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projection mapping on karlsruhe palace by maxin10sity in occasion of the karlsruhe 300 anniversary
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
A cura di Filippo M. Rotondi e Valerio Baiocchi
Il video mapping è un territorio ibrido dove si incontrano arte, architettura, musica e video; una tecnologia in grado di trasformare potenzialmente qualsiasi superficie in uno schermo, alterandone virtualmente colori, dimensioni e forme. Durante il Workshop si realizzerà un progetto con questa tecnica, sempre più richiesta anche dalle grandi aziende.
Taller para participar en la actualización de mapas derivados al terremoto ocurrido en la provincia de Manabí.
Me and all the essentials. I am working for a mapping and remote sensing company. we do a wide variety of mapping all over the world - Lidar surveys for hydro, highways, pipelines and mines as well as marine surveying with side scanning sonar. We just acquired our own airplane and a new hyperspectral sensor. I am enjoying the work very much.
Risk mapping for school based disaster prepardness project with gps in Mukomuko in the north of Bengkulu Province, Sumatra, Indonesia
Using the latest airborne data acquisition and automated processing technologies, Yolax infranergy group offers fast delivery of high-accuracy Aerial Mapping with LiDAR service in India.
For more information visit us at- www.yolaxinfra.com/drone-lidar-survey.php
Projection Mapping
Overview
I wanted to create an installation for a live music performance. I decided to create a hanging cardboard surface on which I could project imagery. Each element of the structure would be an individual shape in three dimensions and I would stagger the depths of each one to create a unique way to display projected content, that in itself would look more dynamic because of the nature of depth of field.
Development
Inspired by 3d origami paper folding, I set about making unique and organic geometric polygons. I then made a small scale model to see how the structure would hang and to easily envisage the depth of the piece when ultimately scaled up. Using large sheets of card, I then sketched and cut the shapes, turning and folding them into a 3d surface to the orientation and dimensions of the model.
Construction
Using a projector and a test image I live traced the cluster of shapes and with Adobe After Effects I developed my own projection mapped art that could be spread across each one. Every layer could provide different content for each shape, or the entire cluster could be used as one overall mask with which to project a single video or image. Allowing for the depth of field created by the angles and distance in the 3D structures, I had to make sure the artwork would project precisely onto the individual structure. I carefully measured the distance and angle of how each component was hung in the test environment. Fire safety regulations meant that the practical application of hanging each element needed to be done with approved stage wire and have the cardboard pieces sprayed with flame retardant coating before the final installation.
Installation
On the day of the live event, I installed the structures into the performance space (above the stage) in the venue, using the test screen to manually align each component. I instructed a lighting engineer as to when and how to project the content I had provided.
Conclusion
As the technology involved the practice develops I would love to further explore projection mapping in my studies.
An example of the content displayed on the surface can be found here in an After Effects animation:
blog.pentagram.com/2007/11/paula-scher-recent-paintings.php
An exhibition of new paintings by Paula Scher opens this Thursday, 8 November at the Maya Stendhal Gallery at 545 West 20th Street in New York City. Featured is work from her ongoing Maps series including the paintings India, Tsunami, Manhattan at Night, NYC Transit, Middle East and Paris. An exhibition catalogue has been published. The show remains on view through 26 January.
BBG gardener Uriel Walker records the locations of new plantings in the Woodland Garden. Photo by Michael Stewart.
555 KUBIK
"How it would be, if a house was dreaming"
The conception of this project consistently derives from its underlying architecture - the theoretic conception and visual pattern of the Hamburg Kunsthalle. The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers "Galerie der Gegenwart". Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement. A situation of reflexivity evolves - describing the constitution and spacious perception of this location by means of the building itself.
Production: www.urbanscreen.com
Art Direction: Daniel Rossa - www.rossarossa.de
3D Operator: David Starmann
Sound Design : Jonas Wiese
Realized with www.mxwendler.net mediaserver
A extended version of this documentation can be found here: vimeo.com/5677104
This is a frame from a video. You can watch it on Vimeo.
Participants captured at the World Economic Forum on ASEAN in Kuala Lumpur, Malaysia, June 2, 2016. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
NOT ACTUAL MAP, COULDN'T FIND MY MAP IN THE DATABASE. VERY SIMILAR LOOKALIKE THOUGH
Rennell’s maps of India led to the consolidation of India. His maps were also used heavily as a tool to use to conquer the country by plotting where all of the countries stockpiles of village, forests, rice fields, and other valuable goods because he was a huge supporter of the East India Trading company. It is no wonder why when you view the map you see the depiction of the Indian native bowing down to the all mighty British. After analyzing the map, it really serves a limited purpose because it is small and hard to see; however, the real focus and attention goes to the grand depiction of the British standing tall over the native.
From visually looking at the map, it looks like it is made out of some high quality paper because it was not as ragged as compared to the other Japanese maps and torn British maps. Even the drawing and architecture of the continents look more accurate by todays standards compared to the Japanese maps. The Rennel’s map I believe is important because it is made out of strong lasting material. This map is part of Rennel’s collection because in all of his maps he displays the rivers and all the mountainous terrain and coastal bays for traveling purposes. Comparing this map to the other maps, I wouldn’t really describe this map as having tensions with others map physically, even though in reality it does because it is an imperial map. Visually, looking at the map I would assume it was used for traveling purposes because it had the latitutde and longitude degrees on the side of the map which told it was most likely used on ships. It was probably a map used for getting around southern Asia. If I had to place in a group I would place the map under the categories of trade or sailing because it was obvious that it was there to facilitate those needs. All of Rennels maps are like this to support the British East India trading company.
Certain keywords I would choose to display this made is nautical, trade, imperialism, and power.
I chose the word nautical and trade because obviously it was used for those purposes. However, I used the words power and imperialism to talk about the picture at the center of the map. These maps are very important because these were used by the East India Trading company to go find supplies of value which can be anything from wheat to gold. These maps were more valuable than just directions; these maps had trade routes that are used as a tool of power were kept very secret. Secret maps like this were put on ships and were reserved for the captain. These maps indefinitely caused a monopoly on trade. For example, the signs of imperialism just resonate from the middle picture of the map from the Roman influence. Renell uses the similarities to Romans as propaganda to say how well their empire will do like the Romans. Here even you see the Indian native giving the British colonizer a paper or map like he is a superior figure or demi-god. Rennel emphasizes that the British will establish India as the site of glorious conquest and territorial agreement.
It is interesting when we were talking in class, we were talking about how political influences affect the process of making maps; however, Renall’s maps actually affected the politics into making the semi-states of southern India into a nation. Thus, seeing the result of this I would have to configure my keywords and add in the both politics and influence.
Hivemapper has developed a modern mapping platform that blends 3D mapping with computer-vision algorithms that automatically see and reveal changes happening in the world. (Image courtesy of Hivemapper)
Mapping Mainz. Ein innovatives und interaktives Stadtportrait für Mainz
Mainz und seine Anrainer-Vororte werden auf künstlerische und innovativer Weise neu vorgestellt.
Wie sehen Mainzer, Besucher und Touristen die Gutenbergstadt Mainz? Fest verankert im Mainzer Leben sind die vielen gut dokumentierten Sehenswürdigkeiten der Stadt und ihrer Geschichte. Aber Mainz hat noch viel mehr zu bieten. Sehenswürdigkeiten ganz anderer Art werden in dem Projekt des Masterstudiengangs Gutenberg Intermedia dem Betrachter und Leser vorgestellt. Zehn wenig bekannte Orte und leise Monumente werden in der Arbeit „Mapping Mainz – ein fragmentarisches Stadtportrait“ individuell auf ihre Geschichte, Eigenheiten und mögliche Zukunft portraitiert.
Jeder Ort steht für einen der zehn Stadtteile von Mainz und der AKK-Gemeinden, die direkt am Rhein liegen. So wird das ehemalige Eislager der Mainzer Brauerei in Weisenau, die grüne Brücke der Neustadt einer Streichholzfabrik in Amöneburg gegenüber gestellt. Dabei entstehen detaillierte, mit Bild, Video und Tonaufnahmen kommentierte Stadtportraits, die stille und versunkene Orten zum Strahlen bringen.
Basierend auf der situationistischen Idee des Dérives, des ungeplanten Umherschweifens durch urbane Räume und einer künstlerischen Methodik, haben die Studierenden für sie unbekannte Orte in Mainz und Umgebung aufgesucht und sich diese durch intensive Recherche angeeignet. So haben sie Zeit- und kunstgeschichtlichen Merkmale des Ortes erforscht, seine Gegenwart ausgelotet und schließlich ihren gefundenen Ort gestalterisch neu interpretiert und mit Zukunftsvisionen versehen. Ihre jeweiligen ortsspezifischen Analysen haben sie anschließend in zwei medial unterschiedlichen Ausführungen – einer großformatigen Siebdruckarbeit und einer interaktiven Website – zu dem psychogeografischen Stadtportrait „Mapping Mainz“ zusammengeführt. Fragmente aus Geschichte, Gegenwart und Zukunft in Bild und Ton – bilden hier eine einzigartige Sammlung, die sich je nach Sichtweise zu ortsbezogenen Chroniken verdichtet.
Während die 7 x 7 m große Siebdruckarbeit dem Betrachter einen ersten Überblick über die gesammelten Ortserkundungen vermittelt, ermöglicht die Website www.mappingmainz.hs-mainz.de dem Betrachter ein interaktives Erleben dieser urbanen Räume und lässt ihn auf eindrucksvolle Weise den Vorgang des Umherschweifen durch interaktives Erforschen nachvollziehen. Überraschende und vielschichtige Informationen und Interpretationen kann der Betrachter in dem Online-Archiv zu jedem Ort nachlesen und sich akustisch auf die Orte und ihre spezifischen Geräusche einlassen. Zu sehen und zu erleben waren die Arbeiten vom 9. – 12. Mai 2015 in der Aula auf dem Campus der Hochschule Mainz, Lucy-Hillebrand-Strasse. Individuelle Fragmente der Installation wurden als limitierte Siebdruckedition zusammengefasst.
Grundlegendes Thema der Master-Projekts war die Ideenfindung für eine Gestaltung der Zukunft. In die Vergangenheit zu blicken bedarf eines bedachten, analytischen Blicks. Sich die Zukunft zu denken, ist weit weniger klar zu definieren. Die Herausforderung für die Projektgruppe in dieser Studienarbeit war es auf den fundierten Kenntnissen und Fakten, die die Trend- und Zukunftsanalysen vorgeben hinaus, individuelle Lösungen für Orte in Mainz zu finden. Dabei wurden gesellschaftliche, sozio-ökonomische, technische und gestalterische Aspekte an den Orten angewandt und durch szenische Dialoge ergänzt. So wurde jedem Ort und Stadtteil am Rhein eine mögliche Zukunft projiziert. Der Blick kann mit Hilfe der Website und der zahlreichen Artefakte, die für das Projekt zusammengetragen wurden, von der Gegenwart und Vergangenheit des Ortes in die Zukunft getragen werden. Über fiktive Monologe und dokumentarische Tonaufnahmen für und von den Orten werden Mainzer Monumente auch auditiv aufbereitet.
Intermedial und interdisziplinär manifestiert sich das Projekt als gestalterisches Realisierungsprojekt. Das Zusammenspiel von analogen und digitalen Medien, also von Siebdruck, Grafiken, Zeichnungen und Infografiken mit animierten Grafiken, Video- und Tonaufnahmen auf einer interaktiven Website zusammengefasst, bilden den Kern der Projektinnovation. Die verschiedenen Anforderungen der Medien in einem ganzheitlichen Gefüge zusammen zu bringen, ist bei dem Projekt „Mapping Mainz“ hervorragend gelungen.
Mapping Mainz
Ein fragmentarisches Portrait
Alexander Bothe
Anna Lena Hänicke
Bahar Hasan
Isa Hartikainen
Isabel Linnemann
Janina Rüsseler
Matthias Dübner
Michael Sherman
Natalia Chekonina
Stefan Valerio Meister
Prof. Katja Davar
Prof. Anna-Lisa Schönecker
Prof. Holger Reckter (Programmierung)
Volker Pape (Siebdruck)
Axel Becker (Programmierung)
Das Projekt wurde mit dem Gutenbergstipendium 2016 ausgezeichnet.
Participants captured at the World Economic Forum on ASEAN in Kuala Lumpur, Malaysia, June 2, 2016. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
projection mapping on karlsruhe palace by maxin10sity in occasion of the karlsruhe 300 anniversary
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
Participants interact at the World Economic Forum - Annual Meeting of the New Champions in Tianjin, People's Republic of China 2016. Copyright by World Economic Forum / Greg Beadle
SCAT (Shoreline Cleanup Assessment Technique) training participants and course instructors. Tofino, December 2016.
Participants captured at the World Economic Forum on ASEAN in Kuala Lumpur, Malaysia, June 2, 2016. Copyright by World Economic Forum / Sikarin Fon Thanachaiary