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Description from website: "Visual Kei is a very bright pink, with a nearly matte finish. Temporary staining is likely (keep off of fabric). *Reformulated in October 2011: Brighter, more intense colour saturation. * 9/2012: Colour amped up a notch yet again.*"
Color: Intense bright blue-pink, medium-dark, not quite purple enough to be fuchsia. Strawberry pink on steroids? It's not bright enough to be considered neon, but it is definitely a bright, statement lipstick.
Finish: Very pigmented but rather sheer satin finish, no shimmer.
Other notes: Like Glamorous Rebel, it is highly pigmented but on the sheer side, giving a stain effect rather than the look of a heavy lipstick. Surprisingly wearable for a hot pink lipstick.
PNCA MFA in Visual Studies Spring Open Studios
Saturday, April 18th
Noon - 2:00pm
815 NW 13th Ave. Portland, Oregon (Stagecraft Building above PNCA sculpture facilities)
MFA in Visual Studies Candidates:
Amory Abbott, Sean Barnes, Rachel Brown-Smith, Rebecca Carlisle, Maggie Condit, Maria Davidoff, Liz Fuller, Alex Godbold, Anastasia Greer, Lucas Haley, Tessa Heck, Evan Isoline, Candace Jahn, Aaron Johnson, Marisa Lee, Kelly McGovern, Jung Min, Bertrand Morin, Annie Oldenburg, Nicholas Patton, Katie Piatt, Veronica Reeves, Caitlin Rooney, BriAnna Rosen, Dylan Schietinger, Micah Schmelzer,Tait Simonson, Lauren Stumpf, Jason Berlin Thomas, and Nikki Vene.
About the MFA in Visual Studies:
PNCA’s Masters of Fine Arts in Visual Studies is a multi-disciplinary and mentor- based program. Its flexible character allows students to work within a singular discipline or to pursue a combined practice that bridges disciplines and media. This generalist structure compliments PNCA’s educational philosophy of supporting independent inquiry and encouraging cross-disciplinary dialog. Students also benefit from a dynamic national and international roster of visiting artists and designers.
Photos by Joe Greer
If you look at the four previous photographs, you'll be able to see how the the framework of notes on the whiteboard, and the drawn images, became this final page of notes. You can read more about this in this entry on my blog at andrewbwatt.wordpress.com
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
Yamina del Real, fotógrafa, artista visual, socióloga y sexóloga. Mujer de una pieza entera y de mil propuestas visuales
My work as CG/Lighting Supervisor from The Curious Case of Benjamin Button on the cover of the upcoming Cinefex.
VISUAL magazine 03. Cajamarca - Perú
Foto: Ana García Suarez - Carvallo / Galacia / España.
Edición virtual:
Yeah, these are the kind of women who run the AV equipment.
Bet you wish you had stayed in drama club now , huh?
The broken window, of the cadillac in the courtyard. The "Rainy Cadillac" is part of an elaborate, visual pun, known as "Car-Naval".
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
Outlook WebApp is the updated version of the Outlook webmail UI. After years with the clunky old version I was looking forward to improvements.
It's generally better, except for one deceptively small but surprisingly important aspect: Every time you want to add a recipient to an email, it takes you to a new screen where you have to repeat the above process for every person you wish to add.
It actually looks more simple than it is in this illustration. In reality steps are further broken by page reload (so you dont' really know where you are suppose to be looking at next). Not to mention this is completely de-contextualized from the email you were initially writing. It took me several puzzled tries to figure out that once on this screen I had to go outside the core application area and start with the search box at the top.
At least in the old version, you opened a new email, clicked on [TO] and a pop-up would appear where these things were take place (without all the reloading and poor layout and awkward element placement). Not beautiful or fancy in any way, but much more elegant solution because I DIDN'T HAVE TO THINK ABOUT THIS.
Microsoft, what were you thinking?
Jeff and Drew making the visual approach back into Dover after nearly 5.5hrs of air refueling local training. We're all beat, but we got 100% training complete with just a bit more than 75 min on the boom. To put that in perspective, if we had taken gas that entire time we could've taken about 500,000 lbs, or 1.5 times what Freddy can hold total!!!
Nuevos Caminos de exploración visual
La imagen en movimiento sucumbe los espacios desintegrados por un sistema modular de imagenes que se interlanzan y crean un bit secuencial de paranodia visual.
Mama quiero un contralador para mezclar en esta navidad.