View allAll Photos Tagged composition
2009-01-30_18-36-19 Synttäriasetelma - kirja vuodelta 65 ja dvd Tarjalta.
My baby-memories book and today's present from Tarja.
Composition babies with tin eyes, the little Horseman in the rose dress was the first doll I bought as an adult and the beginning of my doll collection, the compo baby on the right came shortly after. The Breyer horses and Sea Star book were mine as a child. The turtle toy belonged to our ferret Rufus and was one of his favorite toys. The turtle is wearing his little collar.
Cheryl became enamored with a "junque" journal video she saw and created a group for it. :o) Since I can't say no to Cheryl to save my life, here is my attempt. I haven't actually added anything to it yet because I have other projects with deadlines. LOL
Body Composition Monitor breakthrough in technology allows you to accurately monitor body composition without any visible electrodes on the all glass platform. The electrodes are the key element of Bioelectrical Impedance Analysis (BIA) technology that is used to monitor multiple components of overall health.Body Composition Monitor has good quality.
www.atcomaart.com/pd/48525368554866505665/personal-scales...
Saimaiyu Akesuk
Born in Iqaluit, Nunavut, in 1988
Active in Cape Dorset, Nunavut
2018
Wax crayon over traces of graphite, on black paper
56.5 x 76.3 cm
Purchase, Geraldine C. Chisholm Bequest
Inventory 2018.321
Saimaiyu Akesuk is the granddaughter of the famous Cape Dorset sculptor Latcholassie Akesuk (1919-2000). The first drawing she sold to the Cape Dorset print studio – with the encouragement of her friend Ningiukulu Teevee, one of the leading lights in Cape Dorset graphic art – was inspired by one of her grandfather’s whimsical birds, and his spirit seems to continue to live through her art. Saimaiyu’s vivid animal drawings also recall the work of the Cape Dorset elder graphic artists Sheojuk Etidlooie (1929-1999) and Papiara Tukiki (born 1942), but Saimaiyu has definitely found her own personal style.
In her joyful drawings, Saimaiyu seems to have resisted adopting not only a realistic style, but even a sense of deliberate design. Her works have a childlike sense of whimsy and fun, and lack even a hint of the irony or angst that is present in the work of many of her peers. An elementary school teacher in Cape Dorset, Saimaiyu has seemingly taken inspiration from her students (and her elders) rather than from her artist colleagues, many of them stars of the contemporary Canadian art scene.
Composition (Purple Bear) positively bursts with energy; the animal seems ready to break free from the borders of the black paper at any moment. The radiating lines of exuberant colour are like an explosion of fireworks – and interestingly but perhaps coincidentally are reminiscent of Kenojuak Ashevak’s iconic 1960 print The Enchanted Owl. In fact, there is a definite “early 1960s” sensibility about the work; despite the obvious modernity of its colour palette and pattern, the shape of the bear is refreshingly unaffected, even naive.
Order from chaos, viewed from above.
A ferry deck is never short on activity, but the challenge is turning movement, machinery, lorries, water, and infrastructure into something legible. Lines lead, blocks stack, colours separate, and the eye finds its way through the frame.
Graphic composition is about editing in real time. Choosing what stays, what aligns, and what carries the weight of the image.
I choose this photo because the book is placed on a third and the heart is the framing the letters and the background. The pages forming the heart represents leading lines.
It´s not my favourite picture but i like the sepia colours and the simplicity of the forms. Yust a fork and a knife. Please give coments.