View allAll Photos Tagged Negative
I purchased these glass negatives from an estate of an old photo studio in Millville, PA. There were a couple hundred negatives, and I went through almost all of them. I picked out all of the negatives with the cat, as well as, the one of the famers bailing hay.
Leica M-A, Zeiss ZM 35mm f/2, Kodak Portra 800, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
Petri Compact
Fomapan 400
Caffenol C-H 17'/20F
Ars-Imago Lab-Box
DSLR scan (Sony A7 + Minolta AF 100mm f2.8 Macro)
Negative Lab Pro v2.0 / Lightroom
Leica M-A, Zeiss ZM 35mm f/2, Kodak Portra 800, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
dirty negative scan
pls keep the comments clean.
no banners & awards pls!
© All rights reserved. Use without permission is illegal.If you do so you will be sued!!!
I'm almost ashamed to post this, but for those who haven't quite decided what negative painting is...well, this is it. I must have been practicing that when this was done years ago. Notice that all shapes are painted by painting around them...not by putting color to form the inside of the shape. This is about as negatively painted as you can get, showing that too much of any method in a painting is just that...too much!!
IMG_0002PSXTnyPlntMgcClr]Ngtv]3DToruusY=0]Rflctn100]Rsz8912Sq
For maximum effect, click the image, to go into the Lightbox, to view at the largest size; or, perhaps, by clicking the expansion arrows at top right of the page for a Full Screen view.
Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
© All Rights Reserved - Jim Goodyear 2019.
Summer solstice to winter solstice, 6 month pinhole exposure in paint can pinhole camera. Facing due west or thereabouts.
Up until now, this year has been pretty awful for my photography. I've been working a lot, leaving me almost no time for taking photos, developing them, or even thinking about them. I hope, that will change soon!
Here, a landscape: countryside scene near my vineyard, almost idyllic setting, but technically, mostly empty.
Taken with Nikon FE camera and Vivitar MC Macro Focusing Zoom 28–210mm F3.5–5.6 super-zoom lens on Lomography LomoChrome Metropolis XR100-400 negative film. 210mm, 1/250 exposure, ƒ/8, at 200 ASA. Scanned with Plustek OpticFilm 8100 scanner, via VueScan 9.5.
The maw of the storm that just rolled through Kalamazoo. Heids and I were scurrying out to pick some raspberries and I took a few extra moments to observe the sky.
"If I make dark my countenance,
I shut my life from happier chance."
Lord Tennyson
taken @ Cupcake
textures: lesbrumes flickr
nikon FA
fujicolor C200 2014 expired
nikkor lens
processed and scanned at Nation Photo, Paris.
July 2016
Mikasa, Hokkaido.
Canon AV-1, NFD 50mm F1.8 ( as many know, this is one of the cheapest combination of the film SLRs ) , negative for recording expired in 2004, processed with Negaposi development method ( C41 based reversal development of color negative ) original of Michitaro Kohno as described below. Bigger sizes: www.flickr.com/photos/threepinner/34167590773/sizes/l up to 7360 x 4965.
This is not from positive, medium format, or DSLR. I find conventional development of color negative has been spoiling the true potential of the film.
******************************:
Expose as ISO 100.
1st Dev.: Papitol ( B&W paper developer ) 37Deg.C for 8 minutes. Small amount of KSCN added.
Rinse.
Reexposure
2nd Dev: C41 about 32 Deg.C for about 6 minutes.
Rinse.
Bleach.
Rinse.
Fix.
Rinse and wash
Dry
© Jeff R. Clow
How I "developed" this:
1) Shot a leaf with red and green highlights floating on water
2) Use Adobe Photoshop Lightroom software to convert the color spectrum using a "Deep Negative" preset I downloaded from the web
3) Used Adobe Photoshop Elements 5.0 software to recover some of the details through levels adjustments
The purists probably won't like it, but I thought it blurred the distinction between photography and art.
If you have the time, I hope you'll view this at the larger size linked below:
Day 258 - I'm still in a bit of a photo funk. 365 days is a long time! Hats off to those who do it year after year!
Day 56 - "Negative space". I'd be lying if I said I wasn't at all worried about coming out in a heinous rash with the $2 shop face paint.
April 2, 2018
Snow falling straight down misses the center part of the table. The negative space takes on the two dimensional form of the cross section of the closed sun umbrella above. ...another snow shadow.
7DWF - Crazy Tuesday - Negative Space
Brewster, Massachusetts
Cape Cod - USA
Photo by brucetopher
© Bruce Christopher 2018
All Rights Reserved
...always learning - critiques welcome.
Tools: Canon 7D & iPhone 6s.
No use without permission.
Please email for usage info.
For the Collective 52 Photo Group prompt "Favorite Book or Magazine". The all time classic guide to exposure - "The Negative" by Ansel Adams. Part 2 of a 3 book series - Book 1 "The Camera", Book 3 "The Print".
Pictured with the book, Yashica D TLR, Pentax Spot Meter complete with Zone scale as described by Ansel in this book, and a roll of Fomapan 200 film.
Rollei 35 Classic, Kodak Ultramax 400, scanned from negative with a Plustek 8200i
The photo on the cake: Rollei 35 Classic, Kodak Ultramax 400, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
" I learned working with the negatives can make for better pictures.."
HYFR - Drake
Strobist Info:
Camera Settings - Nikon D3s with Nikkor 85mm f/1.4g lens, Aperture f/8, Shutter Speed 125, ISO 100
Main Light - AlienBee 1600 at 1/8 power shot through 47 inch octobox with grid camera left
Strobes triggered remotely using PocketWizard MiniTT1 transmitter and FlextTT5