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Today's the last day (Day 31) of my October monochrome project.
Samsung Galaxy A20 with 3.60mm f/1.9.
The last 30 days gave me a chance to work under limited constraints. It was interesting shooting everything in a square format and just in monochrome.
Clusters of circles I've drawn in one of my handmade journals. Pens, Markers, Sharpies, Gel pens and various other inks.
Wie ich beim Vorbeigehn vernommen hab, sind die Fotos für facebook vorgesehen.
Leider bin ich selber nicht bei diesem social network und die fb-Seite der Girls kenn ich auch nicht ... ;-)
Aufgenommen mit der Nikon Zoom 310 AF.
Nossa linda modelo Maryane para Locaweb. Parabéns
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Think She's Got what it takes to be the on MUSE? then vote! Your vote will decide 10 of the 16 finalists! vote for the girls you think have the potencial for MUSE: Fresh Face Edition!
Comment below Saying if you want her to go through!
Running out of suitable words....down to gorgeous in the thesaurus.
Haleiwa Surfboard Company
Email: jen@haleiwasurfboard.com
Tia Morales Model Mayhem #1621953
Hair/MU/wardrobe by Tia
Blanket unknown weaver in Guatemala
Warszawa, Poland
Blasts from the past. 2020
Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe
This vent is in the outer wall of the substation for the silica grinding works just below Harboro Rocks, Brassington, Derbyshire. It is marked "COWELLS SANATORIUM VENTILATOR" and I can find no trace of the manufacturer.
1. Aluminum Casting and Rolling Machine Application:
This aluminum rod CCR line is designed to manufacture aluminum conductive rod diameter of 12mm with 13rolling stands, 9.5mm with 15 rolling stands.
2.1 Aluminum Casting and Rolling Machine Main technical date:
Dia. of the al. rod: Ф12, Ф9.5 mm
Production capacity: 2.5-4.2t/h
Overall dimension: (l×w×h) ≈32.05×7.2×4.2m
Total weight: ≈60t (not include the furnace body)
2.2 Technical data for components:
2.2.1. Continuous casting machine
Dia. of the crystallizing wheel: Ф1500mm
Section of the crystallizing wheel: 2420mm2
Section of the ingot: 2400mm2
Casting speed: 7.6-15m/min (rotate speed of the motor 500-1000r/min)
Rotate speed of the crystallizing wheel: 1.66-3.3r/min
Power of the crystallizing wheel motor: 4Kw
Cooling water pressure of the crystallizing wheel: 0.35-0.6Mpa
Cooling water consumption: 100t/h (inner cooling 60t/h, outer cooling 40t/h)
Water pump type: IS100-65-200
Motor type: Y160M2-2 22Kw
2.2.2. Monorail hydraulic shear:
Max. shearing force: 12000kgf
Max. shearing stroke: 65mm
Motor hoist type: TV-0.50 Max. load 250kg
Pump type: CB-FC-20
Oilpressure: 160kg/cm2
Oil volume: 20L/min
Motor power: 7.5Kw n=960r/min
2.2.3. Continuous rolling machine type Y:
Type: 3-roller type Y
Dia. of rod: Ф9.5, Ф12mm
No. of rolling stands: 15, 13
Nominal roller dia.: Ф255mm
Driving ratio between neighboring stands: 1:1.25
Max. finished rolling speed: V=6.2m/s
Rolling center height: 852.5mm
Main motor power: 250kw (DC n=500R/min)
Gear box and lubricating oil box: 3m3
2.2.4. Coiler:
Max. coiling weight: 2t
Max. dia. of the coiler: Ф1800mm
Driving motor power: 1.5kw
Trolley motor: 2.2kw
Trolley speed: 0.75/s
3. Aluminum Casting and Rolling Machine Brief technological process:
3.1
3.2 Aluminum liquid or compounded aluminum flows from the holding furnace through the launder to the belt continuous casting machine to cast the molten aluminum into trapezium ingot with a section of 2400mm2, then shear the substandard aluminum ingot, press the front part small, and feed it into the 15 rolling stands to manufacture al. rod with a dia. of 9.5mm. The stand (can also be bought from us) which will loop it.
4. Aluminum Casting and Rolling Machine Component parts and structural features:
4.1. Continuous casting machine:
Belt continuous casting machine consists of crystallizing wheel, driving device, press roll device, steel belt greasing device, guide bridge, steel belt tensioner, external cooling inject, steel belt, etc.
The melt aluminum flows from the holding furnace through the launder to the pouring groove, the floating head of the plug controls the flow of the al. liquid, the liquid is poured into the cavity formed by the crystallizing wheel and the sealed belt. The whole pouring groove can be moved up and down driving by the power of motor. Worm gear reducer and screw pair. The section of crystallizing wheel is M-type, and it is driven by the motor. The crystallizing wheel is equipped with an inner cooling device, which could spray cooling water onto the inner surface of the wheel with a water pressure of 0.35 Mpa. The inner cooling water can be divided into 6 sections; the flow could be controlled by the cut off valve. The external cooling device spray the cooling water onto the steel belt, so as to cool the al. liquid won't flow out. The guide wheel is used to adjust or change the direction of the steel belt and change the length of the cavity. The tension of the steel belt can be changed through the tensioner, so as to keep a certain tension. In order to strip the al. ingot, the continuous casting machine is equipped with steel belt greasing device. Because the whole process is not interrupted long ingot can be gained.
4.2. Continuous rolling mill:
The continuous rolling mill consists of 15 rolling stands of three rollers type-Y. The nominal dia. is 255mm. there are 7 upper driving device for even number rolling stands and 8 lower driving device for odd number rolling stands, they are arranged alternately. The type of the hole is "circuit-arc triangle-circuit". The main DC motor transmits the power through the coupler and the main shaft under the 12th rolling stand of driving gearbox. The transmission ratio between two neighboring stands is 1:1.25; there is safe tooth-like coupling in the junction of the gearbox and rolling stands. When it is overloaded, the safe pin will be cut to avoid the accident. In the front and the back of the rolling stands there are inlet and outlet guide device. The rolling guide device is used in the odd number rolling stands, and the sliding guide device is used in the even number rolling stands. Small roller of every rolling stands can be adjusted by shims of the different thickness; the range can be 0.1-1.00mm. The adjustment of the hole every rolling stands is taken out by a certain plug gauge. The seam can be 0.866mm, the tolerance is ±0.10mm.
The thin-oil lubricating system is used to lubricating the driving gearbox and bearings. It includes:
Oil pump: ZCY-18m3/0.36
Max. flow: 18m3/h
Work pressure: 0.35Mpa
Motor type: Y132M2-6 5.5kw
Oil temperature: 35-45oC
Oil tank: 3m3
The lubricating oil comes out of the oil box which has a volume of 3m3, and flows through the oil pump into the main intake pipe and then into the gearbox in three different ways. The lubricating oil is sprayed onto the gear through the oil nozzle, and lubricates the rolling bearing directly through the red copper joint of the branch oil pipe and the upper part of the bearing block.
The emulsion comes out of the emulsion station and flows into the main emulsion pipe which is installed in the driving gear box, and flows through the top and two sides of the stands into the rolling stands and the guide device separately. The returned emulsion can flows back to the emulsion tank through the return emulsion pipe and slot.
4.3. Monorail hydraulic shear:
The monorail hydraulic shear system consists of monorail hoist, hydraulic shearing device and oil system. The max. load is 250kg. In order to make it convenient to use hydraulic shear between the space of the continuous casting machine and continuous rolling mill, the hoist can move alone the crossbeam which is 7 meters high. The max. shear force of the hydraulic shear is 12000kgf. It is mainly used for shearing the unstandardized al. ingot.
4.4. Coiling stands:
The coiling stand consists of the coiler and the trolley and the collecting basket. The rod is guided by the guide pipe into the spinning head of the worn, and it is going to form different dia. of loop in the collecting basket. This is down by changing the rotational speed of the motor of the spinning head. By adding the lubricating grease, the frictional force between the rod and guide pipe will be reduced. This can protect the finished rod or wire.
There are two collecting basket of the same size on the trolley, and under the trolley there is a motor. When one is full, another basket is going to take its place. On the top of the coiling stand, there is a dust hood, which linked to the exhaust pipe under the pillar of coiler, so the fume produced when the rod travels through the guide pipe.
Shanghai Lishang International Trading Co.,Ltd., the professional continuous casting machine supplier in China, and the best continuous casting machine manufacturer in China.
Shanghai Lishang International Trading Co.,Ltd. is a professional international trade company in China. We are a subsidiary company of Shanghai Pudong Lisheng Electrical Machinery Co.,Ltd which is a leading electrician's machinery manufacturer with 20 years production experience in China. Lisheng's main products includes Upward continuous casting system, Continuous casting and rolling system for copper rod production and Copper cathode producing line, etc.
We have cooperated with many famous electrical wire or cable producing groups and our users had already spread all over the world like South East Asia, Middle East, Western Europe and America. We are one of the biggest exports and absorbed in electric wire and cable process equipments export.
This is my belly casting when I was pregnant with our daughter(finally a girl!!!).I was inspired to make this by seeing the beautiful clothes that stars wear while they are pregnant. I wanted glitz and jewels and oh,of course it had to be PINK. My husband helped me apply the wet plaster to my belly since I couldn't see below my bellybutton. After it dried I used extra plaster gauze to make it look like the wrinkles of a flowing shirt.I can't wait to do another one like this(for someone else).I've got so many ideas for this kind of casting.
2x Casting
Preto para carimbo Hits na Konad m64
Poooxa, esse Casting é lindo demais! Resolvi carimbar mas não deu muito certo, ficou meio falhado...
Comprei o casting porque sou doida pelo Riveting da CG, e achei que o da AH poderia ser um bom substituto. Claro que não é igual, mas mata a lombriga! Sem contar que é super pigmentado, 1 camada tava boa já.
=]
boottocht op de Bosporus
Boğazda tekne turu
boat trip on the Bosphorus
Kucuksu-paviljoen/ Küçüksu Kasrı / Kucuksu Pavilion
De geschiedenis van de regio waar het Küçüksu-paviljoen is gevestigd, gelegen in het gebied tussen de Küçüksu- en Göksu-kreken aan de Bosporus, gaat terug tot de Byzantijnse periode. Küçüksu en zijn omgeving, dat tijdens de Ottomaanse periode een van de privétuinen van de sultan was, werd gebouwd door sultan IV. Het is bekend dat Murad (1623-1640) er erg van hield en het "Silver Cypress" noemde. Vanaf de 17e eeuw werd de regio, die in verschillende bronnen "Bağçe-i Göksu" wordt genoemd, gevolgd door een intensieve constructie vanaf de 18e eeuw. Tijdens het bewind van Sultan Mahmud I (1730-1754) liet Divitdâr Emin Mehmed Pasha een houten paleis van twee verdiepingen bouwen voor de sultan aan de kust van Hasbahçe, dit bouwwerk werd gebouwd door Sultan III. Selim (1789-1807) en sultan II. Mahmud (1808-1839) werd ook gebruikt tijdens de reparatieperiodes.
De periode van Sultan Abdülmecid (1839-1861) was de jaren waarin westerse stijlen de voorkeur hadden, vooral in paleis- en paviljoenarchitectuur. Net als in de gebouwen Dolmabahçe en Ihlamur liet Sultan Abdülmecid het oude en houten gebouw slopen in het gebied waar het Zomerpaleis van Küçüksu zich bevindt, en bouwde het huidige paviljoen op zijn plaats. Het Küçüksu-paviljoen, waarvan de bouw in 1857 werd voltooid, werd gebouwd op een oppervlakte van 15 x 27 meter met de metseltechniek en metselwerk. De kelder van het paviljoen, dat drie verdiepingen heeft met zijn kelder, is verdeeld in een kelder, keuken en bedienden, terwijl de andere verdiepingen zijn gerangschikt in de vorm van vier kamers die uitkomen op een middelste ruimte. Het gebouw, dat met dit kenmerk het traditionele Turkse huisplantype weerspiegelt, is een "instappaviljoen", dat over het algemeen wordt gebruikt voor recreatie- en jachtdoeleinden. In tegenstelling tot andere paleisstructuren die tot de staat behoren, is het niet omgeven door hoge muren, maar door elegante ijzeren leuningen met poorten in vier richtingen en gemaakt met giettechniek.
Tijdens het bewind van sultan Abdulaziz (1861-1876) werden de gevelversieringen verrijkt door revisie. Westerse siermotieven werden gebruikt op de in reliëf gemaakte en levendige zeedijk, het kleine zwembad met een fontein die tegen deze façade leunde, en de trappen. Kamers en zalen zijn ingericht met waardevolle kunstwerken, en meubels besteld uit Europa zijn inbegrepen. Het Küçüksu-paviljoen, een rijk kunstmuseum met plafonds versierd met gipsreliëf en met de hand getekende ornamenten, open haarden gemaakt van Italiaans marmer in verschillende kleuren en vormen, die doen denken aan een museum over open haarden, parketten met aparte ornamenten en fijn vakmanschap in elke kamer , meubelen in Europese stijlen, tapijten en schilderijen, maakt deel uit van de Republiek Periode.Het is bekend dat het een tijdje als staatspension werd gebruikt. Met een uitgebreid restauratieproject dat in 1992 werd gestart, werd voorkomen dat het Küçüksu-paviljoen in zee zou wegglijden en werd het in 1996 heropend als museumpaleis. Om van de pier, het fonteinplein en de originele tuin direct naast het paviljoen een promenade te maken waar het publiek plezier en rust kan hebben, worden cafetariadiensten aangeboden aan de bezoekers rond de fontein en kan het uitgebreide dok worden toegewezen aan nationale of internationale recepties.
Boğaziçi’nde, Küçüksu ile Göksu derelerinin arasındaki alanda bulunan Küçüksu Kasrı’nın bulunduğu yörenin yerleşim tarihi Bizans Dönemi'ne dek inmektedir. Osmanlı Dönemi'nde padişahın has bahçelerinden biri olan Küçüksu ve çevresini, Sultan IV. Murad’ın (1623-1640) çok sevdiği ve buraya “Gümüş Selvi” adını verdiği bilinmektedir. 17. yüzyıldan başlayarak çeşitli kaynaklarda “Bağçe-i Göksu” adıyla geçen yörede, özellikle 18. yüzyıldan başlayarak yoğun bir yapılaşma izlenmektedir. Sultan I. Mahmud (1730-1754) döneminde Divitdâr Emin Mehmed Paşa, padişah için bu Hasbahçe’nin deniz kıyısına iki katlı ahşap bir saray yaptırmış, bu yapı Sultan III. Selim (1789-1807) ve Sultan II. Mahmud (1808-1839) dönemlerinde de onarılarak kullanılmıştır.
Sultan Abdülmecid (1839-1861) dönemi, özellikle saray ve kasır mimarlığında Batılı biçimlerin tercih edildiği yıllardır. Sultan Abdülmecid, Dolmabahçe ve Ihlamur yapılarında olduğu gibi Küçüksu Kasrı’nın bulunduğu alanda da eski ve ahşap yapıyı yıktırarak, yerine bugünkü kasrı yaptırmıştır. 1857 yılında yapımı tamamlanan Küçüksu Kasrı, 15 x 27 metre bir alan üzerine yığma tekniğiyle ve kâgir olarak yapılmıştır. Bodrumuyla birlikte üç katlı olan kasrın bodrum katı kiler, mutfak ve hizmetkârlara ayrılmış, diğer katlarsa bir orta mekâna açılan dört oda biçiminde düzenlenmiştir. Bu özelliğiyle geleneksel Türk Evi plan tipini yansıtan yapı, genellikle dinlenme ve av amaçlı olarak kullanılan bir “Biniş Kasrı” niteliğindedir. Devlete ait diğer saray yapılarının tersine yüksek duvarlarla değil, dört yönde kapısı olan ve döküm tekniğiyle yapılmış zarif demir parmaklıklarla çevrilidir.
Sultan Abdülaziz (1861-1876) döneminde cephe süslemeleri elden geçirilerek zenginleştirilmiştir. Kabartmalarla süslü ve hareketli deniz cephesinde, bu cepheye yaslanmış şadırvanlı küçük havuzunda ve merdivenlerinde Batılı süsleme motifleri kullanılmıştır. Oda ve salonlar değerli sanat eserleriyle döşenmiş, Avrupa’dan sipariş edilen mobilyalara yer verilmiştir. Alçı kabartma ve kalemişi süslemeli tavanları, bir şömine müzesini andıran birbirinden farklı renk ve biçimde İtalyan mermerleriyle yapılmış şömineleri, her bir odada ayrı süslemeli ve ince işçilikli parkeleri, Avrupa üsluplarındaki mobilyaları, halı ve tablolarıyla zengin bir sanat müzesi niteliğindeki Küçüksu Kasrı’nın, Cumhuriyet Dönemi'nde bir süre devlet konukevi olarak kullanılmış olduğu bilinmektedir. 1992 yılında başlatılan kapsamlı bir restorasyon projesiyle Küçüksu Kasrı’nın denize kayması engellenerek, 1996 yılında yeniden müze-saray olarak ziyarete açılmıştır. Kasrın hemen yanı başındaki iskele, çeşme meydanı ve özgün bahçenin geçmişte olduğu gibi halkın eğlenip dinlenebildiği bir mesire kimliğine kavuşturulması amacıyla çeşme civarında ziyaretçilere kafeterya hizmetleri verilmekte, genişletilen rıhtım ulusal ya da uluslararası nitelikteki resepsiyonlara tahsis edilebilmektedir.
The history of the region where Küçüksu Pavilion is located, located in the area between Küçüksu and Göksu creeks on the Bosphorus, dates back to the Byzantine Period. Küçüksu and its surroundings, which was one of the sultan's private gardens during the Ottoman Period, was built by Sultan IV. It is known that Murad (1623-1640) loved it very much and called it "Silver Cypress". Starting from the 17th century, the region, which is referred to as "Bağçe-i Göksu" in various sources, has been followed by an intense construction starting from the 18th century. During the reign of Sultan Mahmud I (1730-1754), Divitdâr Emin Mehmed Pasha had a two-storey wooden palace built for the sultan on the seaside of Hasbahçe, this structure was built by Sultan III. Selim (1789-1807) and Sultan II. Mahmud (1808-1839) was also used during the periods of repair.
The period of Sultan Abdülmecid (1839-1861) was the years when Western styles were preferred especially in palace and pavilion architecture. As in the Dolmabahçe and Ihlamur structures, Sultan Abdülmecid had the old and wooden structure demolished in the area where Küçüksu Summer Palace is located, and built the present-day pavilion in its place. Küçüksu Pavilion, whose construction was completed in 1857, was built on an area of 15 x 27 meters with the masonry technique and masonry. The basement of the pavilion, which has three floors with its basement, is divided into a cellar, kitchen and servants, while the other floors are arranged in the form of four rooms opening to a middle space. The building, which reflects the traditional Turkish House plan type with this feature, is a "Boarding Pavilion", which is generally used for recreation and hunting purposes. Unlike other palace structures belonging to the state, it is not surrounded by high walls, but by elegant iron railings with gates in four directions and made with casting technique.
During the reign of Sultan Abdulaziz (1861-1876), the façade decorations were enriched by overhauling. Western ornamental motifs were used on its embossed and vibrant sea front, its small pool with a fountain leaning against this façade, and its stairs. Rooms and halls are furnished with valuable works of art, and furniture ordered from Europe is included. The Küçüksu Pavilion, which is a rich art museum with its ceilings decorated with plaster relief and hand-drawn ornaments, fireplaces made of Italian marbles in different colors and shapes, reminiscent of a fireplace museum, parquets with separate ornaments and fine workmanship in each room, furniture in European styles, carpets and paintings, is part of the Republic Period. It is known that it was used as a state guesthouse for a while. With a comprehensive restoration project initiated in 1992, the Küçüksu Pavilion was prevented from slipping into the sea, and it was reopened as a museum-palace in 1996. In order to make the pier, fountain square and original garden right next to the pavilion a promenade where the public can have fun and rest, cafeteria services are provided to the visitors around the fountain, and the expanded dock can be allocated to national or international receptions.
Foto tirada hoje as 7 da matina, passei ontem anoite...
Achei meio parecido com Arranha-céu, Carbono, Hits 679... mas eu adoro essas cores escuras!!
When I received my company's first batch of investment castings for our first products, I inspected them by laying them out on the floor in ranks. Then I photographed them. After machining, these castings will fit the Remington 870.
If you have never created anything and seen it actually mass produced, you have no idea how it felt to see these for the first time.
I re-visited the female Net-casting spider shown below but it was nowhere to be seen. I did however find a male which is smaller and greyer. I hope to get some photos soon for comparison. This shot is the same spider shown below from a slightly different angle and a tighter crop of that scary head.
Of interest are the super sized posterior eyes which have excellent light gathering capability with an aperture equivalent (f/stop) of 0.58 (cat f/0.9 & owl f/1.1). The image is focussed onto a large, light-receptive retinal membrane (which is destroyed at dawn and renewed again each night). The two small saphire and ruby coloured bumps are the anterior eyes. The anterior eyes are the ones that are most developed in jumping spiders (Salticidae), see H. albovittatum above.
Four weeks ago, I uploaded a photo of Kuky and his friends. Dan wrote that, "they should have their own TV show".
Nobody knows what his words can cause.
After week Kuky vanished and returned the day after. Later I was informed, that he attended a competition for a casting in some show or film, I'm not sure about.
I don't know a result, now, but I'm worried that he can be successful.
My lidless eye sent me a photo from the casting taken by..........I don't want to know how.
CBMM welcomed nationally renowned sculpture artist and Shepherd University professor Christian Benefiel, who guided workshop participants through the intricacies of casting bronze and aluminum, including creating molds, working the sand and furnace, and pouring molten metal. Learn more about all our shipyard programs at: cbmm.org/learn/shipyardprograms
My basement flooded a couple of winters ago, and this workspace became unusable. Even the fume hood blower (lower right) succumbed to water damage. Over the past week, I've salvaged the usable raw materials, bought some new materials, and hacked the motor on the blower to make it work again. I removed the motor's rusted out centrifugal switch and replaced it with an external 1-second time-delay relay. This hack works because the motor isn't subjected to variable loading that might cause it to stall; once it's up to speed, it stays there until I unplug it.