View allAll Photos Tagged Negative
Leica M5 + Voigtländer 35mm f/2.5 Color Skopar + Kodak Tmax 100 + red filter
Digitised using a Leica M Monochrom typ 246, Zeiss Planar T* 2/50 ZM and Leica BEOON
Lubitel 2.
Ilford XP2 Super 400 (120) B&W film, cross processed in E6 chemistry (normally C-41 process).
Rated at 400 ISO then pushed by 1 stop in processing.
Not sure what the red colouring in some frames is caused by - light leak maybe?...not sure. The blue cast is from the anti-halation layer, i think? (The water from after the pre-development soak was blue-green).
Processed at home with Tetenal E6 kit.
Reclaimed negative from Fuji FP100-C instant film sheet.
Had just binned most of the peel off parts to the instant film sheets, thinking they were useless, but had kept a bunch for some reason, then found various youtube vids explaining the process of reclaiming the negative using bleach. (I would point out that you should ensure you are doing this process in a well ventilated area, as the fumes were nasty, and wear gloves when using the bleach....have seen vids with people just using their bare hands!).
These didn't work out perfectly, but I'd have been disappointed if they had - I like the random blobs/colours etc!
This particular image turned out differently to the others as, after rinsing, I tried drying the negative with a hair dryer - I put it too close to the negative, and I think the heat caused this pattern. Looks a bit like an image from a space telescope!
Reclaimed negative from Fuji FP100-C instant film sheet.
Had just binned most of the peel off parts to the instant film sheets, thinking they were useless, but had kept a bunch for some reason, then found various youtube vids explaining the process of reclaiming the negative using bleach. (I would point out that you should ensure you are doing this process in a well ventilated area, as the fumes were nasty, and wear gloves when using the bleach....have seen vids with people just using their bare hands!).
These didn't work out perfectly, but I'd have been disappointed if they had - I like the random blobs/colours etc!
wet plate collodion negative , iodine intensification, redeveloped with pyrogallic acid. printed over salted paper
the negative is here: www.flickr.com/photos/gbordin/11457017216/
HMM Everyone!
My spin on negative space.....looking forward to seeing everyone else's ideas!
Have a great week.
This is my first ever attempt at making a negative from some Fujifilm FP-100c Polaroid packfilm. The process was pretty simple really.
Here's how it goes:
When you've developed the film and peeled the print off the backing, hold on to the backing. The backing is where the negative is. The print just stays as a normal print, and you can do whatever you like with this.
Once you get home, get some household bleach, and rub it into the "dry" side of the backing (the side that wasn't in touch with the print). There's a black anti-fogging "paint" on the back, and the bleach should dissolve this. Be really careful not to get bleach on the emulsion side though, as the bleach kills the emulsion. You should wear gloves, and use some kind of brush to rub the paint off. I just used a regular paint brush to do this.
Once it looks relatively clear, rinse the bleach off under a running tap. Make sure not to get any of it on the emulsion as it runs off. If the black layer has completely cleared, you're cool. If there are bits left, you might wanna repeat the bleach stage to get rid of them.
Now give the whole thing a rinse under the tap. I used the cold tap, it worked fine. A weird gooey stuff should form on the emulsion side - you need to get rid of this. Again, I just used the paintbrush to scrape it off.
Leave it to dry, and you're cool. Don't be a dick like me and try drying it with kitchen roll - that's why it's all covered in a bunch of dusty crap.
I scanned this in the middle of my Epson 4490's transparency strip. It's only about 2.5" wide, so there's a bunch of the frame missing here. Oh well.
Shot with fatif view camera, 8X10
Rodenstock Sironar 1:6,8/360mm (6 836 747). Ott: Compur 3.
EV9 grey card with common light meter in artificial light 5600°Kelvin (plus three flash lamps).
f8; 30 minutes.
Paper: Canson Marker
Iodizing and Sensitization: Pelegry (No whey, just water and lactose), dextrin and tannin as preservatives
Developed Gallic acid for 20 minutes, followed by adding Silver nitrate in the bath and further developing by inspection (18 minutes for this negative)
Washed in H2O, than tap running water.
Fixed in Thyosulfate 15% 5 minutes and washed again.
It is my first calotype.
The scan of the negative has been made trying to reproduce how it looks like at visual inspection in reflected light.
I've tried to reverse the image and figure a result.
The scene digital shot is provided too.
Better than nothing, for a first try. In the following days I'll try to wax the paper and print it in some way (salted paper? Albumin?)
Continuing with my old photo finds, here are two negative film strips that only had two connected, instead of a long line of shots. I was lucky enough to find one of the prints made from one set too. I like that one negative shows a man in uniform. I’m most fascinated with the way woman are dressed in vintage images.
Waxed calotype negative (reflective scan)
Inverted scan:
i1113.photobucket.com/albums/k508/Richard_Cynan/Klugtrans...
Single wash (bromo-iodide)
Format: 4.25 x 5.5in
Variant: Single wash / washed precipitate
Instructions: Diamond
Date: 13/01/13
Time: 20:30- 20:37
Lens: 9"
Stop: f/8
EV: 14-11 Spot meter + grey card
Artificial light
Paper: Klug 120gsm unbuffered archival www.klug-conservation.com/?site=produkte&id=355
Iodizer: 12/13 Double iodide and bromide of silver (rod).
Sensitizer: aceto-nitrate, exposed damp
Developer: stage 1) brushed with 50:50 gallic acid + aceto-nitrate. Image appeared slowly.
2) floated on saturated soln. of gallic acid for ten minutes.
Transparency scan:
i1113.photobucket.com/albums/k508/Richard_Cynan/Klugtrans...
An idea basely stolen from inspired by Sipho Mabona.
When I was in Cambridge for the OrigaMIT thing, I got to speak with Sipho about his cut-out CPs and how he made them and also with Brian Chan and Ray Schamp about machines and tools, in general. The question naturally presents itself: how much of a CP can be cut away and still be foldable?
Quite a bit, it would seem. This is a model of mine, the Petunia Bowl, bossed and then cut with a Zing.
Remember the image in all those "brain teaser" books that showed an image that could either be a vase or two faces, depending upon whether you looked at the positive (white) shape or the negative (black) shape. Well, this is sort of like that I guess.
Kate Dore (1862)
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Printed on a plaster plate (matchbox size) / exposed for 3 min (after development, the surface was coated with UV resin)
Sensitizer: VanDyke Brown print solution / The photosensitizer was made into a viscous emulsion (allows the sensitizer to be uniformly dispersed) by adding professional white medium and applied to the plaster plate with a brush.
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Fixing agent: Citric acid solution & sodium thiosulfate solution
Toning: none
Enlarger: Lucky Attache-35 (EL-Nikkor 1:2.8 f=50mm)
Film carrier: 35mm carrier
Negative film: 35mm (135) film (Fuji Acros 100) transferred from a digital image (taken from an antique collotype postcard) with a film recorder (Polaroid Digital Palette HR 6000)
Light source: High power (50w) UV LED unit (SMD=surface mounted LED modules)
New group was created. If you like, please join.
ODC2 Negative space
I purchased a frame today to frame anything that I like during my photo shoots. I don't like to frame my pictures but I love pictures of frame.
Anyways. Here is the first of a series of many ( 3 more in my stream!!). This is not my favorite but it reflects very well the spirit of negative space.
I reflected a lot on negative space today. We all need it. Negative space is the chosen space for creativity. I have been feeling tired and sick lately and I think it's because I don't have enough negative space in my life. Space to create, space to dream. Every corner of the house, every corner of my head are full of junk. So i started by cleaning up the office space that looks more like a crowded closet. And empty my crowded brain in the process. That's when I had this idea for the challenge. A frame of grass. Grass that goes beyond the frame.....The freedom that negative space can give you is widely underrated. I stop there....I think you get it. See in black, it's full of green grass.
Pretty freaky - negative fish and flowers in a dreamy exhibit.
#SecondLifeChallenge
Visit this location at Shui Mo (Chinese Ink Brush Art) - By FionaFei in Second Life
First photo with the Hasselblad, was with Kodak BW 400CN, I developed it with Ilford b&w developer of course, unintentionally so it looks a bit brown. Next project is to get a scanner that will take 120 negatives. It's all fun and games with film!
First explore of 2013!
This is the original Negative ... with nothing done to it ... I was so suprized when I saw the colors! ... It looks like it could be the original pc. to me ...
Negative space (or white space as it is sometimes called) has been used in art, architecture, design, sculpture, and photography. Negative space (and it does not have to be black as the word 'negative' connotes) is the area that surrounds the main subject (which is often called the 'positive space'). The subject does not have to appear in the center of the composition; rather it can be offset to draw the eye toward it. The space created around it is the 'negative' space, and it has nothing attracting the eye away from the main subject.
A single color, or gradual shades of that color (monochromes), or bokeh that is muted can all serve as the background to the main subject.
Negative space can provide a natural background and give 'breathing room' to the main subject. It may take some practice to achieve this as this is subjective in nature.
14/26 February Alphabet Fun: "Theme in Art"
Photo A Day
45/365
14 ♥ February 2015
PictionID:45173866 - Catalog:14_016739 - Title:Space Shuttle Discovery Details: Discovery- Orbiter Mid Fuselage Date: 1982 - Filename:14_016739.TIF - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
The woman among these self-confident men and the children in the background makes me think that they may be teachers. Probably Egypt.
A journey of two german(?) travellers in the 1930s throughout many countries.
For more info about these photographs, see the caption in my album "World Tour 1930s"
Amongst the neglected negatives I was scanning yesterday I also found these lovelies.
Taken in the early 1990's, still in our previous flat but about to move (across the landing) to the present one.
Some show clear evidence of camera malfunction but none the worse for that.
On the last Kitty is with my parents in Covent Garden.
8x10 Paper Negative
expired Ilford Matt paper
Caltar 305mm f/8
B&W negative scanned as colour negative.
Title: Valdosta State College vs. Georgia Southern
Creator: Valdosta State University
Date: October 27, 1984
Description: Valdosta State College vs. Georgia Southern
Source: Spectator Negatives, 1980-1985. Valdosta State University Archives and Special Collections.
Subject: Valdosta State College -- Football; Football -- Georgia -- Valdosta; College sports -- Georgia -- Valdosta; Football players;
Identifier:
Format: image/jpeg