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Me encanto ver y por supuesto fotografiar a estos ciervos y ver como el macho controlaba todo mientras las hembras seguían pastando tranquilamente, creo que la escena bien se merecía esta foto.
Espero que esta escena y foto también sea de vuestro agrado
Por favor no use mis imágenes en páginas web, blogs u otros medios sin mi permiso explícito. ©Todos los derechos reservados
The harbor control center forms the top of this building in the marina district of Vancouver, B.C., Canada. You can see the other side of the control center reflected in the adjacent building.
Mr Spock is testing his mind control to see if he can change the remote to the channel he wants or influence me to do his bidding.
Fab Free is the longest running freebie blog on the grid, and every day we have multiple posts showing you the best free gifts around! Today I've got some free unisex gifts from Alpha to show you!
Fab Free: fabfree.wordpress.com/2025/03/03/taking-back-control/
"Taking Back Control" by Sparta
The future bleeds
All these wasted seeds
Don't let it go
We're taking back control
The future bleeds
All these wasted seeds
Don't let it go
We're taking back control
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:1/80
ISO:64
Focal Length:15 mm
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:Off
WB:Auto1
Picture Control:Auto
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
She's fallin' in love now, losin' control now
Fightin' the truth, tryin' to hide
But I think it's alright, girl
Yeah, I think it's alright, girl
She's falling but she doesn't think he'll catch her
'Cause her last relationship was a disaster
Accusations everyday she didn't know why
All her calls would be ignored he's on his own time
Shoulda ended it before it started
All she ever got was broken hearted
He was cheating on her tryna' flip it
Back on her like a victim
Now she all alone and starting over
Now she got baggage on her shoulder
But the new guy really loves her
She loves him, but she doesn't trust herself anymore
Those pretty purple flowers are a non-native vinca. The deer have managed to keep the patch small, although this year the plant seems to be growing more than usual. Unfortunately they can't seem to keep English Ivy under control. They do like it, but it seems to grow too fast.
The photographers were stood well away watching the mist beginning to lift on Derwent Water in the Lake District National Park. They were operating the cameras on remote control as the sun was just beginning to have an impression on the mist.
Derwent Water is one of the principal bodies of water in the Lake District National Park, measuring approximately 3 miles (4.8 km) long by 1 mile (1.6 km) wide and is some 72 feet (22 m) deep.
The world drifts, aware of its own daze, caught in a massive maneuver toward shipwreck. Old values fade as new ones rise, spitting shrill blasts like the trumpets of Jericho. An abandoned shell, an urban skeleton, the last breath of solitude. The death of the new through the old, and of the old through the new. Birth and collapse. A whole that amounts to nothing.
***
El mundo va a la deriva y se sabe aturdido, inmerso en una masiva maniobra de naufragio. Los viejos valores se difuminan y se erigen otros nuevos que escupen estridencias como trompetas de Jericó. Cascarón abandonado, esqueleto urbano, último aliento de soledad. Es la muerte de lo nuevo a través de lo viejo y viceversa. Un nacimiento y un colapso. Un todo que es la nada.
This is the color version of one of the images from my black and white series 'Into The Cypress Swamps' that won me the overall title in the Travel Photographer of the Year competition a few months ago.
This one also has a more panoramic look, which was not possible for the bw version as that one was part of a series. It’s my favorite shot of the series, clearly because I’m in it. And the light isn’t too bad either.
The image was shot with a remote control - the camera was on a tripod that I carefully positioned in the water.
- - -
If you would to see this amazing scenery yourself - we have set up the world's first Cypress Swamps photo tour to Louisiana and Texas. The 2016 tour is already fully booked, and there are only 6 spaces left on our three 2017 tours. If you're interested, don't hesitate and reserve your spot here: www.squiver.com
This is a unique photo adventure (until the usual suspects start copying us again) that will result in unique images. We will take you to the best spots and give you tons of tips on how to get the best results. And on how to prevent you from unwillingly donating your camera gear to the swamp gods - proper kayak technique! I know you’re interested, so why not have a look at the tour brochure here: ow.ly/R5fl1003dHi
Looking forward to paddling with you!
Marsel
©2016 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
HMM😊😊😍 abstract
This measures an inch and a half square inches
This photo was taken on February 26th, 2024 at 14:07:25 pm
With heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating and stay safe! ❤️❤️❤️
Macro 1X (focus stacking)
Fondos MNCN-CSIC
Macro 1X con apilamiento de foco por control de anillo de enfoque
Macro 1X by focus stacking using the focus ring control
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (36 shots, Method B, R=4, S=2)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 15 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (36 shots, Method B, R = 4, S = 2)
-Helicon You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 15 min
-And sorry my English, please.
pepo