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Images from the generative visual I've created for the 2012 edition of Shapeshifters.
Render of the generative visual I've created for Shapeshifters 2012.
Shapeshifters 2012: six lectures on designing information.
8 February: Brendan Dawes and Mark Porter
7 March: Andrew Vande Moere and Morag Myerscough
27 April: Joost Grootens + Tim Fendley
More info can be found on www.shapeshifters.be
The application was created with Processing.
Libraries used: Toxiclibs, ControlP5, ijeomamotion, OpenGL, Minim.
Video can be found on Vimeo: vorm.pl/us/8l
l Fotos CRISTIANO BORGES @cristianoborgesphoto
Celular: (62) 9682-8281
E-mail: cristianoborgesgyn@gmail.com
Ousadia e criatividade são as qualidades mais notórias deste fotojornalista. Premiado ao longo de seus 20 anos de experiência profissional, ganhou prêmios como duas edições do Prêmio New Holland de fotojornalismo, menção honrosa do Wladmir Herzog, Top Etanol Nacional de Fotojornalismo e Prêmio Celg de Artes Visuaise outros .
Por causa de sua visão única, já contribuiu com as mais importantes agências de fotografia do Brasil e do mundo, como a Agência Estado e Folha de São Paulo, Reuters e Associated Press (AP), com fotos publicadas em veículos como Época, Globo Rural e Los Angeles Times.
Boldness and creativity are the most notable qualities of this photojournalist. Awarded throughout his 16 years of professional experience, he has won awards like two editions of the New Holland prize for photojournalism, honorable mention of the Wladmir Herzog, Top Ethanol Photojournalism Award and Celg for Visual Arts.
By Aleksandr Deineka, 1937
The Deineka paintings were studies for intended murals in the USSR pavilion at the 1937 World Fair in Paris.
...The paintings are a mix of the imaginary and the real. Some of the people marching are identifiable and include Alexey Stakhanov, leader of the Stakhanovite movement of workers and a man who set astonishing records for the amount of coal he mined; the heroic test pilot Valery Chkalov; and Maria and Evdokia Vinogradova, hailed for their textile output.
In the background is the spectacular and unrealised Palace of the Soviets, a building that was planned to be the tallest in the world, with a statue of Vladimir Lenin on top.
The pavilion was designed to showcase the magnificent success of Stalin’s USSR, and people were fascinated. The USSR pavilion had 2 million visitors, far more than any other pavilion including Spain’s, which was exhibiting Picasso’s Guernica. It also won more prizes than any other country.
[The Guardian]
Part of Red Star Over Russia: A Revolution in Visual Culture 1905-55
November 2017 to February 2018.
A dramatic visual history of Russia and the Soviet Union from 1905 to the death of Stalin – seen through the eyes of artists, designers and photographers.
2017 marks the centenary of the October Revolution. Rebellion brought hope, chaos, heroism and tragedy as the Russian Empire became the Soviet Union, endured revolutions, civil war, famine, dictatorship and Nazi invasion. A new visual culture arose and transformed the fabric of everyday life.
The core of this exhibition comes from the extraordinary collection of photographer and graphic designer David King (1943–2016). He started his collection of over 250,000 items relating to this period while working for The Sunday Times Magazine in the 1970s. The collection was acquired by Tate in 2016.
This show is an opportunity to see the rare propaganda posters, prints and photographs collected by King – some bearing traces of state censorship. Including work by El Lissitzky, Gustav Klutsis, Dmitri Moor, Aleksandr Deineka, Nina Vatolina and Yevgeny Khaldei, it is a thrilling journey through a momentous period in world history.
[Tate Modern]
Guillaume, Wollseifen, Kalifat, Dekyndt.
"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.
a combination of week 1 & 3 projects from susan tuttle's online class...
...vintage roses...
...stolen kisses...
...pink fluffy-iced cupcakes...
...sweet smooches...
...chocolate dipped strawberries...
...glasses of bubbly...
...candlelit whispers...
...unabashed romance...
...two hearts saying 'yes'...
...wishes come true...
happy heart day
xo
Talk Lab conclusivo del Progetto Young Vision
“Innovazione e cultura come occasioni di rilancio del territorio”
Si è tenuto a San Ginesio il convegno conclusivo del progetto destinato ai giovani creativi marchigiani realizzato da Risorse Cooperativa. Il progetto ha visto la realizzazione di un corso di formazione su Visual ed Architectural Mapping per 20 giovani tra i 18 ed i 35, flash mob ed eventi in tre diversi centri delle Marche.
Il Talk Lab condotto da Carlo Infante (Urban Experience), che si svolto all’interno del teatro Leopardi e per le vie del centro storico di San Ginesio, ha affrontato i temi della cultura e dell’innovazione. Massimo Riccetti presidente di Risorse Cooperativa ha illustrato il progetto e riassunto i numeri ottenuti, dalle domande di ammissione al bando di selezione per il corso (più di 180 per 20 posti disponibili), alle migliaia di persone che hanno assistito agli spettacoli realizzati a Macerata, Loro Piceno ed Ancona.
Flavia Coccia (esperta di politiche turistiche e già Capo struttura di Missione alla Presidenza del Consiglio dei Ministri per il Rilancio dell’Immagine dell’Italia) e Vittorio Salmoni (coordinatore dell' area Studi del Territorio dell'ISTAO) hanno sottolineato come la cultura sia un elemento essenziale di ogni processo economico. Massimiliano Sport Bianchini (Assessore al turismo della Provincia di Macerata) e Giampiero Feliciotti (Presidente della Comunità Montana dei Monti Azzurri) hanno parlato di come il coinvolgimento di giovani all’interno di progetti come Young Vision, che mettono insieme cultura, innovazione e territorio debbano essere la sfida per rilanciare le aree interne anche in funzione turistica. Nel dibattito sono intervenuti anche il Vice Sindaco del Comune di San Ginesio, Simone Tardella, e Francesco Venanzoni, visual artist e docente del corso.
Young Vision ha visto, in varie forme, il coinvolgimento di giovani creativi, imprese, e di enti locali (Comunità Montana dei Monti Azzurri, Comuni di Macerata, Loro Piceno, Serrapetrona, Ancona e Montegallo). Sono stati collegati piccoli e grandi centri della Regione Marche con iniziative di formazione professionale ed eventi culturali e si è trasformato il nostro splendido territorio da contenitore a contenuto delle attività del progetto.
This info graphic is all about the Insulated concrete forms for building construction purpose. It explains that what is Icf (Insulated concrete form). How it is made, for what purpose it is used. All benefits of using insulated concrete material are described in it. Icfs are beneficial for both construction contractor as well as for home owner.
Na campanha de 2009 para Evra, utilizamos a metáfora conceitual do instrutor de mergulho, para mostrar a confiança que o médico inspira em suas pacientes na hora de prescrever o método contraceptivo mais confiável.
AdNauseum wondered yesterday:
You know.... This is an amazing photo, but I can't help but pine for t the classic NYC of your earlier photos. Billboards on busses. Minivans replacig checkers. New York of the past had such an aura. Its hard to compete today. Do you think we'll look back on this picture 20 years from now and imagine a simpler, more elegant New York than the monstrosity of the future we are surely creating?
It's true about New York. Every square inch seems to be for sale.
This image might have been a simple one, showing two guys
relaxing, but everything has words on them these days. Everything...
Visual Editors, NFP is a non-profit 501(c)(3) public charity that has been formed for educational purposes.
The non-profit provides free learning opportunities to students and the public through online forums, journalism critiques, social media, and seminars.
The Visual Editors peer-to-peer education concept has been helping make visual journalism practices more transparent to lay people since 2004.
taken from the sketchbook titled ' Contrasts'.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
For Further Details: Dr Maureen O'Neill and Claire Sambrook
maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
taken from the sketchbook titled 'Monday Morning'.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
For Further Details: Dr Maureen O'Neill and Claire Sambrook
maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
From the designated point of view, the lines and shapes shift into one coherent concept.
Artist: Felice Varini (Switzerland)
It's like some sort of really old version of Simon or something. I think you press the button as soon as the light turns on
Julie Stuart, a graphic facilitator, using markers to create a visual mapping of climate change-resilient agroecosystems.
Photo by Kate Evans/CIFOR
For more information go to: blog.cifor.org/climate-week
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org