica 44 Twin Lens Reflex
Bluefire Murano 160
The library is experimenting with new gigabit applications and developing use cases for a long distance collaboration platform called LoLa. LoLa stands for Low Latency, as in almost zero lag betweens locations. Performers feel as if they are standing 20 feet apart, despite the hundreds of miles between them during the performance.
As a part of Chattanooga Start Up Week, The Chattanooga Public Library hosted the global musical leaders with the 2016 OneBeat Fellowship, the world’s foremost music diplomacy program, and the Miami-based Fellows of the New World Symphony, America's Orchestral Academy. Using ultra high speed connectivity of Internet 2 and the low latency LoLa software inside the library, the long distance live collaborative music event was one of a kind featuring young gifted musicians from all over the world in both locations over 700 miles apart.
PHOTO: One Beat and Found Sound Nations co founder, Jeremy Thal, prepares musicians in Chattanooga for their first long distance live performance, as New World Symphony percussion students warm up in their rehearsal space in Miami, Fla.
READ MORE: chattlibrary.org/events/low-latency-and-high-speed-long-d...