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Nothing to do but scuff down
the graveyard road behind the playground,
past the name-stones lined up in rows
beneath their guardian pines,
on out into the long, low waves of plains
that dissolved time. We'd angle off
from fence and telephone line, through
ribbon-grass that closed behind as though
we'd never been, and drift toward the bluff
above the river-bend where the junked pickup
moored with its load of locust-skeletons.
Stretched across the blistered hood, we let
our dresses catch the wind while clouds above
dimmed their pink to purple, then shadow-blue—
So slow, we listened to our own bones grow.
By: Debra Nystrom
Restless Heart was welcomed to the Princess Theatre Saturday night.
The group played all their best known hits, and were on stage for about 2 hours. They also did a medley of songs by groups that helped propel their 30+ year career. As front man Larry Stewart commented, "these groups allowed our bus to follow their bus into many venues across the country."
The current band consist of:
Larry Stewart – lead vocals, rhythm guitar
John Dittrich* – drums, background vocals
Paul Gregg – bass guitar, background vocals
Dave Innis – piano, keyboards, rhythm guitar, background vocals
Greg Jennings - lead guitar, background vocals
*John was replaced last night by Chris Golden. John was out with some back issues and will return to play with the band soon.
47562 'Restless' passes Crowhurst Lane crossing with 1S04 1425 Tonbridge to Edinburgh, parcels. Friday 27th August 1993. 231-5.
Old76 Music-inspired Art 2011
Elton John Songs Illustrated
BREAKING HEARTS
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Restless
Music & lyrics by Elton John & Bernie Taupin 1984
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It's a hot summer night in the blackboard jungle
Crime sits heavy on the city shoulder
Can't get no work, I can't get a job
I just sit and play my radio in the parking lot
Well they're breaking down doors in foreign countries
Everybody thinks somebody's hiding something
There's talk on the street and the nation is worried
But you can't talk back when you're dead, when you're dead and
buried
And Everybody's restless
Everybody's scared
Everybody's looking for something that just ain't there
Everybody's restless
Everybody's scared, they think we're all in danger
Everyone's taking cover from someone else's anger
The walls have ears, Big Brother's watching
They tell us that we're poisoned from everything that we're
touching
Well we could be children from the way we're acting
We feed ourselves lies and then we scream for action
We just breed and we lose our nerve
And there's bombs going off in every corner of the world
Hitchcock is a press photographer with a teeny tiny camera, leaning against against the wall. This still shows the cameo about to be filmed.
When I was being given a tour of Scituate Harbor aboard Fran's E-Z Rider shuttle boat, he pointed out this 50-foot cutter steel sailboat and said that one man, Bob Kingsland, began work on it from scratch in 1977 and launched it 30 years later in 2007. Very inspiring story which you can read here: www.sv-restless.com/ and here: www.soundingsonline.com/news/home-waters/101-new-england/...
THE RESTLESS EARTH
28 APR - 20 AUG 2017
Triennale Milan
The exhibition explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus.
The Restless Earth borrows its title from a collection of poems by Édouard Glissant, a Caribbean writer who probed the question of how different cultures can coexist. The exhibition shares in Glissant’s project—a pressing and necessary one that tries to describe this unstable and agitated present as a polyphony of voices and narratives. Through the works of more than sixty artists from more than forty countries—such as Albania, Algeria, Bangladesh, Egypt, Ghana, Iraq, Lebanon, Morocco, Syria, and Turkey—and with historical documents and objects of material culture, this exhibition charts both experiences and perceptions of migration and the current refugee crisis as an epoch-making transformation that is reframing contemporary history, geography, and culture.
The Restless Earth explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus inspired by varying degrees of urgency and longing. The exhibition revolves around a series of geographic and thematic lines of inquiry—the war in Syria, the state of emergency in Lampedusa, life in refugee camps, the figure of the nomad or stateless person, and Italian migration in the early 20th century—which intersect with works that serve as visual metaphors for conditions of mobility and precariousness.
The Restless Earth focuses in particular on how artists bear witness to historic events, and how art can describe social and political change in the first person. The works on view point to a renewed faith that art and artists have a responsibility to portray and transform the world, creating not just images of conflict, but images that provide a space for critical thinking and exchange. Together, these stories—poised between historical epic and real-time diary—yield a vision of art as lyrical journalism, emotional documentary, and vivid, vital testimony.
restless leg syndrome, and night time/day time muscle spasms in legs and feet. The medicine bottle on the right side corner says "cathartic little granules."
THE RESTLESS EARTH
28 APR - 20 AUG 2017
Triennale Milan
The exhibition explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus.
The Restless Earth borrows its title from a collection of poems by Édouard Glissant, a Caribbean writer who probed the question of how different cultures can coexist. The exhibition shares in Glissant’s project—a pressing and necessary one that tries to describe this unstable and agitated present as a polyphony of voices and narratives. Through the works of more than sixty artists from more than forty countries—such as Albania, Algeria, Bangladesh, Egypt, Ghana, Iraq, Lebanon, Morocco, Syria, and Turkey—and with historical documents and objects of material culture, this exhibition charts both experiences and perceptions of migration and the current refugee crisis as an epoch-making transformation that is reframing contemporary history, geography, and culture.
The Restless Earth explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus inspired by varying degrees of urgency and longing. The exhibition revolves around a series of geographic and thematic lines of inquiry—the war in Syria, the state of emergency in Lampedusa, life in refugee camps, the figure of the nomad or stateless person, and Italian migration in the early 20th century—which intersect with works that serve as visual metaphors for conditions of mobility and precariousness.
The Restless Earth focuses in particular on how artists bear witness to historic events, and how art can describe social and political change in the first person. The works on view point to a renewed faith that art and artists have a responsibility to portray and transform the world, creating not just images of conflict, but images that provide a space for critical thinking and exchange. Together, these stories—poised between historical epic and real-time diary—yield a vision of art as lyrical journalism, emotional documentary, and vivid, vital testimony.
Making seemingly light work of Shap 50007 and 50049 climb towards Scout Green with Pathfinder’s “Pilgrim Centurion”, 1Z50 0530 Swindon-Edinburgh.