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i drank a lot of coffee while creating this at the last minute...
this is a 40 page visual identity manual i created for a hotel in NYC. the hotel has a very eclectic feel to it as far as its interior decoration goes. alot of handcrafted antique furniture and unique wallpaper patterns through-out the building. i'll post pictures of the rest of the book when i have more time...
more pics to come soon...
VISUAL magazine 03. Cajamarca - Perú
Foto: Ana García Suarez - Carvallo / Galacia / España.
Edición virtual:
May Day solidarity rally and march for social justice, human, labor and immigrant rights = Concentración y marcha solidaria del Primero de Mayo para la justice social, los derechos humanos, derechos laborales y los derechos del inmigrante, New Haven, Connecticut, Monday May 1, 2017.
From Press Release:
Four Connecticut Cities Strike and March on National “Day Without Immigrants”
Protesters unite to show solidarity among immigrant workers, Yale teachers on hunger strike, African Americans, women, and LGBT community
New Haven, CT - Hundreds of immigrants, workers, business owners and families took the streets in New Haven, Stamford, Danbury and Bridgeport on Monday, May 1 to join a national strike, a “Day Without Immigrants.” In New Haven, after rallying on the Green, more than twenty community organizations marched toward Fair Haven, where some immigrant businesses shut down for the day to demonstrate that this country depends on immigrants. Hundreds of thousands of workers and businesses across the United States pledged to strike in the largest national strike since May 1, 2006. (Visit lahuelga.com)
From the Green, protesters planned to march to a nail salon where workers were owed unpaid wages; a bank funding oil pipelines; the site where Malik Jones was killed by police 20 years ago; and the Fair Haven neighborhood where immigration raids occurred ten years ago.
“This May Day Strike is the first in a series of national strikes that will intensify,” said John Lugo of Unidad Latina en Accion, a grassroots organization of immigrant workers from greater New Haven. “After years of broken promises from politicians, we have woken up to the reality that only we can protect our communities. When we go on strike, this country will not take us for granted. We will make our families safe. We will win dignity and permanent protection for 11 million undocumented workers.”
“My dad, Luis Barrios, is scheduled to be deported this Thursday morning to Guatemala,” said Jessica Barrios, a US citizen from Derby. “Congresswoman DeLauro and more than 2000 people have asked ICE to stop his deportation because he is a great person; he has no criminal record and there’s no reason to deport him after he’s lived here 24 years.”
The family will rally with activists to protest Mr. Barrios’ deportation tomorrow May 2 at 12:00 pm at the office of Immigration & Customs Enforcement (ICE), 450 Main Street, in Hartford. (More info: action.mijente.net/p/luisbarrios )
"I've been fasting for six days because Yale is waiting out the clock, hoping that President Trump will take away my right to a union," said Charles Decker, a graduate teacher in Political Science at Yale. "Donald Trump wants us all to be disposable, as workers, as immigrants, as women, as people of color. But by treating so many of us as disposable, they bring us together and give us the chance to share each other’s strength."
“As a mother of 2 daughters, it is my duty to stand up and fight against the inhumane, cruel and racist agenda of Trump,” said Fatima Rojas, president of the Parent Teacher Association at Columbus Family Academy, one of the New Haven Public Schools. “I stand up to protect students by creating a sanctuary school policy. I stand up to continue reinforcing New Haven as a sanctuary city that protects and welcomes immigrants, African Americans, refugees, LGBTQ people, women and anybody that may be attacked under this administration. This country depends on working class people.”
Moises Vargas, the proprietor of the New Haven seafood restaurant Mariscos el Pescador, said he closed his restaurant today “to support the cause and join the rest of our people.”
End of Press Release.
Now part of the Perse School, the inscription over the door identifies this building in Coronation Street in Cambridge as Saint Paul's Parish Institute. In recent times, the building had been the Sixth Form building of the Perse School (an independent girls' school). In 2008 it was turned into the school's arts centres. St Paul's church is on nearby Hills Road.
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
Outlook WebApp is the updated version of the Outlook webmail UI. After years with the clunky old version I was looking forward to improvements.
It's generally better, except for one deceptively small but surprisingly important aspect: Every time you want to add a recipient to an email, it takes you to a new screen where you have to repeat the above process for every person you wish to add.
It actually looks more simple than it is in this illustration. In reality steps are further broken by page reload (so you dont' really know where you are suppose to be looking at next). Not to mention this is completely de-contextualized from the email you were initially writing. It took me several puzzled tries to figure out that once on this screen I had to go outside the core application area and start with the search box at the top.
At least in the old version, you opened a new email, clicked on [TO] and a pop-up would appear where these things were take place (without all the reloading and poor layout and awkward element placement). Not beautiful or fancy in any way, but much more elegant solution because I DIDN'T HAVE TO THINK ABOUT THIS.
Microsoft, what were you thinking?
Nuevos Caminos de exploración visual
La imagen en movimiento sucumbe los espacios desintegrados por un sistema modular de imagenes que se interlanzan y crean un bit secuencial de paranodia visual.
Mama quiero un contralador para mezclar en esta navidad.
Més informació sobre l'obra a:
www.macba.cat/es/the-nature-of-visual-illusion-2828
www.macba.cat/es/expo-arte-dos-puntos
Foto: Gemma Planell / MACBA ,2013
CONCRETE POETRY AND ITS CONTEXTS.
edited by Nicholas Zurbrugg.
Brisbane (Australia), Museum Of Contemporary Art, 1989. ISBN 1-86267-oo8-o.
8-3/16 x 1o-9/16, 38 sheets white bond perfectbound in white claycoat card wrapprs, all except inside cvers printed blck offset with grey, blue & red additions to front cover.
cover by Robert Lax.
7o contributors ID'd:
Pierre Albert-Birot, Davida Allen, Ronaldo Azeredo, Gordon Bennett, Max Bense, Dusan Bojic, Jean-François Bory, Peter Burgess, William S.Burroughs, Lourdes Castro, Guglielmo Achille Cavellini, Henri Chopin, Laurie Clark, Thomas A.Clark, Bob Cobbing, Francesco Conz, Augusto De Campos, Guy Debord, Paul De Vree, Jas H.Duke, Malcolm Enright, Ian Hamilton Finlay, Pierre Garnier, Diena Georgetti, Jochen Gerz, Paul-Armand Gette, Eugen Gomringer, Brion Gysin, Michael Harvey, Raoul Hausmann, Gary Hincks, Dom Sylvester Houédard, Jeanelle Hurst, Isidore Isou, Kitasono Katué, Robert Kinder, Shane Kneipp, Robert Lax, Peter Lyle, Chris Mann, Zeliko Maric, Hansjörg Mayer, Edwin Morgan, Maurizio Nannucci, bpNichol, Pi O, George Oliver, Tom Phillips, Decio Pignatari, Alan Riddell, Bridget Riley, Luke Roberts, Mimmo Rotella, Gerhard Ruhm, Isaia Sarenco, Alex Selenitsch, Michel Seuphor, John Sharky, Madonna Staunton, Thalia Stormborn, Richard Tipping, Hiram To, Shimizu Toshihiko, Ben Vautier, Edite Vidins, Edgard Antonio Vigo, John Waller, Mark Webb, Adam Wolter, Nicholas Zurbrugg.
includes:
i) Le Chien Bleu (p.42; concrete poem)
also includes:
ii) B.P.NICHOL, by Nicholas Zurbrugg (p.42; prose with quotes by Nichol from "concrete can become as big a trap as anything...")
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
This first brief requires you to play on the idea of gender reversal and visual puns. The brief is set to challenge and enhance work that you have created within your vintage-themed personal ‘style’ in the past. Themes of irony should run through a series of four images which are displayed collectively on one final piece to be submitted. You should interpret the brief in relation and response to recent practitioner’s work of a similar style.
Amongst other practisioners, I looked at the work of YBA's; Tracy Emin and Sarah Lucas for inspiration.
Each of the four images I created is based on or around a visual pun and/or gender reversal.