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The fog you see in the photo was actually from a control burn they did in Jonathan Dickinson State Park the day before. It was very early in the moring and the sky was full of color. I had to stop and shoot this perfect opportunity.
Fewer light-up buttons and switches than Apollo Mission Control, and more Dells and HPs. :P
I like how there's both a map of the ISS in the center and live-generated 3D models for visualization. The screen of text on the right is a log of commands sent to the ISS.
Above that are the all-important timers for next LOS (Loss of Signal) and AOS (Acquisition of Signal). As the ISS flies around the world, it sometimes goes through dead zones where Mission Control loses contact. Whenever LOS happens, everyone in Mission Control runs to the bathroom, basically. :D (Or gets a snack, or whatever.) Then they hurry back before AOS.
Diefenbunker: Canada's Cold War Museum
MESSAGE CONTROL CENTRE
Coded messages would have flooded into the Bunker during a nuclear attack. Throughout CFS Corp's operational years during the Cold War, the Message Control Centre (MCC) had to sort them quickly and accurately.
Staff at the MCC logged, processed, duplicated, and distributed all incoming and messages. They also had to ensure outgoing messages were authenticated and formatted before transmission. Even small errors could be catastrophic in a crisis.
Five staff members per shift handled outside messages, as well as the internal message system within the Bunker.
Notice the pass-through slot in the wall-cryptographers in the next room were ready to decode incoming messages and encode those being sent out.
Najat Vallaud-Belkacem a présenté, jeudi 9 juin 2016, un ensemble de mesures visant à garantir le droit à l’Éducation pour tous les enfants, dans le respect des valeurs de la République et de la liberté d’enseignement, ainsi qu’un état des lieux de la scolarisation dans les établissements privés hors contrat et de l’instruction à domicile.
Photo © Philippe Devernay / MENESR
Retrouvez ici l'interview accordée au Monde à ce sujet :
www.najat-vallaud-belkacem.com/2016/06/10/controle-des-ec...
Retrouvez ici en vidéo la présentation par la ministre des mesures visant à garantir le droit à l’Éducation pour tous les enfants :
www.najat-vallaud-belkacem.com/2016/06/09/garantir-le-dro...
These cables went from the operators cabin to the machinery room directly below to control the throttles, brakes, and rotational direction of the steam engines connected to the cable drums. Everything about the McMyler is mechanical. No electrical signalling here!
More photos here in the McMyler set.
RUPTURE NO 1: blowtorching the bitten peach
Heather Phillipson
(23 March 2021 – 23 January 2022)
Tate Britain Commission in the Duveen Gallery
Heather Phillipson engulfs Tate Britain’s grand central galleries with colour, sound and motion
In her words, she is proposing the spaces as a sequence of ‘charged ecosystems, maladaptive seasons and unearthed lifeforms’.
She reimagines the galleries as alive, and happening in a parallel time-zone. Mutant creatures, built from technological remains, populate the space.
Described by Phillipson as a ‘pre-post-historic environment’, the work and its title evoke an abundance of sensations and associations that resist coherence. The artist says she is attempting to ‘cultivate strangeness, and its potential to generate ecstatic experience’.
Phillipson’s work often involves collisions of wildly different imagery, materials and media.
Through multiple, unexpected combinations, she conjures absurd and complex systems. Here, salvaged machines, colossal papier-mâché sculptures and hand-painted scenes are layered with digital video and sound. Mountains of salt, bisected aircraft fuel tanks, mobile gas canisters, rotating anchors and shapeshifting roof vents are doused with tinted light. Everything is remixed and redeployed.
Phillipson’s multimedia projects include video, sculpture, installation, music, poetry and digital media. She describes her works as ‘quantum thought experiments’. They often carry an underlying sense of threat – a suggestion that, in the artist’s words, ‘received ideas, images and the systems that underpin them may be on the verge of collapse’.
[Tate Britain]
Controlled fires are set in Spring and Autumn to reduce the leaf litter and fire load in our forests. This helps to reduce fierce wildfires in summertime during the hot time of the year.
Tear outs from my notebook I kept last spring. Dedicated to my food journal and the emotions I felt everyday. I tracked myself, my every move and every meal. Counted, calculated, added, burned, totaled. It's horrible. It's never good enough. My view of good and bad was totally thrown off. 750 calories suddenly became success and 1200 was too much. It was so distorted. I needed to see the number of burned calories on the treadmill everyday and make it higher than calories consumed. Unable to maintain this goal, I felt like a failure everyday. Why did I do this to myself. I had control over my feelings and yet I set impossible expectations for myself to meet. Set myself up for failure. Then when I can't do it, I am just reaffirming what I already think of myself.
the movie control about the shrt life of joy division's front-man ian curtis.
testing the sigma 24-70 f2.8 ex dg hsm on my nikon d700. returned the lens at the end because the combination is way too heavy.
The 10th and final Alton Classic Bus & Country Pub Running Day hosted by the Hants & Surrey Bristol RE Group took place on Saturday 20th July 2019.
For one last time, on the Saturday before the annual Alton Bus Rally (a separate event held on the Sunday), the Hampshire countryside reverberated with the sound of Bristol RE buses trundling between country pubs and Alton Railway Station.
There were 16 buses involved made up of 14 Bristol REs (including one used as the control bus), a Leyland Leopard and a Foden PVRF6 acting as a replacement for another RE.
Bristol RE / ECW bus: HDL25E, PPM210G (control bus), FWC439H, HFM196J, TDL563K, XLJ726K, JMW169P;
Bristol RE / ECW coach: 837SUO, AFM105B, OAX9F, TFM267K;
Bristol RE / Marshall: SJA352K;
Bristol RE / Alexander (Belfast): BXI2565, BXI2599;
Leyland Leopard / ECW: HNE641N;
Foden PVRF6 / Metalcraft: NTU125.
Lt Col Miroslav Brys, battalion commander from 6th Airborne, Polish Land Forces, coordinates support for his soldiers during the field and command post training leading up to the Bagram XI exercise. Bagram is a biannual exercise that test and certify that the Polish Task Force White Eagle members are ready for their mission in Afghanistan. There are more than 20 U.S. military and civilians participants along with over 800 Polish participants, support staff and contractors supporting the training that is running 21-25 Feb 2012. Photo by Richard Bumgardner, US Army Europe Public Affairs.
Image of control room panels. (Nov. 2007)
Visit the Nuclear Regulatory Commission's website at www.nrc.gov/.
To comment on this photo go to public-blog.nrc-gateway.gov/2012/04/01/nrc-moves-its-publ....
As a leading manufacturer of custom control room solutions, Winsted specializes in design, development fabrication and installation of any custom workstation consoles for complex technical environments.
Our custom control room solutions are found in power and process plants, military and transportation command centers and communication centers globally. This experience taught us to consider countless intricate details when creating the ideal control room.