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I think the issue start at home. As you may notice, parents give their kids’ phone from an early age that did not overpass two years. Can you believe it! Much research proves that they could have negative effects in the future like « Concentration difficulty, Increased mental laziness, Difficult to make friends in real life,… »
ELECTRONIC SOUL.
Phones are now a day more sophisticated and developed that help every person to reach anyone anywhere at any moment, but the question remains: why the medium who gathers us disperses us? Are smartphones killing the planet faster than anyone expected? Is that logical?!
The world is progressing very fast in all fields, involving technology. The phone was developing so rapidly over the last few years. It became more closely embedded in our day-to-day lives than ever before, and I could describe the propagation of smartphones as plague, Speedy, and quiet. So I wanted to intervene in that by giving a voice to a subject that has had no voice.
When we’re looking at these images, we’re looking at how Chinese citizens are addicted to their phones, therefore I want from my project to enlighten this current issue, also the dangers that could generate from this issue like depression, loneliness, ...
If you told me back in 2000 what these devices would be capable of in around 20 years, I’d call you crazy, and I wouldn’t be alone. Back then, no one could have predicted the impact phones would have on our lives. It would have sounded like science fiction. This got me thinking: What will smartphones of the future change in our habitude as humans?
A picture from my project "ELECTRONIC SOUL"
Leica M-A, Zeiss ZM 21mm f/2.8, Fujifilm Superia 400, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
I took this during a family gathering. We had taken over the top floor of a Bar on Montpellier Walk. I liked the sun streaming through the window and it added to the warmth in the room. And as the street is predominately faced with our famous Cotswold stone, the sun bouncing off my side of the street was causing a sort of "honey glow" . So why I hear you ask, have I converted it into negative format?
Well by accident if I'm honest. I often play around with pictures, and more often than not, end up leaving them more or less alone. But this one caught me.
For those of you who have never shot film, this will be lost on you! When I was about 14, I was lucky enough to have a rudimentary darkroom at home. And I taught myself to develop my own B & W film, and print my own photos. I will never forget the feeling of excitement, when the time came to take the developed film out, hold it up to the light and be able to look at the results. So seeing this photo in this format, instantly transported me back 40 odd years. And at my age, that feeling is pretty good!!
Hello everyone! I've gotten a several flickrmails from people asking about what the best kind of film for landscapes might be so I figured I should just go ahead and write a blog post about it here: www.alexburkephoto.com/blog/2013/02/25/color-film-choices...
Also, just so everyone knows, I launched a facebook page a few months ago. You can follow me there to keep updated on blog posts like this one.
I purchased these glass negatives from an estate of an old photo studio in Millville, PA. There were a couple hundred negatives, and I went through almost all of them. I picked out all of the negatives with the cat, as well as, the one of the famers bailing hay.
Leica MA, Zeiss ZM 35mm f/2, Ilford XP2 400, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
Leica M-A, Zeiss ZM 35mm f/2, Kodak Ultramax 400, scanned from negative with a Plustek 8200i
Instagram: @andortheinfluence
Website: polgarand.org
I'm almost ashamed to post this, but for those who haven't quite decided what negative painting is...well, this is it. I must have been practicing that when this was done years ago. Notice that all shapes are painted by painting around them...not by putting color to form the inside of the shape. This is about as negatively painted as you can get, showing that too much of any method in a painting is just that...too much!!
Setup: Leica M3 + Leica Summicron 50mm f2
Voigtlander VC meter II , Leica yellow filter
Film: Fuji acros Neopan II 100@400
Dev: Ilford DDX 1+4,
Fix: Ilford Rapid Fixer
Kodak Hypo Clear agent
Kodak Proffesional Photo-Flo 200
Scan Setup: Sonny A7 + Sony 50mm F2.8 Macro (scan aperture F8)
Cinestill CS Lite + Cinestill difusion + Valoi 360 Advancer, Kaiser copy stand + Rollei Remote Shutter
Converted by : Adobe Lightroom Classic + Negative LabPro
Join us: www.flickr.com/groups/14858332@N20/
New55 generation 2, shot with my 4x5 Speed Graphic in Ocean City, Maryland last month. I love boardwalks off season. I love New55. The new stuff has solved many of the problems the original generation had. There's still some work to be done, but in a way, I hope they never fix the difference between the negative and the print.