View allAll Photos Tagged Negative
Paper: Hexagon cutted from A3 Elephant Hide
Grid: 48 triangles
Model: Eric Gjerde
Book: Origami Tessellations
I gave away my first fold of this model, partly to motivate me to fold it a second time. Worked. Hated the offgrid precreasing, loved the collapse. The EH is treated with oil pastels, but that's almost not to see when back lit.
Gave this one away too as a Christmas present to my mum, who decorated it like this. I really do like the framing! Photo curtsey to my partner.
I was just curious as to what a negative image of a peacock would look like. Was it worth it? Original photo by John Ward Kelly IV
This is something to think about when negative people are doing their best to
rain on your parade. So remember this story the next time someone
who knows nothing and cares less tries to make your life miserable.
A woman was at her hairdresser's getting her hair styled for a trip to Rome with
her husband. She mentioned the trip to the hairdresser, who responded:
" Rome ? Why would anyone want to go there? It's crowded and dirty. You're
crazy to go to Rome. So, how are you getting there?"
"We're taking Continental," was the reply. "We got a great rate!"
"Continental?" exclaimed the hairdresser. " That's a terrible airline. Their
planes are old, their flight attendants are ugly, and they're always late.
So, where are you staying in Rome ?"
"We'll be at this exclusive little place over on Rome 's Tiber River called
Teste."
"Don't go any further. I know that place. Everybody thinks it's gonna be
something special and exclusive, but it's really a dump."
"We're going to go to see the Vatican and maybe get to see the Pope."
"That's rich," laughed the hairdresser. You and a million other people trying to
see him. He'll look the size of an ant.
Boy, good luck on this lousy trip of yours. You're going to need it."
A month later, the woman again came in for a hairdo. The hairdresser asked her
about her trip to Rome .
"It was wonderful," explained the woman, "not only were we on time in one of
Continental's brand new planes, but it was overbooked, and they bumped us up to
first class.
The food and wine were wonderful, and I had a handsome 28-year-old steward who
waited on me hand and foot.
And the hotel was great! They'd just finished a $5 million remodeling job, and
now it's a jewel, the finest hotel in the city.
They, too, were overbooked, so they apologized and gave us their owner's suite
at no extra charge!"
"Well," muttered the hairdresser, "that's all well and good, but I know you
didn't get to see the Pope."
"Actually, we were quite lucky, because as we toured the Vatican, a Swiss Guard
tapped me on the shoulder, and explained that the Pope likes to meet some of the
visitors,
and if I'd be so kind as to step into his private room and wait, the Pope would
personally greet me.
Sure enough, five minutes later, the Pope walked through the door and shook my
hand! I knelt down and he spoke a few words to me."
"Oh, really! What'd he say ?"
He said: "Who fucked up your hair?"
8x10 Paper Negative
Vastly underexposed
Apo-Ronar 360mm
Developed in 300ml paRodinal 1+50 with 3ml 1% benzotriazole solution
A lobster shack in Stonington Maine and its reflections on the calm harbor water with the schooner Adventure at anchor in 1986 - from my color negative
From the tessellation exposition in Brazil earlier this summer. Folded for the NYC convention last June. One of my favorite patterns, and one of the folding techniques I am the most pleased with.
wet plate negative. 5X7”
New Guy’s recipe. Developed in ferrous sulphate. Fixed in Hypo.
Intensified with iodine and redeveloped with pyro
The positive image is just inverted in phostoshop
Abbotsinch 20 June 1959. Scanned from my father's original negative. Copyright Jim Cain.
This shot was taken from inside Percival Prentice G-APIT.
Please go here to see more photographs of the Family Car -
www.flickr.com/photos/69559277@N04/sets/72157628124351754...
Produced from the original negative in my collection.
This week: Playing with negative space, i.e. the visual space around the main subject of the image. How do the elements relate to each other? How does negative space augment the expression of the positive space? Can negative space support or destroy the story of the subject? How does structure/colour/form of negative space impact on the image?
The album can be found here: 2021 | 52 projects.
(Wien/Rochuspark)
Happy Macro Monday everyone. Sorry I haven't been around much, these 12 hour shifts can be a killer. Lol
I promise I will be looking at and commenting on this weeks photos. :)
Looking forward to seeing what everyone has come up with.
Photographed by Harry Atwell who was renowned as the greatest visual chronicler of the circus in the American 20th century. If you’ve seen old images of circus performers then you’ve seen his work. As you can see he also had an eye for the ladies.
C. 1922
Image derived from the original glass negative.
Reclaimed negative from Fuji FP100-C instant film sheet.
Had just binned most of the peel off parts to the instant film sheets, thinking they were useless, but had kept a bunch for some reason, then found various youtube vids explaining the process of reclaiming the negative using bleach. (I would point out that you should ensure you are doing this process in a well ventilated area, as the fumes were nasty, and wear gloves when using the bleach....have seen vids with people just using their bare hands!).
These didn't work out perfectly, but I'd have been disappointed if they had - I like the random blobs/colours etc!
alaska, fall 1972
ice fishing, unidentified coastal village
(damaged negative)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
The first batch of my experiments using darkroom enlarging (silver) paper negatives instead of shooting on film.
PictionID:45283444 - Catalog:14_018808 - Title:Atlas Testing Date: 07/20/1962 - Filename:14_018808.TIF - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum