View allAll Photos Tagged Negative
Bain News Service,, publisher.
Trini
[between ca. 1920 and ca. 1925]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.36206
Call Number: LC-B2- 6039-13
Negative painting botanicals inspired by Emily Jeffords. This is the last in my mini inspiration series. Check it out here limedoodledesign.com/2017/07/negative-painting-botanicals/ 😃 💙 🌿 🎨
U3a2 Photography group 'Negative' Challenge. Orange Dahlia converted to negative in Photoscape X programe, in a matter of a few clicks.
Holga negative enlarged to 27x30cm on Wephota FO5 Lith Film by reversal development
Kallitype on Bergger Cot-320
UV exposure 130 secs
developer sodium citrate
clearing bath citric acid 4%
fresh Pd-toner (Ammoniumpalladate) 2 mins
alkaline fixer 1+20
Wednesday 29th April 2020
Camera: Minolta Hi-Matic 7s 35mm Rangefinder.
Lens: 45mm Rokkor-PF f/1.8.
Film: Fujicolor 200 35mm colour negative.
Copyright 2021 Tasmania Film Photography.
ALL RIGHTS RESERVED
Negative space is something I use in my general photography, but not in my portraits. I wonder why...
Watercolor on Prestige The Langton paper.
My friends, thanks for your kind comments, visits, faves and invites !!!
Official Website (order prints) : Aegir Photography
Facebook : Aegir Photography
Instagram : @aegirphotography
500px : 500px
Some nice colour appearing during sunrise over the old outflow pipes on Manly beach, Sydney.
Nikon D810 & Nikkor 14-24mm, NiSi 6 stop filter. PP in PS CC using Nik Software and luminosity masks.
To put this in context: this is from my revsion notes about liberty. Basically, negative liberty brought about social and economic imbalances following the Industrial Revolution. I just happened to see these two words like this, so I switched to manual focus and blurred everything else out. I quite like the result. I suppose it's a shame that there's no underlying meaning though... hehe
20/5/2006: Added to Cream Of The Crop as most favourited
Oh, and I though I'd put this on at the very start, but must have forgotten- everything was done in-camera: no photoshopping in this whatsoever. I got the green by using manual White Balance.
I couldn't think of anything positive to do with Rabhaue's challenge image (see it in the 1st comment below) for Down Under Challenge #934, so I took a negative approach...
It just crossed my mind that some Flickrites, who are new to photography, may have never even seen a film negative and might not know what I'm talking about. Oh well, they're generally a pretty smart bunch, and if they're interested enough, I'm sure they'd figure it out easy enough.
Noah, the owner of this modded Scion FR-S let Lizzy and I use his car for a sexy Sullen Clothing shoot. I was obliged to do some solo shots for Noah to use on his instagram. Thanks Noah!
The positive prints of these photos have already been published. The negatives are much nicer than the prints.
Camera: Mamiya Universal.
Film back: Polaroid type 100.
Lens: Mamiya Sekor 75mm Model P f4,7
Film: Fujifilm FP-100c. Peel-apart film. Negative scanned. Bleached and scanned as a negative.
Do you want to know how? Click on the album below!
www.flickr.com/photos/martinssonmartin/albums/72157649450...
Scanner: Epson Perfection V700
Lubitel 2.
Ilford XP2 Super 400 (120) B&W film, cross processed in E6 chemistry (normally C-41 process).
Rated at 400 ISO then pushed by 1 stop in processing.
Not sure what the red colouring in some frames is caused by - light leak maybe?...not sure. The blue cast is from the anti-halation layer, i think? (The water from after the pre-development soak was blue-green).
Processed at home with Tetenal E6 kit.
First photo with the Hasselblad, was with Kodak BW 400CN, I developed it with Ilford b&w developer of course, unintentionally so it looks a bit brown. Next project is to get a scanner that will take 120 negatives. It's all fun and games with film!
First explore of 2013!