View allAll Photos Tagged Manfrotto
Packed thinkTANK Sling-O-Matic 30 + Manfrotto 561BHDV Monopod. In the Sling-O-Matic I have a Canon 5D MkII with Canon EF 24-70mm f/2.8 L USM Lens and hood fitted, Zacuto Target Shooter and ZFinder Pro 3x, Canon EF 70-200mm f/2.8 L IS USM, Canon EF 16-35mm f/2.8 L II USM, circular polarized filter, ND filter, Apple MacBook Pro 15", Apple MagSafe adapter, RODE Video Mic and Dead Cat, Zoom H4N recorder, memory cards, extra batteries, 3 FlexTT5 PocketWizards and 2 Canon Speedlite 580EX II strobes.
Bought it to replace a Lowepro Slingshot 202 AW but turns out this can even replace my main Crumpler bag.
Nikon D7000 with Micro-Nikkor 40mm f2.8 AF-G, on Manfrotto 458B tripod. Subject on black paper, lit by two 160-LED video lights on Giottos LC210 light stands.
This is shot while I waited for my latest time lapse to finish.
Shot with my Samsung I8510 mobilphone. I had the GPS tagging on my phone which worked perfectly with Flickrs map function.
www.facebook.com/pages/Lucas-Tatagiba-Photography/2201206...
CameraNikon D90
Exposure0.017 sec (1/60)
Aperturef/1.4
Focal Length50 mm
ISO Speed400
Photograph taken at an altitude of Fourteen metres at 13:50pm on Monday 9th September 2013 off the B827 between Balmaha and Milarrochy on the shoreline of Loch Lomond in the Loch Lomond and The Trossachs National Park, Scotland. Here we look across the Loch towards part of the horseshoe ridge encircling Glen Striddle. Its eastern arm rises directly from the village of Luss, which is protected by Beinn Dubh and Cruach Dhubh.
Loch Lomond (Loch Laomainn), a freshwater loch situated on the Highland Boundary fault, is the largest inland stretch of water by surface area in Great Britain, at 39km in length and up to 8km in width with a maximum depth of 190metres. Primary inflows and outflows include Endrick water, Fruin water and the River Leven.
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Nikon D800 250mm 1/640s f/8.0 iso200 RAW (14Bit) AF-S single point focus, Manual exposure. Matrix metering. Auto white balance. Nikkor AF-S TC20EIII 2.0x teleconverter
Nikkor AF-S 70-200mm f/2.8G ED IF. Jessops 77mm UV filter. Nikkor AF-S TC20EIII 2.0x Teleconverter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Nikon DK-17M magnifying eyepiece. Hoodman HGEC soft eyepiece cup. Nikon GP-1 GPS unit.
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LATITUDE: N 56d 5m 43.37s
LONGITUDE: W 4d 33m 22.455
ALTITUDE: 14.0m
RAW (TIFF) FILE: 103.00MB
PROCESSED FILE: 20.56MB
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Processing power:
HP Pavillion P6-2388EA Desktop with AMD A10-5700 APU processor. AMD Radeon HD 7570 graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
32 images to create this full 180 degree pano from the top of Kite Hill in Gasworks park in Seattle. It is a bit blurry because I'm a dork and forgot to remove the lens hood when it got windy. Oh well it was a fun time and I cant wait to get back and try it again, hopefully with better weather.
11/365 Picked up this little video head from very nice Craigslist seller who even delivered it to me at work. I have a dedicated video tripod and head but this baby Manfrotto will be great for two camera shoots or when I don't to lug the monster video tripod around.
Para montar el flash con la cámara conectado por cable TTL.
La rótula y la regleta articulada van muy bien para cambiar el ángulo de la luz del flash rápidamente en el campo.
Pentax *ist DS2, RMC Tokina II 28/2.8, (CF=42.5mm),
Manfrotto 390 Jr
In the photo:
Pentax 6X7 MLU
SUPER-TAKUMAR/6X7 105/2.4
Manfrotto 029 3W-Head
Manfrotto 190B Tripod
Manfrotto 268 Ballhead
CF Photo+Video Technik Ash Tripod
Manfrotto 028 Tripod
June 23 AM....KATUTUBO photogroup members Mike Mendoza, Atonibay, GeorgePontinoJr the Crystal Eye and Bluechip....Sunrise at the Red Sand Desert in RIyadh Saudi Arabia (Manfrotto is a brandname/maker of tripods)
Large Version of this photo... at my other Flickr called The Secret ImageGarden
My New Manfrotto
20th Day
I've just bought this Manfrotto 055 X PRO B + Manfrotto 496 RC2 for the night photography and for timelapse.
For now it works very good!!
Canon EOS 500D & Canon EF 24-105mm f/4 L IS USM
PostProduction with Lightroom 3.3 & Photoshop CS5
©2011, Stefano Minella Photo
Stefano Minella | Photographer WebSite
Stefano Minella | Photographer on Facebook
Stefano_Minella on Twitter
especially for Steve-h :-)
my new hiking Mini Tripod.
www.novoflex.com/en/products/camera-support-systems/macro...
"There are angels who take turns in visiting you by night and by day, and they all assemble at the dawn..."
The Fajr prayer is the first of the five daily prayers offered by practising Muslims. Every morning this typical look of a mosque located at the back of our flat is distressing its signal to the Muslims and keep their prayers to be the first thing to do in their daily lives and give glory to Allah.
If you use off-camera lighting then you may occasionally find yourself in a situation in which a traditional lighting stand is impractical or inconvenient. If you don’t have the options of having an assistant hold your remote flash in just the right spot then a clamp may be the way to go. The Manfrotto 175F-1 spring-loaded clamp is a sturdy and versatile way to park your light pretty much wherever you like.
When I stopped by my parent’s house yesterday, my cousin asked me to take a few pictures of her beloved chihuahua, Winston. We situated him by a window so there was lots of nice, even, natural light falling on one side of him. However, the light rapidly dropped off making his profile a little stark. A lighting stand would have worked just fine in this situation but it takes a bit more time to set up. The Manfrotto clamp was a much easier choice. Along with a Canon Speedlite 430 EX II flash and Pocket Wizard FlexTTL5 attached to the clamp, I was able to put together an impromptu fill-light arrangement without much hassle.
The light from the window and the flash were both falling on Winston at about equal but opposite angles and I was positioned between the two. Could I have gotten by without off-camera lighting? Sure. But, a little fill helped things out a lot. As you can see from the pictures here you can configure the 175F-1 to accommodate a diffusor umbrella as well provided you attach a standard umbrella mount to the additional spigot on the side of the clamp. It comes standard with a swivel mounted cold-shoe to attach your flash directly to the clamp.
You can also see that I was using a Stofen OM-EW Omni Bounce Diffusor on the Speedlite 430 EX II. I am going to do some experiments with this little hunk of plastic and see how much it actually diffuses or if it just dims the amount of light coming through the flash. Maybe it softens the light rather than diffusing it. I don’t really understand how it could diffuse the flash much as it is basically the same size flash’s front element. Anyway, more on that later.
The 175F-1 seems to be very well built and the clamp itself has heavy, rubber pads on it to prevent the pressure from marking whatever you happen to clamp it to. You have to be a little careful with how you mount it if you add something like an umbrella to it because the weight can cause the clamp to slip. But, with just a flash and remote trigger, it grips just fine. I have not played around enough with it to know, but I think that, with the proper armature, you could mount an umbrella-based softbox like the Westcott 28” Apollo or something similar. All in all, a great addition to the lighting kit.
Check out more at my blog, Lemons and Beans, for lots of photos, recipes, travel writing and other ramblings. I appreciate any feedback but, please do not post graphic awards or invitations in the comments, I'm just not crazy about them. Also, if you want to use any of my Commercial Commons licensed photos please link the attribution back to my blog (listed above) and use my full name, Frank McMains. Thanks! Sorry, but you have to pay to use fully copyright protected photos.
Please welcome the new member in my gear family; Manfrotto 055XPROB legs with 488RC2 ball head.
I ordered it online & have been waiting since 4th Jan, finally got it today. I'm so happy, now i can spend more time thinking about the composition & can try low light shots too.
Carbon fiber tripods were out of budget for me so ordered the best amongst the aluminium stuff. This tripod is said to be a heavy one but I found it rather light in weight & by the quality and the feel it offers, i'm sure i won't settle for anything else in the coming future.
If you are interested in getting one for yourself, do read this.
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You can read my full review of the Manfrotto 190 Go! Carbon over on my website using this link: bit.ly/2i2EgEw
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Meinen vollständigen Testbericht zum Manfrotto 190 Go! Carbon findet ihr auf meiner Webseite unter folgendem Link: bit.ly/2i2EgEw
Производство компании STV, аренда оборудования для DSLR видео-съемки (обвес на Canon (dslr rig), 550D, Manfrotto 525/501) - www.CinemaKit.ru
Robert Swan, Officer of the British Empire, and Connor Fitzpatrick in Antarctica
Connor Fitzpatrick is a Manfrotto Hero and a Mentor for the Antarctic.
If you use off-camera lighting then you may occasionally find yourself in a situation in which a traditional lighting stand is impractical or inconvenient. If you don’t have the options of having an assistant hold your remote flash in just the right spot then a clamp may be the way to go. The Manfrotto 175F-1 spring-loaded clamp is a sturdy and versatile way to park your light pretty much wherever you like.
When I stopped by my parent’s house yesterday, my cousin asked me to take a few pictures of her beloved chihuahua, Winston. We situated him by a window so there was lots of nice, even, natural light falling on one side of him. However, the light rapidly dropped off making his profile a little stark. A lighting stand would have worked just fine in this situation but it takes a bit more time to set up. The Manfrotto clamp was a much easier choice. Along with a Canon Speedlite 430 EX II flash and Pocket Wizard FlexTTL5 attached to the clamp, I was able to put together an impromptu fill-light arrangement without much hassle.
The light from the window and the flash were both falling on Winston at about equal but opposite angles and I was positioned between the two. Could I have gotten by without off-camera lighting? Sure. But, a little fill helped things out a lot. As you can see from the pictures here you can configure the 175F-1 to accommodate a diffusor umbrella as well provided you attach a standard umbrella mount to the additional spigot on the side of the clamp. It comes standard with a swivel mounted cold-shoe to attach your flash directly to the clamp.
You can also see that I was using a Stofen OM-EW Omni Bounce Diffusor on the Speedlite 430 EX II. I am going to do some experiments with this little hunk of plastic and see how much it actually diffuses or if it just dims the amount of light coming through the flash. Maybe it softens the light rather than diffusing it. I don’t really understand how it could diffuse the flash much as it is basically the same size flash’s front element. Anyway, more on that later.
The 175F-1 seems to be very well built and the clamp itself has heavy, rubber pads on it to prevent the pressure from marking whatever you happen to clamp it to. You have to be a little careful with how you mount it if you add something like an umbrella to it because the weight can cause the clamp to slip. But, with just a flash and remote trigger, it grips just fine. I have not played around enough with it to know, but I think that, with the proper armature, you could mount an umbrella-based softbox like the Westcott 28” Apollo or something similar. All in all, a great addition to the lighting kit.
Check out more at my blog, Lemons and Beans, for lots of photos, recipes, travel writing and other ramblings. I appreciate any feedback but, please do not post graphic awards or invitations in the comments, I'm just not crazy about them. Also, if you want to use any of my Commercial Commons licensed photos please link the attribution back to my blog (listed above) and use my full name, Frank McMains. Thanks! Sorry, but you have to pay to use fully copyright protected photos.
Ich war mit Manfrotto in Venedig u.a. fotografieren am roten Teppich der internationalen Filmfestspiele.
Alles dazu könnt ihr auf meinem Blog nachlesen, hier der Artikel dazu:
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