View allAll Photos Tagged Negative
OK,
I got you to look at it..!
That was the easy part of the equation.
The harder part of the equation is to elicit an emotional response, to ask you to exit your comfort zone.
Less Is More..!
* The idea behind this image is to expose less information, to allow the imagination to fill in the empty space; the dark spaces on the screen..
* The object of utilizing Negative Space is to reveal a striking visual, using minimal information, but to do it in a way that asks the mind of the viewer to participate in the illusion; to create it's own dream about the information in the image.. Negative Space can help accomplish the task..
* Don't tell the entire story, let the viewer tell their own story about what they see, through the interface of their emotions...
* Let the viewer conjure their own emotions, instead of requiring the viewer to feel something specific..
* Ambiguity with a hint of Specificity in Juxtaposition.
* Let the viewer feel something for themselves, rather than dictating which emotions the viewer should experience..
* Stimulate reaction, but don't dictate the emotion.
* Keep it simple, and let the experience of simplicity be strong.
Art is a stain upon the mind... Let that stain be memorable, emotional and vibrant..
Give the participant something to feel...
We're Here! : Negative Pictures & Images
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Strobist: AB1600 with gridded 60X30 softbox overhead. AB800 open behind backdrop of white faux suede. Triggered by Cybersync.
This image is a 2000X1250 pixel scan from a slide, print or negative. The vast majority of the shots were scanned during the 2007-2014 period. Some images may be re-uploaded from the earliest versions which were done in a smaller size and are noted accordingly.
The images here from my own collection. They are a combination of my own photographs, as well as those acquired over 40+ years through trading, purchasing, and attending various slide events around the world.
This photostream was initially created in 2017 for archival purposes, and in the years since (to 2023) has had over 11 million image views.
REG’N: F-GISA
TYPE/SRS: Boeing 747-428
MSN: 25238
OPERATOR: Air France
AIRPORT (if known): Beijing BJS
DATE (if known):
PHOTOGRAPHER (if known):
REMARKS
I'm almost ashamed to post this, but for those who haven't quite decided what negative painting is...well, this is it. I must have been practicing that when this was done years ago. Notice that all shapes are painted by painting around them...not by putting color to form the inside of the shape. This is about as negatively painted as you can get, showing that too much of any method in a painting is just that...too much!!
I was just testing a lens and took a few pictures of this Brownie 8mm movie camera manual. I spliced two images together, played around with saturation and color temp, and then color reversed it.
Malton Airport, Toronto Township, Ontario, c1965 - former RCAF 12356
www.airhistory.net/photo/301822/CF-DLF
en.wikipedia.org/wiki/Avro_Anson
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Two Pratt & Whitney R-985 Wasp Junior nine-cylinder 16.14-litre radials, 450-hp each
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35mm camera - monochrome negative film copied by Olympus PEN Lite E-PL7 + Olympus M.Zuiko Digital 12-50mm 1:3.5-6.3 macro
P2120682 Ap Q11 invert crop Ap auto fixes Anx2 1200h Q90
Day 258 - I'm still in a bit of a photo funk. 365 days is a long time! Hats off to those who do it year after year!
For the Collective 52 Photo Group prompt "Favorite Book or Magazine". The all time classic guide to exposure - "The Negative" by Ansel Adams. Part 2 of a 3 book series - Book 1 "The Camera", Book 3 "The Print".
Pictured with the book, Yashica D TLR, Pentax Spot Meter complete with Zone scale as described by Ansel in this book, and a roll of Fomapan 200 film.
Day 56 - "Negative space". I'd be lying if I said I wasn't at all worried about coming out in a heinous rash with the $2 shop face paint.
Negative Stacking
I used to do quite a bit of negative stacking in the enlarger in the 90s when I had my own darkroom and an enlarger that would take a 4X5 negative. I was gifted with an A4 LED light tablet for my birthday and decided to try a bit of negative stacking to see if I could reprise that technique in my repertoire.
"If I make dark my countenance,
I shut my life from happier chance."
Lord Tennyson
taken @ Cupcake
textures: lesbrumes flickr
Mikasa, Hokkaido.
Canon AV-1, NFD 50mm F1.8 ( as many know, this is one of the cheapest combination of the film SLRs ) , negative for recording expired in 2004, processed with Negaposi development method ( C41 based reversal development of color negative ) original of Michitaro Kohno as described below. Bigger sizes: www.flickr.com/photos/threepinner/34167590773/sizes/l up to 7360 x 4965.
This is not from positive, medium format, or DSLR. I find conventional development of color negative has been spoiling the true potential of the film.
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Expose as ISO 100.
1st Dev.: Papitol ( B&W paper developer ) 37Deg.C for 8 minutes. Small amount of KSCN added.
Rinse.
Reexposure
2nd Dev: C41 about 32 Deg.C for about 6 minutes.
Rinse.
Bleach.
Rinse.
Fix.
Rinse and wash
Dry
This is my entry for this week's DPS Assignment: Negative Space. I was fortunate enough to ues a friend's Canon EF 100-400mm f/4.5-5.6L IS USM for this photo. Wow it is qute a lens. However it was getting quite dark by the time I had a chance to play with it, hence the 20 second exposure.
104 day exposure, Sept 19th - January 1st, facing southeast. 5x7 paper negative solargraph in seltzer can pinhole camera.
See where this picture was taken. [?]
See more cherry blossoms here
You can see this also here: www.ipernity.com/doc/manganite/883560