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Father Robert Beloin and Father Karl Davis of the Saint Thomas More, the Catholic Chapel and Center at Yale University, Elder Ron Hurt of the Deliverance Temple Pentecostal Church in New Haven, and Reverend Paul Fleck, of the Hamden Plains United Methodist Church in Hamden, accompany Jason Ramos, human- and immigration rights activists, students, and other supporters on a protest against the scheduled deportation of Franklin and Gioconda Ramos of Meriden, in front of the Abraham A. Ribicoff Federal Building, 450 Main Street, Hartford, Connecticut, Monday, September 25, 2017.
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2019SDPB
Visual recording van de presentatie door het College Rechten vd Mens tijdens themabijeenkomst over inclusiviteit bij de BZK Rijksacademie
Visual Journal - Pressed flowers, paper colored with watercolor, and pictures of butterflies to depict the transformation of a caterpillar (2 page). For Art 2 journal.
“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee
Disability Pursuits by Lydia Popowich - an interactive visual arts exhibition about different ways of seeing the world.
Shetland Museum
13 October - 25 october 2010
visuals : candas sisman - csismn.com/
sounds : emre can ozis
www.myspace.com/electroswazladagel
Watch this video on Vimeo. Video created by candas sisman.
La revista étapes: diseño y cultura visual presenta trimestralmente una mirada global e internacional sobre el diseño y la cultura gráfica haciendo especial hincapié en la diversidad y la riqueza de los entornos español y latinoamericano.
Tras la experiencia de la edición francesa (1994) y de la edición internacional (2004), la versión española desea aproximar a los lectores a una comprensión transfronteriza y transhistórica de la cultura gráfica, sin ignorar lo específico del contexto local. Cuatro números al año con artículos que no caducan y cuyo interés va más allá de la inmediatez y de la tendencia.
El diseño gráfico, de producto y tipográfico, la ilustración, la fotografía, la publicidad y la creación audiovisual son algunas de las diversas especialidades que aborda la revista a través de artículos de fondo ampliamente ilustrados. De esta forma, étapes acerca todas aquellas disciplinas relacionadas con el diseño y la cultura visual a profesionales, estudiantes y aficionados.
Con este proyecto, la Editorial Gustavo Gili quiere eludir el voraz ritmo de renovación impuesto a los productos del mercado editorial. Así, la revista nace con vocación de libro y con voluntad de permanencia frente al consumo volátil, ya convertido en norma, de los productos culturales.
Público
étapes es una revista para profesionales, estudiantes y público general interesado en diseño gráfico, ilustración, fotografía, creatividad, tipografía, publicidad, diseño de producto, marketing, edición web, dirección de arte, diseño multimedia y todas aquellas actividades relacionadas con el diseño y la cultura visual.
Secciones
La sección Actualidad ofrece una panorámica sobre trabajos realizados desde distintas disciplinas, como el arte urbano, el cartelismo, la comunicación, la edición, la fotografía, la ilustración, la identidad corporativa, el packaging o la señalética, entre muchas otras.
La sección Fondo&Forma trata en profundidad temas de cultura visual a través de reportajes profusamente ilustrados y centrados en torno a nombres propios del diseño, estudios o proyectos concretos.
Y, por último, la sección Texto(s) publica reflexiones sobre diseño y cultura visual por medio de ensayos, entrevistas, artículos de opinión y reseñas de libros.
Ficha técnica
144 páginas ilustradas en color
26,5 x 20,5 cm
Rústica
Español
Publicación trimestral
Precio
España 19,90 € c/IVA
México 350 pesos
Internacional 19,13 € s/IVA
Publica
Editorial Gustavo Gili, SL
Rosselló 87-89
08029 Barcelona - España
Tel. (+34) 93 322 81 61
Fax (+34) 93 322 92 05
info@ggili.com
Datos de contacto
Edición:
etapes@ggili.com
Comunicación y prensa:
prensa@ggili.com
Suscripciones:
suscripciones@ggili.com
Publicidad:
info@pilartendero.com
Assignment: Create an alterned book. Must take into effect the book as a whole. Main building material must be the book itself.
Solution: I used a hymn book, drilled holes through the pages in the shape of a bass clef, cut individual music notes from the sheet music, strung the notes onto a thread, and laced it together as a mobile.
Grade: B+
concorrência para campanha de incentivo ao jovem na cultura, do governo da ilha do principe eduardo. (a qual ganhamos)
portfolio
You can use this image for your website or blog, but please include credit via the following clickable hyper link: www.dhub.com
Vinilos, formas troqueladas, displays, cajas de luz. Retoque, impresión y montaje de imágenes de alta calidad para moda, para aplicaciones en puntos de venta, stands, displays, decoración de interiores. Personalización y acabados de calidad. www.sabatebarcelona.com
Visual Tools For Sale (Branding)
Typeface: Van Condensed
Graphic Design: Grupo Forja (www.grupoforja.es/index.php)
Country: Spain