View allAll Photos Tagged Manfrotto
My 6th of September shot.
Had a great opportunity to photograph the amazing building of the Academy of Music in Katowice.
My shooting was accompanied by a divine opera voice doing her rehearsal, and some jazz improvisation.
This is when the visual meets sound!
nikon D7000
nikkor 17.0-55.0 mm f/2.8
f/7.1 * ISO 400 * 1/160 sec
elinchrom dlite 4 @ 2.0 power with snoot and honeycomb grid
lensbuddies studios
larawan ni tianaman all rights reserved 2013
If you use off-camera lighting then you may occasionally find yourself in a situation in which a traditional lighting stand is impractical or inconvenient. If you don’t have the options of having an assistant hold your remote flash in just the right spot then a clamp may be the way to go. The Manfrotto 175F-1 spring-loaded clamp is a sturdy and versatile way to park your light pretty much wherever you like.
When I stopped by my parent’s house yesterday, my cousin asked me to take a few pictures of her beloved chihuahua, Winston. We situated him by a window so there was lots of nice, even, natural light falling on one side of him. However, the light rapidly dropped off making his profile a little stark. A lighting stand would have worked just fine in this situation but it takes a bit more time to set up. The Manfrotto clamp was a much easier choice. Along with a Canon Speedlite 430 EX II flash and Pocket Wizard FlexTTL5 attached to the clamp, I was able to put together an impromptu fill-light arrangement without much hassle.
The light from the window and the flash were both falling on Winston at about equal but opposite angles and I was positioned between the two. Could I have gotten by without off-camera lighting? Sure. But, a little fill helped things out a lot. As you can see from the pictures here you can configure the 175F-1 to accommodate a diffusor umbrella as well provided you attach a standard umbrella mount to the additional spigot on the side of the clamp. It comes standard with a swivel mounted cold-shoe to attach your flash directly to the clamp.
You can also see that I was using a Stofen OM-EW Omni Bounce Diffusor on the Speedlite 430 EX II. I am going to do some experiments with this little hunk of plastic and see how much it actually diffuses or if it just dims the amount of light coming through the flash. Maybe it softens the light rather than diffusing it. I don’t really understand how it could diffuse the flash much as it is basically the same size flash’s front element. Anyway, more on that later.
The 175F-1 seems to be very well built and the clamp itself has heavy, rubber pads on it to prevent the pressure from marking whatever you happen to clamp it to. You have to be a little careful with how you mount it if you add something like an umbrella to it because the weight can cause the clamp to slip. But, with just a flash and remote trigger, it grips just fine. I have not played around enough with it to know, but I think that, with the proper armature, you could mount an umbrella-based softbox like the Westcott 28” Apollo or something similar. All in all, a great addition to the lighting kit.
Check out more at my blog, Lemons and Beans, for lots of photos, recipes, travel writing and other ramblings. I appreciate any feedback but, please do not post graphic awards or invitations in the comments, I'm just not crazy about them. Also, if you want to use any of my Commercial Commons licensed photos please link the attribution back to my blog (listed above) and use my full name, Frank McMains. Thanks! Sorry, but you have to pay to use fully copyright protected photos.
Please welcome the new member in my gear family; Manfrotto 055XPROB legs with 488RC2 ball head.
I ordered it online & have been waiting since 4th Jan, finally got it today. I'm so happy, now i can spend more time thinking about the composition & can try low light shots too.
Carbon fiber tripods were out of budget for me so ordered the best amongst the aluminium stuff. This tripod is said to be a heavy one but I found it rather light in weight & by the quality and the feel it offers, i'm sure i won't settle for anything else in the coming future.
If you are interested in getting one for yourself, do read this.
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You can read my full review of the Manfrotto 190 Go! Carbon over on my website using this link: bit.ly/2i2EgEw
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Meinen vollständigen Testbericht zum Manfrotto 190 Go! Carbon findet ihr auf meiner Webseite unter folgendem Link: bit.ly/2i2EgEw
#audi #rs6 #a6 #competition #avant #quattro #daytonagrey #nardogrey #matte #manfrotto #photoshop #instacar #instacars #instagood #car #carporn #auto #carsofinstagram #picoftheday #photooftheday #SnabshodPhotography #automotive #danielboeswald #snabshod #automobil #transportation #vehicle #ingolstadt www.snabshod.com - www.fb.com/snabshod
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Производство компании STV, аренда оборудования для DSLR видео-съемки (обвес на Canon (dslr rig), 550D, Manfrotto 525/501) - www.CinemaKit.ru
Robert Swan, Officer of the British Empire, and Connor Fitzpatrick in Antarctica
Connor Fitzpatrick is a Manfrotto Hero and a Mentor for the Antarctic.
If you use off-camera lighting then you may occasionally find yourself in a situation in which a traditional lighting stand is impractical or inconvenient. If you don’t have the options of having an assistant hold your remote flash in just the right spot then a clamp may be the way to go. The Manfrotto 175F-1 spring-loaded clamp is a sturdy and versatile way to park your light pretty much wherever you like.
When I stopped by my parent’s house yesterday, my cousin asked me to take a few pictures of her beloved chihuahua, Winston. We situated him by a window so there was lots of nice, even, natural light falling on one side of him. However, the light rapidly dropped off making his profile a little stark. A lighting stand would have worked just fine in this situation but it takes a bit more time to set up. The Manfrotto clamp was a much easier choice. Along with a Canon Speedlite 430 EX II flash and Pocket Wizard FlexTTL5 attached to the clamp, I was able to put together an impromptu fill-light arrangement without much hassle.
The light from the window and the flash were both falling on Winston at about equal but opposite angles and I was positioned between the two. Could I have gotten by without off-camera lighting? Sure. But, a little fill helped things out a lot. As you can see from the pictures here you can configure the 175F-1 to accommodate a diffusor umbrella as well provided you attach a standard umbrella mount to the additional spigot on the side of the clamp. It comes standard with a swivel mounted cold-shoe to attach your flash directly to the clamp.
You can also see that I was using a Stofen OM-EW Omni Bounce Diffusor on the Speedlite 430 EX II. I am going to do some experiments with this little hunk of plastic and see how much it actually diffuses or if it just dims the amount of light coming through the flash. Maybe it softens the light rather than diffusing it. I don’t really understand how it could diffuse the flash much as it is basically the same size flash’s front element. Anyway, more on that later.
The 175F-1 seems to be very well built and the clamp itself has heavy, rubber pads on it to prevent the pressure from marking whatever you happen to clamp it to. You have to be a little careful with how you mount it if you add something like an umbrella to it because the weight can cause the clamp to slip. But, with just a flash and remote trigger, it grips just fine. I have not played around enough with it to know, but I think that, with the proper armature, you could mount an umbrella-based softbox like the Westcott 28” Apollo or something similar. All in all, a great addition to the lighting kit.
Check out more at my blog, Lemons and Beans, for lots of photos, recipes, travel writing and other ramblings. I appreciate any feedback but, please do not post graphic awards or invitations in the comments, I'm just not crazy about them. Also, if you want to use any of my Commercial Commons licensed photos please link the attribution back to my blog (listed above) and use my full name, Frank McMains. Thanks! Sorry, but you have to pay to use fully copyright protected photos.
Ich war mit Manfrotto in Venedig u.a. fotografieren am roten Teppich der internationalen Filmfestspiele.
Alles dazu könnt ihr auf meinem Blog nachlesen, hier der Artikel dazu:
Copyright © t0m photography - Thomas Reimann. All rights reserved
Mein neuer Blog - facebook Fan Page - twitter - tumblr iPhone pictures
#mercedesbenz #class #estate #sedan #manfrotto #photoshop #instacar #instacars #car #carporn #auto #carsofinstagram #picoftheday #photooftheday #SnabshodPhotography #automotive #danielboeswald #snabshod #automobil #transportation #vehicle #ingolstadt www.snabshod.com - www.fb.com/snabshod & @srcreativity
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Shot on a Pentax K-1 with the Pentax D-FA 24-70mm f/2.8 DC WR at Manfrotto's UK headquarters during a Manfrotto Brand Champions training day.
Make-up by Sarah at The London Body Painting Co., model Abbie Latham.
I came across a Photoshop Plugin called Pixel Bender, which has an Oil Painting setting that I really like. I applied it to this closeup of some Juniper Moss & Reindeer Lichen, and I thought it worked really well. Taken on top of Robertson Cliff, using the Nikon AF 50mm f/1.8 lens.
I recommend you view this in original size to really see the effect.
Old but sturdy
3-Way Tripod Head. Includes hexagonal Quick Release plate for camera. Mounts with 3/8" thread. Robust - weights 3 lb. 7 oz.
On a Manfrotto 075 tripod
Softly the evening came. The sun from the western horizon
Like a magician extended his golden wand o'er the landscape;
Twinkling vapors arose; and sky and water and forest
Seemed all on fire at the touch, and melted and mingled together.
-Henry Wadsworth Longfellow
Day 167-Another Self Portrait w/the new back up D90 aka Nikki w/the 105mm VR f/2.8 mounted.....and the 8-ball as a flash?
Manual | Nikon D90-Nikka | 200 ISO | WB-Sodium vapor | Aperture-f/2.8 | Shutter Speed-1/1.6s | Lens-AF-S VR Micro Nikkor 105mm f/2.8G IF-ED |
O material utilizado para conseguir a foto da rosa vermelha.
The set up i used to accomplish the photo of the red rose.
هد سه پایه مانفروتو
نورپردازی: یک فلاش اس.بی 800 نیکون در سمت راست که با یک چتر سفید استفاده شده، در مد اسلیو
Srtobist : one SB-800 right,in SU-4 mode,with white umbrella
#mercedesbenz #class #estate #sedan #frankfurt #manfrotto #photoshop #instacar #instacars #instagood #car #carporn #auto #carsofinstagram #picoftheday #photooftheday #SnabshodPhotography #automotive #danielboeswald #snabshod #automobil #transportation #vehicle #ingolstadt www.snabshod.com - www.fb.com/snabshod & @srcreativity
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I once had the chance to change the course of history and had a molecule of a hand in the idea behind the trekker
Manfrotto 055CXPRO4 4-section carbon g./mag. tripod.
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The photography presented here has no publicity purposes. It's sole aim is to show one of our multiple products through a personal viewpoint, which would not be linked or amalgamated with the marketing and aesthetics choice of the brand. Thus, the logo (trademark - 'Fair use') and template only illustrate the picture and do not intent to imitate or be mistaken for the official ads. This image can not replace in any way the informations, descriptions and photographs of the creator. However, it can complete them. The hardware is not brand new, wears and stains can be observed.