View allAll Photos Tagged Negative
Up until now, this year has been pretty awful for my photography. I've been working a lot, leaving me almost no time for taking photos, developing them, or even thinking about them. I hope, that will change soon!
Here, a landscape: countryside scene near my vineyard, almost idyllic setting, but technically, mostly empty.
Taken with Nikon FE camera and Vivitar MC Macro Focusing Zoom 28–210mm F3.5–5.6 super-zoom lens on Lomography LomoChrome Metropolis XR100-400 negative film. 210mm, 1/250 exposure, ƒ/8, at 200 ASA. Scanned with Plustek OpticFilm 8100 scanner, via VueScan 9.5.
I'm almost ashamed to post this, but for those who haven't quite decided what negative painting is...well, this is it. I must have been practicing that when this was done years ago. Notice that all shapes are painted by painting around them...not by putting color to form the inside of the shape. This is about as negatively painted as you can get, showing that too much of any method in a painting is just that...too much!!
I was just testing a lens and took a few pictures of this Brownie 8mm movie camera manual. I spliced two images together, played around with saturation and color temp, and then color reversed it.
Day 258 - I'm still in a bit of a photo funk. 365 days is a long time! Hats off to those who do it year after year!
For the Collective 52 Photo Group prompt "Favorite Book or Magazine". The all time classic guide to exposure - "The Negative" by Ansel Adams. Part 2 of a 3 book series - Book 1 "The Camera", Book 3 "The Print".
Pictured with the book, Yashica D TLR, Pentax Spot Meter complete with Zone scale as described by Ansel in this book, and a roll of Fomapan 200 film.
Day 56 - "Negative space". I'd be lying if I said I wasn't at all worried about coming out in a heinous rash with the $2 shop face paint.
Negative Stacking
I used to do quite a bit of negative stacking in the enlarger in the 90s when I had my own darkroom and an enlarger that would take a 4X5 negative. I was gifted with an A4 LED light tablet for my birthday and decided to try a bit of negative stacking to see if I could reprise that technique in my repertoire.
"If I make dark my countenance,
I shut my life from happier chance."
Lord Tennyson
taken @ Cupcake
textures: lesbrumes flickr
© Jeff R. Clow
How I "developed" this:
1) Shot a leaf with red and green highlights floating on water
2) Use Adobe Photoshop Lightroom software to convert the color spectrum using a "Deep Negative" preset I downloaded from the web
3) Used Adobe Photoshop Elements 5.0 software to recover some of the details through levels adjustments
The purists probably won't like it, but I thought it blurred the distinction between photography and art.
If you have the time, I hope you'll view this at the larger size linked below:
This is my entry for this week's DPS Assignment: Negative Space. I was fortunate enough to ues a friend's Canon EF 100-400mm f/4.5-5.6L IS USM for this photo. Wow it is qute a lens. However it was getting quite dark by the time I had a chance to play with it, hence the 20 second exposure.
104 day exposure, Sept 19th - January 1st, facing southeast. 5x7 paper negative solargraph in seltzer can pinhole camera.
April 2, 2018
Snow falling straight down misses the center part of the table. The negative space takes on the two dimensional form of the cross section of the closed sun umbrella above. ...another snow shadow.
7DWF - Crazy Tuesday - Negative Space
Brewster, Massachusetts
Cape Cod - USA
Photo by brucetopher
© Bruce Christopher 2018
All Rights Reserved
...always learning - critiques welcome.
Tools: Canon 7D & iPhone 6s.
No use without permission.
Please email for usage info.
See where this picture was taken. [?]
See more cherry blossoms here
You can see this also here: www.ipernity.com/doc/manganite/883560
Leica M2
Leica Summilux 35mm f/1.4 II
Rollei Superpan 200
Rollei Supergrain 1+12
8 min 20°C
Scan from negative film
Painted today and as you can see it fucked the place up haha painted with Bet and technically Apose haha shouts to Bomr & Toe!
Learning how to use the Diana F+
Camera: Lomography Diana F+ Love Letters
Film: Lomography Color Negative 100 120
" I learned working with the negatives can make for better pictures.."
HYFR - Drake
Strobist Info:
Camera Settings - Nikon D3s with Nikkor 85mm f/1.4g lens, Aperture f/8, Shutter Speed 125, ISO 100
Main Light - AlienBee 1600 at 1/8 power shot through 47 inch octobox with grid camera left
Strobes triggered remotely using PocketWizard MiniTT1 transmitter and FlextTT5
The properly scanned version from the negative. Weirdly enough i think the version i cobbled together as a photograph of a negative over my phone looks better...
How odd
Tri-X 400 ID11 !+1
Bain News Service,, publisher.
Hansen
[no date recorded on caption card]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.37645
Call Number: LC-B2- 6276-7
This is the actual window at Lacock Abbey, UK which formed the subject of the first ever negative produced by William Henry Fox Talbot the inventor of the salted paper and calotype processes
Human flag, Great Lakes Training Station
[between 1916 and 1917]
1 negative : glass ; 8 x 10 in. or smaller
Notes:
Title from unverified data provided by the National Photo Company on the negative or negative sleeve.
Date from negatives in same range.
Gift; Herbert A. French; 1947.
This glass negative might show streaks and other blemishes resulting from a natural deterioration in the original coatings.
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see National Photo Company Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/275_npco.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: National Photo Company Collection (Library of Congress) (DLC) 2005684470
General information about the National Photo Company collection is available at hdl.loc.gov/loc.pnp/pp.npco
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/npcc.32896
Call Number: LC-F82- 2076