View allAll Photos Tagged composition
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
“Composition’, 1921 Piet Mondrian. Dutch, 1872-1944
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
1999.363.57
In this work, tonal variations and primary colors balance fields separated by broad bands of black. Regarding the dynamic equilibrium of planes and lines in his paintings, Mondrian said: “The principle of this art is not the negation of matter but love of matter, viewed in the most intense manner and expressed in form in the artistic creation.”
From the placard: Metropolitan Museum of Art
Thinking about the spacing and orientation of objects on a canvas ...
These visualizations illustrate a collection of patterns for programmatically arranging visual objects in 2D space.
Study on composition, photographed with a Nikon D90 + VR 18-105mm lens. The yellow module was layered in photoshop and the color removed from the original photo.
Added to MELLOW YELLOW competion.
This is a good composition because it has a symmetrical balance. There's also leading lines by the wall which leads to the front doors. There's also depth in this image
Artist: Fred Vedder
Title: Framed Composition
Size: 10" x 10"
Medium: Catalpa seed pods, burlap copper wire, maple leaves, handmade redwood bark paper
Date: 2010
Price: SOLD
Commissioned by Alex Sigman for his musical cycle, this Digital Video interprets and expands a contemporary electronic composition and offers abstracted, textual components that compliment the aural work. 8:20 minutes.
Pictures somehow showcasing separation of main subject with color, contrast, focus, texture or pattern, and any combination of those.
This is my favorite leading lines photo because I like the way the road leads to the hill. In LR I turned down the exposure and turned the highlights to brighten up the sky. In this photo I wanted to capture the feeling of the open road.
This picture meets the goals of the assignment because the window is framing the canisters. It focuses mainly on framing more so than it focuses on composition. One strength I think this photo has is that the canisters are pretty centered on the window frame, and I was able to get all of them into the photo, while getting most of the frame in as well. A weakness I think this photo has is a lack of a focal point-the picture doesn't focus on one specific canister. I was able to crop out some of the excess, unneeded part of the original picture; however, I also wish I could have cropped out the bottom left corner of the photo some more, or aimed the camera a little higher to get the counter top out of the photo entirely. To take this photo, I knelt down a bit and aimed the camera at an angle so that I wouldn't get the canisters directly and straight on. I took this photo at night so that the light from the sun wouldn't stream into the window, possibly causing the canisters in the photo to look washed or flushed out.