View allAll Photos Tagged Negative
Format: Negative
From the collections of the Mitchell Library, State Library of New South Wales www.sl.nsw.gov.au
Information about photographic collections of the State Library of New South Wales: acms.sl.nsw.gov.au/search/SimpleSearch.aspx
Persistent url: acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=43003
Inspired by the lovely *GREEN OLIVE MAMA*. Its nowhere near as awesome as her implied nudes... but I had fun. I tried to get that crazy angle and of course, I had to play with processing, as she often does. I know many of you will prefer the original edit for its photographic quality, but I love this painterly look. In fact, I might actually paint this if 365 EVER ends...
P.S. Not sure about that pointy finger... I love it in the negative, hate it in the positive... i think...
Thanks to Brenda Swenson for her negative painting demo on these pomegranites, please see her blog at : brendaswenson.blogspot.com/2012/03/negative-painting-with.... This whole year has been very busy with other projects and no painting til two weeks ago. The best way to get back to wet brushes for me is negative painting so, being a great lover of the plump bounteousness of pomegranites I set to with Brenda's guide. MERRY CHRISTMAS AND A VERY HAPPY NEW YEAR TO ALL ON FLICKR.
Negative mit mit Canon F1
Leica M6 paired with Leica Summicron-M 28mm f/2 ASPH III / Kodak Gold 200 / Negative Lab Pro / Plustek 8300 AI
Nkosi.artiste@gmail.com
The visible & overlooked share a deep message of the the unity of this entire existence. And, even though external forms and conditions vary the Self triumphs over matter. I am that Self, A silent observer focusing the lens of Intuition and creativity. My life is an unfurling sail of the unknown. Each day the breeze blows with a new significance.
Lubitel 2.
Ilford XP2 Super 400 (120) B&W film, cross processed in E6 chemistry (normally C-41 process).
Rated at 400 ISO then pushed by 1 stop in processing.
Not sure what the red colouring in some frames is caused by - light leak maybe?...not sure. The blue cast is from the anti-halation layer, i think? (The water from after the pre-development soak was blue-green).
Processed at home with Tetenal E6 kit.
I was going to do some Honesty, but my friend didn't have any. This was a bit of a challenge as I kept losing the detail at the front. I'm not a very patient person, so this is my best effort for today! Apparently, In days gone by wool spinners used these to prepare fleeces for spinning.
© 2013 Nicola Riley
always find these magpies an extremely hard target .think i captured the essence of one in this ,though still a bit soft around the head area
wet plate collodion negative , iodine intensification, redeveloped with pyrogallic acid. printed over salted paper
the negative is here: www.flickr.com/photos/gbordin/11457017216/
HMM Everyone!
My spin on negative space.....looking forward to seeing everyone else's ideas!
Have a great week.
This is the negative scan of the violin photo.
New55 film is awesome !
4x5" camera, Schneider Super Angulon 90mm f/22 1 s, some tungsten lights. Dev 4min.
22.April 2016
Continuing with my old photo finds, here are two negative film strips that only had two connected, instead of a long line of shots. I was lucky enough to find one of the prints made from one set too. I like that one negative shows a man in uniform. I’m most fascinated with the way woman are dressed in vintage images.
Waxed calotype negative (reflective scan)
Inverted scan:
i1113.photobucket.com/albums/k508/Richard_Cynan/Klugtrans...
Single wash (bromo-iodide)
Format: 4.25 x 5.5in
Variant: Single wash / washed precipitate
Instructions: Diamond
Date: 13/01/13
Time: 20:30- 20:37
Lens: 9"
Stop: f/8
EV: 14-11 Spot meter + grey card
Artificial light
Paper: Klug 120gsm unbuffered archival www.klug-conservation.com/?site=produkte&id=355
Iodizer: 12/13 Double iodide and bromide of silver (rod).
Sensitizer: aceto-nitrate, exposed damp
Developer: stage 1) brushed with 50:50 gallic acid + aceto-nitrate. Image appeared slowly.
2) floated on saturated soln. of gallic acid for ten minutes.
Transparency scan:
i1113.photobucket.com/albums/k508/Richard_Cynan/Klugtrans...
Reclaimed negative from Fuji FP100-C instant film sheet.
Had just binned most of the peel off parts to the instant film sheets, thinking they were useless, but had kept a bunch for some reason, then found various youtube vids explaining the process of reclaiming the negative using bleach. (I would point out that you should ensure you are doing this process in a well ventilated area, as the fumes were nasty, and wear gloves when using the bleach....have seen vids with people just using their bare hands!).
These didn't work out perfectly, but I'd have been disappointed if they had - I like the random blobs/colours etc!
Remember the image in all those "brain teaser" books that showed an image that could either be a vase or two faces, depending upon whether you looked at the positive (white) shape or the negative (black) shape. Well, this is sort of like that I guess.
9x12 camera test hanging to dry. Made too little developer and didn't completely cover the paper in the dev tank...
3 ISO, f/16, 1 second
Wünsche 9x12 folding bed camera - Ilford Multigrade RC Deluxe Paper (Pearl, 3.5 x 5")
30 minutes in Caffenol-CL:
>9.6g washing soda
>6.0g vitamin C
>5g iodized salt
>24.0g instant coffee
>600mL tap water
Agitate full first minute, then 15 seconds at 2, 4, 8, 16 minutes
Ilford rapid fixer
Canham DLC45 | Schneider Kreuznach Symmar-S 210mm f/5.6 | Ilford HP5+ 400
Scanned with Epson V850 | Epson Fluid Mount Holder
Home developed in Kodak HC-110 1+31 | 5min/20c | Inversion
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
An idea basely stolen from inspired by Sipho Mabona.
When I was in Cambridge for the OrigaMIT thing, I got to speak with Sipho about his cut-out CPs and how he made them and also with Brian Chan and Ray Schamp about machines and tools, in general. The question naturally presents itself: how much of a CP can be cut away and still be foldable?
Quite a bit, it would seem. This is a model of mine, the Petunia Bowl, bossed and then cut with a Zing.
Such an interesting challenge and I have only experimented with one aspect of the word negative. I had a bit of time playing in Lightroom watching my images transform while using the point curve, you literally invert it and go from there to get the result you are after. I have not had an opportunity to see what results could come out of this so it was quite enlightening as I am always up for a new concept.
Pretty freaky - negative fish and flowers in a dreamy exhibit.
#SecondLifeChallenge
Visit this location at Shui Mo (Chinese Ink Brush Art) - By FionaFei in Second Life