View allAll Photos Tagged Negative
Polaroid Week Autumn 2019
I've decided to raid my Dad's old negatives for Polaroid week this time and transfer them on to polaroid photos using the Impossible instantlab. These must have been taken around 1937 - 1940. I'm not too sure where this was taken.
Film : Polaroid originals sx70 BW
"Always turn a negative situation into a positive situation." -- Michael Jordan
This image is a color negative of the bubble I created today.
" Heliconius comprises a colorful and widespread genus of brush-footed butterflies commonly known as the longwings or heliconians. This genus is distributed throughout the tropical and subtropical regions of the New World, from South America as far north as the southern United States..."
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Copyright ©
All Of My Photographic Images Are Subject To Copyright ! Each Of My Photographs Remain My Intellectual Property ! All Rights Are Reserved And As Such, Do Not Use, Modify, Copy, Edit, Distribute Or Publish Any Of My Photographs ! If You Wish To Use Any Of My Photographs For Any Reproductive Purposes, Or Other Uses, My Written Permission Is Specifically Required, Contact Me Via Flickr Mail !
Because darkroom paper is orthochromatic, the colour response isn't what you might expect - the petals of this sunflower are actually yellow and the background should be black ...
HMM :-)
My younger son assisted me here. He used my mobile phone flashlight to create the shadow around the branch on the table. :-)
Nex 3N with Nikon 35-105 in Macro Position.
(explored 5.1.2016)
I love negative space, which I think often provides breathing space and an aura of calm, so I was happy to see this week's theme. I fought the urge to choose a white background (believe me, it was a battle!) and instead chose 2 more of the pieces of painted paper I bought from an artist as 'byproducts' of her abstract work. The wooden vase is 1" high.
For this week's Crazy Tuesday group theme, Negative Space.
A crowdfunded pedestrian bridge! Bright yellow paint! Lovely!
Well, lovely on the internet, in photographs. In reality, we walked up some worn, peeling yellow stairs in absolute darkness... This place was not like the photographs.
It seems that, in the (only) 3 years since it was opened, the walkway has been left to rack and ruin. Grafiti and darkness? Not exactly the welcoming, publically-minded place it was meant to be.
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I know this is stupid and weird but the negatives came out way cooler than the actual pictures. and I thought the colors is this were way really nice so I put it up.
NEW PHOTO
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K.Marinović - The Negative View
Hi friends, here is my newest work called "The Negative View"! As you already know, the photo I like the most of all my photos is "The View". In this version of that photo I tried to do something a bit more interesting. I turned it to negative and played around with it a bit. I really like the extra surreal look!
Tell me what you think!
Cheers!
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This photo is an attempt to make the negative space around the object as interesting as the subject itself. It’s a detail of the sculpture by Leigh Dyer called The Landing which is on Hastings seafront.
5x7 paper negative, Fomaspeed 311 exposed at ISO 4.5.
Developed in Fomatol P 1:3
Linhof color with adapter and Leitz EPIS 400mm f4
negative is my outdoor cat.
he thinks he owns my lawn and garden and bird feeder.
he comes to my backdoor for food but will not come into the house.
the house is not his territory.
he will live like this forever. i have blended him into the outdoors, big and bold.
Lapwings (Vanellus vanellus) in flight at Cley Marshes, Norfolk. A black and white images converted to a negative in Photoshop
For 'Crazy Tuesday' theme of 'Negative Space'
Couldn't resist!
This seemed a very simple idea but turned out otherwise.
Made a loop in a piece of thread and then in suspending it the difficulties were:
- getting the loop facing the camera
- preventing the loop getting smaller as the thread was tightened
- getting the thread reasonably vertical
And you are seeing about 1½" of thread.
Russian Jupiter 8 f2 50mm
aufgenommen mit Canon AE-1
Film Kodak Plus X Pan
digitalisiert mit Nikon D7200 und Nikon AF Micro Nikkor 60 mm 1:2,8
Started noticing a subtle change in sunlight the other day. Starts happening every year as we approach the autumnal equinox. The sun begins to cast more glare. It's still full-on summer in the northern latitudes. But the sun is definitely on the decline, rising slightly lower in the sky each day. I think the shift is something photographers are more keen on than most people. As a group I think we tend to notice things like this because we look for them. For me the shift presages the more dramatic effects that will occur in September. Sun glare becomes an increasing factor and uncomfortable to the eye. Right now I'm just trying to suck every last ounce of enjoyment out of August. The psychological impact of flipping a calendar to September is something I'll never overcome. It's rooted in 'back-to-school' sadness of my youth. I'm veering way off course here. Back in the moment, I was taken with how everything I was seeing in this cemetery seemed to be presented in terms of negative space. The gravestones were pitched in shade creating the effect of grim, life-sized chess pieces. The leaves were perfectly silhouetted across the intense sky. The shift is subtle, but unmistakable.
I used 3x overlapping pieces of thin card to create a triangle (negative space). I used focus staking which produced the strange textured look.
Taken for the 'Macro Mondays' - 'Triangle' challenge, 13th January 2020
Nikon FM2 | Kodak Tri-X 400 @ 800
Scanned with Contax X-T5 | Skier Sunray Copy Box
Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | LUT: Frontier
Taken on Water Street back in 1986, here's a wharf that's in such bad condition that it has sprouted a crop of grass and weeds in a number of areas, probably benefiting from steady fertilization provided by the heavy population of gulls. There are about a half dozen pigeons in residence, but it's clear that the gulls "own" this roost. The wharf and buildings are gone now, and have been for many years. I could have walked out to the wharf but it didn't look safe. The area around the building was undoubtedly spongy and rotten so I figured any photos would best be taken from the shore. I've been visiting Nova Scotia since 1976 and can't recall seeing this structure in any better condition than shown here. I have no idea when it disappeared, but it might have been removed by the town in a "revitalizing" of the waterfront area.
The original color negative image was taken with a Pentax 6x7, 300mm f/4 Takumar lens, using Kodacolor CP-100 roll film.
The original negative was copied using a Nikon D3500 camera, 55mm f/3.5 Micro-Nikkor, fitted with a Nikon 4T close-up lens, a 1.6x Sigma achromatic close-up lens on the 4T. Exposure was 1 second at f/11, ISO set at 100. The light source was a 13.5 watt LED bulb (5000K).
DSC-0228R
A camera I've had for quite a while but never yet used is a Minolta 800si. A recent car show gave me the opportunity.
1957 International Truck
Minolta 800si
Minolta AF 28-105
Cinestill BWXX Taken at ISO250
Cinestill DF96 / 8 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2025
This covered walkway runs for about a third of a mile, leading up to the Triboro Bridge from Randall's Island. It wasn't exactly the friendliest feeling place to walk at night.
I find it strange that this part of the walkway is totally caged in, but at the highest point of the bridge, the only thing between you and a fall to the water is a waist-high barrier.