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Inside the Kittatinny Tunnel.

 

Taken by Ted

Visual anthropology students joined by their lecturer, Mike Poltorak.

Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.

©2019SDPB

a combination of week 1 & 3 projects from susan tuttle's online class...

 

...vintage roses...

...stolen kisses...

...pink fluffy-iced cupcakes...

...sweet smooches...

...chocolate dipped strawberries...

...glasses of bubbly...

...candlelit whispers...

...unabashed romance...

...two hearts saying 'yes'...

...wishes come true...

 

happy heart day

xo

 

Vinilos, formas troqueladas, displays, cajas de luz. Retoque, impresión y montaje de imágenes de alta calidad para moda, para aplicaciones en puntos de venta, stands, displays, decoración de interiores. Personalización y acabados de calidad. www.sabatebarcelona.com

across the street from the Burt Reynolds Museum in Jupiter, FL

Talk Lab conclusivo del Progetto Young Vision

“Innovazione e cultura come occasioni di rilancio del territorio”

 

Si è tenuto a San Ginesio il convegno conclusivo del progetto destinato ai giovani creativi marchigiani realizzato da Risorse Cooperativa. Il progetto ha visto la realizzazione di un corso di formazione su Visual ed Architectural Mapping per 20 giovani tra i 18 ed i 35, flash mob ed eventi in tre diversi centri delle Marche.

 

Il Talk Lab condotto da Carlo Infante (Urban Experience), che si svolto all’interno del teatro Leopardi e per le vie del centro storico di San Ginesio, ha affrontato i temi della cultura e dell’innovazione. Massimo Riccetti presidente di Risorse Cooperativa ha illustrato il progetto e riassunto i numeri ottenuti, dalle domande di ammissione al bando di selezione per il corso (più di 180 per 20 posti disponibili), alle migliaia di persone che hanno assistito agli spettacoli realizzati a Macerata, Loro Piceno ed Ancona.

Flavia Coccia (esperta di politiche turistiche e già Capo struttura di Missione alla Presidenza del Consiglio dei Ministri per il Rilancio dell’Immagine dell’Italia) e Vittorio Salmoni (coordinatore dell' area Studi del Territorio dell'ISTAO) hanno sottolineato come la cultura sia un elemento essenziale di ogni processo economico. Massimiliano Sport Bianchini (Assessore al turismo della Provincia di Macerata) e Giampiero Feliciotti (Presidente della Comunità Montana dei Monti Azzurri) hanno parlato di come il coinvolgimento di giovani all’interno di progetti come Young Vision, che mettono insieme cultura, innovazione e territorio debbano essere la sfida per rilanciare le aree interne anche in funzione turistica. Nel dibattito sono intervenuti anche il Vice Sindaco del Comune di San Ginesio, Simone Tardella, e Francesco Venanzoni, visual artist e docente del corso.

 

Young Vision ha visto, in varie forme, il coinvolgimento di giovani creativi, imprese, e di enti locali (Comunità Montana dei Monti Azzurri, Comuni di Macerata, Loro Piceno, Serrapetrona, Ancona e Montegallo). Sono stati collegati piccoli e grandi centri della Regione Marche con iniziative di formazione professionale ed eventi culturali e si è trasformato il nostro splendido territorio da contenitore a contenuto delle attività del progetto.

U.S. Naval War College June 20, 2013 Student Awards Ceremony. (U.S. Navy Photos courtesy NWC Visual Communications Dept)

The company I work for, Thinkmap, threw their annual party last friday. (YAY!) This year, we projected a reverse Visual Thesaurus animation onto our meeting room 'glass garage door', which made it look like a giant plasma screen. Pretty cool, check it out here.

ImÁGen visual como identificador de serie de carteles de globalizaciÓN

Visual Pun, get it?

Gibbons are social animals. They are strongly territorial, and defend their boundaries with vigorous visual and vocal displays. The vocal element, which can often be heard for distances of up to 1 km, consists of a duet between a mated pair, their young sometimes joining in. In most species males, and in some also females, sing solos that attract mates as well as advertise their territory. If a male and female like one another's song they will find the other gibbon and do a short mating dance followed by a vigorous mating ritual that lasts three days. The songs can make them an easy find for poachers who engage in the illegal wildlife trade and in sales of body parts for use in traditional medicine. The song can be used to identify not only which species of gibbon is singing but the area it is from.

 

The gibbons' ball-and-socket joints allow them unmatched speed and accuracy when swinging through trees. Nonetheless, their mode of transportation can lead to hazards when a branch breaks or a hand slips, and researchers estimate that the majority of gibbons suffer bone fractures one or more times during their lifetimes.

Na campanha de 2009 para Evra, utilizamos a metáfora conceitual do instrutor de mergulho, para mostrar a confiança que o médico inspira em suas pacientes na hora de prescrever o método contraceptivo mais confiável.

visuales: Untitled Visuals

Suky is an artist based in London. Working with print, animation and installation, she has exhibited nationally and internationally.

Commissioned works include: Early Birds, an Animate Projects commission for Channel 4 in association with Arts Council England; About Running, a moving image commission for The Great North Run; Stone Voices, a permanent sculptural piece for the Devils Glen in Ireland; and From the Archive, an animation for the main reception area of University College Hospital London and The Park in Winter Arts Council Englands online Christmas card 2008.

She has exhibited at the Baltic Gateshead & Art Now Lightbox at Tate Britain and has had solo exhibitions and publications, including The Return of the Native at the Pump House Gallery London. In 2005 she completed a Wellcome Trust funded SCIART project, making animations for hospital outpatient areas. She was Fellow in Printmaking at the University of Wolverhampton (funded by the Henry Moore Foundation) in1998-2000, and has just begun an MPhil research degree at the Royal College of Art London investigating the relationships between birds and film.

Material visual perteneciente a TENEMOS QUE PENSARLO company.

taken from the sketchbook titled ' Contrasts'.

 

VISUAL LIBRARIES - Leave your Mark.

A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

 

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.

You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.

 

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.

For Further Details: Dr Maureen O'Neill and Claire Sambrook

maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk

In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

 

www.visuallibraries.com

taken from the sketchbook titled 'Monday Morning'.

 

VISUAL LIBRARIES - Leave your Mark.

A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

 

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.

You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.

 

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.

For Further Details: Dr Maureen O'Neill and Claire Sambrook

maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk

In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

 

www.visuallibraries.com

From the designated point of view, the lines and shapes shift into one coherent concept.

 

Artist: Felice Varini (Switzerland)

Julie Stuart, a graphic facilitator, using markers to create a visual mapping of climate change-resilient agroecosystems.

 

Photo by Kate Evans/CIFOR

 

For more information go to: blog.cifor.org/climate-week

 

cifor.org

 

blog.cifor.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

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