Control

- In-game photomode

- Reshade

Me encanto ver y por supuesto fotografiar a estos ciervos y ver como el macho controlaba todo mientras las hembras seguían pastando tranquilamente, creo que la escena bien se merecía esta foto.

Por favor no use mis imágenes en páginas web, blogs u otros medios sin mi permiso explícito. ©Todos los derechos reservados

{geek} Tape Ears I

{geek store} Lips Tattoo

{geek} Bruised - Face Addons

{geek} Wrinkles Male Light tones

{geek} Paper words + Face tattoos

[Vile] - F**K Repellent Can

Volkstone Baruk Hairbase

Volkstone Omar Facial Hair - Available @mancave

RichB. Boyd Bracelet - Available @mancave

[LOB] HERD SHIRT - Availabe @Equal10

Guapa - Erebus Skin (LeL evox) - Availabe @Access

The Factory - NextGen CIGARETTE

Kodak Ektar 100 with Mamiya 645 Pro and Sekor 45 mm

A White-tailed Sea Eagle...... with nibbles .

Loch Na Keal, Mull.

Mr Spock is testing his mind control to see if he can change the remote to the channel he wants or influence me to do his bidding.

"Who controls the past controls the future. Who controls the present controls the past.”

George Orwell 1984

Fab Free is the longest running freebie blog on the grid, and every day we have multiple posts showing you the best free gifts around! Today I've got some free unisex gifts from Alpha to show you!

Fab Free: fabfree.wordpress.com/2025/03/03/taking-back-control/

"Taking Back Control" by Sparta

The future bleeds

All these wasted seeds

Don't let it go

We're taking back control

The future bleeds

All these wasted seeds

Don't let it go

We're taking back control

Control

- In-game photomode

- Reshade

Waterfall in the Cloud Forest, Gardens by the Bay

I wish there is remote control for everything...            Video

youtu.be/D41nJgZDJek?si=nIS2goI7UHmebB9I

Damage Control · Chris Pureka

- Lyrics -

I'm covered in fingerprints

I'm thumbing through pages

Looking for some escape

All the bold letters

Just say the same thing

There's no way out of this

We never believed you

We never believed in you

Just look what you've done

And how, how could you go there

Wearing your white gloves?

Can't you see what you've done?

Where's the safety net now?

Where's the damage control?

We were promised a whole set of balances

You took the crookedest line to our door

And you left us with one million eyes closed

Back at the homestead

We're fighting our instinct

Run, run, run, run for the hills

With everyone leaning

I think that it's tipping

I just see over the edge

So when you fall out of this trance

There's no one to buy you back

From all that you've done

So go, get the fuck out of this house

Just hurry along now

'Cause there's work to be done

Where's the safety net now?

Where's the damage control?

We were promised a whole set of balances

You took the crookedest line to our door

And you left us with one million backs turned

Where's the safety net now?

Where's the light at the end?

It was never enough to have everything

You took the crookedest line to our door

And you left us with one million eyes closed

Ex coal mine (1914-1988)

Those pretty purple flowers are a non-native vinca. The deer have managed to keep the patch small, although this year the plant seems to be growing more than usual. Unfortunately they can't seem to keep English Ivy under control. They do like it, but it seems to grow too fast.

Blog Post & Details Here

Music Mood

Also.. thank you to my friend Joe for posing with me

shaynejames.wordpress.com/2018/08/15/control-me/

Puits Simon - abandoned coal mine (1904-1997)

The North Office of Bethlehem Steel 2009

Kodak Ektar 100 with Mamiya RB67 and Shift L 75 mm

80/366

A controlled burn in a near by town. Numerous fire departments came for training.

the instrument panel and control stick inside the cockpit of a vintage military jet,

On tour with kgreipel.

owner named his Mopar "outta control"...certainly aptly named with this as his engine combo

copyright SB ImageWorks

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Im such a huge fan of spotlight. This Mission Control at Vivid Sydney 2015 reminds me the new Disneyland 60th fireworks show. Whenever I see spotlights, I stand there and watch for hours.

Virgin Queen

Puits Simon - abandoned coal mine (1904-1997)

The Harbour shipping control tower, which is destined to be demolished.

As part of the redevelopment of Barangaroo the tower has ben decomissioned, but a long battle to save it from demolition has failed.

a 2 minute and a 1.5 minute exposure stacked for the cloud movement

control room to the turbines that powered an old paper mill

De NH Industries NH90 is een Europese middelgrote, tweemotorige, multifunctionele militaire helikopter. Het was de eerste productiehelikopter met een volledig fly-by-wire vluchtbesturing.

Dankzij een relatie bij de Koninklijke Marine mocht ik een dag meevaren op het luchtverdedigings- en commandofregat de Zeven Provincien. Onderdeel van deze dag was ondermeer een demontratie van de luchtmacht, met haar NH 90 Helicopter, op volle zee, Het weer was niet zo fraai, maar dat kwam de setting eigenlijk alleen maar ten goede....

******

The NH Industries NH90 is a European medium-sized, twin-engine, multirole military helicopter. It was the first production helicopter to feature entirely fly-by-wire flight controls.

Thanks to a relation in the Royal Netherlands Navy, I was allowed to sail for a day on the Air Defence and Command Fregate the Zeven Provincien. Part of this day was, among other things, a demonstration of the air force, with its NH 90 Helicopter, on the high seas, The weather was not so nice, but that actually only benefited the setting....

Generated By Midjourney V6

**PROMPT CINÉMATOGRAPHIQUE ULTRA DÉTAILLÉ (FR)**

Un gigantesque minotaure anthropomorphe surgit d’un ancien labyrinthe de pierre humide, sa masse musculaire luisante de sueur et d’eau stagnante. Sa tête bovine imposante, aux cornes épaisses et asymétriques, est légèrement inclinée vers l’avant dans une posture de traque prédatrice. Ses yeux ambrés brillent d’une lueur menaçante dans la pénombre. Chaque pas écrase les flaques sur le sol pavé, projetant des gouttelettes dans l’air chargé de brume.

À l’arrière-plan, un guerrier héroïque inspiré de la Grèce antique — cape rouge sombre flottant dans un courant d’air souterrain — se tient en haut de quelques marches de pierre usées. Il tient une épée courte à la main droite, lame orientée vers le bas dans une posture tendue mais contrôlée. Son armure de bronze patiné capte la lumière vacillante des torches murales.

**ENVIRONNEMENT & DÉCOR :**

Le labyrinthe est ancien, massif, oppressant, construit en blocs de pierre cyclopéens couverts de mousse humide et de traces d’érosion. Des torches fixées aux murs diffusent une lumière chaude orangée qui contraste fortement avec les ombres froides bleutées de la profondeur. Une légère brume au ras du sol ajoute de la profondeur atmosphérique. Le sol est irrégulier, mouillé, réfléchissant la lumière du feu en reflets dorés.

**ÉCLAIRAGE (STYLE CINÉMA ÉPIQUE) :**

— Key light chaude provenant des torches latérales

— Rim light froide bleutée détachant la silhouette du minotaure

— Volumetric lighting visible dans la fumée

— Fort contraste clair-obscur (style Caravage cinématographique)

— Reflets spéculaires sur la peau humide et l’armure

**CAMÉRA & COMPOSITION :**

— Plan large dramatique (wide cinematic shot)

— Angle légèrement en contre-plongée pour accentuer la taille du minotaure

— Profondeur de champ moyenne, arrière-plan légèrement flou

— Composition en triangle entre le monstre, le héros et les torches

— Perspective immersive au ras du sol avec éclaboussures nettes au premier plan

**STYLE VISUEL :**

— Ultra-réaliste, hyper détaillé

— Dark fantasy mythologique

— Texture peau et pierre en 8K

— Grain cinéma subtil

— Palette couleur : ambre brûlé, bleu nuit, bronze antique

— Atmosphère lourde, humide, dramatique

**AMBiance & ÉMOTION :**

Tension maximale juste avant l’affrontement final. Sensation de danger imminent, souffle retenu, moment suspendu dans le temps. Le monstre avance lentement tandis que le héros reste immobile mais déterminé.

**PARAMÈTRES SUGGÉRÉS :**

— aspect ratio 16:9

— ultra detailed

— cinematic lighting

— volumetric fog

— dramatic shadows

— sharp focus

— photorealistic

— epic dark fantasy

— 8k texture

— high dynamic range

---

**ULTRA-DETAILED CINEMATIC PROMPT (EN)**

A gigantic anthropomorphic minotaur emerges from an ancient, damp stone labyrinth, its massive muscular body glistening with sweat and stagnant water. Its imposing bovine head, crowned with thick asymmetrical horns, tilts slightly forward in a predatory stalking posture. Its amber eyes glow menacingly in the darkness. Each heavy step crushes the puddles on the cobblestone floor, sending droplets scattering through the mist-filled air.

In the background, a heroic warrior inspired by Ancient Greece — dark red cape flowing in the underground draft — stands at the top of a few worn stone steps. He holds a short sword in his right hand, blade angled downward in a tense yet controlled stance. His weathered bronze armor catches the flickering light of the wall torches.

**ENVIRONMENT & SETTING:**

The labyrinth is ancient, massive, and oppressive, built from cyclopean stone blocks covered with damp moss and erosion marks. Wall-mounted torches cast a warm orange glow that strongly contrasts with the cold bluish shadows of the depths. A thin ground fog adds atmospheric depth. The uneven wet floor reflects the firelight in golden highlights.

**LIGHTING (EPIC CINEMA STYLE):**

— Warm key light from the side torches

— Cool bluish rim light separating the minotaur’s silhouette

— Visible volumetric lighting in the smoke

— Strong chiaroscuro contrast (cinematic Caravaggio style)

— Specular highlights on wet skin and bronze armor

**CAMERA & COMPOSITION:**

— Dramatic wide cinematic shot

— Slight low-angle perspective to emphasize the minotaur’s scale

— Medium depth of field, slightly blurred background

— Triangular composition between the monster, the hero, and the torches

— Immersive ground-level perspective with sharp foreground splashes

**VISUAL STYLE:**

— Ultra-realistic, hyper-detailed

— Mythological dark fantasy

— 8K surface textures

— Subtle cinematic film grain

— Color palette: burnt amber, midnight blue, antique bronze

— Heavy, humid, dramatic atmosphere

**MOOD & EMOTION:**

Maximum tension just before the final confrontation. A sense of imminent danger, breath-holding suspense, time frozen in a decisive moment. The monster advances slowly while the hero remains still but determined.

**SUGGESTED PARAMETERS :**

— aspect ratio 16:9

— ultra detailed

— cinematic lighting

— volumetric fog

— dramatic shadows

— sharp focus

— photorealistic

— epic dark fantasy

— 8k texture

— high dynamic range

---

--ar 16:9 --v 6 --style raw --q 2 --s 200 --chaos 8 --seed 777 --uplight

We enjoyed a nice outing to South Coyote Buttes last night. This is one of the most iconic features in the area known as the Control Tower with some soft twilight glow. If you ever get a permit to visit, I can take you out here for the best light! Other tour guides in the area just take you out in the middle of the day. Trust me, it looks a million times better in the golden hour!

En la clase de adiestramiento la pose se hace difícil..:)