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I broke down and bought this tripod yesterday because I didn't want to lug around my big heavy one when I go to Israel on May 15 for 19 days. This one folds up to 19.7 inches (without the head), and weighs 3 lbs, yet can firmly hold my D200 with the 70-200 lens on it.
That's the 486RC2 head on it.
Strobist: SB800 directly overhead into reflective umbrella, 1/4 power; SB800 to camera left, snooted, aimed at label on leg, 1/64th power. Nikon CLS trigger.
PP: all I did in post was to blur the upper part of the background because the seamless paper was wrinkled.
Assemble and disassemble the leg collar by removing the locking pin. I used a small punch and firm taps with a light hammer.
Remove the leg tip so the collar can be slid off.
Note the knurled centre section of the locking pin which engages inside the lever.
Strobist:
2x SB-600 Flash on the right aimed at the white background
1x SB-900 attached on the camera (Nikon D80)
No major retouching was done, only cropping.
Photographer © Leon Sidik
© All rights reserved. Use without permission is illegal.
Pawel Korzeniowski (POL)
Swimming European Championships Budapest 2010 - Campionati Europei di Nuoto Budapest 2010
Swimming finals - Finali di nuoto
Budapest (Hungary), 12/08/2010
© Giorgio Perottino /Insidefoto
Esta es la foto que haría un trípode de "La Guerra De Los Mundos". O en su defecto, una hecha por mi trípode.
Rig used for the image that ended up being my Celebration of the Light Christmas card.
Also some more info in Celebration of the Light inspiration
FOR Innovative photography equipment
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What you see here:
- Canon 1D body
- Canon EF-100mm f/2.8 Macro USM lens
- Manfrotto 234 MonoPod Tilt Head
- Manfrotto 695 MagFiber monopod 5 section
- A cheap miniature F-clamp (itself clamped in one of the section fasteners of the monopod)
- A magic bouncing ball from a toy store with colored LEDs that light up and change color when you bounce it.
All these components were already in my posession, so no extra investment was needed.
This improvised rig allows you to have an object in the foreground in a fixed position to the lens, while the background may be moving. E.g. with long shutterspeeds.
There are probably 101 other ways to achieve this effect. There are probably also other uses that I have not thought of.
If this is useful to you: I'm very interested in your results or any improvements to this setup that you made.
Shot on a Pentax K-1 with the Pentax D-FA 24-70mm f/2.8 DC WR at Manfrotto's UK headquarters during a Manfrotto Brand Champions training day.
Make-up by Sarah at The London Body Painting Co., model Abbie Latham.
Photograph taken in the golden hour around sunrise at 08:09am on Tuesday 1st January 2013 opposite Adventure Island Theme Park and the Western Esplanade on the muddy shoreline of Southend on Sea, Essex, England.
Nikon D800 70mm 1/125s f/13.0 iso200 Mirror Up
RAW (14-bit)
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. My memory 32GB class 10 20MB/s SDHC. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit
LATITUDE: N 51d 31m 53.86s
LONGITUDE: E 0d 42m 57.76s
ALTITUDE: 9.0m
Pentax *ist DS2, SMC 50/2.0 PKA, (CF=76.5mm),
Manfrotto 390 Jr
In the photo:
Pentax 6X7 MLU
SUPER-TAKUMAR/6X7 105/2.4
Manfrotto 029 3W-Head
Manfrotto 190B
Manfrotto 268 Ballhead
CF Photo+Video Technik Ash Tripod
This is a ridiculously big tripod for use in aerial photography or for supporting big lights. That little thing next to it is a standard elinchrom light stand. Sheez! This thing was my height with only the legs spreaded out and all the telescopes still inside. It can go up to 8 meters!
just bought a monopod and head for the mac championship game - which i'll be shooting at on saturday :)
Photograph taken at 10:56am on Saturday 6th April 2013 at an altitude of Two hundred and thirty metres on the top of the Cheddar Gorge, a limestone gorge in the Mendip Hills, near the village of Cheddar in Somerset, England.
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Nikon D800 32mm 1/100s f/11.0 iso200 Mirror Up RAW (14-bit) Manual focus. Manual exposure. Matrix metering.
Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. Sandisc 32GB Ultra Class 10 30MB/s SDHC Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 51d 17m 6.93s
LONGITUDE: W 2d 45m 23.09s
ALTITUDE: 230.0m
RAW FILE SIZE: 103.00MB
PROCESSED SIZE: 23.76MB
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Processing power:
HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.90 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
Оператор Евгений Случановский. Аренда Canon 60D, обвес на canon (риг, фоллоу фокус), skater & track, manfrotto 501/546, объективы Carl Zeiss и другого обрудования для DSLR видеосъемки - CinemaKit.ru
Ich war mit Manfrotto in Venedig u.a. fotografieren am roten Teppich der internationalen Filmfestspiele.
Alles dazu könnt ihr auf meinem Blog nachlesen, hier der Artikel dazu:
Copyright © t0m photography - Thomas Reimann. All rights reserved
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Shot on a Pentax K-1 with the Pentax D-FA 24-70mm f/2.8 DC WR at Manfrotto's UK headquarters during a Manfrotto Brand Champions training day.
Make-up by Sarah at The London Body Painting Co., model Abbie Latham.