Single Exposure Tone Mapping
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©Jane Brown2016 All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission
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©Jane Brown2015 All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission.
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I went to Grovelands determined to catch the sun . . .
hope to complete my catching up this evening . . .
Still playing with that lander base; I liked Mladen's comment about the RCS looking a little like a crop duster so I changed them to small radars for terrian mapping/remote sensing. And focused on suggesting more of a mosquito motif.
A photo is a visual description of something or someone out there. Like map-makers, photographers want to portray what is important to them and therefore make a choice what is in the image and what is not. Therefore the final image will be a simplified version of what is out there based on the photographer's selective criteria. Like a map, viewers can 'read' the resulting image. However, map and image are not the same as what is out there. Fuji X-E2 plus Samyang telephoto (mirror) lens.
©Jane Brown2014 All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission
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In the middle of an ordinary street, two travelers pause long enough to let the world settle around them. Their map becomes a small stage, a paper landscape held between intention and uncertainty, while the city continues its quiet choreography behind them.
©Jane Brown2015 All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission.
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We met up with Ben, Abby, Elsie and Rachel early Tuesday evening for an Indian meal to celebrate Abby's birthday. The light as we walked from King's Cross to Granary Square was wonderful, so soft.
I am not particularly centred at the moment - distracted by our house being back on the market, the neighbours having chosen this very moment to knock down their garage, and I'm tired too as I was up earlier than usual to take Max to a hospital appointment and didn't sleep well, because I was to get up early . . . how silly is that?!
I shall do my best to catch up, but this may be over a day or two. I know exactly what Karen (Kleiss) means when she says she's always catching up!
LMU Management Alumni - Universität München - Eventagentur Servicebroker - videomapping by crushed eyes media
Vidéo-mapping sur les ISAI Faidherbe : le Nautilus du capitaine Nemo
2025 est, à Amiens, l'année Jules Verne, commémorant le 120e anniversaire de la disparition du célèbre écrivain.
Les ISAI Faidherbe : Au coeur du quartier Saint-Jacques, les ISAI (Immeuble Sans affectation
Immédiate) Faidherbe sont emblématiques de la reconstruction amiénoise de l’après-guerre. Construits entre 1946 et 1951, cet ensemble de 14 immeubles dessinés par l'architecte Paul Sirvin compte 150 appartements.
Pour en savoir plus, voici un lien vers la page du site consacré à l'histoire des quartiers Saint-Roch et Saint-Jacques d'Amiens:
Les documents proposés sont tous rédigés par des historiens-géographes :
comitesaintrochsaintjacques.fr/hier_demain/pages/isai.html
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Video-mapping on the ISAI Faidherbe: Captain Nemo’s Nautilus
2025 is, in Amiens, the year of Jules Verne, commemorating the 120th anniversary of the death of the famous writer.
The ISAI Faidherbe: In the heart of the Saint-Jacques district, the ISAI (Unassigned Building
Immediate) Faidherbe are emblematic of the post-war reconstruction of Amiens. Built between 1946 and 1951, this set of 14 buildings designed by architect Paul Sirvin has 150 apartments.
To find out more, here is a link to the site page dedicated to the history of the Saint-Roch and Saint-Jacques districts of Amiens:
The documents offered are all written by historian-geographers
comitesaintrochsaintjacques.fr/hier_demain/pages/isai.html
(in French only)
Video mapping sur l'Hôtel de Berny
L’hôtel de Berny est un lieu culturel amiénois : situé rue Victor-Hugo, il abrite le musée d’art local et d’histoire régionale, actuellement fermé pour travaux. Cet hôtel particulier de briques et de pierres, constitué d’un corps central, flanqué de deux pavillons en retour, date de la première moitié des années 1630.
Video mapping on the Hôtel de Berny
The Hôtel de Berny is a cultural venue in Amiens: located rue Victor-Hugo, it houses the museum of local art and regional history, currently closed for work. This brick and stone mansion, made up of a central body, flanked by two pavilions in return, dates from the first half of the 1630s.
www.amiens.fr/Vivre-a-Amiens/Culture-Patrimoine/Etablisse...
Still playing with that lander base; I liked Mladen's comment about the RCS looking a little like a crop duster so I changed them to small radars for terrian mapping/remote sensing. And focused on suggesting more of a mosquito motif.
Mapping sur la Médiathèque de Dole, sur la vie et le travail de Louis Pasteur.
Bicentenaire de sa naissance.
Dole sa ville natale.
Bonne soirée à tous et toutes et bonne semaine.
Created for the Hypothetical Awards 1st Annual "ME, MYSELF & I" Challenge
By the way, I photographed myself in the bathroom mirror for the big head shot and, yes, I 'shopped away a few wrinkles here and there ;-).
Squeesing and pushing every bit of an underexposed (-2 EV) Raw file!
This picture was meant to be the third shot for an HDR file. Unfortunately the three pictures were not perfectly aligned (no tripod). But before deleting the picture series I decided to play with the GND (graduated neutral density filter) in lightroom. I started by applying a -1/3 EV GND mask to the sky, and a +2EV mask to the rest of the picture. The first attempt, even if not perfect in particular througout the transition between trees and sky, looked already more than promising and pushed me to convert the raw in tiff16bit and to repeat the same operation in PS CS4, that in contrast to Lr provides more latitute and control on the mask definition. And this is the results. Basically I have squeezed the 10 EV of a RAW file in the 8EV of a jpeg.
What surprised me was the huge latitude in pushing the shadows without having to deal with cromance or luminance noise. So if your scene have a strong luminace contrast (10-11EV max) and you want to reduce the risk to burn the highlights, simply expose correctly for the highlights and try to recover the shadows detail in CS4. Furthermore this approach allows firstly to remove the risk of having moving objects (like the tree leaves) and secondly to increase the shutters speed of 2EV, so bye bye dammed tripod! The only precautions are to assure yourself that the scene doesn't exceed the dynamic range of your camera RAW (usually 10-12EV) through the spot exposure meter and to shoot with low ISO sensitivities (100-200).
What do you think? If you have questions, just leave a comment!
GBRf 66721 "Harry Beck" named after Harry Beck the London Underground electrical draughtsman who produced the imaginative and beautifully simple tube map of the capital back in 1933, is caught running through Melton Mowbray, which according to the signs on the station is "The Rural Capital of Food"
Working the 10:29 (4M29) Felixstowe North to Kingsbury Birch Coppice, passing Melton Mowbray.
31st May 2019
This was a video mapping we did for Supersônica 3D, in the entrance of the city of Juiz de Fora, MG. Near to the shopping.
Vinicius Ildefonso
Raquel Gaudard
Marcos Grijó
dj Marley
Juliana Acácio
vj Lab
Ateliê Digital Lab
Just this:
www.flickr.com/photos/rdagos/23289774933/
with 7 layers of Tone Mapping added in LightZone.
I was bored...
This was a video mapping we did for Supersônica 3D, in the entrance of the city of Juiz de Fora, MG. Near to the shopping.
Vinicius Ildefonso
Raquel Gaudard
Marcos Grijó
dj Marley
Juliana Acácio
vj Lab
Ateliê Digital Lab
Imaging Earth from space is a favourite pastime for astronauts on the International space Station. They can set their cameras to automatically snap photos while they work, but often make time to Earth-gaze and take photos of their own.
ESA astronaut Alexander Gerst snapped this photo of Europe at night in September, captioning it, “From space it's pretty clear that Europe belongs together.”
It is also pretty clear that Europe is very well lit at night, perhaps unnecessarily so.
Excessive artificial light is known as light pollution and it is often a problem in urban areas. Many meteor showers have gone unnoticed by urban populations and the average city dweller can make out very few stars and constellations in the synthetic glow.
A more serious consideration of light pollution is energy efficiency. As the world grapples with climate change and cleaner sources of energy, how that energy is put to use is a bright topic.
A citizen science project is hoping to address the problem of light pollution and energy efficiency in cities by creating a map of the world at night.
Cities at Night is an online platform that invites citizens to flip through the half a million photographs of Earth at night taken so far by astronauts from the Space Station to identify cities.
In this regard, humans are much more efficient than computers, which require complicated algorithms to categorise images. The human eye, on the other hand, can quickly differentiate a photograph of a city from that of stars.
The end result of Cities at Night will be map of Earth that is accessible to anyone. Researchers want to use the map to locate energy inefficiencies in urban cities to urge dimming of the lights. This would also reclaim some of the night sky for urban dwellers to enjoy.
Find out how you can help and improve your geography knowledge with the Cities at Night project. With a mind-boggling amount of data about our planet along with the availability of the latest digital technologies, citizen science projects such as these is just one way to help interpret the data and there are countless opportunities for innovation. ESA’s ɸ-week, running this week, explores how data and new technologies such as artificial intelligence and blockchain can benefit business, industry and science to bring benefits to all.
Credits: ESA/NASA