View allAll Photos Tagged Form
Students enrolled in the “Improvisational Forms” dance course at Wesleyan University performed May 6 and May 8 at various locations, and on objects, around campus. The class is designed to explore various approaches to dance improvisation. Students learn to expand movement vocabulary, increase compositional awareness, develop their creative thinking and observational skills, and sharpen their performance presence.The class is taught by Susan Lourie, adjunct professor of dance. (Photos by Olivia Drake)
This mat-forming prickly phlox is found on shallow rocky soils in upland low-statured black sagebrush steppe (dominated by Artemisia nova). This site lies in the Horseshoe Bend campground area along the Bighorn River, northeast of Lovell Wyoming.
aqilla, my friend arief and wanti's son, writing down the number of fishes in front of him at canberra center.
Receita mais fácil, rápida e prática da VIDA! <3 Comi muitas ontem!
tudogostoso.uol.com.br/receita/302-pizza-de-pao-de-forma....
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
I uploaded a shot of a Sminthurinus globular springtail earlier, but couldn't decide what species it was. Just knew I hadn't seen anything looking quite like it before. Frans Janssens advised me that it was a pale form of Sminthurinus igniceps. I hadn't realised that such a form existed!
I went back to the original images and found that I had taken some more. Pretty sure these are the same individual. These are heavily-cropped versions to show some anterior and posterior detail for anyone that's interested!
Canon MP-E 65mm (at x5) + 1.4x Extender + MT24-EX Flash. Cropped heavily
An entryway in Ia, Santorini, Greece. Looking at form as the primary design element, when there isn't strong color contrast.
This image is part of the Exploring with a Camera series on my blog, focusing on Finding Form.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Like building blocks, these are lined up in rows and concrete is poured between the two pieces of white styrofoam to produce a strong, solid wall with excellent insulation properties
Ler e Formar Leitores no século XXI – leitura e inclusão foi o tema do II Encontro de Bibliotecas Escolares do Alentejo, que decorreu, durante os dias 3 e 4 de julho, no auditório dos Serviços Comuns do Instituto Politécnico de Beja.
Este evento contou com a organização da Coordenação Interconcelhia da Rede de Bibliotecas Escolares, do Instituto Politécnico de Beja e da Câmara Municipal de Beja - Biblioteca Municipal de Beja José Saramago. Teve por objetivos analisar o contributo das bibliotecas e da formação leitora para o exercício de uma cidadania mais consciente, crítica e responsável, assim como evidenciar o papel educativo e formativo das bibliotecas e da leitura no contexto da organização, estratégias e objetivos curriculares das escolas e da melhoria das aprendizagens. Pretendeu igualmente refletir sobre as problemáticas associadas à função e responsabilidade social das bibliotecas, enquanto fatores de inclusão, igualdade e justiça social, além de perspetivar possibilidades e vias de desenvolvimento das bibliotecas e das políticas de leitura no sentido da sua atualização e adaptação aos desafios e exigências do presente.
Mais reportagens fotográficas em: www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
Dress Form Mannequin with Arms Floral Striped Fabric Ribbon Rosettes Decoupaged Painted Mint Green Vintage Dried Flowers
www.etsy.com/listing/221804460/dress-form-mannequin-with-...
I can be found here: www.etsy.com/shop/thewhiterabbitstudio?ref=l2-shopheader-...
Thank you for looking.
-Kimberly
"Architecture enables urban life, yet provides beauty and inspiration."
Original Gallery: www.littalshemerhaim.pics/forms-of-life/
Find more Positive Images by Littal Shemer Haim here: www.littalshemerhaim.pics/
All Rights Reserved.
LSH.300513.5978mp
Home Form Reps.
Senior
Front Row L-R: Margaret Murphy, Janette Hoekstra, Jim Bigras, Rosalind Fuller, Mike Dark, John Marks, Carolyn Jolly, Nancy
Mak Back Row L-R, Julie Peterson, Sherry Kielt, Gail Sewell, Don Clark, Tom Fisher, Bonnie Urry, Fred LeNeve, Diane Curts, Ron Mak, Karen Millard
Junior
Front Row L-R. Mike Dennise, Judy Satrum, Gail Robar Middle Row L-R: Doug Graham, Rob Hovey, Daryl Scott, Nancy Robertson, Mike Keegan, Nancy Johnson, Hardeep
Alauwalia, Sue Kondra
Turner
Back Row L-R: Todd Fulcher, Sherry Thorpe, Sandy Benard, Brenda LeNeve, Trish Fuller. Pinto Alauwalla, Paul Gobits. Dan
69
MEMORIAS DE ITURBIDE
Formé mi plan, conocido por el de Iguala, mío porque solo lo concebí, lo extendí, lo publiqué y lo
ejecuté; me propuse hacer independiente mi patria, porque éste era el voto general de los americanos
El Plan de Iguala garantizaba la religión que heredamos de nuestros mayores; a la casa reinante de
España proponía el único medio que le restaba para conservar aquellas dilatadas y ricas provincias; a los
mexicanos concedía la facultad de darse leyes y tener en su territorio el gobierno, a los españoles ofrecía
un asilo que no habrían despreciado si hubiesen tenido previsión. Aseguraba los derechos de igualdad, de
propiedad de libertad, cuyo conocimiento ya está al alcance de todos, y una vez adquirido, no hay quien no
haga cuanto está en su poder para conservarlos o reintegrarse de ellos. El Plan de Iguala destruía la odiosa
diferencia de castas, presentaba a todo extranjero la más segura y cómoda hospitalidad, dejaba expedito el
camino para llegar a obtener, conciliaba las opiniones razonables y oponía un valladar impenetrable a las
maquinaciones de los díscolos.
La ejecución tuvo el feliz resultado que me había propuesto: seis meses bastaron para desatar el apretado
nudo que ligaba a los dos mundos. Sin sangre, sin incendios, sin robos ni depredaciones, sin desgracia
y de una vez sin lloros y sin duelos, mi patria fue libre, transformada de colonia en grande imperio. Sólo
faltaba a la obra un perfil para estar también conforme a las costumbres admitidas; un tratado que agregasen
los diplomáticos al largo catálogo de ellos que ya tienen y que de ordinario sirven de testimonio de mala
fe de los hombres, pues no es raro que se quebranten cuando hay interés en hacerlo por la parte que tiene
la fuerza.
..................................................................
Fragmento de “Manifiesto al Mundo o sean apuntes para la historia”, publicado
por Iturbide en Londres en 1824, con el título “A statement of some of the principal
events in the public life of Agustin de Iturbide, written by himself”, que en el mismo año
tuvo una traducción al francés; en México solamente se conoció en español hasta 1827,
publicado por la Imprenta de la ex Inquisición a cargo de Manuel Ximeno.
*****These images are protected by international copyright law and cannot be used in any way, shape or form without written consent from the photographer. If you'd like to use any of these images, please email me through Flickr mail or at jaden_alexander [at] yahoo.com with the words "WOULD LIKE TO USE PHOTO" in the subject line and we can probably work something out. These images can also be purchased as prints and/or other items. If you're interested in something like that, please contact me at one of the above listed places. Thank you very much for checking out my work.*****
Set 2 of 3.
In support of their latest album "Sounds of the Universe", Depeche Mode performed their "Tour of the Universe" at the Key Arena in Seattle, Washington on August 10, 2009. Their opening band was Peter, Bjorn and John. I had seats in section BB, row 16.
Toward the end of the show, Dave's voice started to sound a bit strained. As it turned out, the next two shows had to be cancelled because of this voice strain.
Set List - -
In Chains
Wrong
Hole To Feed
Walking In My Shoes
It's No Good
A Question Of Time
Precious
Fly On The Windscreen
Jezebel (Martin)
Home (Martin)
Come Back
Policy Of Truth
In Your Room
I Feel You
Enjoy The Silence
Never Let Me Down Again
Encore #1
Stripped
Master And Servant
Strangelove
Encore #2
Personal Jesus
Waiting For The Night (Bare Version)
This was the 24th time that I've been privileged enough to see them perform live.
Botanical Garden designed by Edwina von Ga / BioMuseo is a museum focused on the natural history of Panama, whose isthmus was formed very recently in geologic time, with major impact on the ecology of the Western Hemisphere. Located on the Amador Causeway in Panama City, it was designed by renowned architect Frank Gehry. This is Gehry's first design for Latin America. The design was conceived in 1999 and the museum opened in October 2014. The BioMuseo highlights Panama's natural and cultural history, emphasizing the role of humans in the 21st Century; its galleries tell the story of how the rise of the isthmus of Panama changed the world. With 4,000 square meters, the BioMuseo has 8 galleries for its permanent exhibits, designed in sequence by Bruce Mau Design; Bruce Mau is a Canadian designer and educator. He started as a graphic designer but later focused on architecture, art, museums, film, eco-environmental design, and conceptual philosophy. Mau serves as Visiting Professor at Pratt Institute in the Graduate Architecture & Urban Design department. Besides the main spaces the museum also has a public atrium, a space for temporary exhibits, and exterior exhibits in a botanical garden designed by Edwina von Gal, an American landscape designer based in East Hampton, New York. On October 2, 2014 the BioMuseo opened its doors to the public. This first part of the story tells the importance of Panama and its natural and cultural evolution. Other galleries include: Gallery of Biodiversity: What is biodiversity? Why should we care? What is happening to it today? The first gallery is an introduction to Panama's amazing natural heritage; Panamarama: We are surrounded by an endless number of living beings and communities - a three-level projection space with 10 screens envelops the visitor in a display of sight and sound featuring Panama's natural wonders; Building the Bridge: Panama emerged from the sea 3 million years ago. Earth's inner forces that formed the Isthmus of Panama take the form of three 14 meter high rock formations, allowing for a tangible encounter with the geological world; Worlds Collide: when the Isthmus closed an extraordinary exchange of species occurred between North and South America. A stampede of animal sculptures of all eras, shapes and sizes tell the story of this unique and ongoing natural event; the Human Path: in a space partially open to the outdoors 16 columns provide information about the relations between human activity and the natural scenarios of Panama throughout time; Oceans Divided: when Panama emerged, two very different oceans formed, changing life in the planet. Two large semi-circular aquariums will show how the Pacific Ocean and the Caribbean Sea evolved once they were separated by the isthmus; the Living Web: living beings need each other and interact in complex and invisible ways. A large sculpture, part plant, animal, insect and microorganism will give the visitor the experience in a dimension where all creatures have the same importance; Panama is the Museum: the most amazing experience awaits the visitor outside of the museum - screens will offer information about the relationship between the biodiversity in Panama and the world.
Ler e Formar Leitores no século XXI – leitura e inclusão foi o tema do II Encontro de Bibliotecas Escolares do Alentejo, que decorreu, durante os dias 3 e 4 de julho, no auditório dos Serviços Comuns do Instituto Politécnico de Beja.
Este evento contou com a organização da Coordenação Interconcelhia da Rede de Bibliotecas Escolares, do Instituto Politécnico de Beja e da Câmara Municipal de Beja - Biblioteca Municipal de Beja José Saramago. Teve por objetivos analisar o contributo das bibliotecas e da formação leitora para o exercício de uma cidadania mais consciente, crítica e responsável, assim como evidenciar o papel educativo e formativo das bibliotecas e da leitura no contexto da organização, estratégias e objetivos curriculares das escolas e da melhoria das aprendizagens. Pretendeu igualmente refletir sobre as problemáticas associadas à função e responsabilidade social das bibliotecas, enquanto fatores de inclusão, igualdade e justiça social, além de perspetivar possibilidades e vias de desenvolvimento das bibliotecas e das políticas de leitura no sentido da sua atualização e adaptação aos desafios e exigências do presente.
Mais reportagens fotográficas em: www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
Seit ihrer Eröffnung im Jahr 2004 bildet die Leica-Galerie Frankfurt einen wichtigen Bestandteil des Kulturprogramms des Rhein-Main-Gebiets und leistet einen Beitrag für eine Kommunikation über Fotografie und Kunst in Frankfurt. Bei den abwechslungsreichen und innovativen Ausstellungen, die in der Leica-Galerie Frankfurt stattfinden, werden nicht nur die Werke von national und international bekannten Fotografen dargeboten. Auch junge, viel versprechende Talente erhalten die Möglichkeit, ihre Werke auszustellen und gewinnen so in der Welt der Fotografie an Bekanntheit.
Die Rahn AG sieht sich „im Dienste der Kunst“ und bietet neben den Fotoausstellungen auch Seminare zum Umgang mit analogen und digitalen Kameras, Fotografie-Exkursionen und Kunst-Reisen für die Kunden an. Im Mittelpunkt der Reisen steht selbstverständlich die Fotografie und die Gäste können vom Fachwissen der mitreisenden Foto-Spezialisten profitieren. Ebenso finden zweimal im Jahr Photographica-Auktionen in der Leica-Galerie Frankfurt statt, bei denen neben fotographischer Kunst auch Sammler-Kameras versteigert werden. Quelle: www.leicastore-frankfurt.de/Ueber-Foto-Rahn/index.html
Junior ROTC cadets from high schools throughout the Southeast form up for the closing ceremony of the American Legion Southeast Regional Finals at Garrett Coliseum, Montgomery, Ala., Nov. 3. More than 30 Junior ROTC units from high schools participated in the competition. Marine Corps cadets from North Forsthy High School, Ga., took first place overall.