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photo by Leslie Lazenby
It's funny how I was saying in yesterdays description that I had gotten out of a depressed phase but today I feel like a soggy towel. I didn't feel much motivation to do a photo today but I am really glad I did.
It was incredibly windy but thankfully that worked well with the shot! The only props I needed were leaves that have been blown to the sides of the road.
No cars actually passed through here the whole time I was taking photos and just as I got up to leave a car came through and it was a magical moment.
This photo was scanned in with my Nikon D3000 with 18-55mm kit lens using my scanners light source for negatives. After experimenting for ages I have finally been able to get decent colour from my negatives if I had a macro lens the image would also be a lot sharper but ill keep going Pretty good for an entry level DSLR.
Canon Ae-1
Kodak Colourplus 200
50mm 1.8
Chand Baori step well, Abhaneri, India
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I know I likely have better things to do than take photos of what's on my tv screen. However, there was a program on about a photographer who found these old negatives and decided to process them himself. This is one that he's processing in his darkroom which intrigued me.
The long and winding road
That leads to your door
Will never disappear
I've seen that road before
It always leads me here
Lead me to you door (Lennon/McCartney)
This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Hoya Infrared R72 ø67 filter using Rollei Infrared 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
I purchased a large box of b&w negatives at an estate sale. The sale was for the possessions of a photographer who worked for the railroad. The negatives are amazing and will post more ;)
The negs span from a trip through war torn europe during WWII , the photographer was apparently serving during the war to trips to NY Chicago and many cities in the US
Some negs are rough and some are in great shape
Tokyo subway in 1970s
Printed on vif Art (B5 H.P. surface) paper / exposed for 5hrs
Jacquard cyanotype kit (Potassium Ferricyanide & Ferric Ammonium Citrate)
Toning: none
Enlarger: Lucky II-C (Fujinar-Ｅ75mmF4.5)
Film carrier: Glass plates
Negative film: 35mm (135) film
Light source: High power (30w) UV LED unit (SMD=surface mounted LED modules)
New group was created. If you like, please join.
pinhole, homemade cardboard box camera, 5x7" paper negative, exposed for an hour and a quarter
July 18, 2006
sorry to have gone AWOL recently... I've been charging around, spending more time on trains than I'd ever imagined possible, and getting ready to move house. From Suffolk to Scotland, and we're off in three weeks. In the maelstrom of packing and sorting, there will probably be few pictures for the next month. If I can squeak a few more in before I pack up the dev tank and scanner, who knows...
But I wanted to post an old picture anyway. I missed my starting-pinhole-anniversary, which was about ten days ago, but this picture was taken one year ago. An hour sitting still by the back door wasn't such a big deal as it sounds: back then I couldn't walk. That's why I started pinhole photography in the first place: the pace suited me.
It's been an incredible year, as I've found my way into this insane love affair with lensless photography. I've learned how to develop film, and print normal silver, van dyke, and platinum (ooh, and pt/pd is pretty). I've had work shown in an exhibition, pictures featured in "black and white photography" magazine, and prints sold.
And I wanted to thank you guys for all your support and encouragement. So, thank you!
“Buttercups and daisies,
Oh, the pretty flowers;
Coming ere the Springtime,
To tell of sunny hours.” - Mary Howitt
“I'm called Little Buttercup - dear Little Buttercup,
Though I could never tell why.” -William S. Gilbert
Sunlight streams through a workshop window, casting strong shadows across the wooden floorboards inside the Black Country Living Museum. Taken on Eastman Kodak 5222 Double X, in my Nikon FE and developed in 510 Pyro.
Nikon FE | Voigtlander 58mm f1.4 SL-IIs Nokton | Eastman Kodak 5222 Double-X 200
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2
Home developed in 510 Pyro 1:100 | 6m 30s at 21c | Compensated Rotary Processing
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Negative scan from my archives, Paris, 1962
More "Paris in the 60s" here: www.flickr.com/photos/amarcord108/sets/72157625555243112/...
This setup is the reason that I first decided to buy a mirrorless camera. When I learned that I could buy adapters to mount my old Canon FD lenses to a modern digital camera I was sold. One of the first things I did with that camera ( Sony A7 ) was mount it to this bellows set and digitize some old slides. More often now I am digging up old black and white negatives in order to make copies. The trick to using this setup is to use the focus magnifier to focus on the film grain as opposed to any feature of the image.
Picture for the MacroMondays group theme on April 14th, 2014: Negative Space.
正在為本週主題發愁，發現這張從下面往上拍的蝴蝶照片，正好有大片天空留白啊！
PS. 標題出自宋代，陸游的「春日暄甚戲作」。
~馬美部落, 尖石鄉, 新竹縣
Mamei Village, Hsinchu, Taiwan
- ISO 640, F5, 1/8000 sec, 100mm
- Canon 5D MarkIII with EF 100mm f/2.8 L macro lens
- Shot @ 11.30am