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My wife and I recently took a trip to Ho Chi Minh and Hoi An where we were able to photograph the life on the streets. For the first time since 2009, I decided that my main camera should be a film camera, and I shot a number of rolls of Ilford HP5+ and enjoyed every minute.
I absolutely loved the experience of shooting only film and I'm really happy with the way the scans have turned out. Developing the film was great and it makes you appreciate every shot.
This image marks the start of a forthcoming photo series which I'm really proud of. I hope you like it.
All images were made with one camera, one lens, and one film, a Voigtlander R3A, 50mm Nokton and Ilford HP5+. All images were developed in Ilfosol 3 and scanned with a Epson V550.
All images from this series can be found on my new website: richardharmerphoto.com
In February 1943, construction was begun in Oak Ridge on a graphite pile, which had been given the code name X-10. Though X-10 was under the jurisdiction of the University of Chicago, the staff was made-up largely of DuPont people. Everything connected with the project was kept secret;all classified materials were referred to by code name only. The English code name for uranium was "tuballoy."
The X-10 pile was still under construction when DuPont suddenly decided to switch to the water-cooling method & develop the model conceived by Dr. Eugene Wigner & his group. This was a major decision, announced by Crawford Greenewalt only after the company's careful study of the different methods. Work on helium cooling was abandoned, & the efforts of DuPonts's Design Division were concentrated exclusively on Wigner's model. Thus, the plutonium project followed a peculiar pattern: design & development were carried-out at the same time as the construction of the real plant & the building of the pilot plant. X-10 was completed in November, & although it could not serve as pilot for Hanford reactors, it produced small amounts of plutonium invaluable to the Los Alamos scientists as a research tool." MANHATTAN PROJECT...The Untold Story of the Making of the Atomic Bomb. Stephane Groueff. This picture has been used to portray the Oak Ridge, Tennessee, atomic pile/reactor prototype plutonium manufacturing industry's 1st design cooperative between giant corporations & nuclear/atomic/physicists working on the gov't's atomic device "to end the war."
The SC Neustar is a developed, designed and made in Singapore Integral Coach Bus.
The 12 buses in the initial Production Batch and were built with SC Chivalrous Bodywork are
PA1128P
PA1467K
PC87U
PC6254P
PC6281K
PC6802H
PC6870K
PC6873C
PC6954C
PC6986K
PC7097U
PC7162P
Subsequent buses received a facelifted (FL) bodywork designed for the SC Neustar.
Some of the subsequent buses are
PC7742R
PC7758X
PC7861E
PC8022D
PC8023B
PC8024Z
PC8025X
PC8074D
PC8075B
PC8076Z
PC8077X
PC8958D
PC8960X
PC9375D
PC9584S
Buses owned by Gain City
PC2791G
PC4253E
PC4807H
PC8959B
PC8966E
PC9262X
For more information, please see A new McKinsey report, "Resource Revolution: Meeting the world’s energy, materials, food, and water needs" at McKinsey.com bit.ly/swRLUu
GS Type Single Deck Bus 1953
From 1934 the London Passenger Transport Board had standardised on a specially developed Leyland Cub 20 seat bus for lightly used rural services. By the early 1920s these were due for replacement. A change in regulations now meant that one man operation of vehicles up to 26 seats was allowed and London Transport therefore drew up a design with Guy Motors for a new bus of this size.
The GS (Guy Special) chassis was made from a combination of Guy Otter and Vixen components and the body was constructed by Eastern Coachworks to LT specifications. The interior bears a strong family resemblance to other LT bus types of the 1950s and the rear end was styled to harmonise with the larger RF type single deck bus and coach. Many of the sparsely trafficked routes operated by GS buses were eventually taken over by RF vehicles or handed over to private operators. By the early 1970s only a few remained in LT stock.
GS 64 was first registered in December 1953 and was allocated to Amersham Garage. After overhaulin 1962 it moved to Stevenage and saw intermittent use for two years. It ran from Hertford from 1964 to 1967 and was then stored out of use until 1971 when it was sold to Tillinbourne Valley Services Ltd. After several other changes of owner it was purchased by the L.T. Museum in 1985 and is gradually restored to late L.T. condition as resources permit.
Number built for London Transport: 84
Body Eastern Coachworks 26 seat
Chassis: Guy special using Otter and Vixen components, normal control layout
Engine: Perkins P6 diesel 4.73 litres
Dimensions
Length: 25'
Width: 7' 6"
Height: 9'6"
Taken in the Georgetown neighborhood of Seattle
Pentax PC550 28mm
Kodak Portra 400VC
Lab C41
Epson 4490
Despite the misleading name, the Australian Shepherd is not Australian at all, but was developed most likely in the Pyrenees Mountains somewhere between Spain and France, and refined in the U.S. to work as a herding dog on ranches.
A storm develops in Montgomery County Missouri as it moves into Warren County. A bit more about how this photograph was captured.
Press L to see the big picture.
The last few times I have developed Sahnaghai GP3 film in Rodinal 1:200 stand development for 2 hours, I have noticed a recurring problem.
You can see in the top right hand corners of the image, the blotches that are throughout the image.
Perhaps not enough developer is getting to the film throughout the stand development process?
I thought my Fixer may be exhausted but I have developed other films without this problem.
This problem seems to be consistent with the Shanghai GP3 .... Any thoughts on why this may be happening ?????
Hasseblad + 80 mm + Shanghai GP3 + Rodinal 1:200 Stand Developed @ 2hours
First pictures developed from my "new" (expired 1993) 9x12 Fuji 160 NSP film.
9x12 is the european equivalent of 4x5. Film holders have the same external dimensions, but film area and dark slides are different.
I shot the film at ISO 100 with my Crown Graphic. Developed in Tetenal Colortek C41.
Although a 19 year old film, I am pleased with the results - colours are good, film is a bit grainy, but acceptable.
Seen at the Keighley Festival of Transport at Ingrow Station on 4th July 2010.
Taken with a Zeiss Ikon Contaflex IV and Tessar 50mm f2.8 lens on Fuji Superia Reala 100 film, home developed in Tetenal C41 chemistry.
A local Afghan offers a French soldier tea in eastern Afghanistan. (Photo Courtesy of Task Force Lafayette/French)
Together with Karel and neighbor boy Afra we made a new board game and tested it - the boys' sisters played along, too. Most of the rules were my idea, but they're subject to change as we test the game.
Everybody rolls 2 dice at every turn. One special die (made with the Lego die) and one regular one.
The special die has the following sides:
CLOSE - close the gates on the board
OPEN - open the gates
MONEY - get a chip
PURPLE - pay a chip
The regular die is for walking, of course. The figures can pick their route on crossings, but cannot go backwards.
Every player gets a 4x10 plate to put the chips (round 2x2 tiles) on; objective of the game is to collect 10 chips so that the plate is full.
There are the following special fields:
- White jumper plate = sing a song and earn a chip
- Brown jumper plate = do a dance and earn a chip
- Red jumper plate = make a drawing and earn a chip
- Tan jumpuer plate = go two steps forward and earn a chip
- Field with a gold or silver ball = earn a chip and put the ball in the bucket. When the fourth ball goes in the buckets, all balls come back in the game at random
- Golden gate: must be open to pass. Earn a chip
- Start gate: must be open to pass
- 'Hit the wall': if you land on the field adjacent to the outer wall with the castle windows, you skip two turns
- Shelter: skip one turn
- Stop sign: skip one turn
- Arrow tile: roll again
- Field with soccer ball: go to the field before the golden gate and put the soccer ball somewhere else
- Antenna: go to the field before the golden gate
Things that need to change:
- Maybe the routing isn't clear enough. Madelief insisted on turning left where she couldn't (hence the pout), maybe I should add an arrow sign. (The way she went about, she'd skip the bit with the gate)
- I designed the game with just one OPEN and two CLOSE sides on the special die, but kids are waiting behind closed gates too much.
- That START gate was annoying. Everybody was waiting for the gate to open and got fed up. It should go.
-Reaching 10 chips may take too long. Maybe I should use smaller plates or let the game end when the first player reaches the slide.
I cant believe they dont make this film any more and soon there wont be any more left.
I discovered that I can develop this transparency film as a negative in Rodinal and I like it much more than the slides I got from Main Photo. And I need to add, do not send your Scala to those people. Do not send that horrible, unprofessional, negative butchering hell hole ANY kind of film. If you dont want to develop the negative yourself using Rodinal, send your film to dr5.
The course presents best practices to develop and operate science centres and museums relating to our natural and cultural heritage, and supporting programmes for the public.
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Foto: Lisa Zillio
Kodak Tri-x iso 400
Developed in Ilford ID-11/ 8 minutes
Kodak Scanner
The bridge itself was constructed in the late ’60s/early ’70s by New Jersey Bell so they could run telephone poles across the swamp. They left it standing after the work was completed. In its day, the bridge was a popular spot for crabbing. At one time you were able to drive to the top of the bridge and park, but you could never actually cross it because you could easily get stuck in the swampy marsh on the other side. The bridge has been vandalized and actually set on fire a couple of times (hence, half a bridge) It is only a matter of time before the township decides to tear it down.
Nikon F3
Six Gates Films Orwell BW @400 iso
developed in Tmax dev 7''
epson v700
almost all of this picture were taken by Luca (Laszlo K.) while i was developing.
it has been a glorious day. We developed over 23 rolls of color negative cinema film in a vintage Morse G3 tank. We had some major fixing issue but we saved some good frames & had a good time.
Bottom line:
1)ECN2 is totally feasible for home processing
2) Morse G3 tank agitation could not be the best for these films.
3) we took a little step forward for DIY film photography
For decades, developing and emerging economies have relied on traditional financing solutions intermediated by commercial banks with limited capital market activity. A vital challenge for these countries is how to mobilise more finance to help accelerate their development and achieve the Sustainable Development Goals (SDGs). This event comes at a critical juncture as developed economies begin to tighten their monetary policies and geopolitical tensions increase dramatically, raising new questions on how sustainable capital market ambitions could be achieved going forward.
The current turbulent environment in Europe has also highlighted the importance of energy security and the pressing need to fast-track decarbonisation efforts. This panel explored how emerging economies can achieve significant breakthroughs by mobilising cross-border finance focused on sustainable and inclusive solutions. In particular discussing the growth of blended finance and impact investment flows and their role in building up the stock of assets in emerging market economies with the aim of achieving sustainable development impact.
At the heart of the EBRD’s mandate lies a focus on environmentally sound investment and sustainable development, and the Bank is determined to promote Environmental, Social, and Governance (ESG) through a unique combination of policy dialogue, investments, and private sector focus. The panel also explored how various parties -- the emerging countries’ authorities, advanced economies’ governments interested in supporting sustainable development, impact investors and IFIs - could work together to support the much-needed quantum leap in finance.
Featuring:
Andre Kuusvek
President & CEO
Nordic Investment Bank
Alex Pivovarsky - Speaker
Director, Capital Markets Development
EBRD