View allAll Photos Tagged Negative
Another negative that has been rescanned and reprocessed to produce an improved result. The original image, uploaded seven years ago, has been deleted.
The shot was taken at Hartlepool while on a week-long Eastern Region Railrover ticket, and features class 37 unit 37160 hauling a rake of COVHOPS, possibly carrying lime destined for the nearby Steetley Works from Thrislington or Coxhoe Quarry.
Above the loco can be seen the floodlights of the Victoria Ground, home of Hartlepool United FC and, to the left of that, is the dog track - now demolished and replaced by a Morrisons food store. The signal box is just visible through the girders of the barn-like structure on the right.
In the brake van the Guard has his coat hung up, and he's no doubt thinking about the imminent arrival and any tasks he needs to perform before signing off.
The station and surroundings were looking pretty uncared for by this time, hardly unusual for the period. Even so, I suspect there would still be a queue to go back and take a few more snaps, should the opportunity ever come up!
Ilford FP4, rated at 95asa, developed in Acutol.
8th September 1976
Because darkroom paper is orthochromatic, the colour response isn't what you might expect - the petals of this sunflower are actually yellow and the background should be black ...
The negative version of this photo was just a lot more fun. The creative owner of this property loved decorating it in bottles.
Red Negative Filter
AR 3686 3685 3679 3674 3683 3676
📷 Canon EOS Rebel T5i ( 700D )
🔭AstroMaster 90/1000mm
ISO 200
ExpTime 1/640
Being negative only makes a difficult journey more difficult. You may be given a cactus, but you don't have to sit on it. - Joyce Meyer
Mr. Llarence G. Brandenlung and his son
Vintage Negative
Year 1912
Denver, CO, US
Kodak 127 Film
© All Rights Reserved
Camera Korona Grundlach, 5x7 (Rodenstock Imagon lens) Wetplate negative
Moersch easylith
Paper Record Rapid
I liked how this shot came out. As a photographer it offered many questions to my mind: Is the negative space the light or the shadows? Would the answer be more obvious in color or black and white? Square format or portrait? Grain or not?
Thoughts? Feedback?
I love negative space, which I think often provides breathing space and an aura of calm, so I was happy to see this week's theme. I fought the urge to choose a white background (believe me, it was a battle!) and instead chose 2 more of the pieces of painted paper I bought from an artist as 'byproducts' of her abstract work. The wooden vase is 1" high.
For this week's Crazy Tuesday group theme, Negative Space.
330/366: 2016
After a tiring day at work I didn't feel much like taking a photo and ideas were a bit thin on the ground. The trusty iPad came out with an upturned martini glass and that's it for today. My husband doesn't like it but it's another day down!
Yes, same dyed flowers, I’m getting my money’s worth.
Compositionally Challenged Week 29 - Negative Space
aufgenommen mit Canon AE-1
Film Kodak Plus X Pan
digitalisiert mit Nikon D7200 und Nikon AF Micro Nikkor 60 mm 1:2,8
negative is my outdoor cat.
he thinks he owns my lawn and garden and bird feeder.
he comes to my backdoor for food but will not come into the house.
the house is not his territory.
he will live like this forever. i have blended him into the outdoors, big and bold.
She thinks you must just be jealous of her fluffy pink stool. Yes, that's it. You couldn't possibly be laughing at her. :)
Yesterday's Crazy Tuesday group theme was Negative Space and, as usual, I tried a few different ideas. I'm beginning to think I must have a split personality. The image I chose to post was the grown up version. I'll leave you to decide what this one is. :)
NEW PHOTO
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K.Marinović - The Negative View
Hi friends, here is my newest work called "The Negative View"! As you already know, the photo I like the most of all my photos is "The View". In this version of that photo I tried to do something a bit more interesting. I turned it to negative and played around with it a bit. I really like the extra surreal look!
Tell me what you think!
Cheers!
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For this series I shot a few 35mm rolls of KODAK Tri-X 400 of the model, Kela, then processed those rolls in D76 to use to wrap around her.
Next I shot her with a black backdrop using a Pentax 67 and 400TX for the “Negative”.
I then made a 16x20 print on Ilford Classic Matt, then shot another roll of 120 film of her with the prints.