View allAll Photos Tagged Visuals

An image taken when I was in New Mexico photographing an Indian Day School in Sanostee, near Ship Rock. It was a pretty breezy evening with red dust blowing. I turned around to get the wind out of my face, and this is the view I saw. That's Mitten Rock on the right and the road is Indian Service Rte 13 heading towards Arizona.

Ilulissat Icefjord .West Greenland. Midnight Ice Cruising to the Disko Bay . My 500 link 500px.com/yiannispavlis

Ice Cruising to the Disko Bay .Οne of the finest experiences north of the Arctic Circle is midnight sun sailing through waters spotted with ice. The midnight sun is a natural phenomenon in which the sun does not set for a matter of days or even months

Existence of

Universal forms

Metaphysical relationship

 

Kollmorgen SuperSnaplite 102mmf1.9

AB FAV for today…

www.facebook.com/groups/1148438991917313/

  

I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.

I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!

 

Here, in the case of visual silence, what is being absorbed is not sound but gaze.

If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core. Our focus on the image involves a diminution of the optic field:

in this sense, visual silence is like a poem, its power arising from its sheer vulnerability. The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.

Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.

Some images leave us speechless, we watch them in silent awe.

Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.

 

May PEACE be with you and thanx for everything, M, (*_*)

 

For more of my other work visit here: www.indigo2photography.com

  

Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved

   

Rough, busy day?

Stare at this image I took at White Pocket for atleast 10 seconds and I guarantee you will feel more relaxed!

 

White Pocket AZ Reflections

Paria Vermillion Cliffs Wilderness

Utah Arizona Border

Coils and knots

Shape and control

Human intervention

Monarch Butterfly on Zinnia

El crepúsculo es una fuente de inspiración para muchos artistas. En especial los artistas visuales suelen maravillarse con los colores que se pueden ver en ese momento del día, potenciado aún por la magia de lo efímero del momento.

 

Poema.

En la tarde, en las horas del divino crepúsculo sereno, se pueblan de tinieblas los espacios y las almas de sueños.

 

Sobre un fondo de tonos nacarados la silueta del templo las altas tapias del jardín antiguo y los árboles negros, cuyas ramas semejan un encaje movidas por el viento

se destacan oscuras, melancólicas como un extraño espectro!

 

En estas horas de solemne calma vagan los pensamientos y buscan a la sombra de lo ignoto la quietud y el silencio.

 

Se recuerdan las caras adoradas de los queridos muertos que duermen para siempre en el sepulcro y hace tanto no vemos.

 

Bajan sobre las cosas de la vida las sombras de lo eterno y las almas emprenden su viaje

al país del recuerdo.

 

También vamos cruzando lentamente de la vida el desierto también en el sepulcro helada sima más tarde dormiremos.

 

Que en la tarde, en las horas del divino crepúsculo sereno se pueblan de tinieblas los espacios y las almas de sueños!

 

8391 - 09-06-2016 - 07-07-2017

Visual Magick’s Igneous mods for the Kobold are beautiful beyond words! I’m wearing Lava, and its definitely HOT! I had a lot of fun playing with particle fire to take the last 2 photos. :)

Mod: marketplace.secondlife.com/p/Igneous-Lava/8159119

Everything in this modest image leads to the Gassendi crater. Seeing was definitely not my best ally; The image of the Moon on the computer screen swayed from side to side as a result of atmospheric fluctuations. A lunar photograph does not remotely live up to the view through the eyepiece of my maksutov telescope; The poor vision that was evident with the camera was not noticeable to direct view and all was calm in the soft, deep contrast of the telescope. An intense glow towards the lunar terminator and then, the deepest darkness.

Gassendi rises above the Mare Humorum crowned by a circular rim, barely distorted here by the effect of foreshortening, and a small crater that breaks the edge, generating the visual idea of a diamond ring; Cracks come and go between cliffs and fissures forged in stone and lava millions of years ago.

Perhaps due to the turbulence or my own inexperience, the photograph is far from being a good lunar photo, but it preserves the spatial mystery and the indecipherable sensation of silence of a mythical lunar wasteland.

 

++++++++++++++++++++++++++++++++++++++++++++++++++++++

Telescope: Maksutov Cassegrain "Explore Scientific" 127, f/15.

Camera: Player One Neptune-M (monochrome).

Filter: Player One IR685.

Mount: Sky-Watcher EQ3.

Stacking: AutoStakkert

Preprocessed: AstroSurface.

Post-processing: Gimp.

 

February 21, 2024, 01:16 UT.

Zona rural, Concordia, Entre Ríos, Argentina.

 

++++++++++++++++++++++++++++++++++++++++++++++++++++++

Related content:

www.flickr.com/photos/196619427@N04/52478879914/in/datepo...

 

Well I’m sure it’s pretty obvious where this started from, not.

 

It’s another great photographic idea that flopped on implementation and subsequently to be repurposed for Sliders Sunday. Originally it was a picture of water boiling in the bottom of a pan, taken on a whim while on holiday.

 

Great idea. Pity about the steam clouding the image, lol.

 

The Topaz Glow filter, for me, is a bit like a banned substance I guess (and I have to guess ;) )...I have withdrawal problems if I don’t get a regular dose of it...

 

Glow needs two things to work well at this abstract end of its possible uses: some sort of linear structure to seed its collagen building algorithms and some interesting colour. The boiling water (so the idea went) was all interesting circles for the structure, but the question was how to add colour, zap, zing, pizazz and general psychedelia?

 

So I created a layer formed from two overlaid conical rainbow gradients and blended that with the bubbles using Soft Light. I then used a Mirror distortion filter with 6 mirrors to get the sixfold symmetry (I’ll link to the original bubbles and this interim stage - where you can just still make the bubbles out - in the first comment).

 

Then the real fun started. Into Topaz Glow starting with one of the Neon presets, and then sliding the sliders to taste…

 

Back into Affinity Photo for mangling with the hue, saturation, contrast, colour curves (LAB) and a bit of Clarity filter. And there you have it, well apart from a black frame and a blue internal shadow :)

 

Thanks for taking the time to look. I hope you enjoy the image (legally) :) Happy Sliders Sunday!!

Here is my first attempt at architecture. I admire people who can just take those photos that are perfectly aligned or even know how to edit them so they are straight.

 

Well I dont know either but I do know that to see all these shapes in one place at a time aligned with the light and shadow is utter magic.

 

Here is a special thank you to my friend who brought me there. And saw me freaking out at this sight (:

not sure what to say about this image......simply messing around yesterday with old photos and this is one of the things that happened.

some of my long time flickr friends may "get"

this more readily , knowing that most often i

can be found in a garden , either whenever

the seasonal maintenance & climate allows

OR

-- those regions of my mind may propel --

 

ps: HFF and happy positive resolutions 😃

"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis

Tacoma waterfront is a great place to vision moody, dramatic waterscape scenes. Soft pastel skies and smooth water work well together.

-

All rights reserved © Louis Ruth Photography 2023

I don't know what Marbled Hot Springs Rd. would be without the American Bitterns! While we were there the reeds hadn't had a chance to grow very tall so the Bitterns were pretty easy to spot. Raising their heads up generally in position with the vertical reeds I'm sure they are imagening they are hidden from sight...I didn't realize until this picture what an incredible 'visual perspective' they have of everything around them in this position!

.......Happy weekend!

 

Cowedy central.

My favourite time of year is Fall because it is such a visual delight. The wonderful colors, the smell in the air and everything that goes with it. This area of Fish Creek shows a river gently winding through an area of colorful trees.

Wat Arun

158 Thanon Wang Doem

Wat Arun, Bangkok Yai

Bangkok 10600, Tailandia

 

Photographer - Visual Distress MM#510136

Model - Myself - Red Rhapsody MM#375616

Hair/MU/Wardrobe - Myself

Location - Primal Stare Studios

Each Monday and Friday we present to you an artwork from one of our originals member. Come and visit our site on theoriginals.net.au

Did you know you can purchase this artwork online…..

Proudly sponsored by Visual Images Online and TheOriginals

 

  

v-i-o.com/blog2/theoriginals-net-au-artist-week-wendy-sin...

Parque das Nações (Lisbon).

Time for the archives.

 

The poet. 1989.

mannequin eye and building reflection

This collection represents a sophisticated visual exploration of cinematic and analog textures, meticulously crafted to emulate the distinct characteristics of iconic film stocks and high-end digital sensors. From the warm, nostalgic glow of Kodak Gold 200 and the dreamlike imperfections of a Holga 120N to the clinical precision of the Fujifilm GFX 100 and the timeless, high-contrast soul of Leica M Monochrom.

 

The series traverses diverse narrative landscapes: intimate portraits bathed in golden hour light, gritty cinematic battlefields, neon-drenched urban nights, and the stark solitude of sub-zero environments. Each frame serves as a technical study in color science, grain structure, and dynamic range, blurring the lines between traditional cinematography and modern computational creativity.

 

These images were generated by Artificial Intelligence.

lo stimolo diretto dell'organo visuale; i contrasti cromatici, la giustapposizione di determinate forme, la reattività dell'insieme "forma / colore" concorrono nel creare uno stato di eccitazione nelle zone erogene della visione: è la teoria dell'orgasmo visuale, la soddisfazione di un istinto primario attraverso lo studio approfondito di due canali della comunicazione......

My bro working with wood, his tools, his table.

2 4 5 6 7 ••• 79 80