View allAll Photos Tagged Visuals
A lovely carousel at Fontainebleau, ah it was so cute! check out my tumblr where I'll probably post more photos sporadically!
strobist info: umbrella'd SB-24 on a boomstand from above front, SB-26 from behind right and pink gelled SB-26 from behind left
MFA LRVS Lecture: Marina Zurkow
Jul 29, 2015 6:30 PM – 8:00 PM
The Low-Residency MFA in Visual Studies welcomes Marina Zurkow for a discussion of her work as part of the 2015 Summer Graduate Visiting Artist Lecture Series.
Crossing multiple disciplines with her practice, Marina Zurkow builds animations and participatory environments that are centered on humans and their relationship to animals, plants and the weather. Engaging audiences using film and video, sculpture, print graphics and public interventions, Zurkow’s work is by turns humorous and contemplative. Through the experience of her projects it is clear that nature has long been a stage upon which we project ourselves, making ourselves other.
Zurkow’s recent series “Friends and Enemies” mines the intersection of bias, inclusion, and kinship in our relations with other species. “Necrocracy” reconstructs the role of hydrocarbons in contemporary landscape and questions the inherited Romantic-era division between the natural and the human. “Crossing the Waters” focuses on climate change and considers catastrophe, picturing ways to imagine nature within us, and nature without us.
In 2011 a solo exhibition of Zurkow’s work was featured at the Montclair Art Museum. Past exhibitions of her work have also been featured at FACT, Liverpool; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; Smithsonian American Art Museum, Washington D.C.; Museum of Fine Arts, Houston; Wave Hill, New York; National Museum for Women in the Arts, Washington D.C.; Bennington College, Vermont; Borusan Collection, Istanbul; Pacific Northwest College of Art, Oregon; Marian Spore, New York; 01SJ Biennial, San Jose; Brooklyn Academy of Music; Museum of the Moving Image, New York; Creative Time, New York; The Kitchen, New York; Ars Electronica, Linz, Austria; Transmediale, Berlin; Eyebeam, New York; Sundance Film Festival, Utah; Rotterdam Film Festival, The Netherlands; and the Seoul Media City Biennial, Korea, among others.
Marina Zurkow is the recipient of a 2011 John Simon Guggenheim Memorial Fellowship. She has also been granted awards from the New York Foundation for the Arts, New York State Council for the Arts, the Rockefeller Foundation, and Creative Capital. She is on faculty at NYU’s Interactive Technology Program (ITP), and lives in Brooklyn, New York. www.o-matic.com
Photos by Matthew Gaston
About one hundred invited guests and media attended the official opening of the Visual Voltage exhibition at Miraikan in Tokyo in the evening of October 20. The exhibition was inaugurated by Mr. Mamoru Mohri, Chief Executive Director of The National Museum of Emerging Science and Innovation (Miraikan), and Mr. Stefan Noreén, Ambassador of Sweden in Tokyo. Interactive Institute’s Magnus Jonsson and Sara Backlund gave a talk entitled ”Swedish Frontiers – design trends and innovation” at Mirakan in connection to the inauguration.
Photo: Interactive Institute.
TV coverage specialist AMP Visual TV, an innovator in the design of outside broadcast (OB) vans for remote video productions, has outfitted its newest 4K HDR OB van — Millenium 6 — with an extensive complement of RIEDEL Communications equipment.
Criação de identidade visual para a mude.ae, agência estratégica full service porém com foco digital. mais em www.capoluiz.com
Graduation is the next big step towards achieving your goal. On the 24th of November, 2013 Visual College of Art and Design grads experienced it all. Check out some of the pictures and let us know what you think because your opinion is very important to us.
Here is what one of the 3D Modeling Animation Art and Design program students says about VCAD: âThe instructors helped me develop a workflow that could apply to a professional environment, by telling me how to approach any project I come across, and why certain methods work better than others for different situations. It was reinforced that there is more than one way to do things; there is only the best way to approach things as variables in work are always different. Having the instructor show how to do things step-by-step using the class projector was extremely helpful. My overall experience on campus has been good. The instructors and support staff were all very helpful.â
Subscribe to VCAD:
www.youtube.com/subscription_center?add_user=VancouverVCAD
Visual College of Art and Design
500 - 626 West Pender St.
Vancouver, BC
V6B 1V9
Die Fing'rs Girlfriends 2009 zeigen wie's geht - die neuen Kunstnägel von Fing'rs verleihen einen tollen Look und sind schnell gemacht!
Kazú: Estamos de volta. Não que isso acrescente algo na sua vida vazia.
----------------------------------------------------------
HAUHAUAHU -Q Kazú A_______A
Ok, nós voltamos /o/ Na verdade não tínhamos ido a lugar nenhum, só que eu estava sem internet mesmo rs
Também não estou conseguindo tirar fotos ultimamente. Aqui em Belém estamos num período de "final de inverno" que está chovendo toda hora D:
Bye Nyappy o/~
Sono absurdo!!
Quero logo o final de semana... Falta muito?!??!
Estou sem fotos novas... Portanto foto arquivo. Tirada em Barcelona - Junho 2008
Ahhhh que saudades da Europa!!!
The MFA in Visual Studies candidates and faculty throw open the doors of their Northwest Portland studios to present the work that the candidates have been doing and to familiarize the community with the program. The event will feature work that spans and addresses a wide variety of media, form, and concepts. Expect an evening of lively, engaging conversation, performances, and visual art. Food and libations will be provided.
Works by: Sarah Abbott, Christy Bailey, Stephanie Brachmann, Terri Bradley, Mary Mac Dahlke, Erin Dengerink, John Dougherty, Kiel Fletcher, Mario Gallucci, Thomas Gamble, Jonathan Gann, Michael Horwitz, Linden How, Timothy Janchar, John David Knight, Matthew Leavitt, Leif Lee, Daniel Long, Andrew Lorish, Travis Nikolai, Cristin Norine, Mark Palmen, Anya Roberts-Toney, Justin Schwab, Lauren Seiffert, Jessica Speiss, Edward Trover, Lindsay Williams, Rachel Wolf, Takahiro Yamamoto, Richard York, Stephanie Yu
November 16, 2012. Photographs by: Micah Fischer '13.
Live visual at Kazantip Festival in Ukraine played live with my homemade software CloneMixer 3.0
100% realtime and 100% generated graphics.
Video here : vimeo.com/48329794
These are examples of visual notes taken by fourth and fifth graders and Dr. Fryer's STEM class in December 2013. Learn more on:
This is a visual journal I'm making as I work through the book "Your Heart's Desire" by Sonia Choquette. I've decided to work differently than I usually do--I'm "prepping" the pages before I do the journaling instead of doing it all at the same time.
Pages done for Decorated Page Workshop, Lesson 6 Lists & Collections/Organic Shapes. I didn't paste down the one we actually chose, because it's in my husband's pocket so he can pick up the paint.
About one hundred invited guests and media attended the official opening of the Visual Voltage exhibition at Miraikan in Tokyo in the evening of October 20. The exhibition was inaugurated by Mr. Mamoru Mohri, Chief Executive Director of The National Museum of Emerging Science and Innovation (Miraikan), and Mr. Stefan Noreén, Ambassador of Sweden in Tokyo. Interactive Institute’s Magnus Jonsson and Sara Backlund gave a talk entitled ”Swedish Frontiers – design trends and innovation” at Mirakan in connection to the inauguration.
Photo: Interactive Institute.
Congratulations to the 2023 Scholastic Art Award winners Lulu Calame ’23, Bailey Koo ’23, Ethan Lin ’23, Everett Liu ’24, Jessi Shin ’24, Alex Tse ’24, Anissa Yu ’24, Annabelle Zhang ’23, and Claude Zhang ’24.
(for English scroll down)
* Survival AIDS Mummification Transformation *
Neuen Gesellschaft für bildende Kunst (nGbK)
Berlin - 16. Februar 2014
Eine Performance von Hunter Reynolds
In Zusammenarbeit mit Goran Tomcic
Mitwirkende: Goran Tomcic | Rik Mayda | Frank Merz | Marcelo Alves
Seit 1999 hat Hunter Reynolds über 25 "Mumifizierungen" in ganz Europa und den Vereinigten Staaten durchgeführt. In Verbindung mit der aktuellen Ausstellung LOVE AIDS RIOT SEX II in der Neuen Gesellschaft für bildende Kunst (nGbK), Berlin, hat Reynolds die "Survival AIDS Mummification Transformation" performt.
Diese seltenen Performances sind körperlich und emotional zermürbend und gleichzeitig inspirierend - sie evozieren sowohl Wiedergeburt als auch Wiederauferstehung. Seit über zwanzig Jahren nutzt Reynolds Fotografie, Performance und Installation, um seine Erfahrungen als HIV-positiver schwuler Mann auszudrücken. Bei der Gestaltung der Mumienhaut wird er mit Goran Tomcic zusammenarbeiten.
Goran Tomcic ist ein Künstler und Schriftsteller. Er wurde 1964 im ehemaligen Jugoslawien geboren, ist kroatischer und US-amerikanischer Staatsbürger und lebt und arbeitet derzeit in Berlin. Er hat einen MA in Curatorial Studies vom Center for Curatorial Studies am Bard College (1996). Seit 2000 stellt er seine Kunst international aus und ist Empfänger des Pollock-Krasner-Stipendiums (2007). Seine Gedichte und Kunstkritiken wurden seit Mitte der 80er Jahre international veröffentlicht.
Hunter Reynolds ist bildender Künstler, AIDS-Aktivist und Mitglied von Visual AIDS Artist. Er war ein frühes Mitglied von ACT UP New York und war 1989 Mitbegründer von Art Positive, einer ACT-UP-Affinitätsgruppe zur Bekämpfung von Homophobie und Zensur in der Kunst. Reynolds' Arbeiten beschäftigen sich mit Fragen der Geschlechtsidentität, der politischen, sozialen und sexuellen Geschichte, mit Trauer und Verlust, Überleben, Hoffnung und Heilung. Einige seiner bekanntesten Performance-Projekte sind "The Patina du Prey's Memorial Dress"; die Dokumentation über Reynolds Memorial Dress war Teil von LOVE AIDS RIOT SEX I (nGbK, Nov 2013 - Jan, 2014), "The Drag Pose Series", "Blood Spot Series" und "Mummification Series". Er hat an großen Performance-Projekten wie "The Banquet" mit Chrysanne Stathacos und "I-Dea - The Goddess" mit Maxine Henryson mitgearbeitet.
Hunter Reynolds wurde mit zahlreichen Stipendien und Aufenthaltsgenehmigungen ausgezeichnet, darunter mehrere Pollock-Krasner-Preise. Er hat zahlreiche Einzelausstellungen gehabt, darunter: PPOW Gallery, Participant Inc., Hallwalls, Buffalo, NY; White Columns, New York, NY; Artist Space, New York, NY; Simon Watson Gallery, New York, NY; Creative Time, New York, NY; Momenta, Brooklyn, NY; Bernard Toale Gallery, Boston, MA; ICA Boston, Boston, MA; Yerba Buena Center for the Arts, San Francisco, CA; nGbK Berlin, Deutschland; und documenta, Kassel, Deutschland. Seine Werke befinden sich in zahlreichen öffentlichen und privaten Sammlungen, darunter das Chicago Art Institute, Yale und das Addison Andover. Die Fales Library and Special Collections/New York University hat kürzlich die Archive von Hunter Reynolds für ihre Downtown Collection erworben. Er wird von der PPOW Gallery vertreten.
"Kunst war schon immer eines der Mittel, die ich eingesetzt habe, um mich selbst und andere zu heilen und Ordnung in das Chaos meines Lebens zu bringen, indem ich nicht nur die Geschichte durch die Kunst erzählte, sondern mich selbst im Prozess des Schaffens verwandelte, indem ich sie nutzte, um mein Leben neu zu gestalten, Hoffnung und Schönheit zu finden und den Wunsch, lebendig zu sein." - Hunter Reynolds –
www.ppowgallery.com/artists/estate-of-hunter-reynolds#tab...
www.ppowgallery.com/exhibitions/hunter-reynolds2#tab:thum...
archiv.ngbk.de/projekte/love-aids-riot-sex-2/
____________________________________________________
* Survival AIDS Mummification Transformation *
New Society for Fine Arts (nGbK), Berlin - February 16, 2014
A performance by Hunter Reynolds
In collaboration with Goran Tomcic
Contributors: Goran Tomcic | Rik Mayda | Frank Merz | Marcelo Alves
Since 1999, Hunter Reynolds has performed over 25 "mummifications" throughout Europe and the United States. In conjunction with the current exhibition LOVE AIDS RIOT SEX II at the Neue Gesellschaft für bildende Kunst (nGbK), Berlin, Reynolds has performed the "Survival AIDS Mummification Transformation".
These rare performances are physically and emotionally grueling yet inspiring - evoking both rebirth and resurrection. For over twenty years, Reynolds has used photography, performance and installation to express his experiences as an HIV-positive gay man. He will be collaborating with Goran Tomcic on the design of the mummy skin.
Goran Tomcic is an artist and writer. He was born in 1964 in the former Yugoslavia, is a Croatian and US citizen and currently lives and works in Berlin. He holds an MA in Curatorial Studies from the Center for Curatorial Studies at Bard College (1996). He has exhibited his art internationally since 2000 and is a recipient of the Pollock-Krasner Fellowship (2007). His poetry and art criticism have been published internationally since the mid-1980s.
Hunter Reynolds is a visual artist, AIDS activist and member of Visual AIDS Artist. He was an early member of ACT UP New York and in 1989 co-founded Art Positive, an ACT UP affinity group to combat homophobia and censorship in the arts. Reynolds' work deals with issues of gender identity, political, social and sexual history, grief and loss, survival, hope and healing. Some of his best known performance projects include "The Patina du Prey's Memorial Dress"; the documentary about Reynolds Memorial Dress was part of LOVE AIDS RIOT SEX I (nGbK, Nov 2013 - Jan, 2014), "The Drag Pose Series", "Blood Spot Series" and "Mummification Series". He has collaborated on major performance projects such as "The Banquet" with Chrysanne Stathacos and "I-Dea - The Goddess" with Maxine Henryson.
Hunter Reynolds has been awarded numerous grants and residencies, including several Pollock-Krasner awards. He has had numerous solo exhibitions including: PPOW Gallery, Participant Inc, Hallwalls, Buffalo, NY; White Columns, New York, NY; Artist Space, New York, NY; Simon Watson Gallery, New York, NY; Creative Time, New York, NY; Momenta, Brooklyn, NY; Bernard Toale Gallery, Boston, MA; ICA Boston, Boston, MA; Yerba Buena Center for the Arts, San Francisco, CA; nGbK Berlin, Germany; and documenta, Kassel, Germany. His work is in numerous public and private collections, including the Chicago Art Institute, Yale, and the Addison Andover. The Fales Library and Special Collections/New York University recently acquired Hunter Reynolds' archives for their Downtown Collection. He is represented by PPOW Gallery.
"Art has always been one of the tools I have used to heal myself and others and bring order to the chaos of my life, not only telling the story through art, but transforming myself in the process of creating, using it to reshape my life, finding hope and beauty and the desire to be alive." - Hunter Reynolds –
www.ppowgallery.com/artists/estate-of-hunter-reynolds#tab...
www.ppowgallery.com/exhibitions/hunter-reynolds2#tab:thum...
Aérea visual de la empresa "Factorías ZANE, S.A." constituida al albur de los beneficios del Polo de Desarrollo de Zaragoza, "para la construcción, reconstrucción y reparación de autobuses". Su domicilio estaba radicado en la calle Camelia s/n, de la barriada de Valdefierro. En la imagen, la imponente planta aparece entre la línea del ferrocarril de Caminreal (en primer plano), y las esquineras parcelas de las calles Lucero del Alba, Hortensia, y Camelia (al fondo). Frente a esta fábrica, al otro lado de las vías, y en unos pocos años, se construiría la nueva Ciudad Escolar Pignatelli. Entre 1996 y 2016 aquí estuvieron ubicadas las instalaciones de "Galletas Asinez, S.A.".
Fuente visual: retrobuses.blogspot.com.es/
Proyecto GAZA ("Gran Archivo Zaragoza Antigua"),
es un compendio de imágenes de la antigua Zaragoza (España), acompañadas de textos creados por José María Ballestín Miguel
y la colaboración de Antonio Tausiet.