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Albert Bierstadt
American, Solingen 1830–1902 New York
36 x 50 in. (91.4 x 127 cm)
medium: Oil on canvas
Metropolitan Museum of Art, New York, NY 09.214.1 1909
Gift of the sons of William Paton, 1909
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Url is my neighbor's cat who lives below me. I took care of him and fed him while she was out of town this weekend. I've helped before but this time he started to warm up to me and actually come when I called him as well as seek attention. He's a good boy.
URL emplay.me.mobile
Project Aplicacion móvil Android y iPhone para el portal de empleo emplay.me.
Technologies Titanium, HTML5
Persistent URL: digital.lib.muohio.edu/u?/snyder,144
Subject (TGM): Women's education; Events; Open-air theatrical productions; Extracurricular activities;
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Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.
Byzantium, Ravenna, Byzantine period, late 4th-early 5th Century
gold
Diameter: 1.5 cm (9/16 in.)
Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken
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