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I’ve been producing some images for another band recently. This is Negative Pegasus from Brighton. More to come from them really soon.
We were trying to get something psychedelic as well as maintaining a clinical edge. I think these look pretty cool so hopefully a job done, ay?
Many thanks to Garage Studio‘s for their time and space.
This is from a series of old negatives found in an envelope in a box of photographs at a junk store in Dewey, Oklahoma. Some seem related, others do not. Most are damaged in some way and/or poorly executed in the camera and in the dark room. Many are over- exposed.
To try to make some sense of the group, all were scanned so that obscure details might be revealed.
Paper Negative for the wooden camera seen in my photostream. I made it for an assignment in my 3-D design class.
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
This is a common sight, the snow on the roof above melts, and the drops accrete on the branches.
I decided to play with how the snow looked in negative. The B&W images are the most impressive, with the flowing water looking like liquid fire.
Nikon D2H
Focal Length: 300mm
White Balance: Shade
Color Mode: Mode II (Adobe RGB)
RAW (12-bit)
1/40 sec - f/7.1
Lens: 75-300mm f/4.5-5.6
Sensitivity: ISO 500
One of the four negatives.
Found abandoned with some other photos and postcards at the Car Boot Sale, Halifax.
Alternative- Silver Gelatin Prints
Paper Negative- Regular Development
Size: 5x7"
Spring 2015
This assignment was to use an alternative process or camera to photograph an abstraction, landscape, portrait or still life. I chose to photograph abstraction because I enjoy looking at things through a lens that make them seem different than they are in reality. My goal in this photograph was to abstract the fence and to focus on the lines that it creates. This image was not the final product I was hoping for. The camera that I chose for my alternative processes was a round camera that was intended to create a fish eye effect. I completed 6 light tests and none of them were successful which put me behind schedule. After replacing the tape on top, taping over the pinhole, making a light trap, and spray painting the lid I was able to get a successful light test. I then tried to shoot my intended subject with no success. An exposure of even 6 seconds continued to come out black with no identifiable subject. An exposure of 5 seconds on a cloudy day created the picture above but it was the only shot I was able to see the fence in which is why it is the one I used in my portfolio. If time had permitted I would've gotten a closer, slightly more developed picture that focused on the fence and the abstraction of the lines that forms the fence. The aesthetic theory that I wanted to use in my abstraction of the fence was formalism. The lines, if photographed correctly, would've evoked a sense of movement across the page. The emphasis on the lines and movement of those lines indicates that the aesthetic theory that would best describe the photograph is formalism.