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England, 18th century

 

color engraving, aquatint, stipple

 

Gift of Robert Hays Gries

clevelandart.org/art/1953.33

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December 24, 2016 at 05:58PM

35 3/4 x 28 7/8 in. (91 x 73.3 cm)

 

medium: Oil on canvas

 

Metropolitan Museum of Art, New York, NY 1973.323.6 1973

Gift of Edgar William and Bernice Chrysler Garbisch, 1973

www.metmuseum.org/art/collection/search/12933

Russia, St. Petersburg

 

porcelain

Overall: 7.7 cm (3 1/16 in.)

 

Gift of R. Thornton Wilson in memory of his wife, Florence Ellsworth Wilson

clevelandart.org/art/1962.123.a

CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com

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www.flickr.com/photos/wedding-decoration

eventdecoration.pixnet.net/blog/

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Yes!

Lincoln Center.

New York, NY.

June 11, 2017 at 07:12AM

June 02, 2017 at 07:00PM

The seated figure represents a nude child god. The crown on his head depicts a lotus bud. The opened lotus flower is an attribute of the god Nefertem, the son of the creator god Ptah and the lioness goddess Sakhmet. This variation of Nefertem with a lotus bud is a rare example.

Egyptian

 

H: 2 x W: 3/8 x D: 7/8 in. (5.02 x 0.92 x 2.23 cm)

medium: Egyptian faience with green glaze

culture: Egyptian

dynasty: 21st-30th Dynasty

 

Walters Art Museum, 1971, by bequest.

art.thewalters.org/detail/1556

33 x 18 3/8 x 20 1/2 in. (83.8 x 46.7 x 52.1 cm)

 

medium: Primary: mahogany. Secondary: ash (seat rails, front blocks [probably replaced]); mahogany (medial braces).

 

Metropolitan Museum of Art, New York, NY 36.60.5 1936

Gift of Henrietta McCready Bagg and Ida McCready Wilson, in memory of their mother, Ann Carter McCready, 1936

www.metmuseum.org/art/collection/search/1676

Another one bites the dust. Now there will be three sushi places within mere blocks of each other. Unnecessary?

Many celadon ceramics, such as these two miniature pots, have been repaired with gold lacquer. Termed <em>kintsugi </em>(literally meaning “gold joinery”) in Japanese, this restoration method highlights broken parts with glittering gold mixed with lacquer. Initiated in 15th-century Japan, the technique follows a popular aesthetic concept called <em>wabi-sabi, </em>which finds beauty in imperfect things. Goryeo celadons were considered rare treasures among early 20th-century Japanese collectors; thus, their broken condition is brilliantly highlighted in gold lacquer, as seen here in the repaired spouts, handle, and lid.

Korea, Goryeo dynasty (918–1392)

 

celadon ware

Diameter: 9 cm (3 9/16 in.); Overall: 9.6 cm (3 3/4 in.)

 

Did you know...

This miniature wine pot was buried in a tomb for the soul of the deceased.

 

Gift of John L. Severance

clevelandart.org/art/1928.173.a

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Found in the Oregonian. I can't believe they put this url in a print ad.

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