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Conveying abstraction

Express forcefully

Inner spirit

Rough, busy day?

Stare at this image I took at White Pocket for atleast 10 seconds and I guarantee you will feel more relaxed!

 

White Pocket AZ Reflections

Paria Vermillion Cliffs Wilderness

Utah Arizona Border

Coils and knots

Shape and control

Human intervention

In dreams, I see shapes and colors like these and I hear music as the shapes and colors change. It seems perfect to imagine those feelings and sensations with fractals.

Monarch Butterfly on Zinnia

AB FAV for today…

www.facebook.com/groups/1148438991917313/

  

I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.

I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!

 

Here, in the case of visual silence, what is being absorbed is not sound but gaze.

If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core. Our focus on the image involves a diminution of the optic field:

in this sense, visual silence is like a poem, its power arising from its sheer vulnerability. The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.

Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.

Some images leave us speechless, we watch them in silent awe.

Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.

 

May PEACE be with you and thanx for everything, M, (*_*)

 

For more of my other work visit here: www.indigo2photography.com

  

Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved

   

Visual Magick’s Igneous mods for the Kobold are beautiful beyond words! I’m wearing Lava, and its definitely HOT! I had a lot of fun playing with particle fire to take the last 2 photos. :)

Mod: marketplace.secondlife.com/p/Igneous-Lava/8159119

not sure what to say about this image......simply messing around yesterday with old photos and this is one of the things that happened.

Perfomance with Oregon Painting Society on December 12th, 2008 at Rotture

 

watch the video!

vimeo.com/2554

 

Visual is a dance troupe that consists of (not exclusively)

 

Morgan Alexandra Ritter

Dana Dart-McLean

Kersti Jan Werdal

Brenna Murphy

Barbara Kinzle

Lynn Dunham

Asia Wong

Molly Pringle

    

some of my long time flickr friends may "get"

this more readily , knowing that most often i

can be found in a garden , either whenever

the seasonal maintenance & climate allows

OR

-- those regions of my mind may propel --

 

ps: HFF and happy positive resolutions 😃

"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis

I don't know what Marbled Hot Springs Rd. would be without the American Bitterns! While we were there the reeds hadn't had a chance to grow very tall so the Bitterns were pretty easy to spot. Raising their heads up generally in position with the vertical reeds I'm sure they are imagening they are hidden from sight...I didn't realize until this picture what an incredible 'visual perspective' they have of everything around them in this position!

.......Happy weekend!

 

Cowedy central.

Wat Arun

158 Thanon Wang Doem

Wat Arun, Bangkok Yai

Bangkok 10600, Tailandia

 

Photographer - Visual Distress MM#510136

Model - Myself - Red Rhapsody MM#375616

Hair/MU/Wardrobe - Myself

Location - Primal Stare Studios

Parque das Nações (Lisbon).

This was part of a larger sign, but I liked the impact of this word.

Time for the archives.

 

The poet. 1989.

Chameleons are absolutely fascinating animals. They are able to watch in two different directions at the same time.

mannequin eye and building reflection

haha. We totally look like we're in a visual kei band. I'm the lead guitarist and Severine is the dark, tortured singer.

Day 24 of 365

 

I took this photograph couple of days ago while we were heading to library with Aura. In my mind this picture compares very closely to Day 19. Not only is it taken almost from the same spot, but the light is a bit similar and again the whole picture is based on a very well known visual motif of silhouette figure. I hope the guy is at least someone else this time! When I took that earlier picture, I wrote about feeling mixed about it because pictures which are too much based on known visual motifs become clichés easily. Looking it now, I feel I need to lighten my stance and focus it a bit.

 

I don't want to be against visual motifs. If you look at the history of photography, it quickly becomes clear that it isn't reasonable stance to take. As a matter of fact, many classic photographs can be considered, if not only to be based on visual motifs, but also something which have created them in the first place. Like someone who commented my earlier picture said, there are only a finite number of different visual motifs, maybe just a few hundred. And being 'language of photography' they can be put to use in different ways, which means that the motifs don't control photography as much as one would think. So, yes I'm lightening my stance here, but here comes the focus part. I think that if photography is solely based on repeating these visual motifs, it is reduced, I think, to be repeated for didactic purposes. To me, some genres of photography are close to this, but I can understand there are different approaches to this. In my mind I would like to think that good photography also needs a context, a story or some other 'interpretative dimension' to make them something more than just 'pictures of the world'. I know it's a challenging claim to make, but it is also very much something that I need to learn myself too.

 

Year of the Alpha – 365 Days of Sony Alpha Photography: www.yearofthealpha.com

My bro working with wood, his tools, his table.

Upper section of book cover, The Concise Human Body Book from DK Publishing.

 

Sydney

S Exposure | B&W Fine Art

Bishopsgate, City Of London

My better half Jerri is the Big Cheese of Orchids here... This was taken in her Orchid House. Thanks for the Visit and have a Large Tuesday.

Each Monday and Friday we present to you an artwork from one of our originals member. Come and visit our site on theoriginals.net.au

Did you know you can purchase this artwork online…..

Proudly sponsored by Visual Images Online and TheOriginals

 

  

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Polaroid week - Spring 2026 - Day 2 / Photo 1

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