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Kazú: Estamos de volta. Não que isso acrescente algo na sua vida vazia.
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HAUHAUAHU -Q Kazú A_______A
Ok, nós voltamos /o/ Na verdade não tínhamos ido a lugar nenhum, só que eu estava sem internet mesmo rs
Também não estou conseguindo tirar fotos ultimamente. Aqui em Belém estamos num período de "final de inverno" que está chovendo toda hora D:
Bye Nyappy o/~
This is the first challenge in a while that I actually took time to sketch out some ideas for. Most of mine were visual puns and this was the easiest one so I did it first.
One of them I actually laughed out loud while I was sketching it out. I hope it turns out as funny as I think it is :-D
Pages done for Decorated Page Workshop, Lesson 4 Cutouts and Addons plus Patterns and Motifs, also Lesson 3 stamped background.
My big Roman numeral ten is both a cutout and an add on. I got to use my new embossing gun here. The silver was done with a rubber stamp that I made by just cutting an eraser with a serrated knife.
The X's/Roman numeral 10 serve as both motif and pattern. The hand carved stamp that I stamped with my new Versamark inkpad is also patterning. I love the Versamark! I'm going to get a lot of use out of that one.
Competition Karlsruhe Kunsthalle Extension
photographed by
Frank Dinger
BECOMING - office for visual communication
www.instagram.com/frank.dinger
architecture photography movie by Frank Dinger:
www.dsksic.com/animation/news_animation
DSK Supinfocom offers animation courses based on a standard approved by the CNCP (National Commission for Professional Certification in France). CNCP is directly under the supervision of the office of the Prime Minister of France. On successful completion of the course, students get awarded the Digital Director Certificate.
DSK Supinfocom’s foundation course empowers the students in the use of computer graphics tools and develops their creativity through a process of discovery, expression and communication. Subjects include image Conception, 2D and Video Software Tools, Academic Drawing, Modeling, Introduction to Animation, 2D/3D Graphics, Film Analysis, Visual Communication, Video and Composition, History of Art and Communication, Preparation of Animation and Live-action Screenplays and more.
[Resumidamente] Programação visual começou, em 2019, com a elaboração da marca comemorativa dos 20 anos do DoSol (está em outro post) que se desenvolve para as marcas do PoDástico, Stories e Music Doc (em conexão de fontes e formas). As cores remetem ao nascer e se por do sol, nuances de fim de tarde e amanhecer, e as formas geométricas são derivadas do círculo e geometria básica.
O interessante que quando pensamos esse visual, eu já ligado em tendência, um complexo de coisas com cores vivas e difusas surgiram em seguida, até hoje, acho que até marca um espectro de época. Cada um na sua praia mas com sinergia.
The need to facilitate orientation and communication through visual organization principles, was the starting point for the design of the uniforms of official personnel during the Olympic Games.
A contest judge had to look different from a ticket controller, a health worker from a technician. All told 88 groups of persons needed special uniforms. To make this multitude clearly understandable the personnel was categorized in superordinate groups under the aspect of related functions:
Personnel of the Organizing Committee
Contest judges
Technical services
Hostesses
Doctors and health personnel
Security guards
Sport site personnel
Cleaning personnel
by Eun Young Yi architects
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
Poema visual : Récita realizada em um bar da região da Praça da Sé, São Paulo.
"Poema/Problema" por Martín Barea Mattos (poeta-Uruguai).
Presentes : Qki, Jocelyn Pantoja, Héctor Montecinos, Alberto Trejo, Ernesto Carrión, Fatima (OGlobo), Humberto Alitto e outros.
Data: Jueves 07/08/2008 Horário : 19:30.
Imagem: H.Alitto
Congratulations to the 2023 Scholastic Art Award winners Lulu Calame ’23, Bailey Koo ’23, Ethan Lin ’23, Everett Liu ’24, Jessi Shin ’24, Alex Tse ’24, Anissa Yu ’24, Annabelle Zhang ’23, and Claude Zhang ’24.