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Official ANSWER Coalition poster for the J20 TRUMP PRESIDENTIAL INAUGURATION DAY PROTEST in Washington DC
Visit www.answercoalition.org/protest_on_inauguration_day
Download pdfs of posters visit J20 Literature at www.answercoalition.org/j20_literature
Gathering Before ANSWER Coalition U. S. HANDS OFF VENEZUELA Rally at Lafayette Park, NW, Washington DC on Saturday morning, 16 March 2019 by Elvert Barnes Photography
Follow Saturday, 16 March 2019 ANSWER Coalition U. S. HANDS OFF VENEZUELA NATIONAL MARCH ON WASHINGTON at www.facebook.com/events/242059076711261/
Elvert Barnes Saturday, 16 March 2019 ANSWER Coalition U. S. HANDS OFF VENEZUELA / Washington DC docu-project at elvertbarnes.com/16March2019
Elk antlers. I was afraid there would be a whole elk under the snow ^_^
-Check out my photoblog blog.thomaslaupstad.com/
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The Chief Executive's Question and Answer Session (2019.01.10)
A.N.S.W.E.R International Day of Protest . Stop War and End Racism March and Rally . The March . Pennsylvania Avenue and 12th Streets, NW . WDC . Saturday, 27 October 2001
Elvert Xavier Barnes Protest Photography
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The Chief Executive's Question and Answer Session (2019.05.09)
This is the answer to several of the abstract photos I posted earlier this week. For 45-60 minutes, my wife and I played (yes, played) with oil and water, adding food coloring and experimenting.
Note 1: Canola, peanut and olive oils behave differently with how long the micelles (little balls) stay separated.
Note 2: The different oils hold on to food coloring droplets differently.
Note 3: Yellow, red, blue and green food coloring each have different "hold" times (how long they stay on the surface as little balls before they slip down into the water phase...
As always, thanks for your views, comments and faves!
You know I am a "Gemini" born... and my birhday is at the end of May.
My Ascendent is "Virgin". And in the Chinese astrology I am a "Snake".
I think that mixture is the reason why I love surprises... and therefore all things that are surprising
- like a message in a window for example -
do attract me?
Copyright Ā© sukosig Photography
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The Chief Executive's Question and Answer Session on the Policy Address (2018.10.11)
A.N.S.W.E.R International Day of Protest . Stop War and End Racism March and Rally . Assemblance . Washington Post . 1150 L Street, NW WDC . Saturday, 27 October 2001
Elvert Xavier Barnes Protest Photography
They ignored my mails so i made a poster from it and post it as art in thier front page, took them 10 min to reply me back.
oh right, answers.
i'm just guessing..
if you haven't seen this movie already, please see it now. it's pretty damn awesome.
oh and see 'me & you & everyone we know' too. they compliment each other very well. very well indeed.
Greenpeace members hold a banner outside the White House with a message for the Arctic Council, the forum of Arctic nations and Arctic Indigenous councils. In April 2015, the US will assume the Arctic Council Chairmanship for the next two years. It's an opportunity to lead global conversations toward Arctic protection, including establishment of an Arctic Sanctuary in the uninhabited area around the North Pole. This area would be protected from activities such as oil drilling and industrial-scale fishing in the previously unfished waters. The chairmanship is also an opportunity for the US to set an example with its domestic policies by not allowing oil companies, such as Shell, to drill in US Arctic.
One of the most surreal moments of the whole night was when I asked a question during the Q&A, and for a moment, Mark Cohen himself was there, answering *my* question, talking to *me*. I can't put into words the emotional weight those very few moments will have with me forever.
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inside Eleven homes
The series Eleven is a collection of images documenting the interiors of
Frank Relleās immediate familiesā homes. Below is an excerpt from Frankās
interview with writer Patrick Strange.
Relleās current creations reveal bare portraits of interior spaces-often eye-level
accounts of everyday household objects and furniture. Like an inventory of lifeās
generic commodities, many of the new images border on the mundane, centering
on such items like Norman Rockwell-screened throw pillows, dirty oven mitts, a
set of kitchen knives, a stack of paperback books, an over-sized plastic coin bank
shaped as a Budweiser bottle. At first, the images seem unremarkable, but as one
follows the pathways of Relleās wandering eye, a pattern begins to emerge. These
photographs are not just a catalogue of materials, but attest to the fragile lives of
those who possess them and-in the regional context of southern Louisianaāthey
suggest the nature of things that can so quickly be lost.
āAfter the scare of Hurricane Gustav, I started thinking, āWhy the hell do we
keep doing this?āā Relle says. āAnd I realized that it was because of family.
My connection to New Orleans is more than habit, itās because my family is here.
So, I started to ask myself what that really meansāwhat it means to build a life that
can be washed away.ā
Thus, Relleās inquisitions have led him to the countertops and bedposts of his
childhood, and forced him to reconsider the worth of objects that have been
present from his earliest memories.
āIt becomes a question of why the objects in our daily lives are important and
why they are glorified,ā Relle says. āIs it because they are glorious before they are
destroyed, or is it only in the drama of loss that they are glorified? All I can do is
keep asking.ā
Such questions may never be answered, but that doesnāt seem to keep Relle from
pondering the meaning of that which surrounds him. And as long as he continues
to investigate the objects and spaces that populate our lives-no matter the method
or the final result-those inanimate things will only continue to reveal secrets about
our inner selves.
AnswerFirst's Answering Service Business Development Coordinator volunteered at the Child Abuse Councilās Annual Fatherās Day Event on June 11, 2011.
1. Baby toe toes, 2. underground symmetry II, 3. **Ireland_L'Allee du Roi**, 4. Gizmo, 5. Tulip Town Tulips, 6. Pomegranate Martini, 7. It's a beautiful hot day, somewhere!, 8. Blue Raspberry, 9. Call of the Raven (formerly Nature's Special Effects), 10. Rejoice, 11. Times Square at Dusk, 12. foundations for memories past & future
Created with fd's Flickr Toys.
The concept:
a. Type your answer to each of the questions below into Flickr Search.
b. Using only the first page, pick an image.
c. Copy and paste each of the URLs for the images into fd's mosaic maker.
The Questions:
1. What is your first name?
2. What is your favorite food?
3. What high school did you go to?
4. What is your favorite color?
5. Who is your celebrity crush?
6. Favorite drink?
7. Dream vacation?
8. Favorite dessert?
9. What you want to be when you grow up?
10. What do you love most in life?
11. One Word to describe you.
12. Your flickr name.
My answers
1.Kristy
2.olives
3.Manor Road
4.red
5.Vernon
6.pomegranate Martini
7.somewhere hot
8.raspberry
9.happy
10.the Lord
11.giving
12.Vintage Pleasure
Many years ago, as a school child, to find some answers to questions I had about old street lighting, I wrote to Stanton plc as Stanton Ironworks had become. Stanton Ironworks, near Nottingham, had become one of the UK's main manufacturers of street lighting columns - not in steel as may have been expected but in the new 1930s technology of spun concrete street lighting columns and brackets. They continued in business with a variety of styles and designs up into the 1980s when concrete standards went 'out of fashion'. This was largely due to the fact that when hit, concrete columns do not deflect and so inflict damage to vehicles and occupants - as this catalogue shows but making a point here about the fact their columns would stand such a passing blow.
Concrete lamp standards became popular due to several factors; initial cost and a seeming lack of maintenance was one as unlike steel columns these did not require painting on a regular basis. Another was architectural fashion and design; concrete could be moulded into so many shapes and forms and some eraly bracket designs were fanciful to the point of becoming ridiculed in the world of industrial design. This afflicted Stanton less than their great rival, Concrete Utilities of Ware, whose early works were quite something to behold! By the 1950s design had swung back to simplicity and utilty and Stanton's designs, like others, would mirror this shift. In addition the technology of production was better understood and so manufacturing became more economical in terms of materials. These were the inner steel wire and sections used to tension or stress the column with the concrete centrifugally spun around the 'outline' of the column in a mold.
In response to my childhood letter some kindly soul at Stanton photocopied pages from this earlier catalogue dating to around 1950; there are mentions of wartime damage to installations and the designs are before the early/mid 1950s simplification of columns and brackets that would be marketed as Stanton 8's and 9's. These are scans of photocopies and so can be a bit blurry but I think they are of enough interest to post here.
I have posted some single pages from this catalogue earlier and may now delete these older scans. Here we see what was to become a very common installation of B class lighting; the Stanton 7A column and bracket with a top entry lantern, in this case by GEC. It 'blends' into the suburban landscape of Clacton-on-Sea in Essex and would have been found in many UK streetscapes.