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kelp forest, Deception Pass State Park, Washington.
en.wikipedia.org/wiki/Nereocystis
Kodak Tri-X in 1:4 TMAX developer, 6 minutes @ 68F.
Self-developed B&W
Film: Ilford FP4+
Develope is Kodak XTOL 1:1
Strobist info: Softbox next to largeformat 4x5 camera
Wanted to test my 4x5 attached to a wireless trigger. Jenni graciously volunteered to be my model.
Going outside today to take photographs was not a possibility. It was 37C (99F) and I wasn't feeling at my best. So I turned up the air conditioning and took some still-life photographs of my old friend Tanuki (raccoon dog) who normally sits in the hallway of my house. This shot was taken in natural light from a west facing window to the right and a gold reflector to add fill to the left side.
The photograph was taken on a Wista M450, a large format, monorail camera, using a Fujinon 180mm f/5.5 soft-focus lens @ F/8. Instead of 4x5 film, I shot Fuji Acros 120 on a Horseman 6x9 back. The negatives were processed in Fuji Microfine (stock) for 12 minutes at 20C.
Compare this photograph with one taken @ f/5.5 (flic.kr/p/Wwqaim)
Suffolk Park, Bury St Edmunds, Minolta Dynax 5, 28-80mm f4-5.6, Kodax Gold 200, Home Developed In Bellini Foto C41 Kit 13-8-2022
developed with imaging Lomo400, PORTRA800
Large 1600 view recommended
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Gerald D. Hines developed more than 907 projects around the world including more than 100 buildings over 25 stories. An avid outdoorsman, Hines was known for leading climbing expeditions, backcountry ski trips and cycling trips around the world. He was a passionate skier and developed the Aspen Highlands with co-owner Aspen Ski Company.
Hines acquired the ski area from founder Whipple Jones at the beginning of the 1993-94 season. "Whip" Jones was a ski industry pioneer and the original operator for 35 years, of the Aspen Highlands ski area. Hines arranged a merger with Skico, and then went on to demolish the aging and funky base village and developed a modern mix of timeshares, luxury homes and affordable housing along with commercial uses.
Completed in 2001, the new Aspen Highlands Village mixed-use development included 36,000 square feet of retail space, 31 residential lots, 32 townhomes, 73 lodge condominiums branded as the Ritz Carleton Resdence Club, a pedestrian mall, and 12,000 square feet of skier facilities in a village setting at one of North America's premier ski mountains. Aspen Highlands Village was master planned by the architectural firm of Robert A.M. Stern Architects LLP.
The Ritz-Carlton Club, Aspen Highlands is a rustic mountain lodge in the style that defines the Ritz-Carlton tradition. It is not a traditional hotel rather a Ritz Carlton Residence Club which offers units that were sold as timeshare units which entitled owners to four weeks of use per year - a 1/12 fractional. In 2020 the going re-sell rate for a 2-bedroom 4 week fractional/timeshare was about $150,000 not including the annual maintenance and association fees. The Ritz-Carlton Club, Aspen Highlands sits at the foot of a 12,500 ft. mountain with stunning views and surrounded by intermedium and advanced ski terrains including the legendary "Highland Bowl." Its located 5 minutes from the Aspen-Pitkin County Airport and 4 hours from Denver.
Ritz-Carlton timeshare owners sued the Aspen Highlands Condominium Association and Marriott in 2016 claiming the affiliation with Marriott Vacations Worldwide has resulted in a dilution of the Ritz-Carlton brand and a loss of up to 80% on the value of their timeshares. Some of the timeshares were acquired for more than $400,000. Timeshare owners of the The Ritz-Carlton, Bachelor Gulch in Beaver Creek and The Ritz-Carlton Club Jupiter, Florida, cut ties with the Ritz-Carlton in 2013 and 2014, respectively, because of its affiliation with Marriott. The owners at Aspen Highlands weren’t given that option, the suit says. An agreement was reached in 2019 providing the timeshare owners with a $2.6 million payment - paid by the condo association's insurance policy.
In 2007, Hines Properties sold their commercial component of Aspen Highlands Village to Eastwood Properties.
In developed countries around the world, birthrates have been falling. Governments have taken note, fearing for their long-term economic growth and national security, and many countries have developed policies to encourage their citizens to have more children. Through case studies of Sweden, France, Italy, Japan, and Singapore, ‘The Other Population Crisis’ explores the motivations, politics, programming, and consequences of national efforts to increase birthrates. Author Steven Philip Kramer and the Wilson Center’s Roger-Mark De Souza discuss the implications of these policies for national security, economic competitiveness, gender equality, and social welfare in the developed and developing world.
Read more: www.wilsoncenter.org/event/aging-and-security-what-can-go...
Since I'm starting to play with some sub-miniature cameras, I realized I have no way to develop the film from them.
I searched the web and found that the lomography website has great instructions on how to modify a Patterson film reel to fit 16mm film. Great idea, It works like a charm. Luckily, I had a spare reel lying around.
Shown here is the reel loaded with a scrap of 16mm film. You only need 170 mL of chems to process a roll.
Phase One told me that Capture One Pro 6.3.5 doesn't support Pentax DNG-files. Only Adobe DNG 1.2 (whatever that is). So, these funny colours occure from the DNG-files from my Pentax K-01.
The images with a purple sky are DNG files. The normally looking images are JPEG's.
So, I am going to use Silkypix Pentax for my K-01 "RAW" files. I'm not very happy about this, because I don't really want more than one RAW converter. And Capture One (made by Phase One who also own Phase One, Mamiya and Leaf cameras) is (otherwise) a brilliant tool for converting and editing photographs.
Anybody know of a Pentax DNG to Adobe DNG file converter?
June 2014: I use Adobe Lightroom today - no problems supporting DNG's from the K-line or the 645D. I hate the user interface, though. I never really know what I'm doing or where my images are stored.
All the things I ordered to be able to develop black and white film came in today (February 10th, 2010). Pictured here is the Kodak D-76 developer and Kodak fixer, along with a Patterson Universal tank and a good thermometer. I also got some Ilford Ilfostop stopbath and Kodak Photo-Flo 200 for the other steps. Also, I got some Ilford ID-11 and Ilford fixer so I could try them out and compare the results with the Kodak chemicals. While I was at it, I also added in a generous selection of black and white films, 100 and 400 ISO, in 135 and 120 sizes. Since the Patterson tank can develop both, I have everything I need now.
It's been almost 30 years since I last developed film and I'm anxious to get my hands back into the process. As of midnight, I had my first roll of Fomapan Classic black and white film developed and hanging to dry. Can't wait to scan the negatives and post them here on Flickr.
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Developed by: Hans Berger
Year: 1924 (however this device was only imported to South Africa in the late forties and early 50’s)
The Electroencephalogram measures an individual’s brainwave activity and is used in neurology, neuropsychology, and general medicine.
Utility, Inc. develops the smartest body-worn technology in the world, incorporating real-time communications for the best situational awareness possible during the most critical times. Unlike other police body cameras, BodyWorn™ has automatic recording triggers based on policies, officer down reporting and alerting, live video streaming, and secure automatic wireless offload to AWS cloud storage. Utility’s BodyWorn video, audio and metadata can be accessed through its cloud-based digital evidence management solution, AVaiL Web™. Utility’s other solutions, Rocket IoT™ in-car video and Smart Redaction™ application for releasing video to the public, also leverage AWS cloud storage. Providing mission critical mobile intelligence.
Learn more at www.bodyworn.com
You know your product is doing well in the marketplace when you start inspiring competitors to develop their own "not quite the same" take. One such product would be the Cu-Poche line from Kotobukiya.
Cu-Poche is a line that was clearly meant to compete with the reigning champion of the SD (Super Deformed) figure market, the Nendoroid line from Good Smile Company. Started in mid 2013, the line seems to still be active, but with releases numbering in the high hundred or so and not the 800+ releases that have graced the Nendoroid catalog.
While both lines do feature SD characters, the Cu-Poche figures are taller than their Nendoroid counterparts. Collectors of Nendoroid will know that there are several Nendoroid bodies, and the one that Cu-Poche competes against would be Nendoroids with the action bodies, having articulation rather than replaceable limbs.
With releases in both these lines being approximately 4,000 yen in 2013, what makes a Cu-Poche different and is it better or worse?
Using my sample Cu-Poche entry (Saber, again), I decided to do a bit more digging.
Like a Nendoroid, this set comes with several expression plates, relevant accessories and hands to utilize these accessories, and a dynamic stand.
Saber specifically comes with I believe it's Excalibur, the scabbard, an energy effect, as well as her Invisible Air sword (it's hard to make out on the photo, but take my word for it the various etchings on the coloured blade are on there too).
A comparison between this Saber and a 2013 action Nendoroid shows that while both have very similar points of articulation, the Nendoroid has at least one additional point of articulation just under the chest. Otherwise, they're pretty much a one to one comparison though that one missing point is a doozy. Both feature articulated ankles, but neither has fully articulated wrists.
The figure has several points of articulation on the skirt to allow for greater posing options, though the front flap only hangs onto the body through a very shallow groove, which causes that flat to come detached quite easily. I also found that her left shoulder pad came off quite consistently when posing.
Due to the slightly larger size, I found that handling the accessories and the hands of the Cu-Poche to be a significantly less maddening experience in comparison to the Nendoroid.
Paint work on the Saber is pretty good, with minimal overspray and bleeding even in some of the more detailed sections of her outfit. Decal work is solid as well, with the only hint of her Kobobukiya heritage being a slightly rough finish on the finer details of her hair.
So other than being slightly bigger, what else does a Cu-Poche offer?
Well, you may not notice this, but Saber is actually free standing in most of her photographs. There is no Nendoroid that I've ever owned that would actually allow you to do this.
So what sorcery allows for this? The answer is - magnets.
Cu-Poche have have magnets embedded into the soles of their feet which allows them to hold a vast array of positions while on their base. While the stubbiness of these figures doesn't exactly allow for the most elegant of poses, you can still coax some pretty neat stuff out of the figure.
The dynamic stand works as you would expect - there's a hole on the back of Saber, and you plug it in to suspend your figure in the air.
The actual arm itself looks very much like a Nendoroid arm. I guess the design is public domain?
So in the battle between Nendoroid and Cu-Poche, who won?
It appears that even today, the pricing between the two lines are very similar. The body hasn't changed, so Nendoroid still win the articulation game. My desire to go balls deep into either line is very limited as overly cute things are more of an accent piece in my collection rather than being the focus.
While each product line will inevitably have licenses unique to them, but given the same character I surprisingly would have to say I'd lean towards Cu-Poche for the magnets and the overall easier handling of the parts.
Naturally, with things I prefer over others, I don't see too many classifieds up selling this line, or even the Nendoroid cousin line, Parform, which I hope to get a hold of one day to do some analysis.
This is all just a nice way of saying I wouldn't hesitate to pick these up if I find them for a good price, but I wouldn't hold my breath waiting for the next one to show up here.
Developing thunderstorm, photographed from Dead Horse Road, southwest of Chadron, Nebraska, on May 16, 2022.
On December 8th, 2012 P4K and EPN launched the Farmers of the Future program officially in Gueriguinde. Both the Minister of Education and the Minister of Livestock participated in front of a huge crowd of 400! This program is being piloted in three schools in Libore, with the goal of changing the mindset of children about agriculture -- teaching them that it is a business not merely a way to subsist.
Developing some new scrolly stuff for the edges of the cover... new center image... (not yet updated in final version)....
1) Amazon 10x7 matte: www.amazon.com/Pumpkin-Dream-Cautionary-Library-Bindlegri...
2) Blurb 7x7 Semi-gloss: www.blurb.com/bookstore/detail/2187495
3) Digital Download Versions: www.smashwords.com/books/view/62941
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
This storm came oh-so-close to producing a tornado, but in the end it wasn't meant to be. This shot was taken from a dirt road east of Highway 385 about 10-15 miles southeast of Bridgeport.
Canon AE1-Program
Canon FD 50mm, f1.4
Kodak Vision3 250D
Tetenal Colortec C41 kit
Reflecta RPS 10M
Colorperfect, Photoshop, Lightroom.
Very much the same as the last model. This one differs in that it uses 45 degree arcs and the pleats are proportional to the height of the curve.
A very very kind man from Freecycle offered this lot up for grabs a couple of days ago, and now it's mine and all for free!
To say I'm chuffed is an understatement, and this comes one week before I start my phography A-Level. Now to work out how it all fits together.
The Fairchild Republic A-10-C Warthog The Thunderbolt II is a single-seat, twin turbofan engine, straight wing jet aircraft developed by Fairchild-Republic for the United States Air Force (USAF). Commonly referred to by its nicknames Warthog or Hog, its official name comes from the Republic P-47 Thunderbolt, a World War II fighter that was effective at attacking ground targets. The A-10 was designed for close-in support of ground troops, close air support (CAS), and providing quick-action support for troops against helicopters and ground forces. It entered service in 1976 and is the only production-built aircraft that has served in the USAF that was designed solely for CAS. Its secondary mission is to provide forward air controller – airborne (FAC-A) support, by directing other aircraft in attacks on ground targets. Aircraft used primarily in this role are designated OA-10.
The A-10 was intended to improve on the performance of the A-1 Skyraider and its poor firepower. The A-10 was designed around the 30 mm GAU-8 Avenger rotary cannon. Its airframe was designed for durability, with measures such as 1,200 pounds (540 kg) of titanium armor to protect the cockpit and aircraft systems, enabling it to absorb a significant amount of damage and continue flying. Its short takeoff and landing capability permits operation from airstrips close to the front lines, and its simple design enables maintenance with minimal facilities. The A-10 served in Operation Desert Shield, and Operation Desert Storm, the American intervention against Iraq's invasion of Kuwait, where the A-10 distinguished itself. The A-10 also participated in other conflicts such as Operation Urgent Fury in Grenada, the Balkans, Afghanistan, Iraq, and against ISIL in the Middle East.
The A-10A single-seat variant was the only version produced, though one pre-production airframe was modified into the YA-10B twin-seat prototype to test an all-weather night capable version. In 2005, a program was started to upgrade remaining A-10A aircraft to the A-10C configuration with modern avionics for use of precision weaponry. The U.S. Air Force had stated the F-35 would replace the A-10 as it entered service, but this remains highly contentious within the Air Force and in political circles. With a variety of upgrades and wing replacements, the A-10's service life may be extended to 2040.