View allAll Photos Tagged Visuals
Exploring the theme of 'Conflicting Characters' I created these letters based on the words "chunky" and "delicate".
Exploratory Project, October 2008.
FRENCH ESCAPISM and AMERICAN PHARMADDICTION
applying camera-learned visual techniques of light and shadows to painting created the whole concept of impressionism.
it was stolen from photography.
the age was pre-electric.
homes didn't have lights that flipped on and off, drenching the darkness with overhead glares.
instead, realizing that there is no true BLACK in nature's shadows, the camera simply wouldn't find its own ability to make it up and put it on the color chart.
in french escapism, black is used like an accent to mark/denote gravity and the weightiness of motion or the sticking point of a shadow.
but the use of darker grays that can shimmer with a warm tone or a cool tone are almost always valued more in the color palette's love affair with itself.
the use of gray as a mixing agent had given birth to a whole new way of imagining life.
and there are hundreds of painters from before monet who were exploring all of this avidly. they are the hidden artists that are being intentionally hidden at this point, like next year's netflix episode of your favorite show.
it's already wrapped and finished, but it's not released.
another thing in french escapism is the unrelenting use of class and leisure to dictate every aspect of the painting's suggestions -- peacefulness is imposed, restfulness is mandatory, contemplation is expected, feeling better is required.
and i love this because it's so PRE-ELECTRIC. there is the same wild longing that you can see if you're brave enough to read something light by the marquis de sade.
you don't have to read too much before you get this horrifying vision of the marquis' greatest fantasty -- to be a PORN DIRECTOR.
which means that he was REALLY FANTASIZING about moving imagery.
that's the truth!
he foresaw FILM AND VIDEO and dreamed about it, wrote his words like he was a porn director doing multiple fantasy sex shoots.
and it's INSANE.
there is a deep madness in his desire and longing for the FKING MOVIE IMAGERY RECORDING CAMERA DEVICE.
it's like he's wishing for a space alien.
or a rocket ship, but that was the equivalent intellectually at the time.
it was just out of reach, this fantasy machine that would record his PERSPECTIVE of the deviant human's fantasies.
so i'm trying to infuse these paintings with the same intensity with the titles i select to direct the viewer.
therefore, all the pieces take place in a landscape that is named after popular antipschotics and pharmaceutical drugs here in the united states.
the works are dedicated to the print industry which i have titled THE CHURCH OF MONET.
it is a massive industry.
these works are liquid paintings, which means that they get painted on like a movie until they reach a place where i'm 100% content with the storyline and what it has achieved throughout its lifetime.
the pieces, i've decided, when finished, will be attributed to torbakhopper.
*******
FRENCH ESCAPISM & THE CHOPPED OFF ARMS
in the furtherest extreme of FRENCH ESCAPISM, as a metaphor for the OVERDRUGGED pharmaceutical addicts in the UNITED STATES OF AMERICA where over HALF A MILLION PEOPLE HAVE BEEN FLAT OUT MURDERED BY DRUG DEALERS, the female children do not need arms.
it was decided in Lunesta that the absolute high point of civilization was a place of abject tranquility and peacefulness.
a sign of opulence, parents began to chop off their daughters' arms to demonstrate how civilized they were.
the absence of arms for all FEMALES demonstrated that the need for a woman to take care of herself was so outdated that she didn't even need arms.
women in Lunesta are fed and tended to by others.
such peace and luxury.
wake up, AMERICA!!!
wake THE FUCK UP!!!
London Stands Up to Racism, London, March 19, 2016.
"ALL OUT FOR UN ANTI-RACISM DAY!
#M19
#RefugeesWelcome
#BlackLivesMatter
Speakers:
Diane Abbott MP
Claude Moraes MEP
Jean Lambert MEP
Jeremy Hardy, Comedian
Michael Rosen Children's novelist and poet
Gary Younge Journalist
Dave Ward CWU General Secretary
Christine Blower NUT General Secretary
Sally Hunt UCU General Secretary
Maurice Wren Chief Executive, The Refugee Council
Harish Patel National Equalities Officer, Unite The Union
Gloria Mills, Chair - TUC Race Relations Committee
Zita Holbourne Co-Chair, Black Activists Rising Against Cuts
Marilyn Reed Sarah Reed Campaign for Justice / Blaksox
Lee Jasper Movement Against Xenophobia
Malia Bouattia NUS Black Students Officer
Shakira Martin NUS VP Further Education
Shahrar Ali Deputy Leader, The Green Party
Yusuf Hassan VP Federation of Student Islamic Societies
Mohammed Kozbar Spokesperson,
Muslim Association of Britain
Maz Saleem Daughter of the Late Mohammed Saleem
Stephanie Lightfoot Bennett Co-Chair,
United Friends and Families
Gerry Gable Editor, Searchlight
Sam Fairbarn Secretary, People's Assembly Against Austerity
Lindsey German Convenor, Stop the War Coalition
Sabby Dhalu and Weyman Bennett, Organisers -
Stand up to racism
A racist offensive against refugees, migrants and Muslims is being pushed by some politicians and press. It is crucial we
respond to this by standing in solidarity against attempts to divide our communities. The appalling treatment of refugees across Europe and the staggering rise in anti-Muslim hate crimes must be challenged.
Let’s send a message that drives back the tide of racism, fascism, Islamophobia, anti-Semitism and the scapegoating of migrants and refugees – we say refugees welcome here and yes to diversity!
Join the Europe-wide UN Anti-Racism Day Demonstration when tens of thousands march across Britain, with major mobilisations in London, Scotland and Wales joining thousands in cities across Europe and around the world to say no to racism.
Stand Up To Racism has led some of the biggest anti-racist
mobilisations in Britain of the last decade, including the UN Anti-racism day demonstrations of 2014 and 2015 and the 100,000 strong Refugees Welcome demonstration on 12th September 2015."
Source:
www.standuptoracism.org.uk/2016/02/un-anti-racism-day-dem...
Students from TC's Deaf Education program wave their hands to applaud the masters ceremony's student speaker, who was deaf.
Essa foi a identidade visual criada para a Carla do Ateliê Mãos Magia do Rio de Janeiro...... a Carla adorou o resultado e passamos vários minutos no telefne tricotanto sobre trabalho =D
Orçamentos e informações:
contato@danysabadini.com.br
(11) 27713823 - 87876866
Twitter: @DanySabadini
One of the first interesting things I came across in Japan after landing
was the vending machines. Most vending machines in America usually either
have buttons representing the different drinks or show all the drinks in
the machine. Here it's a bit different. The drinks are shown visually, but
they are seen as plastic replicas, just to show what kind of drinks they
are, while the reals ones are hidden inside. They also show each drink
price labeled instead of having to push a button to find out the price.
Some of the drinks in Japan are rather interesting and are far from their
normal, American counterpart. Some of their American-based drinks even seem
to have a higher quality in taste as well. One of the coffee vending
machines even got to show a live video feed of your drink being made. It's
the little things that make this place pretty cool.
[image: Inline image 1]
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
... this is a 1.5 minute visual and musical tour of World War 2. There is no message, no opinion, no desire nor attempt to cause you to think anything. Just let the music flow and let your mind and feelings do the rest. Whatever you think or feel will be honest. If I make a suggestion for you, it would be dishonest.
The magnificent rendition of Crazy, which was composed by Willie Nelson, is performed by Paul and Linda Hybner of Kerrville. If you would like to buy one of their albums, they are available at ...
Crazy is from the album named Looking Back ... other songs on that album are ...
I Can't Help Falling in Love With You.
All I Have to Do is Dream.
Release Me.
Red, Red Wine.
Crying.
Mack the Knife.
Beyond Words (composed and played by
Paul and Linda)
I Fall to Pieces.
Fascination.
Silver Wings.
Blue Moon.
Walking After Midnight.
Tennessee Waltz.
...now THIS is music you can live with.
'Riso: Visual Thoughts' é uma publicação desenhada, impressa e encadernada pelos estudantes de Laboratório Digital II, que resulta de um conjunto de exercícios visuais desenvolvidos em torno do processo de impressão risográfica.
Visions of America: Amériques
Audio/Visual Performance conducted by Esa-pekka Salonen, performed by Los Angeles Philharmonic
6th of November, 2014
Walt Disney Concert Hall, Los Angeles
_
'The Los Angeles Philharmonic’s multimedia presentation of Edgard Varèse’s Amériques launched the new in/SIGHT series at Walt Disney Concert Hall,The presentation of Amériques is accompanied by the new Anadol site-specific architectural video installation, which was developed to illuminate and enhance the Varèse's composition and to activate the architecture of Walt Disney Concert Hall. The dynamic visual program created by Anadol uses custom-built algorithmic sound analysis to listen and respond to the music in real time, using architecture as a canvas and light as a material. Additionally, the movements of Salonen, as he conducts, will be captured by next generation Microsoft Kinect hardware and 3-D depth camera analysis to inform the visuals displayed. The result was a powerful and immersive experience for the audience that engaged their visual and auditory senses.'
Launching in/SIGHT – the LA Phil's groundbreaking series of concerts with video – this program embodies the vision of the New World as a place of unlimited artistic freedom. Amériques was the first musical piece that Varèse composed upon coming to New York and this project is fittingly the first site-specific audio-visual performance that I produce in the U.S. I approached this collaboration from the standpoint of a non-linear and ephemeral interaction between Salonen, Varèse, and me, and hope that I will be able to transform Varèse’s timeless musical fiction into an immersive visual medium through which a new kind of storytelling will occur. Rather than approaching this medium as a means of escape into some disembodied techno-utopian fantasy, this project sees itself as a means of return. It aims to facilitate a temporary release from our habitual
perceptions and culturally biased assumptions about being in the world, and to enable us, however momentarily, to perceive our own stories and the stories around us freshly.
In a recent interview with the Huffington Post, Anadol stated regarding this work, “Instead of creating a media screen, there will be a story inside the space. What happens if you add a video layer that speaks to the audience in a whole new experience? We're exploring the boundaries of what is real, what is physical, what is virtual…”
I would like to sincerely thank everyone who made this project possible. This project would never have been possible without the tremendous and generous support of Los Angeles Philharmonic, President and CEO Deborah Borda; Vice President of Artistic Planning Chad Smith; Artistic Administrator Meghan Martineau and Concert Operations Manager Taylor Saleeby. I would also like to thank for their open-handed support the University California, Los Angeles, Department of Media Arts’ faculty members, Microsoft Research, and Lili Cheng, Finally and specially I would like to thank Frank Gehry for his dreamful canvas and Esa-Pekka Salonen for his open-minded collaboration with me to discover “New Worlds.”
CREDITS
Video Artist: Refik Anadol
Artistic Management: Dave Hunt
Executive Producer: Efsun Erkilic
Senior Generative Designers: Sebastian Neitsch & Woeishi Lean
Senior 3D Designer: Raman K. Mustafa
Senior Animator: Simon Russell
Junior Animators: Bahadir Dagdelen, Michael Hsiu, Kian Khiaban, Toby Heinemann,
Laurence Menor.
Research Assistant: Jarad Solomon
(Aroma Visual)
XII Feria del Comercio Medieval \_|_/ Medieval Fair XII - Elda 2011 \_|_/
* Elda - Alicante - Comunidad Valenciana - Pais Valencià - Spain *
Cada vez mais somos atraídos pelo "conteúdo visual" on-line. A oportunidade que isso oferece para os negócios é enorme. Que tal conhecer alguns conceitos e estratégias e aproveitar o poder desta mudança?
Quer mais conteúdo?
Pages done for Decorated Page Workshop, Lesson 4 Cutouts and Addons plus Patterns and Motifs, also Lesson 3 stamped background.
My big Roman numeral ten is both a cutout and an add on. I got to use my new embossing gun here. The silver was done with a rubber stamp that I made by just cutting an eraser with a serrated knife.
The X's/Roman numeral 10 serve as both motif and pattern. The hand carved stamp that I stamped with my new Versamark inkpad is also patterning. I love the Versamark! I'm going to get a lot of use out of that one.