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We've recently adopted this English Language programme for school children, and are running demo lessons for local kids. This was the first. After the presentation activities, we took the kids off to a class for further teaching while the parents recieved more info.
We've recently adopted this English Language programme for school children, and are running demo lessons for local kids. This was the first. After the presentation activities, we took the kids off to a class for further teaching while the parents recieved more info.
Opschrift in vier talen op SO-motorwagen 10041 van de Belgische kusttramlijn. De Belgische kust werd en wordt druk bezocht door toeristen uit vele landen. Het wekt geen verwondering dat de opschriften op de kusttrams al vele jaren in diverse talen werden weergegeven. Meertalige opschriften op trams zijn geen uitzondering maar een viertalige aanduiding is wel heel bijzonder!
De pijl verwijst naar het achterbalkon van de tram. Direct na het instappen kwamen de passagiers langs de zittende conducteur die zijn zitplaats hoog boven de andere passagiers verheven achter het richting filmkastje had. Dat kastje vertoont hier de bestemming Wenduine.
Meer voorbeelden van tramtypografie vindt u in de set tramopschriften.
Omdat dit opschrift 2x tweetalig is, maakt deze afbeelding ook deel uit van het gelijknamige album.
Lees meer over tramopschriften op mijn website tramspul.
Bekijk mijn fotoalbum in de klassieke versie.
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Language and education
The Tibetan language is under threat as Chinese has replaced Tibetan as the official language.
Tibetans are in a highly disadvantaged position to get further education than their Chinese class mates. Secondary education is taught exclusively in Mandarin and entrance exams to universities are in Chinese. While China claims massive investment in Tibet, the level of education of Tibetans remains extremely low.
In 2005, only 11.5% of the Tibetan population had secondary education or higher. The illiteracy rate for the TAR is a staggering 45% (2005) compared with 10% (2004) in China as a whole.
More and more Tibetan parents are sending their children to Chinese language primary schools, hoping it will lead to improved employment opportunities. Those children often end up not being able to read, write or even speak Tibetan.
Attacking the language is part of the Chinese government’s plan to forcibly assimilate Tibetans into China.
More on education in Tibet:
Sunrise: Pastura at La Massana, Vall nord, Andorra, Pyrenees
More La Massana city & La Massana parroquia images: Follow the group links at right side.
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City Hall ~ Paris ~ MjYj
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Auschwitz, Poland
CONVERSACIONES EN SILENCIO- TALKING IN SILENCE
SERIES
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Biarritz (French pronunciation: [bjaʁits]; Basque: Biarritz [biarits̻] or Miarritze [miarits̻e]; Gascon Occitan: Biàrritz [ˈbjarits]) is a city on the Bay of Biscay, on the Atlantic coast in the Pyrénées-Atlantiques department in the French Basque Country in southwestern France. It is located 35 kilometres (22 mi) from the border with Spain. It is a luxurious seaside tourist destination known for the Hôtel du Palais (originally built for the Empress Eugénie circa 1855), its casinos and its surfing culture.
Contents
1 Geography
2 Etymology
3 History
3.1 Prehistory
3.2 Middle Ages
3.3 Whaling
3.4 18th century
3.5 19th century
3.6 Belle Époque
3.7 After World War II
3.8 The arrival of surfing in Europe
4 Main sights
5 Climate
6 Politics
6.1 Mayors
7 Demography
8 Economy
9 Culture
9.1 Languages
9.2 Museums
9.3 Music and dance
9.4 Theatre
9.5 Cinema
9.6 Civil buildings
9.7 Religious buildings
9.8 Parks
9.8.1 Rocks
9.8.2 Beaches
9.8.3 Gardens
10 Infrastructures
10.1 Sport
10.2 Education
10.2.1 Schools
10.2.2 High Schools
10.3 Transport
11 Notable people and popular culture
12 International relations
12.1 Twin towns/sister cities
13 Festivities
14 References
15 External links
Geography
Biarritz is located in the Pyrénées-Atlantiques department in the Nouvelle-Aquitaine region. It is adjacent to Bayonne and Anglet and 35 kilometres (22 mi) from the border with Spain. It is in the traditional province of Labourd in the French Basque Country.
Etymology
In Basque, its name is Biarritz or Miarritze. Its current Occitan Gascon name is Biàrrits. The name for an inhabitant is Biarrot; Biarriztar ou Miarriztar in Basque. The suffix -itz (cp. Isturitz) is a Basque locative. The name appears as Bearriz in 1170, Bearids in 1186, and Bearritz in 1249.
Biarritz appears as Bearids and Bearriz in 1150, Beiarridz in 1165, Bearriz and Beariz in 1170, Bearidz (1186), Bearriz and Beariz (12th century), lo port de Beiarriz and Bearridz in 1261, (cartulaire de Bayonne). Other forms include Beiarid (1199), Bearritz (1249), Beiarriz and Beiarrids (1261), Bearridz (1281), Bearrits (1338), (rôles gascons), Bearritz (1498, chapitre de Bayonne38), Sanctus Martinus de Biarriz (1689, collations du diocèse de Bayonne39), mearritcen (1712), Biarrits (1863, dictionnaire topographique Béarn-Pays basque) et Biarritze et Miarritze au XIXe siècleNote 10.
History
Prehistory
Analysis of stones from the Middle Paleolithic show that the Biarritz area was inhabited at that time.
Middle Ages
The oldest mention appears in a cartulary, Baiona’s Golden book, from 1186, where it is named Bearids; some years later the name used was Beiarrids. The first urban town was to the south, at the top and at the interior, where the church of San Martin is located. This church is the oldest in Biarritz.
In 1152, Eleanor of Aquitaine married Henry II of England, who became suzerain of the Duchy of Aquitaine. Prince Edward, oldest son of Henry III of England, was invested with the duchy, and betrothed to Eleanor of Castile, who brought him rights over Gascony.
Two population centers are attested in the Middle Ages. On the one hand, the église Saint-Martin was active in the neighborhoods in the territory's interior, which were:[1]
Gardague (mentioned en 1233)
Legure (lac Mouriscot)
Larrepunte and the domains of Silloete-de-Bas and Silloete-de-Haut,
Arretegui,
Chabiague,
Castera,
Suhy,
Itçar (mentioned in 1342),
Monsegur (1335),
Martin Petit,
Chohy,
Maron,
Catalina
Harausta (which would become La Négresse).
On the other hand, the château of Belay (first mentioned in 1342), also called château de Ferragus, protected the coast and the current Port-Vieux (old port), while religious life and community assemblies took place at Notre-Dame-de-Pitié (a chapel mentioned in 1498), dominating the Port-des-Pêcheurs, or fishing port.
A document dated May 26, 1342 attested to this fishing activity, authorising les Biarrots to "(…) remit to Bayonne all the fresh fish that we and succeeding inhabitantsof Biarritz can fish from the salt sea".
Construction of the château de Ferragus was decided by the English, on the foundations of a Roman work, at the summit of the promontory overlooking the sea, named Atalaye, used as a whale-observation post. This château had a double crenulated wall two meters thick, a drawbridge and four towers. Mentions of this château occur as late as 1603, in the letters patent of Henry IV. One tower remained as of 1739, when a daymark was established there, called de la Haille, then de la Humade. The tower disappeared in 1856.
Whaling
Further information: History of Basque whaling
Most of the documents, records and official agreements gathered in the archives from Biarritz mention whaling. This was the principal local industry. Consequently, the town's coat of arms features the image of a whale below a rowing boat manned by five sailors wearing berets, one of whom is preparing to throw a harpoon. This inscription is written on it: Aura, sidus, mare, adjuvant me (The air, the stars and the seas are helping me).
Biarritz has long made its living from the sea: from the 12th century onwards, it was a whaling town. In the 18th century, doctors claimed that the ocean at Biarritz had therapeutic properties, inspiring patients to make pilgrimages to the beach for alleged cures for their ailments. After the 7th century, Biarritz had many confrontations with Baiona, with the Kingdom of England – Lapurdi was under its control – and with the Bishop of Baiona. Almost all of the disputes were about whale hunting. In 1284, the town's right to hunt whales was reinstated by the authorities of Lapurdi and the Duchy of Aquitaine.
From the Middle Ages and Early modern period a watchtower has looked down over the sea at Biarritz, from “La Humade”, waiting for the sight of a whale. Whenever those keeping watch saw a whale, they would burn wet straw, to create a large amount of smoke and thus communicate the news to their fellow countrymen. Eventually, however, the tower disappeared.
In the 16th century, as a consequence of the attacks suffered in this area, or for other reasons, the whales migrated to other places. Whale hunters from Lapurdi therefore crossed the Atlantic Ocean in pursuit of them, and they spent some time in the Labrador Peninsula and in Newfoundland (island). Later, instead of hunting whales, they started cod fishing in Newfoundland. A century later, due to the ban on fishing off the coasts of America and the steely competence of English and Dutch fishermen, the number of fishing boats from Biarritz diminished and nowadays, the Biarritz fishing industry in these areas has come to an end.
Even though the population from Biarritz was originally Basque, it is hard to assert whether the main language of the village was Basque or French.
The first lighthouse of the village was built in 1650.
18th century
The Cape of Biarritz.
Biarritz was an independent municipality, until 1784, a clergyman, four sworn and the city was governed by twelve deputies. Deputies were democratically chosen: there were four neighbourhoods (Portua, Bustingorri, Hurlaga and Alto), and three deputies has to be chosen from each of them. However, deputies were chosen by the abbot and sworn. Since they had no Town House, they gathered in a ward near the church. As they did not have place for all the attending people, they made their meetings in the cemetery. That time, Biarritz was composed of around 1,700 citizens.
In the mid-18th century, the city began to change into a worldwide known bath-city.
19th century
From 1784 onwards, after the French Revolution, taking a bath at the sea was no longer a behaviour of those who were fools; sea-baths were fashionable. In 1808, Napoleon himself broke prejudices and took a bath on the Basque Country’s coastal water.
In 1840, the Town House or Municipality of Biarritz started to organize an initiative in order to promote and attract those who loved most the sea.
From the 11th century, Biarritz was a village dedicated to whale hunting, until Victor Hugo, found it in 1843. This writer made to Biarritz the following compliments on his book “Alpeak eta Pirinioak” :
« I have not met in the world any place more pleasant and perfect than Biarritz. I have never seen the old Neptune throwing joy and glory with such a force in the old Cybele. All this coast is full of humming. Gascony’s sea grinds, scratches, and stretches on the reefs its never ending whisper. Friendly population and white cheerful houses, large dunes, fine sand, great caves and proud sea, Biarritz is amazing. My only fear is Biarritz becoming fashionable. Whether this happens, the wild village, rural and still honest Biarritz, will be money-hungry. Biarritz will put poplars in the hills, railings in the dunes, kiosks in the rocks, seats in the caves, trousers worn on tourists. »
Either for good or for bad, Victor Hugo’s prophecy was fulfilled. Biarritz planted poplars, tamarinds, hydrangeas, roses and pitosforuses on the slopes and the hills, set railings on the dunes, covered moats with elegant stairs… and polluted with the speculation of the land and the money-hunger.
Humble and proud tourists praise Biarritz’s coast, from the beach at the limit of Bidarte (Plage des Basques), to the cape of San Martin. There it can be found a white lighthouse 44 metres (144 feet) tall, built in 1834 replacing the one Louis XIV ordered to build. Various hotels were made, as well as a municipal casino, the club Belleuve and the casino were opened in 1857, the thalassotherapy house, and wonderful luxury houses. Luxurious store shops from London and Paris were also set up in Biarritz, and 36 small newspapers were published in the village.
Hôtel du Palais, Biarritz, France(2).JPG
Hôtel du Palais, Biarritz, France (2)
Biarritz became more renowned in 1854 when Empress Eugenie (the wife of Napoleon III) built a palace on the beach (now the Hôtel du Palais). European royalty, including British monarchs Queen Victoria and King Edward VII (who caused a minor scandal when he called H. H. Asquith to kiss hands at Biarritz in 1908 rather than return to London for the purpose),[2] and the Spanish king Alfonso XIII, were frequent visitors.
Biarritz's casino (opened 10 August 1901) and beaches make the town a notable tourist centre for Europeans and East Coast North Americans. The city has also become a prime destination for surfers from around the world, developing a nightlife and surf-based culture.
Originally, there were two settlement sites: the neighbourhood that was around the church of San Martin, and the fishing-port defended by Belay or Ferragus Castle. The coat of arms was a whaler, which was a symbol of the town.
Opened in June 1893, Biarritz’s salt-baths were designed and built by the architect Lagarde. From the gatzagas of Beskoitz and after passing through a 20-kilometre (12 mi) pipe, water ten times saltier than the sea was used. The baths were closed in 1953 and demolished in 1968.
The presence of French Republic’s authorities and the fact of having launched the Paris-Henday train, led Biarritz to become one of the most outstanding tourist areas all over Europe. The queen of the beaches became the beach of the kings: Oskar II from Sweden, Leopoldo from Belgium, tireless traveller, the empress of Russia, Nikolas II’s mother, Elisabeth from Austria, Natalia from Serbia, and her ill son Alexandro, Jurgi V from England, Eduardo VII and England’s Queen Victoria, Alfonso XIII from Spain, aristocrats, rich people, actors, from Europe and South America… In the summer-time, high-status people gathered in Biarritz. Therefore, the number of population remarkably increased, from 5,000 to 18,000. At the end of the 19th century, 50,000 vacationers were gathering in Biarritz.
Belle Époque
Biarritz market.
The big store named Biarritz Bonheur, created in 1894, enlarged twice (in 1911 and 1926), and still operating, became the temple of luxury and fashion. At the start of the 20th century, most of its workers spoke in English.
After World War II
At the end of World War II in Europe, the U.S. Army's Information and Educational Branch was ordered to establish an overseas university campus for demobilized American service men and women in the French resort town of Biarritz. Under General Samuel L. McCroskey, the hotels and casinos of Biarritz were converted into quarters, labs, and class spaces for U.S. service personnel. The University opened 10 August 1945 and about 10,000 students attended an eight-week term. This campus was set up to provide a transition between army life and subsequent attendance at a university in the USA, so students attended for just one term. After three successful terms, the G.I. University closed in March 1946 (see G. I. American Universities).[3]
The arrival of surfing in Europe
In 1957, the American film director Peter Viertel was in Biarritz with his wife Deborah Kerr working on the film The Sun Also Rises. One of his Californian friends came for a visit, and his use of a surfboard off Biarritz is recognized as the first time surfing was practised in Europe. Biarritz eventually became one of the most popular European surfing spots.
Main sights
Sights in Biarritz include:
The Asiatica Museum houses a significant collection of Asian art primarily from India, Nepal, Tibet, and China.
The Museum of the Sea has 24 aquaria containing sharks and seals.
The annual Biarritz Surf Festival, founded in 1993 at the Côte des Basques, is one of the premier surf events in Europe and longboarding events in the world.[4]
St-Martin's Church, constructed in the 12th century, restored in the mid-16th century.
The Russian Orthodox Church, built in the 19th century for visiting Russian aristocrats, has a famous blue dome.
The Chapelle Imperiale built for Empress Eugenie has an intricately decorated roof interior and elegant wall tiling. She also built a palace on the beach which is now the Hôtel du Palais.
The Museum of Chocolate explains the history and manufacture of chocolate.
Two large casinos, the Barrière and the Bellevue, sit on the waterfront near the Grande Plage.
Cliffs and lookouts lie to the west of the main beach.
Climate
Biarritz has a temperate oceanic climate, Cfb in the Köppen climate classification.
Les baigneuses à Biarritz
Biarritz from the Pointe Saint-Martin.
La Grande Plage, the town's largest beach.
Sainte-Eugénie church.
Outdoor cafés.
Notre Dame du Rocher.
Plage Miramar
Railway poster
Climate data for Biarritz-Anglet (altitude 69 metres (226 feet), 1981–2010)
Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year
Record high °C (°F) 23.4
(74.1) 28.9
(84) 29.7
(85.5) 32.1
(89.8) 34.8
(94.6) 39.2
(102.6) 39.8
(103.6) 40.6
(105.1) 37.0
(98.6) 32.2
(90) 27.8
(82) 25.1
(77.2) 40.6
(105.1)
Average high °C (°F) 12.0
(53.6) 12.8
(55) 15.0
(59) 16.2
(61.2) 19.6
(67.3) 22.1
(71.8) 24.1
(75.4) 24.7
(76.5) 23.2
(73.8) 20.0
(68) 15.1
(59.2) 12.5
(54.5) 18.1
(64.6)
Average low °C (°F) 4.8
(40.6) 5.0
(41) 7.0
(44.6) 8.5
(47.3) 11.6
(52.9) 14.6
(58.3) 16.7
(62.1) 17.0
(62.6) 14.5
(58.1) 11.9
(53.4) 7.7
(45.9) 5.5
(41.9) 10.4
(50.7)
Record low °C (°F) −12.7
(9.1) −11.5
(11.3) −7.2
(19) −1.3
(29.7) 3.3
(37.9) 5.3
(41.5) 9.2
(48.6) 8.6
(47.5) 5.3
(41.5) −0.6
(30.9) −5.7
(21.7) −8.9
(16) −12.7
(9.1)
Average precipitation mm (inches) 128.8
(5.071) 111.5
(4.39) 103.5
(4.075) 129.7
(5.106) 113.9
(4.484) 87.8
(3.457) 69.3
(2.728) 98.4
(3.874) 119.6
(4.709) 152.1
(5.988) 185.9
(7.319) 150.4
(5.921) 1,450.9
(57.122)
Average precipitation days (≥ 1 mm) 13.4 12.0 11.9 13.6 12.9 10.4 8.8 9.6 9.7 12.5 13.0 12.6 140.5
Average snowy days 0.8 1.0 0.3 0.1 0.0 0.0 0.0 0.0 0.0 0.0 0.3 0.5 3.0
Average relative humidity (%) 77 75 73 77 78 81 80 81 80 78 79 78 78.1
Mean monthly sunshine hours 100.2 114.1 164.4 169.4 193.7 203.3 209.0 206.8 192.8 141.7 103.8 88.3 1,887.3
Source #1: Météo France[5][6]
Source #2: Infoclimat.fr (humidity and snowy days, 1961–1990)[7]
Politics
Mayors
Mandate Name
1788-1789 Pierre Moussempès
1813-1814 Pierre Moussempès
1864-1881 Pierre-Paul Jaulerry
1881-1884 Alcide Augey
1884-1888 Alexandre Larralde-Diustegi
1888-1895 Alcide Augey
1895-1904 Félix Moureu
1904-1919 Pierre Forsans
1919-1929 Joseph Petit
1929-1941 Ferdinand Hirigoien
1941-1944 Henri Cazalis
1945-1977 Guy Petit
1977-1991 Bernard Marie
1991-2008 Didier Borotra
2008-2014 Didier Borotra
2014-2020 Mixel Veunac
Demography
Date of Population
1793 1800 1806 1820 1821 1831 1836 1841 1846 1851
929 1.171 1.188 - 1.082 1.495 1.705 1.892 1.993 2.048
1856 1861 1866 1872 1876 1881 1886 1891 1896
2.110 2.771 3.652 4.659 5.507 8.527 8.444 9.177 11.869
1901 1906 1911 1921 1926 1931 1936 1946 1954
12.812 15.093 18.260 18.353 20.776 22.955 20.691 22.022 22.922
1962 1968 1975 1982 1990 1999 2004 - -
25.231 26.750 27.595 26.598 28.742 30.055 - - -
For the census of 1962 to 1999 the official population corresponds with the population without duplicates according to the INSEE.
Economy
Although Biarritz’s economy was based on fishing before, nowadays it has a modern economy due to the metropolitan location of Baiona-Anglet-Biarritz. Together with Baiona and Anglet, Biarritz takes part in the management of the BAB Airport. The most important economic activities are:
Spa tourism
Sport (golf, surf and rugby)
Thalassotherapy
Industry. The most important industries are the following:
Séguier, French publishing house
Dassault Aviation, manufacturer of fuselage for Falcon planes.
Culture
Languages
As Anglet and Baiona, since they are located in the limit of Gascony and Basque Country, it is in doubt if in the Middle Age and the Modern era was Basque or Gascon the main language of the city. According to the book Atlas Linguistique de Gascogne, Biarritz is considered a Gascon town. But in 1863, Luis Luciano Bonaparte located the frontier of Basque in Biarritz, which in some neighborhoods was without any doubt the most used language. However, in the 20th-century French was the official and main language. From the 90th decade on, the Townhall of Biarritz has taken the Basque culture and the Basque language, and also it has promoted it. Nevertheless, the Gascon has been promoted by private institution, for instance the group of Gascon culture Ací Gasconha [19]
Museums
Sea Museum. Constructed in 1993 in the rock of Atalaia, it is an Art Déco building. It has a huge collection of sea animals and birds.
Museum of Chocolate
Asiatica, museum of the Eastern art. Art from India, Tibet, Nepal and China can be found
Museum of the History of Biarritz. Located in the Angelican Church of Saint Andrew in the 1980 decade
Cité de l’Ocean et du Surf, opened in 2011.
Music and dance
The city has the Ballet of Biarritz, which is the choreography location of France. Furthermore, it has the cultural centre Atabal and the chorus Oldarra, created in 1946.
Theatre
The emperors Napoleon III and Eugene of Montijo pusieron de moda the sea-theater on the Old Port neighborhood. Nowadays, the light works made by Pierre Bideau can be seen at night in the clift.
Cinema
Two film festivals of cinema are celebrated in Biarritz:
Festival of Latinoamerican Cinema of Biarritz.
International Festival of Audio-Visual Programs (FIPA)
Civil buildings
Hôtel du Palais or Eugénie House
Building of the Hotel of England, built in 1870 by Louis Moussempés
Natasha House
Sacchino or Castel Biarritz, house of Natalia of Serbia
Plaza Hotel
Cassino of Biarritz, from Art déco style
Lighthouse, built in 1834 in San Martin cape
Villa Black or Black House. Built by Alphonse Bertrand between 1880 and 1895
Goëland House, which from 2003 on is a hotel
Françon Castle
Boulard Castle
Pavilion of England
Fishermen House, in the port
The formerly health resort in the Old Port
Miremont sweet shop
Religious buildings
Imperial Chapel
Saint Martin church
Saint Eugene church, built between 1898 and 1903
San Alexandro Nevski (fr) and God’s Mother Protection Church
Synagogue of Biarritz
Parks
Rocks
Rocks of Biarritz. Every year they have an erosion of 70 centimeters
Beaches
Biarritz has six beaches: Miramar, Big, Old Port, Coast of the Basque, Marbella and Milady
Gardens
Biarritz has 120 hectare and two lakes (Marion and Muriskot)
In the centre, in front of the Midi station, apart from the public garden, there are Lahuze and Mazon gardens can be find
Infrastructures
Sport
Surfing in Biarritz is of a world-class standard and first appeared in 1957.[8] The town has a strong surfing culture,[9] and is known worldwide for its surfing scene and the competitions it hosts yearly, including the Quiksilver/Roxy Jam tournament. In July 2011, Biarritz also hosted the Roxy Pro event, a tournament part of the ASP Women's World Tour.
The town is home to a prominent rugby union club, Biarritz Olympique.
Basque pelota is a very popular sport of the Basque country. Several local and international competitions take place in Biarritz.
The golf course near the lighthouse (Le Phare) was created in 1888 by British residents. In addition, the town has a large circular golf range area on the border with illbaritz.
Education
Schools
The city has two public schools (Villa Fal and Jean Rostand) and one private (Immaculée-Conception).
High Schools
Malraux High Schools is the only one in Biarritz. There is also a tourism high school in the border of the Western neighborhood of La Négresse.
Transport
Biarritz is easily accessible from Paris by France's high-speed train, the TGV, and more regionally from Bordeaux, by TGV or TER. Trains are also available to travel east towards Nice. Night trains regularly depart from Irun, south of Biarritz and pass through the city before heading to Paris during an overnight trip. Many tourists and regulars to the city have begun using the night train to take weekend trips to Biarritz and saving travel time by traveling at night. The Biarritz – Anglet – Bayonne Airport is located about four kilometres (2.5 miles) from the city. It is near N10 road towards Anglet and is served by airlines from France, the United Kingdom, Spain, Ireland and Germany.
Notable people and popular culture
Fishing port, beach, and lighthouse
Biarritz was the birthplace of:
Ernest Fourneau (1872–1949), chemist
Arnaud Massy (1877–1950), professional golfer
Maurice Hankey, 1st Baron Hankey (1877–1963), British civil servant
Jean Borotra (1898–1994), tennis player
Maurice Journeau (1898–1999), composer
Jacques Bergerac (1927 - 2014), actor
Léopold Eyharts (born 1957), astronaut
Other:
Eugénie de Montijo (1826–1920), the wife of Napoléon III, built the villa Eugénie, today the Hôtel du Palais.
Aaron Bank (1902–2004), World War II Office of Strategic Services (OSS) agent and co-founder of the U.S. Army's Special Forces Group (later, Green Berets), was a lifeguard and medical (physical) therapist's aide at Biarritz before he enlisted in the army in the late 1930s.
Aimée de Heeren, born Soto-Maior de Sá[10] (1903–2006) mistress of President Getúlio Vargas, owned the villa La Roseraie, 12 rue Martias, where she spent summers for half a century, receiving kings, heads of state, and many famous guests.
Pablo de Sarasate (10 March 1844 – 20 September 1908), who was a well known Romantic Era Spanish composer born in Pamplona, Spain, died in this city.
In 1959, Cadillac Motor Car introduced an upper level trim variant of its Eldorado model, marketed as the Eldorado Biarritz, which remained in production through 1985.
International relations
See also: List of twin towns and sister cities in France
Twin towns/sister cities
Biarritz is twinned with:[11]
United States Augusta, Georgia, United States, since 1992[11]
Portugal Cascais, Portugal, since 1986[11]
Belgium Ixelles, Belgium, since 1958[11]
Spain Jerez de la Frontera, Spain, since 1996[11]
Spain Zaragoza, Spain, since 1986
Argentina Mar del Plata, Argentina since 1996
Festivities
The major festivities are celebrated in November 11, for Saint Martin. That day, the new gentleman of the Confrérie de l’Operne de Biarritz are proclaimed. Barnacle is their logotype and people who work in favor of ecology are chosen Since Biarritz is a city based in tourism, there are acts during the whole summer, such as pelota festivity, equestrian competition, concerts and recitals, folklore festivals, water acrobatic ski, sea trips, performances, rugby competitions, bullfights and night parties.
References
INSEE commune file
Eugène Goyheneche (1979). Le Pays basque : Soule, Labourd, Basse-Navarre (in French). Pau: Société nouvelle d’éditions régionales et de diffusion. p. 590.
Lee, Sidney (1927). King Edward VII: A Biography. London: Macmillan. pp. 581–582.
George P. Schmidt and J. G. Umstattd. "The American Army University at Biarritz, France." Bulletin of the American Association of University Professors. Vol. 32, No. 2 (Summer, 1946): 303-316.
Encyclopaedia of Surfing. Books.google.com.au. 2005. ISBN 0156032511. Retrieved 2013-05-11.
"Données climatiques de la station de Biarritz" (in French). Meteo France. Retrieved December 28, 2015.
"Climat Aquitaine" (in French). Meteo France. Retrieved December 28, 2015.
"Normes et records 1961-1990: Biarritz-Anglet (64) - altitude 69m" (in French). Infoclimat. Retrieved December 28, 2015.
Last Updated: 5:28PM BST 13 Aug 2007 (2007-08-13). "Biarritz: summer nights – Telegraph". Telegraph. Retrieved 2009-05-05.
"News from Biarritz – France". Biarritz.fr. Archived from the original on 2008-11-19. Retrieved 2009-05-05.
Aimee de Heeren Archived 2015-01-10 at the Wayback Machine..
"Twin towns, Biarritz official website". Biarritz.fr. Archived from the original on 2013-07-29. Retrieved 2013-05-11.
Damascus
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For other uses, see Damascus (disambiguation).
Damascus
دمشق Dimashq
View of Damascus from a bank of Barada river.
Nickname(s): (Al-Fayhaa) The Fragrant City
Damascus
Coordinates: 33°30′47″N 36°17′31″E / 33.51306°N 36.29194°E / 33.51306; 36.29194
Country Syria
Governorates Damascus Governorate, Capital City
Government
- Governor Bishr Al Sabban
Area
- City 573 km2 (221.2 sq mi)
- Metro 1,200 km2 (463.3 sq mi)
Elevation 600 m (1,969 ft)
Population (2007)[citation needed]
- City over 4 million
- Metro 6,500,000
Time zone EET (UTC+2)
- Summer (DST) EEST (UTC+3)
Area code(s) Country code: 963, City code: 11
Demonym Damascene
Damascus (Arabic: دمشق, transliteration: Dimashq, also commonly known as الشام ash-Shām) is the capital and largest city of Syria. It is one of the the oldest continuously inhabited cities in the world and its current population is estimated at about 4,000,000[citation needed]. The city is a governorate by itself, and the capital of the governorate of Rif Dimashq ("Rural Damascus").
Etymology
In Arabic, the city is called دمشق الشام (Dimashq ash-Shām), although this is often shortened to either Dimashq or ash-Shām by the citizens of Damascus, of Syria and other Arab neighbors. Ash-Shām is an Arabic term for north and for Syria (Syria—particularly historical Greater Syria—is called Bilād ash-Shām—بلاد الشام, "land of the north"—in Arabic.) The etymology of the ancient name "Damascus" is uncertain, but it is suspected to be pre-Semitic. It is attested as Dimašqa in Akkadian, T-ms-ḳw in Egyptian, Dammaśq (דמשק) in Old Aramaic and Dammeśeq (דמשק) in Biblical Hebrew. The Akkadian spelling is the earliest attestation, found in the Amarna letters, from the 14th century BCE. Later Aramaic spellings of the name often include an intrusive resh (letter r), perhaps influenced by the root dr, meaning "dwelling". Thus, the Qumranic Darmeśeq (דרמשק), and Darmsûq (ܕܪܡܣܘܩ) in Syriac.[1][2]
History
Ancient City of Damascus*
UNESCO World Heritage Site
--------------------------------------------------------------------------------
State Party Syria
Type Cultural
Criteria i, ii, iii, iv, vi
Reference 20
Region** Arab States
Inscription history
Inscription 1979 (3rd Session)
* Name as inscribed on World Heritage List.
** Region as classified by UNESCO.
Ancient history
Excavations at Tell Ramad on the outskirts of the city have demonstrated that Damascus has been inhabited as early as 8,000 to 10,000 BC. It is due to this that Damascus is considered to be among the oldest continually inhabited cities in the world. However, Damascus is not documented as an important city until the coming of the Aramaeans, Semitic nomads who arrived from Mesopotamia. It is known that it was the Aramaeans who first established the water distribution system of Damascus by constructing canals and tunnels which maximized the efficiency of the Barada river. The same network was later improved by the Romans and the Umayyads, and still forms the basis of the water system of the old part of Damascus today. It was mentioned in Genesis 14 as existing at the time of the War of the Kings.
According to the 1st century Jewish historian Flavius Josephus in his twenty-one volume Antiquities of the Jews, Damascus (along with Trachonitis), was founded by Uz, the son of Aram. Elsewhere, he stated:
Nicolaus of Damascus, in the fourth book of his History, says thus: "Abraham reigned at Damascus, being a foreigner, who came with an army out of the land above Babylon, called the land of the Chaldeans: but, after a long time, he got him up, and removed from that country also, with his people, and went into the land then called the land of Canaan, but now the land of Judea, and this when his posterity were become a multitude; as to which posterity of his, we relate their history in another work. Now the name of Abraham is even still famous in the country of Damascus; and there is shown a village named from him, The Habitation of Abraham.
Damascus is designated as having been part of the ancient province of Amurru in the Hyksos Kingdom, from 1720 to 1570 BC. (MacMillan, pp. 30–31). Some of the earliest Egyptian records are from the 1350 BC Amarna letters, when Damascus-(called Dimasqu) was ruled by king Biryawaza. In 1100 BC, the city became the center of a powerful Aramaean state called Aram Damascus. The Kings of Aram Damascus were involved in many wars in the area against the Assyrians and the Israelites. One of the Kings, Ben-Hadad II, fought Shalmaneser III at the Battle of Qarqar. The ruins of the Aramean town most probably lie under the eastern part of the old walled city. After Tiglath-Pileser III captured and destroyed the city in 732 BC, it lost its independence for hundreds of years, and it fell to the Neo-Babylonian Empire of Nebuchadnezzar starting in 572 BC. The Babylonian rule of the city came to an end in 538 BC when the Persians under Cyrus captured the city and made it the capital of the Persian province of Syria.
Greco-Roman
Damascus first came under western control with the giant campaign of Alexander the Great that swept through the near east. After the death of Alexander in 323 BC, Damascus became the site of a struggle between the Seleucid and Ptolemaic empires. The control of the city passed frequently from one empire to the other. Seleucus Nicator, one of Alexander's generals, had made Antioch the capital of his vast empire, a decision that led Damascus' importance to decline compared with the newly founded Seleucid cities such as Latakia in the north.
In 64 BC, the Roman general Pompey annexed the western part of Syria. The Romans occupied Damascus and subsequently incorporated it into the league of ten cities known as the Decapolis because it was considered such an important center of Greco-Roman culture. According to the New Testament, St. Paul was on the road to Damascus when he received a vision, was struck blind and as a result converted to Christianity. In the year 37, Roman Emperor Caligula transferred Damascus into Nabataean control by decree.[citation needed] The Nabataean king Aretas IV Philopatris ruled Damascus from his capital Petra. However, around the year 106, Nabataea was conquered by the Romans, and Damascus returned to Roman control.
Damascus became a metropolis by the beginning of the second century and in 222 it was upgraded to a colonia by the Emperor Septimius Severus. During the Pax Romana, Damascus and the Roman province of Syria in general began to prosper. Damascus's importance as a caravan city was evident with the trade routes from southern Arabia, Palmyra, Petra, and the silk routes from China all converging on it. The city satisfied the Roman demands for eastern luxuries.
Little remains of the architecture of the Romans, but the town planning of the old city did have a lasting effect. The Roman architects brought together the Greek and Aramaean foundations of the city and fused them into a new layout measuring approximately 1,500 metres (4,900 ft) by 750 metres (2,500 ft), surrounded by a city wall. The city wall contained seven gates, but only the eastern gate (Bab Sharqi) remains from the Roman period. Roman Damascus lies mostly at depths of up to five meters (16.4 ft) below the modern city.
The old borough of Bab Tuma was developed at the end of the Roman/Byzantine era by the local Eastern Orthodox community. According to the Acts of the Apostles, Saint Paul and Saint Thomas both lived in that neighborhood. Roman Catholic historians also consider Bab Tuma to be the birthplace of several Popes such as John V and Gregory III.
Islamic Arab period
The Umayyad Mosque
Alsayyida Zaynab shrine domeDamascus was conquered by the Rashidun Caliphate during the reign of Umar by forces under Khaled ibn al-Walid in 634 CE. Immediately thereafter, the city's power and prestige reached its peak when it became the capital of the Umayyad Empire, which extended from Spain to India from 661 to 750. In 744, the last Umayyad caliph, Marwan II, moved the capital to Harran in the Jazira,[3] and Damascus was never to regain the political prominence it had held in that period.
After the fall of the Umayyads and the establishment of the Abbasid caliphate in 750, Damascus was ruled from Baghdad, although in 858 al-Mutawakkil briefly established his residence there with the intention of transferring his capital there from Samarra. However, he soon abandoned the idea. As the Abbasid caliphate declined, Damascus suffered from the prevailing instability, and came under the control of local dynasties.
In 970, the Fatimid Caliphs in Cairo gained control of Damascus. This was to usher in a turbulent period in the city's history, as the Berber troops who formed the backbone of the Fatimid forces became deeply unpopular among its citizens. The presence in Syria of the Qaramita and occasionally of Turkish military bands added to the constant pressure from the Bedouin. For a brief period from 978, Damascus was self-governing, under the leadership of a certain Qassam and protected by a citizen militia. However, the Ghouta was ravaged by the Bedouin and after a Turkish-led campaign the city once again surrendered to Fatimid rule. From 1029 to 1041 the Turkish military leader Anushtakin was governor of Damascus under the Fatimid caliph Al-Zahir, and did much to restore the city's prosperity.
It appears that during this period the slow transformation of Damascus from a Graeco-Roman city layout - characterised by blocks of insulae — to a more familiar Islamic pattern took place: the grid of straight streets changed to a pattern of narrow streets, with most residents living inside harat closed off at night by heavy wooden gates to protect against criminals and the exactions of the soldiery.
Seljuks and Crusader rule
The statue of Saladin in front of Damascus citadel.
Azem Palace.
Damascus WallsWith the arrival of the Seljuk Turks in the late 11th century, Damascus again became the capital of independent states. It was ruled by a Seljuk dynasty from 1079 to 1104, and then by another Turkish dynasty - the Burid Emirs, who withstood a siege of the city during the Second Crusade in 1148 . In 1154 Damascus was conquered from the Burids by the famous Zengid Atabeg Nur ad-Din of Aleppo, the great foe of the Crusaders. He made it his capital, and following his death, it was acquired by Saladin, the ruler of Egypt, who also made it his capital. Saladin rebuilt the citadel, and it is reported that under his rule the suburbs were as extensive as the city itself. It is reported by Ibn Jubayr that during the time of Saladin, Damascus welcomed seekers of knowledge and industrious youth from around the world, who arrived for the sake of "undistracted study and seclusion" in Damascus' many colleges.
In the years following Saladin's death in 1193, there were frequent conflicts between different Ayyubid sultans ruling in Damascus and Cairo. Damascus was the capital of independent Ayyubid rulers between 1193 and 1201, from 1218 to 1238, from 1239 to 1245, and from 1250 to 1260. At other times it was ruled by the Ayyubid rulers of Egypt. Damascus steel gained a legendary reputation among the Crusaders, and patterned steel is still "damascened". The patterned Byzantine and Chinese silks available through Damascus, one of the Western termini of the Silk Road, gave the English language "damask".
Mamluk rule
Ayyubid rule (and independence) came to an end with the Mongol invasion of Syria in 1260, and following the Mongol defeat at Ain Jalut in the same year, Damascus became a provincial capital of the Mamluk Empire, ruled from Egypt, following the Mongol withdrawal.
Timurlane
In 1400 Timur, the Turco-Mongol conqueror, besieged Damascus. The Mamluk sultan dispatched a deputation from Cairo, including Ibn Khaldun, who negotiated with him, but after their withdrawal he put the city to sack. The Umayyad Mosque was burnt and men and women taken into slavery. A huge number of the city's artisans were taken to Timur's capital at Samarkand. These were the luckier citizens: many were slaughtered and their heads piled up in a field outside the north-east corner of the walls, where a city square still bears the name burj al-ru'us, originally "the tower of heads".
Rebuilt, Damascus continued to serve as a Mamluk provincial capital until 1516.
The Ottoman conquest
Khan As'ad Pasha was built in 1752In early 1516, the Ottoman Turks, wary of the danger of an alliance between the Mamluks and the Persian Safavids, started a campaign of conquest against the Mamluk sultanate. On 21 September, the Mamluk governor of Damascus fled the city, and on 2 October the khutba in the Umayyad mosque was pronounced in the name of Selim I. The day after, the victorious sultan entered the city, staying for three months. On 15 December, he left Damascus by Bab al-Jabiya, intent on the conquest of Egypt. Little appeared to have changed in the city: one army had simply replaced another. However, on his return in October 1517, the sultan ordered the construction of a mosque, taqiyya and mausoleum at the shrine of Shaikh Muhi al-Din ibn Arabi in al-Salihiyah. This was to be the first of Damascus' great Ottoman monuments.
The Ottomans remained for the next 400 years, except for a brief occupation by Ibrahim Pasha of Egypt from 1832 to 1840 . Because of its importance as the point of departure for one of the two great Hajj caravans to Mecca, Damascus was treated with more attention by the Porte than its size might have warranted — for most of this period, Aleppo was more populous and commercially more important. In 1560 the Taqiyya al-Sulaimaniyya, a mosque and khan for pilgrims on the road to Mecca, was completed to a design by the famous Ottoman architect Sinan, and soon afterwards a madrasa was built adjoining it.
The destroyed Christian quarter of Damascus, 1860.Perhaps the most notorious incident of these centuries was the massacre of Christians in 1860, when fighting between Druze (most probably supported by foreign countries to weaken the economical power) and Maronites in Mount Lebanon spilled over into the city. Several thousand Christians were killed, with many more being saved through the intervention of the Algerian exile Abd al-Qadir and his soldiers (three days after the massacre started), who brought them to safety in Abd al-Qadir's residence and the citadel. The Christian quarter of the old city (mostly inhabited by Catholics), including a number of churches, was burnt down. The Christian inhabitants of the notoriously poor and refractory Midan district outside the walls (mostly Orthodox) were, however, protected by their Muslim neighbours.
American Missionary E.C. Miller records that in 1867 the population of the city was 'about' 140,000, of whom 30,000 where Christians, 10,000 Jews and 100,000 'Mohammedans' with less than 100 Protestant Christians.[4]
Rise of Arab nationalism
In the early years of the twentieth century, nationalist sentiment in Damascus, initially cultural in its interest, began to take a political colouring, largely in reaction to the turkicisation programme of the Committee of Union and Progress government established in Istanbul in 1908. The hanging of a number of patriotic intellectuals by Jamal Pasha, governor of Damascus, in Beirut and Damascus in 1915 and 1916 further stoked nationalist feeling, and in 1918, as the forces of the Arab Revolt and the British army approached, residents fired on the retreating Turkish troops.
Modern
The Turkish Hospital in Damascus on 1 October 1918, shortly after the entry of the 4th Australian Light Horse Regiment.
Damascus in flames as the result of the French air raid on October 18, 1925.On 1 October 1918, the forces of the Arab revolt led by Nuri as-Said entered Damascus. The same day, Australian soldiers from the 4th and 10th Light Horse Regiments reinforced with detachments from the British Yeomanry Mounted Division entered the city and accepted its surrender from the Turkish appointed Governor Emir Said (installed as Governor the previous afternoon by the retreating Turkish Commander)[1][2]. A military government under Shukri Pasha was named. Other British forces including T. E. Lawrence followed later that day, and Faisal ibn Hussein was proclaimed king of Syria. Political tension rose in November 1917, when the new Bolshevik government in Russia revealed the Sykes-Picot Agreement whereby Britain and France had arranged to partition the Arab east between them. A new Franco-British proclamation on 17 November promised the "complete and definitive freeing of the peoples so long oppressed by the Turks." The Syrian Congress in March adopted a democratic constitution. However, the Versailles Conference had granted France a mandate over Syria, and in 1920 a French army commanded by the General Mariano Goybet crossed the Anti-Lebanon Mountains, defeated a small Syrian defensive expedition at the Battle of Maysalun and entered Damascus. The French made Damascus capital of their League of Nations Mandate of Syria.
When in 1925 the Druze revolt in the Hauran spread to Damascus, the French suppressed it brutally, bombing and shelling the city. The area of the old city between Al-Hamidiyah Souq and Medhat Pasha Souq was burned to the ground, with many deaths, and has since then been known as al-Hariqa ("the fire"). The old city was surrounded with barbed wire to prevent rebels infiltrating from the Ghouta, and a new road was built outside the northern ramparts to facilitate the movement of armored cars.
On 21 June 1941, Damascus was captured from the Vichy French forces by the Allies during the Syria-Lebanon campaign.
In 1945 the French once more bombed Damascus, but on this occasion British forces intervened and the French agreed to withdraw, thus leading to the full independence of Syria in 1946 . Damascus remained the capital. With the influx of Iraqi refugees beginning in 2003, and funds from the Persian Gulf, Damascus has been going through an economic boom ever since.
Geography
Damascus in spring seen from Spot satelliteDamascus lies about 80 km (50 mi) inland from the Mediterranean Sea, sheltered by the Anti-Lebanon Mountains. It lies on a plateau 680 metres (2,200 ft) above sea-level.
The old city of Damascus, enclosed by the city walls, lies on the south bank of the river Barada which is almost dry(3 cm left). To the south-east, north and north-east it is surrounded by suburban areas whose history stretches back to the Middle Ages: Midan in the south-west, Sarouja and Imara in the north and north-west. These districts originally arose on roads leading out of the city, near the tombs of religious figures. In the nineteenth century outlying villages developed on the slopes of Jabal Qasioun, overlooking the city, already the site of the al-Salihiyah district centred around the important shrine of Sheikh Muhi al-Din ibn Arabi. These new districts were initially settled by Kurdish soldiery and Muslim refugees from the European regions of the Ottoman Empire which had fallen under Christian rule. Thus they were known as al-Akrad (the Kurds) and al-Muhajirin (the migrants). They lay two to three kilometres (2 mi) north of the old city.
From the late nineteenth century on, a modern administrative and commercial centre began to spring up to the west of the old city, around the Barada, centred on the area known as al-Marjeh or the meadow. Al-Marjeh soon became the name of what was initially the central square of modern Damascus, with the city hall on it. The courts of justice, post office and railway station stood on higher ground slightly to the south. A Europeanised residential quarter soon began to be built on the road leading between al-Marjeh and al-Salihiyah. The commercial and administrative centre of the new city gradually shifted northwards slightly towards this area.
In the twentieth century, newer suburbs developed north of the Barada, and to some extent to the south, invading the Ghouta oasis. From 1955 the new district of Yarmouk became a second home to thousands of Palestinian refugees. City planners preferred to preserve the Ghouta as far as possible, and in the later twentieth century some of the main areas of development were to the north, in the western Mezzeh district and most recently along the Barada valley in Dummar in the northwest and on the slopes of the mountains at Berze in the north-east. Poorer areas, often built without official approval, have mostly developed south of the main city.
Damascus used to be surrounded by an oasis, the Ghouta region (الغوطة al-ġūṭä), watered by the Barada river. The Fijeh spring, west along the Barada valley, used to provides the city with drinking water. The Ghouta oasis has been decreasing in size with the rapid expansion of housing and industry in the city and it is almost dry. It has also become polluted due to the city's traffic, industry, and sewage.
Climate
Damascus' climate is semi arid, due to rain shadow effect of Anti-Lebanon mountain. Summers are hot with less humidity. Winters are cool and rainy or snowy. January Maximum & Minimum Temperatures are 11 °C (52 °F) and 0 °C (32 °F), lowest ever recorded are −13.5 °C (8 °F), The summer August Maximum & Minimum Temperature are 35 °C (95 °F) and 17 °C (63 °F), Highest ever recorded are 45.5 °C (113.9 °F), Annual rainfall around 20 cm (8 in), occur from November to March.[5]
Weather averages for Damascus
Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year
Average high °C (°F) 11
(53) 13
(57) 17
(64) 23
(74) 28
(84) 33
(92) 36
(96) 36
(96) 33
(91) 27
(81) 19
(67) 13
(56) 24
(76)
Average low °C (°F) 0
(33) 2
(36) 4
(40) 7
(46) 11
(52) 14
(58) 16
(62) 17
(63) 13
(57) 9
(49) 4
(40) 1
(35) 8
(48)
Precipitation cm (inches) 3
(1.5) 3
(1.3) 2
(0.9) 1
(0.5) 0
(0.2) 0
(0) 0
(0) 0
(0) 0
(0) 1
(0.4) 2
(1) 4
(1.7) 19
(7.6)
Source: Weatherbase[5] 2008
Demographics
People
Three Damascene women; lady wearing qabqabs, a Druze, and a peasant, 1873.The majority of the population in Damascus came as a result of rural-urban migration. It is believed that the local people of Damascus, called Damascene, are about 1.5 million. Damascus is considered by most people to be a very safe city. Haggling is common, especially in the traditional souks. Corruption is widespread, but in the past few years there have been aims at combating it, by both the government and non-governmental organizations. Tea, Mate (popular caffeinated beverage made from Yerba mate), and Turkish Coffee are the most common beverages in Damascus.
Religion
The majority of the inhabitants of Damascus—about 75%—are Sunni Muslims. It is believed that there are more than 2,000 mosques in Damascus, the most well-known being the Umayyad Mosque. Christians represent the remaining 15% and there a number of Christian districts, such as Bab Tuma, Kassaa, and Ghassani, with many churches, most notably the ancient Chapel of Saint Paul.
Historical sites
House of Saint AnaniasDamascus has a wealth of historical sites dating back to many different periods of the city's history. Since the city has been built up with every passing occupation, it has become almost impossible to excavate all the ruins of Damascus that lie up to 8 feet (2.4 m) below the modern level. The Citadel of Damascus is located in the northwest corner of the Old City. The Street Called Straight (referred to in the conversion of St. Paul in Acts 9:11), also known as the Via Recta, was the decumanus (East-West main street) of Roman Damascus, and extended for over 1,500 metres (4,900 ft). Today, it consists of the street of Bab Sharqi and the Souk Medhat Pasha, a covered market. The Bab Sharqi street is filled with small shops and leads to the old Christian quarter of Bab Tuma (St. Thomas's Gate). Souk Medhat Pasha is also a main market in Damascus and was named after Medhat Pasha, the Ottoman governor of Syria who renovated the Souk. At the end of the Bab Sharqi street, one reaches the House of Ananias, an underground chapel that was the cellar of Ananias's house. The Umayyad Mosque, also known as the Grand Mosque of Damascus, is one of the largest mosques in the world, and one of the oldest sites of continuous prayer since the rise of Islam. A shrine in the mosque is said to contain the head of Husayn ibn Ali and the body of St. John the Baptist. The mausoleum where Saladin was buried is located in the gardens just outside the mosque. Sayyidah Ruqayya Mosque, the shrine of the yongest daughter of Husayn ibn Ali, can also be found near the Umayyad Mosque. Another heavily visited site is Sayyidah Zaynab Mosque, which is the tomb of Zaynab bint Ali.
The walls and gates of Damascus
v • d • eOld City of Damascus
Azm PalaceDamascus
CitadelUmayyad Mosque
Gates
al-Jabiya · al-Saghir · Kisan · Sharqi · Tuma · al-Salam · Faradis
The Old City of Damascus is surrounded by ramparts on the northern and eastern sides and part of the southern side. There are seven extant city gates, the oldest of which dates back to the Roman period. These are, clockwise from the north of the citadel:
Bab al-Saghir (The Small Gate)
Bab al-Faradis ("the gate of the orchards", or "of the paradise")
Bab al-Salam ("the gate of peace"), all on the north boundary of the Old City
Bab Tuma ("Touma" or "Thomas's Gate") in the north-east corner, leading into the Christian quarter of the same name,
Bab Sharqi ("eastern gate") in the east wall, the only one to retain its Roman plan
Bab Kisan in the south-east, from which tradition holds that Saint Paul made his escape from Damascus, lowered from the ramparts in a basket; this gate is now closed and a chapel marking the event has been built into the structure,
Bab al-Jabiya at the entrance to Souk Midhat Pasha, in the south-west.
Other areas outside the walled city also bear the name "gate": Bab al-Faraj, Bab Mousalla and Bab Sreija, both to the south-west of the walled city.
Churches in the old city
The Minaret of the Bride, Umayyad Mosque in old Damascus.
Sayyidah Zaynab Mosque
Sayyidah Ruqayya MosqueCathedral of Damascus.
Virgin Mary's Cathedral.
House of Saint Ananias.
Chapel of Saint Paul.
The Roman Catholic Cathedral in Zaitoon (Olive) Alley.
The Damascene Saint Johan church.
Saint Paul's Laura.
Saint Georgeus's sanctuary.
Islamic sites in the old city
Sayyidah Zaynab Mosque
Sayyidah Ruqayya Mosque
Bab Saghir cemetery
Umayyad Mosque
Saladin Shrine.
Madrasas
Al-Adiliyah Madrasa.
Az-Zahiriyah Library.
Nur al-Din Madrasa.
Old Damascene houses
Azm Palace
Bayt al-Aqqad (Danish Institute in Damascus)
Maktab Anbar
Beit al-Mamlouka (Boutique Hotel)
Khans
Khan Jaqmaq
Khan As'ad Pasha
Khan Sulayman Pasha
Threats to the future of the old City
Due to the rapid decline of the population of Old Damascus (between 1995-2005 more than 20,000 people moved out of the old city for more modern accommodation), a growing number of buildings are being abandoned or are falling into disrepair. In March 2007, the local government announced that it would be demolishing Old City buildings along a 1,400-metre (4,600 ft) stretch of rampart walls as part of a redevelopment scheme. These factors resulted in the Old City being placed by the World Monuments Fund on its 2008 Watch List of the 100 Most Endangered Sites in the world. It is hoped that its inclusion on the list will draw more public awareness to these significant threats to the future of the historic Old City of Damascus.
Current state of old Damascus
In spite of the recommendations of the UNESCO World Heritage Center:[3]
Souk El Atik, a protected buffer zone, was destroyed in three days in November 2006;
King Faysal Street, a traditional hand-craft region in a protected buffer zone near the walls of Old Damascus between the Citadel and Bab Touma, is threatened by a proposed motorway.
In 2007, the Old City of Damascus and notably the district of Bab Tuma have been recognized by The World Monument Fund as one of the most endangered sites in the world.[4]
Subdivisions
The ancient city of Damascus around the Omayyad Mosque
Azmeh Square in downtown DamascusDamascus is divided into many districts. Among them there are:
Abbasiyyin
Abou Rummaneh
Amara
Bahsa
Baramkah
Barzeh
Dummar
Jobar
Kafar Souseh
Malki
Mazraa
Mezzeh
Midan
Muhajreen
Qanawat
Rukn Eddeen
Al-Salihiyah
Sarouja
Sha'alan
Shaghoor
Tijara
ducation
Damascus is the main center of education in Syria. It is home to Damascus University, which is the oldest and by far the largest university in Syria. After the enactment of legislation allowing private secondary institutions, several new universities were established in the city and in the surrounding area.
Universities
Damascus National Museum.Damascus University
Syrian Virtual University
International University for Science and Technology
Higher Institute of Business Administration (HIBA)
Higher Institute for Applied Science and Technology (HIAST)
University of Kalamoon
Arab European University
National Institute of Administration
Transportation
Al-Hijaz StationThe main airport is Damascus International Airport, approximately 20 km (12 mi) away from the city center, with connections to many Asian, Europe, African, and recently, South American cities. Streets in Damascus are often narrow, mostly in the older parts of the city, and speed bumps are widely used to limit the speed.
Public transport in Damascus depends extensively on minibuses. There are about one hundred lines that operate inside the city and some of them extend from the city center to nearby suburbs. There is no schedule for the lines, and due to the limited number of official bus stops, buses will usually stop wherever a passenger needs to get on or off. The number of buses serving the same line is relatively high, which minimizes the waiting time. Lines are not numbered, rather they are given captions mostly indicating the two end points and possibly an important station along the line.
Al-Hijaz railway station, lies in the city center. Currently this station is closed, and railway connections with other cities take place in a suburb.
In 2008, the government announced a plan to construct an underground system in Damascus with opening time for the green line scheduled for 2015 Damascus Metro
Culture
Damascus was the 2008 Arab Capital of Culture.
Museums
National Museum of Damascus
Azem Palace
Military Museum
Museum of Arabic Calligraphy
Leisure activities
Damascus by night, pictured from Jabal Qasioun; the green spots are minarets
Parks and gardens
Tishreen Park is by far the largest park in Damascus. It is home to the yearly held Damascus Flower Show. Other parks include Aljahiz, Al sibbki, Altijara and Alwahda. Damascus' Ghouta (Oasis) is also a popular destination for recreation.
Cafe culture
Cafes are popular meeting spots for Damascene, where Arghilehs (water pipes) and popular beverages are served. Card games, Tables (backgammon variants), and chess are common in these cafes.
Sports
Popular sports include football, basketball, swimming and table tennis. Damascus is home to many sports clubs, such as:
Al Jaish
Al Wahda
Al Majd
Barada
Nearby attractions
Madaya
Bloudan
Zabadani
Maaloula
Saidnaya
Born in Damascus
Hadadezer King of Aram Damascus and leader of the coalition the 12 kings coalition that fought against Shalmaneser III
Nicolaus of Damascus (historian and philosopher)
John of Damascus (676-749) Christian saint
Ananias (Christian disciple involved in healing and preaching to Paul the Apostle)
Sophronius (Patriarch of Jerusalem)
Abd ar-Rahman I, Founder of Omayyad dynasty in Cordoba.
Izzat Husrieh, A renowned journalist and founder of the Syrian labor unions.
Khalid al-Azm, Former prime minister of Syria.
Shukri al-Quwatli, Former Syrian president and co-founder of the United Arab Republic.
Muna Wassef ( A Movie Star, and a United Nations Goodwill ambassador.)
Damascius (Byzantine philosopher)
Yasser Seirawan (chess player)
Ahmed Kuftaro (former grand mufti of Syria)
Ikram Antaki (Mexican writer)
Ghada al-Samman (novelist)
Nizar Qabbani (poet)
Michel Aflaq (political thinker and co-founder of the Baath Party)
Salah al-Din al-Bitar (political thinker and co-founder of the Baath Party)
Constantin Zureiq (academic and Arab nationalist intellectual)
Zakaria Tamer (writer)
Professor Aziz Al-Azmeh (academic, PhD in Oriental Studies)
Nazir Ismail (Artist)
Sheik Bashir Al Bani (Grand Sheik in Syria)
Mehdi Mourtada (Famous journalist and founder of WAS News Agency.
800 Days Daily DuoLingo Fabulous Fun French Language Learning Lessons - IMRAN™
Finally, a lot later, but a tiny bit closer to another life goal. 800 days streak of learning French. How and why did that take so long?
Bedsides my late mother’s Urdu language, my late father’s Punjabi, and English learned as a student in Pakistan, I’ve always hungered to learn more languages. As a pre-teen, I was making some progress learning very basic German from Teach Yourself books in the mid 1970s. I won’t mention here BASIC, Pascal, FORTRAN, C, or C++ type programming languages I had also learned!
But then real tough Cambridge school certificate, then Cambridge A’ levels, and later professional electronics engineering degree studies left no time that was taken up being a student political leader in the 1980s. An engineering classmate from Lahore, Amir, did learn French at the Alliance Français and got me hooked on French movies around 1983.
In 1987 (West Germany) became the first country I visited, and fell in love with, followed by France. So, despite my love for Germany and the German people, French became my language learning goal.
Then 30 years of life, and history, flew by. I bought all the books, tapes, CDs, DVDs, and even apps, as the technology of language learning evolved. I even got the DuoLingo app when it first came out. But time remained the constraint.
Until the pandemic. When everyone was asking others what Netflix series to binge-watch, I took advantage of the time to get and spend time walking with my two German Shepherd Dogs, took off 32 pounds of weight I had put in 32 years living in USA, started work on my second music album, and more.
But what I am so happy I was able to pull off into a consistent habit was doing at least 10-minutes or more of French learning every day. Every day, at least once, before midnight.
By the grace of God I just hit 800 days of consecutive learning days, and my 75th week streak in the highest Diamond League of DuoLingo’s gamification system (which really incentivizes the competitive spirit in me).
Can I have a real conversation with my French neighbor, CFO of a major FinTech, Julien? … Pas vraiment, mais peut-être un peu…. But, my life’s journey to be a Learn It All continues. Je vous parlerai (en anglais, français, Urdu/hindi, Punjabi) bientôt!
© 2022 IMRAN™
#IMRAN #autobiography #languages #learning #French #English #prose #Urdu #Punjabi #Lahore #DuoLingo #TeachYourself #LearnItAll #learnandgrow #learningjourney #learnerforlife #languagelearning
No matter the language that you speak.
Or the colour of the skin.
Its your choice. This God that you look out and seek.
What really matters is the love the kindness and good that can flow from within.
Hatred is like a Cancer it festers deep inside.
So show the good inside of you Dont get swept away with the tide.
Keep on Clickin.
Ugly ducklings.No way.
Two beautiful Swans in the making.
photos for the collage with Canon G12
in english language below
Wer heute - immer noch oder wieder – analog fotografiert, der steht oft vor dem Problem „wie bekomme ich das Foto auf den Computer, um es z.B. hier bei flickr zeigen zu können?“
Die schnellste und einfachste Lösung ist den Film in eine der großen Drogeriefilialen zu bringen und dort entwickeln zu lassen. Mit Foto-CD kostet ein 36er Film ca. 10€. Dieser Preis ist nur deshalb möglich, weil der gesamte Prozess mit modernster Technik vollautomatisch erfolgt.
An dieser Stelle will ich mit meinen Erfahrungen und meiner Lösung aufsetzen.
Der vollautomatische Prozess einer standardisierten C41 Filmentwicklung führt zu Resultaten, die ich mit einem C41 ChemieSet nicht besser und preiswerter hinbekäme. Zu einem anderen Ergebnis komme ich bei der automatischen Ausbelichtung von Negativen. Im besten Fall bekomme ich ein Ergebnis "state of the art" aktueller Scannertechnik.
Solche digitalisierten analogen Fotos sind damit hauptsächlich ein Resultat der eigesetzten Technik, vom "Klick" bis zum fertigen Foto. Ähnlich einem Digicamfoto im Automatikmodus, nur nicht so "gut".
Auch ein "Experte" wird anhand solcher Fotos nicht erkennen, ob mit einer Voigtländer CLR, Rollei 35, OM2 oder Leica fotografiert wurde.
Eine Eigenschaft von Automatiken ist, dass sie einen definierten Standard abdecken aber kaum Raum für Nuancen lassen. Letztere, sowie kleine charmante Fehler, werden nach vorgegebenen Parametern automatisch korrigiert.
Fazit: mein Beitrag zu einem "tollen Foto" ist übersichtlich gering. Er erschöpft sich in der Motivauswahl und einer rudimentären Bedienung der analogen Technik.
Dazu kommt, dass die niedrige Auflösung (ca. 1,5 MB je KB-Kleinbild Foto), kaum Spielraum für Korrekturen der automatischen Parameter, z.B. Tonwert, Farbe, Kontrast etc., bietet.
Absehbarer Frust für einen Sammler, der mit seinen „Schätzchen“ gerne auch mal fotografiert?
Muss nicht sein, wenn man den letzten Schritt des Laborprozesses, das Digitalisieren, selber macht.
Wie das einfach und sehr kostengünstig geht, will ich nachstehend aufzeigen.
Ich benötige also zunächst nur ein Negativ. Die Herstellung überlasse ich einem Großlabor, welches das viel besser und preiswerter kann als ich. Kosten dafür betragen ca. 2,50€, zusätzlich die obligatorischen Papierabzüge (im kleinsten Format). Gesamtkosten ca. 7,50€ je Film. Auf Erstellung einer Foto CD verzichte ich, weil ich ja selber scannen will.
Das Negativ scanne ich mit einem einfachen Photoscanner mit Durchlichteinheit im manuellen Modus mit der höchsten Auflösung (bei meinem scanner sind das 1600 dpi). Der Photoscanner ist dazu mit einem PC verbunden, der den Scanner steuert. Das Scan-Ergebnis bearbeite ich danach mit einer Bildbearbeitungssoftware. Fertig.
Soweit der Blick aus 10.000 Meter Höhe. Nachstehend eine kurze Beschreibung meines Equipment, welches sich aus meiner Vorliebe für Photoshop CS2 ergibt. Wieso das? CS2 ist ein professionelles Werkzeug von Adobe, das nichts mehr kostet aber „alles kann“, wenn man sich ausreichend mit dem Werkzeug beschäftigt.
Die erforderlichen Geräte setzen sich wie folgt zusammen: Ein alter Computer Latitude D520 mit Windows XP und Photoshop CS2, verbunden mit einem ebenso alten „Epson Perfection 1660 Photo“. Das Ergebnis sind scans mit >10 MB 2282x1550 pixel (je KB-Kleinbild Foto). Diese TIF-Dateien bieten ausreichend Potenzial für eine abschließende Bildkorrektur.
Der Arbeitsplatz ist nur beispielhaft. Entscheidend ist ausschließlich, dass alle Komponenten (Rechner, Scanner, Bildbearbeitungs-SW) von einem Betriebssystem unterstützt werden. Bei älterem Equipment ist Windows XP oft eine sehr gute Lösung. Prozessortakt und RAM sind eher nebensächlich.
Auch Photoshop CS2 muss nicht sein. Es gibt genügend andere Freeware, die gute Leistungen bei der Bild-Nachbearbeitung erbringen und einen Scanner ansteuern können.
Ein paar Anmerkungen zum scannen. Ich habe die Erfahrung gemacht, dass es für die Bildqualität egal ist, ob beim scannen die Emulsion oder die glatte Schicht des Negativs oben ist. Ggf. muss das Foto bei der Nachbearbeitung noch horizontal gespiegelt werden. Wichtiger ist, dass beim Einschieben in die Negativschablone eine Planlage verbogener oder gewölbter Negative erreicht wird. Ansonsten ergeben sich Unschärfen, die digital nicht korrigiert werden können.
Das scannen übernimmt die Scanner-eigene SW. Ich wähle dazu den manuellen Modus mit automatischer Belichtung, weil ich danach sowieso korrigiere. Ziel des scans ist nicht ein fertiges Bild, sondern eine Datei mit vielen BildInformationen. Deshalb wähle ich die höchste Dpi-Stufe und das Dateiformat TIF.
Abschließend noch ein paar Anmerkungen zur Bildbearbeitung. Die Anpassungen sind erforderlich, weil ich – wie oben beschrieben - die Scanner-Software (Twain) auf "Automatik" eingestellt habe. Damit passen erste wichtige Parameter wie z.B. die Helligkeit zumindest bei meinem Scanner einigermaßen.
Ab jetzt erfolgt der Prozess, den ich keiner Automatik der Welt überlasse und auch keinem kleinen professionellen scan-Service mit tollen Mitarbeitern. Denn "ich will eigene Ergebnisse".
Der erste Schritt ist ein Aufruf der „Gradationskurven“. Bei CS2 werden dort – neben den Kurven – 3 Pipetten gezeigt. Die rechte davon korrigiert das Foto auf Basis „weiß“. Gehen Sie an eine Stelle des Bildes, die eigentlich weiß sein soll, z.B. Sommerwolken. Dort anklicken und – wenn Sie ein Sonntagskind sind – haben Sie mit einem Klick ein wunderbar ausgeglichenes Bild. Ansonsten mehrmals ausprobieren oder den üblichen Feinschliff von Tonwert, Kontrast, Farbe etc. schrittweise durchführen.
Bei CS2 lassen sich die grundlegenden Anpassungen im Menue unter „Bild anpassen“ im oberen Block unter Tonwertkorrektur, Auto-Tonwertkorrekt usw. durchführen.
Das so entstandene digitale Foto trägt somit schon einmal meine "Handschrift". Der Grad einer eigenen "Handschrift" lässt sich unbegrenzt steigern. Grenzen setzten lediglich die eigene Phantasie und die Virtualität mit der man "auf dem Klavier", sorry der Software, spielen kann.
Übrigens, den oben beschriebenen Arbeitsplatz nutze ich nur zum scannen, denn für die digitale Nachbearbeitung ist deutlich mehr Rechnerleistung erforderlich. Die Kosten für die gebrauchten Geräte eines solchen Scan-Arbeitsplatzes sollten 50€ nicht übersteigen.
Gutes Gelingen, Alex
Anyone who takes analog photos today - still or again - is often faced with the problem "how do I get the photo onto the computer so that I can show it here at flickr, for example?
The fastest and easiest solution is to take the film to one of the large drugstore branches and have it developed there. With photo CD a 36 film costs about 10€. This price is only possible because the entire process is fully automated using the latest technology.
This is where I want to start with my experience and my solution.
The fully automatic process of a standardized C41 film development leads to results which I could not achieve better and cheaper with a C41 chemistry set. I come to a different result with the automatic exposure of negatives. In the best case I get a result "state of the art" of current scanner technology.
Such digitised analogue photos are thus mainly the result of the applied technique, from the "click" to the finished photo. Similar to a digicam photo in automatic mode, only not so "good".
Even an "expert" will not be able to tell from such photos whether a Voigtländer CLR, Rollei 35, OM2 or Leica was used.
The character of automatics is that they cover a defined standard but leave hardly any room for nuances. The latter and small charming errors are automatically corrected or ironed out according to predefined parameters. Conclusion: my contribution to a "great photo" is clearly small. It is exhausted in the choice of motifs and a rudimentary handling of the old analog treasures.
In addition, the low resolution (approx. 1.5 MB per KB small picture photo) offers hardly any leeway for corrections of the automatic parameters, e.g. tone value, color, contrast etc.
Predictable frustration for a collector who likes to take pictures with his "sweethearts"?
Not necessarily, if you do the last step of the laboratory process, the digitizing, yourself.
How this can be done simply and very inexpensively is shown below.
So I only need a negative first. I leave the production to the industrial laboratory, who are much better at it than I am. Costs for this are about 2,50€, plus the obligatory paper prints (in the smallest format). I do without the photo CD. Total costs about 7,50€ per film.
I scan the negative with a simple photo scanner with a transparency unit in manual mode with the highest resolution (in my scanner this is 1600 dpi) in manual mode. The photoscanner is connected to a PC, which controls the scanner. I then process the scan result with an image processing software. Done.
So much for the view from a height of 10.000 meters. The following is a short description of my equipment, which results from my preference for Photoshop CS2. Why is that? CS2 is a professional tool from Adobe, which doesn't cost anything more but "can do everything" if you spend enough time with the tool.
The rest of my tool is composed as follows: An old computer Latitude D520 with Windows XP and Photoshop CS2, connected to an equally old "Epson Perfection 1660 Photo". The result are scans with >10 MB 2282x1550 pixel (each KB small picture photo). These TIF files offer enough potential for a final image correction.
The workplace is only exemplary. The only decisive factor is that all components (computer, scanner, image processing software) are supported by an operating system. In case of older equipment, Windows XP is often a very good solution. Processor clock and RAM are rather unimportant.
Also Photoshop CS2 is not necessary. There are enough other freeware that can perform well in image post-processing and can control a scanner.
And a few more remarks about scanning. I made the experience that it doesn't matter for the image quality if the emulsion or the smooth layer of the negative is on top when scanning. You may have to flip the photo horizontally during post-processing. It is more important that a flatness of bent or curved negatives is achieved when inserting them into the negative stencil. Otherwise, blurriness will result which cannot be corrected digitally.
The scanning is done by the scanner's own SW. I choose the manual mode with automatic exposure, because I correct afterwards anyway. The goal of the scan is a file with a lot of image information. Therefore I choose the highest Dpi level and the file format TIF.
Finally a few remarks about image processing. The adjustments are necessary because - as described above - I set the scanner software (Twain) to "automatic". Thus first important parameters like e.g. the brightness fit at least with my scanner to some extent.
From now on, the process, which I don't leave to any automatic system in the world and also to a small professional scan service with great employees, will be done. Because "I want my own results".
My first step is to call up the "gradation curves". In CS2, 3 pipettes are shown there - besides the curves. The one on the right corrects the photo on basis "white". Go to a part of the image that should actually be white, e.g. summer clouds. Click there and - if you are a Sunday child - you will have a wonderfully balanced picture with just one click. Otherwise try it out several times or do the usual fine tuning of tonal value, contrast, colour etc. step by step.
With CS2, the basic adjustments can be made in the menu under "Adjust Image" in the upper block under Tone Value Correction, Auto Tone Correct etc.
The resulting digital photo will therefore already bear my "signature". The degree of your own "handwriting" can be increased indefinitely. The only limits are your own imagination and the virtuality on which you can play "on the piano", sorry software.
By the way, I only use the workplace described above for scanning, as for the digital post-processing significantly more computer power is required. The costs for the used equipment of such a scan workstation should not exceed 50€.
my photos overview
"examine her for motive
investigate the scene
in the ever present danger
keep the holster at your hip".
(If you were) in my movie,
Suzanne VEGA (99.9F, 1992).
- selfs -
Arinsal poble, La Massana, Vall nord, Andorra, Pyrenees - (c) Lutz Meyer
More Arinsal & La Massana parroquia images: Follow the group links at right side.
.......
About this image:
* Medium format 4x3 (645) high quality image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (20 years 2003-2023)
* "Andorra camis & rutes" active collection
* Advanced metadata functionality on dynamic websites or apps
* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials
We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!
It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).
More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.
Ask for licence! lutz(at)lutz-meyer.com
(c) Lutz Meyer, all rights reserved. Do not use this photo without license.
I thought a beer had finally been named after me, but closer inpsection proved otherwise. (See the one on the right)
A "cold snap" has descended on Brisbane, but the Sunday morning here is cloudless so sunny, and as soon as the ice melts it will be a lovely day.
Imagine these copper coils as my neck perhaps.
Grolsch Brewery is a Dutch brewery founded in 1615.
Starts With G Challenge
Containers Theme - Contains Beer
Dead - A Celebration Of Mortality
Artist: Alina and Jeff Bliumis
Title: Language Barrier
Materials: resin, foam, fabric, acrylic, ink, steel, human hair
Saatchi Gallery
London, England, UK
A tour guide announces that the French language walking tour was about to depart from the Centennial Flame. In the background the work is still in progress to get the Hill ready for Saturday's Canada 150 celebrations.
Please add a tag or note with name of cashew in your own language. Thank you!
Korosho: Swahili
Hat Dieu: Vietnamese
Cashew: English
Caju: Portuguese
Gajus: Malay. Thank you David
'腰果' : Chinese. Thank you David
Tamil: Munthiri Thank you Suresh Ram
Anacardo: Spanish Thank you Fallrod
Cadju: Sihalese Thank you Fathimah
Nerkowce: Polish Thank you Ewa
nýrnahneta: icelandic Thank you Sigurður Ólafsson
Cashewnöt: Swedish Thank you gth2009
Anacardi: Italian Thank you Fabietto76
كازو, كاجو: Arabic Thank you Nina
Kasuy: Filipino Thank you Tes
This is for my flickr friend Carol . Enjoy!
A student of Khmer descent learns Kinh language (the official Vietnamese language) at the Lac Hoa Primary School in Soc Trang province. The report "Vietnam High Education For All by 2020" finds that gaps in learning still exist, particularly between groups of different income levels and between Kinh, Chinese and ethnic minorities. Soc Trang province, Vietnam. Photo: Chau Doan / World Bank
Trying to achieve a Blade Runner feel... I did a lot of hand editing to get the contrast and tones and used "Broken Language" from Super Grunge Urban in overlay mode at 100% to finish it off.
"Its cute in a way, till you cannot speak
And you leave to have a cigarette, your knees get weak
An escape is just a nod and a casual wave
Obsessed about it, heavy for the next two days
It's only just a crush, it'll go away
It's just like all the others it'll go away
Or maybe this is danger and you just don't know
You pray it all away but it continues to grow"
She wants revenge - Tear you apart
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Yes, this is a 2012 presidential election joke. The 2020 version of the title would be Trump VS Biden.
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Ballina. Population 16,500.
'Bullenah' in Bundjalung Aboriginal language means place where oysters are plentiful so it is not surprising that the town is the home of the Big Prawn located in Bunning’s carpark! The prawn was a commission given to Adelaide architects Glenn Industries and sculptor James Martin. He also did the Big Merino in Goulburn and the Big Oyster in Taree. He designed a 27 metre long and 20 metre high prawn in 1989. It eventually fell into disrepair and was due to be demolished but it has now been rescued. Ballina is located on the mouth of the Richmond River and its small lighthouse guards that entrance. A lighthouse was erected in 1866 but the current lighthouse was completed in 1880 on a 35 metre high headland. The government Colonial Architect James Barnet designed it. Although just 7 metres high the lighthouse has protected shipping since 1880. It was automated in 1926. Prior to its erection 90 ships were shipwrecked on the sand shoals in the estuary. The breakwater was completed in 1908 to ensure safety for shipping. The lighthouse is Ballina’s oldest structure. Apart from the Red Cedar cutters the first to want to settle in the region arrived in 1842 on board the ship called the Sally.
With the timber cutters came the need for saw mills and the first in Ballina opened in 1853. Timber was floated down the Wilson & Richmond Rivers ready for coastal shipping. In 1856 the government surveyed the town and the first town blocks were offered for sale in July 1857 at the Casino Police Station. The land sold slowly and not much developed in Ballina until the 1860s when Ballina became the major sea port and some gold was found in the estuary sands. The first Courthouse and police station opened in 1865. By then the Ballina Hotel was established. In the 1870s and 1880s sugar became the important industry of the district. Yeoman sugar farmers began cultivation of cane in the late 1860s and by 1875 there were 75 small sugar mills along the banks of the Richmond River. But the industry stabilised and only expanded in 1881 when the Colonial Sugary Refineries built their Broadwater sugar mill. By 1891 there were just 9 sugar mills in the district. Some South Sea Islander (Kanaks) labourers were employed on contracts in the Tweed and Richmond valleys but not many as NSW was never a region of large sugar plantations. Small sugar farms were the norm here. The northern rivers area still averages higher sugar yields than Queensland because the region does not have a pronounced dry season like many areas of QLD. The rich volcanic soils of the river flats are especially valuable sugar fields. Today NSW produces only 5% of Australia’s sugar but three sugar mills survive with the Condong mill near Murwillumbah, the Broadwater mill at Woodburn and another mill at Yamba towards Grafton. The NSW Sugar Milling Cooperative which has its office headquarters in Ballina was formed in 1978 when CSR sold their Broadwater mill to the cooperative. There are 600 sugar cane farms in the district growing cane on around 15,000 hectares or 30,000 aces.
Some of the more interesting and historic buildings in River Street are:
•The Courthouse at 16 River St. Designed by Colonial Architect James Barnet and completed in 1882 as the first Courthouse, cells and police station from 1865 burnt down in 1881. Like other Courthouse by Barnet the lofty court room is flanked by lower offices on each side in the Italianate style.
•Post Office 24 River St. This historic Post Office is used for other purposes now. Built in the Italianate style and designed by Colonial Architect Walter Liberty Vernon. This grand stuccoed two storey building has a prominent clock tower. It opened in 1888 but the clock tower was not completed until 1890.
•Behind the Information centre is the Maritime Museum. Its prized exhibits are a 12 metre long reed raft which sailed across the Pacific from Ecuador to Ballina in 1973; the port history; a tribute to women in the Navy; riverboat history and a dugout canoe etc. Admission about $5.
Cherry Street:
•Two blocks down is the Presbyterian Church. A small timber church was erected in 1885. The Federation style red brick church was built in 1915 and the original church became the church hall until 1960.
•Opposite the church is the former Council Offices which now house the Regional Art Gallery. The architect was Frederick Board and this building was erected in 1927 in the Art Deco style.
•Across the street from the Catholic Church is the Methodist Church - now a Uniting Church. The first church services were held in the Courthouse until the first church opened in 1888. In 1920 this timber church was moved to Cherry St. as a church hall. A new Methodist church costing £2,830 was here in 1920. It was due for demolition in 2016 but has since been repaired and reopened.
•Opposite the Methodist Church is the Catholic Presbytery built in 1912.
Norton Street where the Norfolk Island Pines were planted in 1915:
•Methodist North Coast Girls’ College. Architect designed by Frederick Board and erected in 1925. The grand building in brick with timber balconies faced financial difficulties during the great depression & closed 1930. It then became a guest house and was later converted to 16 flats. In 2000 it became Ballina Manor Hotel.
•Next corner on right is Brundah. Built in 1908 at great cost. For a stock and station agent named Roy Lang.
• Next corner left is the Anglican Church. The first wooden church built in 1877. A second church erected in 1906 when the date palms were planted. It was replaced in 1977 by current church.
•Next corner right is the former Marine View Hotel. Built in 1884. Later was the Tattersall Hotel. Closed 1919.
One of my favorite composition, i liked his intense eyes, thats the reason i shot this picture. This is right out of the camera, with no pp on it.
Golden Temple, Amritsar - Punjab.
PRESIDIO OF MONTEREY, California -- The 2018 Language Day celebration was held by the Defense Language Institute Foreign Language Center at the Presidio of Monterey, May 11. Language Day is open to the public and attended by schools across the nation to promote an understanding of diverse customs and cultures from around the world. Approximately 6,000 people attended this annual event featuring cultural displays, activities and international ethnic cuisine served by local vendors.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
After the last snowfall, a mysterious message was found along the hillside near the Ollersbach church.
It resembles the ancient script of Sumerian, if I am not mistaken, but I'm not sure what it says.
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045621022011
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This is the cover photo of my set National Language Movement 2011
This Photo was taken on 21th Fab at 01:30 pm , From Jatio Shaheed Minar , Dhaka, BANGLADESH, This Photo was Taken while my Special Photowalk with The flickr Group Frame BANGLADESH
Description :The Bengali Language Movement: and in Bangali Trnslation to ভাষা আন্দোলন
The Bengali Language Movement: Can read In Bangoli here]ভাষা আন্দোলন, also known as the Language Movement (Bengali: ভাষা আন্দোলন; Bhasha Andolon), was a political effort in Bangladesh (then known as East Pakistan), advocating the recognition of the Bengali language as an official language ofPakistan. Such recognition would allow Bengali to be used in government affairs.When the state of Pakistan was formed in 1947, its two regions, East Pakistan (also called East Bengal) and West Pakistan, were split along cultural, geographical, and linguistic lines. In 1948, the Government of Pakistan ordained Urdu as the sole national language, sparking extensive protests among the Bengali-speaking majority of East Pakistan. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest led by the Awami Muslim League, later renamed the Awami League. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. In 2000,UNESCO declared 21 February International Mother Language Day for the whole world to celebrate[1], in tribute to the Language Movement and the ethno-linguistic rights of people around the world.The Language Movement catalysed the assertion of Bengali national identity in Pakistan, and became a forerunner to Bengali nationalist movements, including the 6-point movement and subsequently the Bangladesh Liberation War in 1971. In Bangladesh, 21 February is observed as Language Movement Day, a national holiday. The Shaheed Minar monument was constructed near Dhaka Medical College in memory of the movement and its victims
Background
The present nations of Pakistan and Bangladesh were part of undivided India during the British colonial rule. From the mid-19th century, the Urdu language had been promoted as thelingua franca of Indian Muslims by political and religious leaders such as Sir Khwaja Salimullah, Sir Syed Ahmed Khan, Nawab Viqar-ul-Mulk and Maulvi Abdul Haq.[2][3] Urdu is an Indo-Aryan language of the Indo-Iranian branch, belonging to the Indo-European family of languages. It developed under Persian, Arabic and Turkic influence on apabhramshas (last linguistic stage of the medieval Indian Aryan language Pali-Prakrit)[4] in South Asia during the Delhi Sultanate and Mughal Empire.[5] With its Perso-Arabic script, the language was considered a vital element of the Islamic culture for Indian Muslims; Hindi and the Devanagari script were seen as fundamentals of Hindu culture.[2]While the use of Urdu grew common with Muslims in northern India, the Muslims of Bengal (a province in the eastern part of British Indian sub-continent) primarily used the Bengali language. Bengali is an Eastern Indo-Aryan language that arose from the eastern Middle Indic languages around 1000 CE[6] and developed considerably during the Bengal Renaissance. As early as the late 19th century, social activists such as the Muslim feminist Roquia Sakhawat Hussain were choosing to write in Bengali to reach out to the people and develop it as a modern literary language. Supporters of Bengali opposed Urdu even before the partition of India, when delegates from Bengal rejected the idea of making Urdu the lingua franca of Muslim India in the 1937 Lucknow session of the Muslim League. The Muslim League was a British Indian political party that became the driving force behind the creation of Pakistan as a Muslim state separate from British India.[7]
The Other Set related to this set are available here at : International Mother Language Day
All other Photos of this set are available at : National Language Movement Dat 2011
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Source: en.wikipedia.org/wiki/Normandy
Normandy (French: Normandie, Norman: Normaundie, from Old French Normanz, plural of Normant, originally from the word for "northman" in several Scandinavian languages) is one of the 18 regions of France, roughly referring to the historical Duchy of Normandy.
Normandy is divided into five administrative departments: Calvados, Eure, Manche, Orne, and Seine-Maritime. It covers 30,627 square kilometres (11,825 sq mi), comprising roughly 5% of the territory of metropolitan France. Its population of 3.37 million accounts for around 5% of the population of France. The inhabitants of Normandy are known as Normans, and the region is the historic homeland of the Norman language.
The historical region of Normandy comprised the present-day region of Normandy, as well as small areas now part of the departments of Mayenne and Sarthe. The Channel Islands (French: Îles Anglo-Normandes) are also historically part of Normandy; they cover 194 km² and comprise two bailiwicks: Guernsey and Jersey, which are British Crown dependencies over which Queen Elizabeth II reigns as Duke of Normandy.
Normandy's name comes from the settlement of the territory by mainly Danish and Norwegian Vikings ("Northmen") from the 9th century, and confirmed by treaty in the 10th century between King Charles III of France and the Viking jarl Rollo. For a century and a half following the Norman conquest of England in 1066, Normandy and England were linked by Norman and Frankish rulers.
Source: en.wikipedia.org/wiki/Sainte-M%C3%A8re-%C3%89glise
Sainte-Mère-Église is a commune in the Manche department in Normandy in northwestern France. On 1 January 2016, the former communes of Beuzeville-au-Plain, Chef-du-Pont, Écoquenéauville and Foucarville were merged into Sainte-Mère-Église.
Source: en.wikipedia.org/wiki/Airborne_Museum_(Sainte-M%C3%A8re-%C3%89glise)
The Airborne Museum (Musée Airborne) is a French museum dedicated to the memory of paratroopers of the 82nd and 101st airborne divisions of the United States Army who parachuted into Normandy on the night of June 5–6, 1944. The museum is located in Sainte-Mère-Église.
Source: en.wikipedia.org/wiki/Normandy_landings
The Normandy landings were the landing operations on Tuesday, 6 June 1944 of the Allied invasion of Normandy in Operation Overlord during World War II. Codenamed Operation Neptune and often referred to as D-Day, it was the largest seaborne invasion in history. The operation began the liberation of German-occupied France (and later Europe) from Nazi control, and laid the foundations of the Allied victory on the Western Front.
Planning for the operation began in 1943. In the months leading up to the invasion, the Allies conducted a substantial military deception, codenamed Operation Bodyguard, to mislead the Germans as to the date and location of the main Allied landings. The weather on D-Day was far from ideal and the operation had to be delayed 24 hours; a further postponement would have meant a delay of at least two weeks as the invasion planners had requirements for the phase of the moon, the tides, and the time of day that meant only a few days each month were deemed suitable. Adolf Hitler placed German Field Marshal Erwin Rommel in command of German forces and of developing fortifications along the Atlantic Wall in anticipation of an Allied invasion.
The amphibious landings were preceded by extensive aerial and naval bombardment and an airborne assault—the landing of 24,000 US, British, and Canadian airborne troops shortly after midnight. Allied infantry and armoured divisions began landing on the coast of France at 06:30. The target 50-mile (80 km) stretch of the Normandy coast was divided into five sectors: Utah, Omaha, Gold, Juno and Sword. Strong winds blew the landing craft east of their intended positions, particularly at Utah and Omaha. The men landed under heavy fire from gun emplacements overlooking the beaches, and the shore was mined and covered with obstacles such as wooden stakes, metal tripods, and barbed wire, making the work of the beach-clearing teams difficult and dangerous. Casualties were heaviest at Omaha, with its high cliffs. At Gold, Juno, and Sword, several fortified towns were cleared in house-to-house fighting, and two major gun emplacements at Gold were disabled, using specialised tanks.
The Allies failed to achieve any of their goals on the first day. Carentan, St. Lô, and Bayeux remained in German hands, and Caen, a major objective, was not captured until 21 July. Only two of the beaches (Juno and Gold) were linked on the first day, and all five beachheads were not connected until 12 June; however, the operation gained a foothold which the Allies gradually expanded over the coming months. German casualties on D-Day have been estimated at 4,000 to 9,000 men. Allied casualties were at least 10,000, with 4,414 confirmed dead.
Museums, memorials, and war cemeteries in the area now host many visitors each year.
Ugolino and His Sons is a marble sculpture that is known for its expressive detail and was created by Jean-Baptiste Carpeaux in Paris from 1865 to 1867.
The subject of this intense marble statue is derived from canto XXXIII of Dante's Inferno, which describes how the Pisan traitor Count Ugolino della Gherardesca, his sons, and his grandsons were imprisoned in 1288 and died of starvation.