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www.alejandrovalenciat.com/alejandrovt/vampiros.html
Fotografía: Daniel Ronderos (www.danielronderos.com/) + Alejandro Valencia-Tobón
Bienvenido a este experimento público llamado ‘Vampiros’. Lo que ves acá es el resultado de un trabajo de muchas personas que salió al dominio público el pasado 31 de Octubre de 2013. Todos juntos construimos un escenario para reflexionar sobre qué es una enfermedad llamada dengue. Más que respuestas buscamos preguntas a través de un ejercicio sensorial.
Durante mi PhD busco desarrollar un estudio antropológico sobre la creación y negociación de diferentes formas de conocimiento alrededor del dengue.
Actualmente me encuentro en Medellín (Colombia) desarrollando la fase de campo de mi PhD. El objetivo central de mi proyecto es explorar cómo la antropología, en conjunto con ideas y prácticas derivadas del arte y la ciencia, puede transformar la comprensión pública del dengue.
Si querés ver el curso de mi trabajo de campo, por favor accedé a este link (www.anthropologyartscience.blogspot.com)
Este proyecto está siendo desarrollado independientemente a modo de red, donde hay una serie de nodos que se entrelazan en un sentido no jerárquico. Las personas, colectivos o grupos de trabajo que se han unido a él son:
Los participantes de mi etnografía: Juanita, Sara, Jhon, Gilma, Juan, Johana, Jorge.
Colaboradores: Hernán Marín, Maribel Flórez, Daniel Ronderos, Andrés Ramírez, Elva López, Felipe Villegas, Martha Vera, Carolina Quintero, Manuela Herrera, Jovany Barajas, Sergio Pulido, Susana Valencia, Lucía Tobón, Mike Bluett, Loveday King, Amanda Hunter.
Entidades vinculadas a este proyecto: 3B Espacio, Publicidad Ábaco, Bimana, InspiraLab, Cataviento, Horniman Museum, Royal Anthropological Institute of Great Britain and Ireland, Pedro Mau/KNEEL, The University of Manchester, Granada Centre for Visual Anthropology, Colciencias.
A ellos mi profundo agradecimiento por su apoyo y por creer en este proyecto.
Cualquier opinión, crítica o comentario es más que bienvenido. Podés escribirme a vampiros@alejandrovalenciat.com. Si querés hacer parte de este proyecto, sólo tenés que manifestarlo.
Alejandro Valencia-Tobón
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Más información:
When I was working on page 15 I wanted to put some stitching along the left side. I love how this has affected and improved the previous page!
Images from the generative visual I've created for the 2012 edition of Shapeshifters.
Render of the generative visual I've created for Shapeshifters 2012.
Shapeshifters 2012: six lectures on designing information.
8 February: Brendan Dawes and Mark Porter
7 March: Andrew Vande Moere and Morag Myerscough
27 April: Joost Grootens + Tim Fendley
More info can be found on www.shapeshifters.be
The application was created with Processing.
Libraries used: Toxiclibs, ControlP5, ijeomamotion, OpenGL, Minim.
Video can be found on Vimeo: vorm.pl/us/8l
These are examples of visual notes taken by fourth and fifth graders and Dr. Fryer's STEM class in December 2013. Learn more on:
Mr. Anthony Malik Thompson of Vicenza High School, recites Dr. Martin Luther King Jr. during Vicenza Military Community’s 2017 Observance Ceremony at Caserma Ederle, Vicenza, Italy, Jan. 10, 2017. (U.S. Army photo by Visual Information Specialist Paolo Bovo/released)
Elbe philharmonic hall Hamburg
Herzog & de Meuron architects
topping out ceremony, may 28-29 2010
view from the Plaza, a public square elevated 37 metres above the river to north, downtown Hamburg.
photographed by
Frank Dinger
BECOMING - office for visual communication
This is a visual journal I'm making as I work through the book "Your Heart's Desire" by Sonia Choquette. I've decided to work differently than I usually do--I'm "prepping" the pages before I do the journaling instead of doing it all at the same time.
Glastonbury Festival 2014, A visual journey of Glastonbury Festival from the infrastructure and the people around the site. This journey started 21st May 2014. Working in conjunction with Paul Lund & Lisa on their radio project
NeochaEDGE /// is a Shanghai-based creative agency that produces inspiring visual arts and music content with China's leading creators – the EDGE Creative Collective – for the most forward-thinking brands and agencies in the world.
新茶锋潮 /// 成立于上海的创意机构, 旨在集合中国最先锋的创作人(锋潮创意集体), 为拥有前卫理念的全球品牌和广告公司提供视觉及音乐方向的创意内容.
Stefanie McLaren, a UWM Graphic Design student, who is also dancer, made this grid study of "constructed" letterforms using her body.
Die Fing'rs Girlfriends 2009 zeigen wie's geht - die neuen Kunstnägel von Fing'rs verleihen einen tollen Look und sind schnell gemacht!
Encuentro de balompié en el campo de fútbol de la calle de Bilbao de Zaragoza entre las selecciones del Fuenclara y el Iberia. Las viviendas tras el muro del campo son las de la manzana de la calle Bilbao, entre Canfranc (a la derecha, fuera de imagen), y Albareda. Cruzando la calle Albareda, vemos los más bajos edificios que formaban parte del Gobierno Militar (Casa Giménez, Bilbao, Albareda, Ponzano). Este campo se levantó sobre el antiguo Lavadero del Parque, y cuando dejó de ser campo de fútbol, sobre él se edificó el Colegio de la Compañía de María. El campo de fútbol funcionó como tal de 1917 a 1924.
Fuente visual: museozaragocista.blogspot.com/
Proyecto GAZA ("Gran Archivo Zaragoza Antigua"),
es un compendio de imágenes de la antigua Zaragoza (España), acompañadas de textos creados por José María Ballestín Miguel
y la colaboración de Antonio Tausiet.
Mott Visuals Wedding Photography Vietnam Hanoi Saigon Hoi An Singapore Bali Thailand Pre-Wedding wedding and couples photography by photographer Justin Mott
Magnus Jonsson and Sara Backlund from the Interactive Institute also held a seminar at the Swedish Embassy the day after the opening, with invited guests from Japanese industry and academy. The seminar was entitled: ”Finding the Frontiers - open up for new Innovations using Design, Art and Storytelling in ICT Research”.
Photo: Interactive Institute.
Marines of 2D Light Armored Reconnaissance (LAR) Battalion, First and Third Platoon, engage in a crowd-control training demonstration for airmen (not shown) of the 24th Security Forces Squadron inside a hangar at Howard Air Force Base, Panama. The Marine are serving as Security Force detachment at the Camp Hayes compound situated on the shoreline of the Panama Canal.
Preppin' visuals for the China tour in october. Controlling a patch I made in Quartz Composer from Ableton Live via MIDI.
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2019SDPB
03/28/2014 - 9 years ago, a boy equally aged found his interest in anime and manga. He quickly learned Japanese from evening school and watching Japanese shows. He even started to blog in Japanese! Two years later he started playing the guitar, and quickly found a talent for that too. Today his name is making headlines around the world (including CNN and Yahoo, as well as the German TV station RTL), Japanese guitar magazines have given him a lot of attention for his guitar skills, and he is fully endorsed by Japanese guitar brand ESP.
He has been in countless TV shows. He has even been hosted by the famous lunch TV-show "Waratte Ittomo" which has over 10 million regular viewers in Japan. He has also appeared in many major national Japanese TV shows, and Universal Japan is making huge marketing campaigns for him.
When he was 16 years old, his solo debut mini album ‘REACH the SKY’ was released in Japan with by Universal Japan, closely followed by a debut full album in Japanese released in the summer of 2013. Today he is 18 years old, dresses in the classic lolita style, and performs the Visual-Kei (visual style) genre.
He also tours around the country and plays fully booked shows in Sweden where he is from. He has gotten the Gold Award for his debut album, the Platinum Award for his single "Heartbreak Hotel", and his debut album in Sweden landed on 1st place on the Album chart, while the DVD of his Swedish tour got the 1st place on the Swedish DVD chart! He placed second in the Swedish Eurovision Song Contest Final last year (only after the jury placed him second, the viewers’ votes put him miles ahead of second place!).
We are talking about none other than the famous YOHIO! This year he made it to the finals of the Swedish Eurovision Song Contest once again and he will be playing a concert Friday night at J-Popcon 2014 for his Danish convention fans! He will be singing his songs in Japanese, as well as his newest hit single "To the End
Figure 8.1 - The Triple Analogy. Illustration by Alfred Gell (1999), “The Language of the Forest,” reprinted in The Art of Anthropology.
Great Diagrams in the History of Anthropology: Iconism, Ecologism, and the Wild Man (Savage Minds)
Great Diagrams in Anthropology, Linguistics, and Social Theory
..From Gell’s essay, “The Language of the Forest,” which relates phonological iconism to the ‘auditory culture’ and sylvan mode of being of Umeda people in New Guinea. I quote at length:
Phonological iconism [...] depends on tracing connections between the sound-substance of individual words and morphemes and their meanings. As a culturally elaborated expressive mode it is probably quite rare, if only because the regular processes of sound-shift which all languages undergo would ensure, other things being equal, that phonologically iconic forms evolved into non-iconic ones after a lapse of time. Only where things are not equal, that is, where there are specific cultural vectors tending to preserve, generalize and intensify expressivity against the countervailing forces of morphological change, should one expect to encounter elaborate phonological iconism as opposed to sporadic onomatopoeia.
From Gell's original text (Gell 1999 at 242):
“One can indeed imagine the Umeda world/landscape as a series of articulatory gestures, syllabic shapes moulded within the oral tract (microcosm) and the macrocosm consisting of the body, social relationships mediated through the body, and other natural forms, particularly trees, and the encompassing physical ambiance” (242).
“In the New Guinea forest habitat [dense, unbroken jungle]… hearing is relatively dominant (over vision) as the sensory modality for coding the environment as a whole… Umeda, and languages like Umeda, are phonologically iconic, because they evoke a reality which is itself ‘heard’ and imagined in the auditory code, whereas languages like English are non-iconic because they evoke a reality which is ‘seen’ and imagined in the visual code” (247-8).
“Even vicarious participation in alterity is subversive of the conceptual restrictions which motivate our own sense of the real, and, by derivation, our conceptions of the poetic” (257).
Incrível a saudade que eu estava de usar francesinha nos pés!!!
Fazia tempos que não usava porque fazia tempos que não fazia os pés com a manicure, pois eu não consigo fazer em mim francesinha tão perfeita.
Não me canso de olhar pros meus pés!
Todays notes come from an online workshop from VizthinkU on visual notetaking, featuring Austin Kleon, Mike Rohde, and Sunni Brown.
Our first ever Visual Editions shop is open for business. It's not ours entirely of course, but a corner of Vitsoe’s London store opened this month as “Visual Editions at Vitsoe”, part of our month long December collaboration.
Find out more: www.visual-editions.com/articles/first-ever-visual-editio...
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