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Woodward & Lothrop's Visual Merchandising Handbook from the1980's
These Do's and Don'ts should still apply today!
The need to facilitate orientation and communication through visual organization principles, was the starting point for the design of the uniforms of official personnel during the Olympic Games.
A contest judge had to look different from a ticket controller, a health worker from a technician. All told 88 groups of persons needed special uniforms. To make this multitude clearly understandable the personnel was categorized in superordinate groups under the aspect of related functions:
Personnel of the Organizing Committee
Contest judges
Technical services
Hostesses
Doctors and health personnel
Security guards
Sport site personnel
Cleaning personnel
My last visual story for my Visual Story-telling group. This one is entitled "Multiple personalities dinner party".
Visual Artists – Photo by Hulleah
Huyana Mumby (Powhatan/KonKow/Tlingit/Dene)
Tisina Parker (Southern Sierra Miwuk, Mono Lake Paiute, Kashia Pomo)
Emmanuel Montoya (Apache)
L. Frank Manriquez (Tongva)
Keith Secola Jr. (Ute/Ojibwe)
Live visual at Kazantip Festival in Ukraine played live with my homemade software CloneMixer 3.0
100% realtime and 100% generated graphics.
Video here : vimeo.com/48329794
This is a visual journal I'm making as I work through the book "Your Heart's Desire" by Sonia Choquette. I've decided to work differently than I usually do--I'm "prepping" the pages before I do the journaling instead of doing it all at the same time.
In the 20th century, Morse code morphed into binary code and binary became condensed via the visual binary system. Visual Binary was created in the U.S. by Bell Laboratories in the 1940-1950s. It was used by the allies to win World War II. Visual Binary code was used by the U.S. in the original computing networks that grew to become the Semantic Web (Web 3.0). During the cold-war, Visual Binary code was perfected and used to spread freedom and democracy via the satellite networks.
In the year 2000, the Visual Binary code was released to the public via AOL. This release of information resulted in many developments that continue to create value. The code was modified to fit into a single cube, and the cube code began to be taught in online schools. Websites running visual binary cube applications were able to attract a larger audience. The visual binary cube websites survived the boom and bust of the dot-com bubble. Visual binary cube code has become an acceptable international standard for public communications online. Via the thumb keyboard and applications such as visual binary twitter, the cube code is enabling this generation of text messengers to send precise and efficient messages online. Meanings and definitions are stored in public-access memory. Global server databases for the Semantic Web enable definitions and tags and links to be associated with the meaning of each symbol.
About one hundred invited guests and media attended the official opening of the Visual Voltage exhibition at Miraikan in Tokyo in the evening of October 20. The exhibition was inaugurated by Mr. Mamoru Mohri, Chief Executive Director of The National Museum of Emerging Science and Innovation (Miraikan), and Mr. Stefan Noreén, Ambassador of Sweden in Tokyo. Interactive Institute’s Magnus Jonsson and Sara Backlund gave a talk entitled ”Swedish Frontiers – design trends and innovation” at Mirakan in connection to the inauguration.
Photo: Interactive Institute.
RSAF to celebrate 45th anniversary with public at Singapore Airshow 2014.
Beside Formation Flying displayed by RSAF Black Knights, I was also amazed by how the staff lines up all the BMW 7 series.
I gave a workshop on geomancy at a retreat this past weekend. Increasingly I'm trying to make use of visual note-taking and presentation, so these were my diagrams and materials. I hung them on the wall, gave the workshop, and encouraged the attendees to photograph them for later study.
Visual Diplomacy means the use of images in public diplomacy. With the advent of social media, every public diplomatist can be a photographer or videographer. The U.S. Department of State carries out an aggressive training program for public diplomacy staffers around the world. Video trainer Georg Steinbeck holds a video camera at center in this picture, taken in Amman in 2013. Photo courtesy of Brigitte Pressler.
Todays notes come from an online workshop from VizthinkU on visual notetaking, featuring Austin Kleon, Mike Rohde, and Sunni Brown.
Live visual at Kazantip Festival in Ukraine played live with my homemade software CloneMixer 3.0
100% realtime and 100% generated graphics.
Video here : vimeo.com/48329794
Preppin' visuals for the China tour in october. Controlling a patch I made in Quartz Composer from Ableton Live via MIDI.
Visual Binary Thumb Keyboard.
This IPod I have designed with the central thumb-keyboard.
Think supply and demand. Call Apple and demand that they produce a new IPod with the Graeme Kilshaw thumb keyboard.
1-800-MY-APPLE
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
Live visual at Kazantip Festival in Ukraine played live with my homemade software CloneMixer 3.0
100% realtime and 100% generated graphics.
Video here : vimeo.com/48329794