View allAll Photos Tagged developing
Film Developing Minolta Dynax 5 Tamron AF 28-200mm Kentmere Pan 400 Home Developed Ilfosol 3 22-8-2022
This is from my first home-developed roll of color, using the Tetenal Colortec C-41 Rapid Negative Kit. I'm really excited to have decent first results. :-)
Yashica 44 Twin Lens Reflex
Bluefire Murano 160
OHANA, developed by Josephine Chao, Alida D’Souzza, Srinidhi Rao, Nilanni Kayamboo, Chantilly High School
Project Team’s Description: The increasing lack of communication between young people and their grandparents dramatically decreases the exchange of ideas. To combat this, the group created a website that streams information about pop culture trends to grandparents via computers. The grandparent would create a linked account with grandchildren, or any other family member. Features include a calendar countdown, which tracks the time until the grandparent can see their family members in person, and a scrapbook tab for photos.
The Rise
Regency Square Mall was originally developed in the mid-to-late 1960s. The project was initiated by Regency Centers, a now-powerful retail real estate trust based in Jacksonville that was at the time just getting started.
The mall was constructed at a cost of $12 million upon a giant clump of sand dunes, and opened its doors to the public in 1967. It featured three anchor stores – JC Penney, Furchgott’s, and May-Cohens – as well as an adjacent movie theater.
Regency quickly became a hit, owing a lot of its success to its location. At the time the Arlington area was among Jacksonville’s fastest-growing neighborhoods, and Regency Square Mall was by far the closest retail hub for its residents as well as shoppers coming into town from the beaches. It also helped that the mall was built in an era where shopping malls were quickly becoming a ubiquitous part of life in America.
The surrounding area experienced a development boom, with shopping centers, car dealers, office parks, and restaurants popping up all along neighboring stretches of Atlantic Blvd. Some of this was a result of continued growth in Arlington, but much was the direct result of traffic brought in by Regency’s success.
By the late ’70s, Regency was one of the country’s most active malls, and completely dominated the Jacksonville shopping landscape. The only “nearby” mall that could claim to compete with Regency’s offerings at the time, Orange Park Mall, was over 24 miles away.
Naturally, the mall’s ownership wanted to capitalize on this success, so around this time plans were developed to double the size of the mall at a cost of around $30 million.
Bizarrely, developers opted to tack on the additional space to the opposite side of May-Cohens, creating two wings divided by an anchor store. Ivey’s and Sears became the anchors of the newly-opened west wing.
Shortly thereafter, the east wing would get upgrades in the form of an AMC theater and a large food court.
All the while, business continued to boom at Regency Square, perhaps more so than ever.
The Fall
There’s an old proverb based on a Bible passage that states, “Pride comes before a fall.”
In the mid ’80s, Furchgott’s announced their merger with Stein Mart. While most of the chain’s stores were converted to the Stein Mart branding, Regency’s operators proudly believed the brand to be too low-class for their mall and opted to pursue a replacement anchor.
At the turn of the decade, Regency faced stiff new competition in the form of The Avenues. This new two-story mall, constructed along the intersection of Philips Highway and Southside Blvd., offered a slightly more upscale shopping experience and threatened to lure customers from the then-thriving Baymeadows area away from Regency.
Around this same time, cracks began to show in the foundation at Regency. The mall changed ownership, being sold off to Chicago-based General Growth Properties.
A couple of anchor stores began a decade-long game of musical chair. Dillard’s moved to yet another new wing, vacating the former Ivey’s, which would then become a Montgomery Ward. May-Cohens would become a Gayfer’s, then later a Belk.
Most significant, however, was the rapidly-growing issue of crime. By the early ’90s, yearly crime reports at the mall reached quadruple digits. Over the following decade, the mall rapidly developed a reputation among locals as “the sketchy mall”.
The mall’s management made attempts to fix their reputation, but for the most part the damage had been done. The addition of a JSO substation in 1998 did little to curb the crime epidemic, and the addition of an aggressively-enforced mall dress code the next year only served to alienate its remaining customers.
It seemed clear that despite the mall’s shortcomings, its management felt as though it was still an elite retail hub. In other words, they let pride take the place of rationality.
Another round of renovations in the late ’90s brought an upgraded food court and theater. When Montgomery Ward left in 2001, management pursued big-name anchors rather than simply looking to fill the vacated spot. As a result, Ward’s spot stayed empty for five years.
In 2005, the opening of the St. Johns Town Center made Regency’s survival even less likely. The Town Center now catered to the upscale crowd, with The Avenues’ savvy management team rolling out renovations around the same time to keep up appearances.
Meanwhile, Regency’s crime rate grew worse and vacancies began piling up within its corridors.
By the late 2000s, it was clear that the mall was dying. Crimes at Regency outpaced those at The Avenues and St. Johns Town Center combined.
The mall’s west wing became a ghost town. Dillard’s converted their location to a clearance center. A shooting in 2008 involving an off-duty JSO officer only served to further solidify the mall’s reputation as a bad place. Many locals refused to shop at the mall by themselves, or after dark.
By 2014, the mall’s occupancy rate slipped well under 50%. Belk, which occupied the anchor space that separated the east and west wings, announced that they planned to bolt to a standalone store further down Atlantic Blvd. General Growth Properties, finally accepting that they wouldn’t be the ones to save the mall, put it up for sale in 2013, and got rid of it just a year later.
When new ownership took over, they opted to close down the west wing and move any remaining tenants over to the east wing in hopes of saving at least one part of the mall.
A Norwich street scene taken with a folding camera.
Agfa Isolette I. 1954 folding camera.
Ilford HP5 Plus medium format film
Developed in ID11
100529-F-3322D-026 U.S. Army 1st Lt. Christian Way, Provincial Reconstruction Team (PRT) Farah civil affairs team-alpha leader, listens as the head police detective of the Anar Darah district lists development goals during a meeting Saturday in Farah province. Lieutenant Way is from Kittery, Maine. (ISAF Photo by U.S. Air Force 2nd Lt. Christine A. Darius)
My first soap carving was done spontaneously, developing from a quick test of my newly made carving tools into a stylised relief carving of a face that I made up as I went along, without referring to any external sources.
For my second attempt, I decided to take a slightly more methodical approach and begin with some sketches.
I was keen to have a go at a figurative carving as this is one of the main reasons I've restarted sculpture in the first place and it ties in with (and is very much inspired by) my attendance at life drawing classes.
At the last session I made several sketches of some of the poses from different angles with a view to potentially turning them into sculptures later. When I reviewed them I realised none had quite enough detail, at least for the relatively realistic style I was initially aiming for. Nonetheless I managed to adapt the sketches from one pose (aided by my general observations of this model, Cheyenne, over 3 sessions in the past month and my studies of life drawing and anatomy for slightly longer) into a reasonable starting point for a sculpture.
These are my working sketches. I started by measuring the soap block I was planning to carve and drawing the outlines onto the page, before sketching in the figure, in both front and side views. I did the boxes in pen in case I wanted to erase parts (or all) of the sketches to rework them, although on this occasion I didn't need to do this.
Rather than using the sketches as a careful template for the carving, I just kept them to hand as a reference while I carved, since I wasn't aiming for a particularly accurate reproduction.
Developed from a mid-day infra-red image obtained by a Full Spectrum modified Pentax K5 camera with SMC PENTAX (K) 135mm f2.5 lens and Hoya R72 (720nm) filter.
No. 26 in my set for Pentax Forum's Single in April 2016 challenge, using a Pentax K 135mm f2.5 lens.
One of the workshops centred around the theme of cooperation between IVET and HEIs. Five persons made presentations related to that subject. Isabelle Le Mouillour from CEDEFOP, during her presentation entitled “Articulating qualifications frameworks, credit systems and validation for permeability in education and training”, told how to unify the qualifications recognition system and if it is possible to create a system where certificates and academic degrees acquired in one institution or country can be recognised elsewhere. She highlighted that European Qualification Framework is the answer to these issues. - We have different education systems in Europe. This is why we need to create permeability mechanisms – stated Isabelle Le Mouillour.
Equipped with a prototype cloaking device, the Arcadia was the third ship developed by the Advanced Reconnaissance Corporation for the Galactic Core. Unfortunately the original ship disappeared a few months before it was due to be put into production and the project was subsequently abandoned.
Rumours that the Arcadia was stolen by the infamous rogue trader, Jarad Orgarda, and his henchmen were adamantly denied by both the Advanced Reconnaissance Corporation and the Galactic Core.
Leica M3 and Carl Zeiss Jena Sonnar 5cm f/2 (collapsible)
Fujifilm Neopan 1600 developed @ 3200 in Xtol (1:1)
The Jack Radcliffe opening at Gallery 1448, March 5th.
....
...one of my favorite photographers out there. Check out his page here:
www.jackradcliffe.org/index.html
and his flickr page:
C41 film developed in hair dye with rest of process in normal c41 chemicals. Negatives were very thin hence the many defects that show up in the scan.
Developer - 5ml Revlon Black #10 hair colorant diluted in a pint container of warm water (didn't measure). Semi-stand develop for 1 hour.
10 minute rinse
10 minute c41 bleach
5 minute rinse
10 minute c41 fix
10 minute rinse
2 minute final rinse.
Process inspired by and based on information posted by Martie Bell aka (-: Pickles :-) www.flickr.com/photos/27820713@N04/sets/72157623463887609/ and neelin www.flickr.com/photos/neelin/4364726260/.
Kodak 2238 shot at ISO 100 and developed in H&W Control 1:15. Underexposed and overdeveloped this is the first experiment. H&W Control was invented by Harold Holden and Arnold Weichert and “perfected” to work with Agfa Copex Pan Rapid microfilm which was rebranded by H&W as a house film to work with Control developer. The purpose of the creation was to use the high contrast film for aerial reconnaissance who H&W contracted with. Here I’m trying to see how high we could reasonable run 2238 as a standard film for snapshots etc.
H&W Control’s patent states it’s normal initial use should be 1:15 dilution at 68 degrees F for 12 minutes and then expand from there. This roll was shot at ISO 100 then split. I developed the first half of the roll at 68 degrees for 13 Minutes and the second half for 14 minutes. Standard agitation is constant for the first 2 minutes and then 6 seconds every minute thereafter. Stop/washed in tap water at 68 degrees and fixed in Ilford Hypam 1:4 for 3 minutes (H&W suggests 2 minutes).
These were shot on the same 2 days, overcast with little direct sunlight. The shots are obviously underexposed. But some of them are pretty adequate with some post process. There is a tendency for the picture to go dark and appear as evening or even well lit night. However it is easy to brighten the scene.
After some thought I think the goal will be to get clear ISO 80 pictures on 2238. I will next extend the developing time in order to clear up some of the blocked parts. I may try some sodium thiocyanate something around 1 g/Liter of stock so 0.06 gram in the working solution.
H&W Control
Water (60ºC)75 ml
Sodium Sulfite, anhydrous1.9 gpreservative
Hydroquinone0.3 gdeveloper agent
Sodium Carbonate8.7 galkali, accelerator
Phenidone2.07 gdeveloper agent
Water to make125 ml
Sodium Sulfite15.15 gpreservative
Water to make250 ml
Capacity at 1+15 dilution4 L for 13 rolls
61 Bank Holiday Monday Bury St Edmunds Minolta Dynax 5 Minolta 28-80mm F3.5-5.6 Ilford Delta 100 100 ISO Developed In Ilford Ilfosol 3 (1+9) 29-5-2023
From circles of 10.5 inch 60 lb. red paper with a little blue ink for artsiness reasons. Same crease pattern, just different orientations on the curves.
Homage to Gretter and to the mysterious Suzuki of Aichi province.
On December 8th, 2012 P4K and EPN launched the Farmers of the Future program officially in Gueriguinde. Both the Minister of Education and the Minister of Livestock participated in front of a huge crowd of 400! This program is being piloted in three schools in Libore, with the goal of changing the mindset of children about agriculture -- teaching them that it is a business not merely a way to subsist.
This British 1950's Trainer version of the de Havilland Vampire Fighter was used to teach Student Pilots how to fly Jet Aircraft. The T. 11 was developed from the original Vampire Fighter, it entered service in 1952 and became the RAF's standard Advanced Trainer. Vampire T.11's were also issued to Fighter Squadrons as Communications Aircraft (for running errands between RAF Stations) and to check Pilot abilities.
The Vampire T.11 allowed Student Pilots to graduate from the Piston Engined Percival Provost T.1 Trainer to an Aircraft with the characteristics of a 'Jet Fighter' which included a Pressurised Cockpit, Ejector Seat and Armament of twin 20mm Cannons, plus Rockets and Bombs.
This de Havilland Vampire Aircraft WZ590 was delivered to RAF Leeming in 1953, it then went to No.5 Flying Training School (FTS) at RAF Oakington in 1959, and transferred to No.8 FTS at RAF Swinderby in 1962. It was donated to the Imperial War Museum Duxford by Hawker-Siddeley Aviation Limited in 1973.
The de Havilland Vampire is a British jet fighter which was developed and manufactured by the de Havilland Aircraft Company, and was the second Jet Fighter to be operated by the RAF, after the Gloster Meteor, and the first to be powered by a single Jet Engine.
Development of the Vampire as an experimental Aircraft began in 1941 during World War Two, to exploit the revolutionary innovation of jet propulsion. From the company's design studies, it was decided to use a Single-Engine, Twin-Boom Aircraft, powered by the Halford H.1 Turbojet (later produced as the Goblin) Aside from its Propulsion System and Twin-Boom Configuration, it was a relatively conventional Aircraft. In May 1944 it was decided to produce the Aircraft as an Interceptor for the Royal Air Force, in 1946 the Vampire entered operational service with the RAF, only months after the War had ended.
The Vampire quickly proved to be effective and was adopted as a replacement of Wartime Piston-Engined Fighter Aircraft. During its early service it accomplished several aviation firsts and achieved various records, such as being the first Jet Aircraft to cross the Atlantic Ocean. The Vampire remained in front-line RAF service until 1953 when its transfer began to secondary roles such as Ground Attack and Pilot Training, for which specialist variants were produced. The RAF retired the Vampire in 1966 when its final role of Advanced Trainer was filled by the Folland Gnat. The Royal Navy had also adapted the type as the 'Sea Vampire', a navalised variant suitable for operations from Aircraft Carriers. It was the service's first Jet Fighter.
The Vampire was exported to many nations and was operated worldwide in numerous Theatres and Climates. Several countries used the type in Combat including the Suez Crisis, the Malayan Emergency and the Rhodesian Bush War. By the end of production, almost 3,300 Vampire's had been manufactured, a quarter of these having been manufactured under licence abroad. de Havilland pursued the further development of the type major derivatives produced include the DH.115, a specialised Dual-Seat Trainer and the more advanced DH.112 Venom, a refined variant for Ground Attack and Night-Fighter Operations.
▪︎Role: Fighter Aircraft / Advanced Trainer
▪︎National Origin: United Kingdom
▪︎Manufacturer: de Havilland / English Electric
▪︎First Flight: 20th September 1943
▪︎Introduction: 1946
▪︎Retired: 1979 Rhodesian Air Force
▪︎Status: Retired
▪︎Primary Users: Royal Air Force / Royal Navy
▪︎Number Built: 3,268
▪︎Developed Into: de Havilland Venom
▪︎Crew: One
▪︎Length: 30ft 9in
▪︎Wingspan: 38ft
▪︎Height: 8ft 10in
▪︎Empty Weight: 7,283lb
▪︎Maximum Weight: 12,390lb
▪︎Powerplant: 1 x de Havilland Goblin 3 Centrifugal-Flow Turbojet Engine, 3,350lbf thrust
▪︎Maximum Speed: 548mph
▪︎Range: 1,220 miles
▪︎Service Ceiling: 42,800ft
▪︎Weapons: 4 x 0.79in Hispano MK.V Cannon with 600 Rounds Total (150 rounds per gun)
▪︎Armament: 8 x 3in "60 lb" Rockets / 2 x 500lb Bombs or two Drop-Tanks.
Mind mapping my work before i get started since i like to have an organised and clear idea of where i am heading with my project and all the possibilities of outcomes i could achieve
From circles of 10.5 inch 60 lb. red paper with a little blue ink for artsiness reasons. Same crease pattern, just different orientations on the curves.
Homage to Gretter and to the mysterious Suzuki of Aichi province.
Command Sgt. Maj. Douglas Maddi, 3rd Armored Brigade Combat Team, 4th Infantry Division, speaks to participants of a two-day professional development event for senior noncommissioned officers from the brigade, June 26, during breakfast. The two-day event included a 6.5-mile hike along Barr Trail to Barr Camp, where classes were conducted and a team-building challenge took place. (Photo by Sgt. Grady Jones)
Fame is the tint that Scholars leave
Upon their Setting Names —
The Iris not of Occident
That disappears as comes —
Emily Dickinson, F968A, J866
Okay, she almost certainly means rainbow, here, but she used iris to mean the flower, elsewhere. And I need the photo for a folding menu item.
saigonphotocenter.com.vn/Default.html
shop: 114Bis, Nam Kỳ Khởi Nghĩa, Phường Bến Thành, Quận 1, Hồ Chí Minh
Im using about 10g NaOH/l at room temperature.
Quirks:
- DONT use this Rösle Metal tweezers that i love to cook with. It has sharp ripples, while this is perfect for picking somethin in a hot pan it scratches the Photofilm wich leads to broken traces while etching....
- only develop until no more of this brown sludge comes off the PCB else you will erase everything
- throw the PCB in a huge can with water to immediately stop developing
This piece is entitled "self portrait of ones entire life". I executed this piece with the a theory I developed that is called Dimensionalism . This theory has its inspiration form my experiences with pre-seizure events for I have epilepsy. In this state I become detached from reality and see time in a different construct,that of a hyper intensity. A hyper awareness of a moment and everything that constructs it from sounds,thoughts,things tactile . While in these pre seizure states, some instances time is slowed down/speed up or frozen. While in other instances I am forced away form all comprehension of what is in my present environment and reality takes on a totally foreign existence where all has to be re learned.
For the viewers of my piece all of life is in dimensions and how one moves through these dimensions of either large dimensional constructs such as ones life or to the minute dimensional construct of a simple word. Thus giving the viewer this new perspective of time and space. The suspended animation of the piece is only dynamic as the viewer views the piece from the narrower sides form either end where a visible play of time sequencing exists and ones eye is drawn into the piece...
A perspective of a Dimesionalist where one has a view of a moment with a gods eye/time traveler or a pure energy source . From looking at a simple word to a memory one has. All is captured in dimensions. There are other branches of my theory that further portray my experiences. Demensionalising and facitile dimensionalism. These ideas also play with the constructs of how one sees time/moment.I hope to execute these ideas in the future...........
All these ideas/theories have a direct correlation with present day society...from the over abundance of information that is transferred by different technologies to the ways these technologies directly affect our existence and how it adds other dimensions of time to our lives.
I will be placing more info online in the future. and creating a temp website that fully explains all the details and shows examples of these theories as well as go into more details..
If you are interested in more info please feel free to contact ...efj@sbcglobal.net
Best best
Efj.
All these ideas/theories have a direct correlation with present day society...from the over abundance of information that is transferred by different technologies to the ways these technologies directly affect our existence and how it adds other dimensions of time to our lives.
I will be placing more info online in the future. and creating a temp website that fully explains all the details and shows examples of these theories as well as go into more details..
If you are interested in more info please feel free to contact ...efj@sbcglobal.net
Best best
Efj.
I love EFKE 25 & I love orange filter! Period!!!
The exposure might be slightly off up or down on some images but the sky would be white and invisible if it wasn't for the orange filter. I love the result!
Hasselblad 500c/m & CF Planar 2.8/80mm with Hasselblad's multicoated orange (21) filter
Stand developed in Agfa Rodinal 1+100, 1 hour at roughly 18-22C and 2 light agitations on every 15 min.