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This is the stairway (in Stairs photo) that leads to an apartment complex in Salamanca Square, Hobart, Tasmania. The square is filled with cafes and a favourite place of mine.
Skiers wait to make their way to the start of the run down the Vallee Blanche, from the Aiguille du Midi back to Chamonix.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Use of these images in any form without permission is illegal. If you wish to use or license any images please contact mel@mudkissphotography.co.uk
All work copyright Melanie Smith/ Mudkiss Photography All Rights Reserved
Tube Mill,Tube Swaging Machine,Tube Mill for Carbon Steel,Tube End Chamfering Machine,Tube Mill for Stainless Steel Machine-Parth Equipment Ltd Ahmedabd,Gujrat,India For more detail visit us at : www.parthtubemill.com
H. fulva 'Kwanso Variegata'
Daylily is the general nonscientific name of a species, hybrid or cultivar of the genus Hemerocallis. Daylily cultivar flowers are highly diverse in colour and form, as a result of hybridization efforts of gardening enthusiasts and professional horticulturalists. Thousands of registered cultivars are appreciated and studied by local and international Hemerocallis societies. Hemerocallis is now placed in family Xanthorrhoeaceae, subfamily Hemerocallidoideae, and formerly was part of Liliaceae (which includes Lilium, True Lilies).
Daylilies are perennial plants. The name Hemerocallis comes from the Greek words ἡμέρα (hēmera) "day" and καλός (kalos) "beautiful". This name alludes to the attractive flowers of this genus which typically last no more than 24 hours. The flowers of most species open at sunrise and wither at sunset, possibly replaced by another one on the same scape (flower stalk) the next day. Some species are night-blooming. Daylilies are not commonly used as cut flowers for formal flower arranging, yet they make good cut flowers otherwise as new flowers continue to open on cut stems over several days.
Hemerocallis is native to Eurasia, including China, Korea, and Japan, and this genus is popular worldwide because of the showy flowers and hardiness of many kinds. There are over 60,000 registered cultivars. Hundreds of cultivars have fragrant flowers, and more scented cultivars are appearing more frequently in northern hybridization programs. Some cultivars rebloom later in the season, particularly if their capsules, in which seeds are developing, are removed.
Most kinds of Daylilies occur as clumps, each of which has leaves, a crown, flowers, and roots. The long, linear lanceolate leaves are grouped into opposite fans with arching leaves. The crown is the small white portion between the leaves and the roots. Along the scape of some kinds of daylilies, small leafy "proliferations" form at nodes or in bracts. A proliferation forms roots when planted and is often an exact clone of its parent plant. Many kinds of daylilies have thickened roots in which they store food and water.
A normal, single daylily flower has three petals and three sepals, collectively called tepals, each with a midrib in the same or in a contrasting color. The centermost part of the flower, called the throat, usually has a different color than more distal areas of its tepals. Each flower usually has six stamens, each with a two-lobed anther. After successful pollination, a flower forms a capsule (often erroneously called a pod).
The Fulvous Daylily, although a beautiful plant, is an unwanted alien, invasive weed in some parts of the United States, such as in Wisconsin (Wisconsin Department of Natural Resources). People sometimes plant the Fulvous Daylily and other rhizomatous daylilies, which have underground runners. These kinds can overrun one's garden, and can take an appreciable amount of time and effort to confine or remove.
Depending on the species and cultivar, daylilies grow in USDA plant hardiness zones 1 through 11, making daylilies some of the more adaptable landscape plants. Hybridizers have developed the vast majority of cultivars within the last 100 years. The large-flowered, bright yellow Hemerocallis 'Hyperion', introduced in the 1920s, heralded a return to gardens of the once-dismissed daylily, and is still widely available in the nursery trade. Daylily breeding has been a specialty in the United States, where daylily heat- and drought-resistance made them garden standbys since the 1950s. New cultivars have sold for thousands of dollars, but sturdy and prolific introductions sell at reasonable prices of $20 or less.
The Tawny Daylily (Hemerocallis fulva), and the sweet-scented Lemon-lily (H. lilioasphodelus; H. flava, old name)were early imports from England to 17th-century American gardens and soon escaped from gardens. The introduced Tawny Daylily is now common in many natural areas, and some people think that it is a native wildflower. Its nonscientific names include Railroad Daylily and Roadside Daylily and Outhouse Lily, Tiger Lily, and Wash-house Lily (although it is not a true lily). Some people have planted this species near outhouses and wash houses, hence two of its nonscientific names.
Hemerocallis is one of the very highly hybridized plant genera. Hybridizers register hundreds of new cultivars yearly. Hybridizers have extended the genus' color range from the yellow, orange, and pale pink of the species, to vibrant reds, purples, lavenders, greenish tones, near-black, near-white, and more. However, hybridizers have not yet been able to produce a daylily with primarily blue flowers in forms of blue such as azure blue, cobalt blue, and sky blue. Flowers of some cultivars have small areas of cobalt blue.
Other flower traits that hybridizers developed include height, scent, ruffled edges, contrasting "eyes" in the center of a bloom, and an illusion of glitter which is called "diamond dust." Sought-after improvements include foliage color and variegation and plant disease resistance and the ability to form large, neat clumps. Hybridizers also seek to make less-hardy plants hardier in Canada and the Northern United States by crossing evergreen and semi-evergreen plants with those that become dormant and by using other methods. Many kinds of daylilies form clumps of crowded shoots. People dig up such kinds every 3 or so years, separate shoots, and replant only some of the shoots to reduce crowding. This process increases the flowering of many cultivars.
In the last several decades, many hybridizers have focused on breeding tetraploid plants, which tend to have sturdier scapes and tepals than diploids and some flower-color traits that are not found in diploids. Until this trend took root, nearly all daylilies were diploid. "Tets," as they are called by aficionados, have 44 chromosomes, while triploids have 33 chromosomes and diploids have 22 chromosomes per individual plant. Hemerocallis fulva 'Europa', H. fulva 'Kwanso', H. fulva 'Kwanso Variegata', H. fulva 'Kwanso Kaempfer', H. fulva var. maculata, H. fulva var. angustifolia, and H. fulva 'Flore Pleno' are all triplods that almost never produce seeds and reproduce almost solely by underground runners (stolons) and dividing groups by gardeners. A polymerous daylily flower is one with more than three sepals and more than three petals. Although some people synonymize “polymerous” with “double,” some polymerous flowers have over five times the normal number of petals.
Smithtown, Long Island NY
Guadeloupe Antillean Creole: Gwadloup) is an archipelago forming an overseas region of France in the Caribbean. It consists of six inhabited islands, Basse-Terre, Grande-Terre, Marie-Galante, La Désirade, and the Îles des Saintes, as well as many uninhabited islands and outcroppings.It lies south of Antigua and Barbuda and Montserrat, and north of Dominica. Its capital is Basse-Terre on the west coast; however, the largest city is Pointe-à-Pitre.
Like the other overseas departments, it is an integral part of France. As a constituent territory of the European Union and the Eurozone, the euro is its official currency and any European Union citizen is free to settle and work there indefinitely. As an overseas department, however, it is not part of the Schengen Area. The official language is French; Antillean Creole is also spoken.
Martinique Martinican Creole: Matnik or Matinik) is an insular region of France located in the Lesser Antilles of the West Indies in the eastern Caribbean Sea, with a land area of 1,128 square kilometres (436 sq mi) and a population of 376,480 inhabitants as of January 2016. Like Guadeloupe, it is an overseas region (région d'outre-mer) of France, consisting of a single overseas department. One of the Windward Islands, it is directly north of Saint Lucia, northwest of Barbados and south of Dominica. As one of the eighteen regions of France, Martinique is part of the European Union, and its currency is the euro.
Virtually the entire population speaks both French, the official language, and Antillean Creole (Créole Martiniquais).
[Espectáculos] EXTRAORDINARIA 3ra edición | Festival CATRINA | *SEGUNDA ENTREGA* | San Andrés Cholula, Puebla
Redacción | Fotografías Mara González @MaraGlez_BTR / Liz Vega @lyz_vega / Manuel Vela @Mv_ManuelVela #PueblaExpres para Mv Fotografía Profesional / Edición y retoque www.pueblaexpres.com | Manuel Vela en Flickr
Puebla., Puebla a 11 de Diciembre 2018
Redacción | Fotografías @MaraGlez_BTR / @Mv_ManuelVela @PueblaExpres #PueblaExpres
Festival Indio Catrina 2018 en su 3ra edición.
*Segunda entrega*
Miles de personas se reunieron para vivir un día lleno de música en el parque pirámide de Cholula, Puebla.
La fiesta, música y sorpresas no faltaron en el tan esperado Festival Catrina, que se llevó a cabo el pasado 8 de diciembre.
Morat es una de las bandas consentidas de Puebla, quienes no podían perderse esta gran fiesta de la música, donde ocuparon la tarima del Escenario Indio. “Cuando Nadie Ve” y “Amor Con Hielo”, “Como te atreves a volver”, “Mi nuevo vicio”, fueron coreadas por el público.
LNG/SHT cantando su álbum “Les juro que sí llego”, las letras abarcan temas de la cultura pop, fines de semana llenos de cerveza, ex-novias locas, la escena punk rock y una afición por el cine y la música. Desde que subió al escenario Indio tanto LNG/SHT como el público cantaron con toda la energía.
La agrupación dream soul originaria de Los Ángeles, The Marías, estuvo de vuelta en México y que mejor lugar que en el escenario Takis del Festival Catrina, dieron un gran show, en el cual la banda logro consentir a sus seguidores al compás de su reciente material Superclean Vol. II, publicado a inicios de este mismo año; sumado al sonido de los cortes clásicos dentro de su repertorio. A través de su combinación de estilos psicodélicos y soul los asistentes disfrutaron de una velada especial.
Conforme pasaban las horas el Parque Pirámide de Cholula recibía a más y más público, acudían listos para la ocasión con playeras estampadas con el nombre de sus bandas favoritas, en el escenario Catrina se encontraba Chetes con su tema de “Grados bajo cero” aumentó la energía de los presentes. “Si tú no vueles” y “Caminando hacia atrás” también sonaron con gran emoción.
Arriba del escenario de San Andrés Cholula, Daniel Gutiérrez, vocalista del grupo La Gusana Ciega con su proyecto como solista en el cual se animó a sacar sus escritos al público y mostrar su admiración por Bob Dylan y Neil Young, mediante el proyecto Kafka Jones. Interpreto, acompañado de su guitarra temas de su disco y covers de Bob Dylan, Neil Young, y Bright Eyes.
Tras una larga ausencia Juan Son está de regreso con nueva música en el escenario Takis, se presentó con su nuevo sencillo “Siento” la cual el público asistente coreaba. Esta nueva faceta marcó un cambio para Juan Son, tanto en sonido como en la forma de darlo a conocer, pues se desconectó totalmente del mundo digital.
Continuara …
Amigo lector le pedimos continúe al pendiente de nuestras redes sociales y nuestro portal en la sección ESPECTÁCULOS, ya que en él encontrará los mejores eventos…
LA OPINIÓN EXPRESADA EN ESTA COLUMNA ES RESPONSABILIDAD DE QUIEN LA ESCRIBE Y NO BUSCA GENERAR CONFLICTOS ENTRE LOS INVOLUCRADOS, SI NO GENERAR CONCIENCIA EN CADA LECTOR.
[Manuel Vela Photography Copyright©] This image is protected under International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission. / Esta imagen se protege conforme a leyes de Derechos de Autor internacionales y no se puede transferir, reproducir, copiar, transmitir o manipular sin el permiso de escritura.]
Colloque 'Formes : supports / espaces' du 28 juillet au 4 août 2014 au Centre Culturel de Cerisy-la-Salle www.ccic-cerisy.asso.fr/formes14.html
Forming part of a COP26 Global Day of Action, Extinction Rebellion - who have worked with a puppet production company to create a giant, smoldering koala (name'd Blinky), representing the terror our animals are facing in the climate emergency - led a march through St Kilda's Catani Gardens. It was joined by the Red Rebel Brigade, as well as drummers and musicians.
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Puebloviejo
134 pequeños y medianos agricultores, que forman parte de 15 asociaciones productivas rurales de este cantón, fueron beneficiados con la entrega de 74 370 plantas de cacao de la variedad CCN51, en un acto especial que se desarrolló en las instalaciones del coliseo deportivo de la parroquia Puerto Pechiche.
Pampa Grande, El Cielito, Camino al Futuro, 18 de Marzo, San Ramón, Puerto Pechiche, Juntos Progresaremos, 2 de Marzo, Rancho Grande, La Paulina, Unidos por el Progreso, El Roble, Sin Barrera, Justino Cornejo y 25 de Enero, son las organizaciones campesinas que forman parte del proyecto de mejoramiento de la productividad cacaotera, que fomenta la Prefectura de Los Ríos en toda la Provincia y que busca mejorar las condiciones de vida de las familias campesinas riosenses.
Agradezco a Aníbal Bohórquez, presidente de la Junta Parroquial de Puerto Pechiche; a Cecibel Yépez, concejal de Puebloviejo; y, a Darwin Bajaña, concejal de Vinces, por la gentileza de acompañarme en este evento.
This is a form of S. ellipticum with elongate leaves that occurs in arid non-coastal habitats.
Santalum ellipticum Gaudichaud
Common names: sandalwood
Hawaiian names: `iliahi, `iliahialo`e
Family: Santalaceae - the sandalwood family
Native.
Santalum ellipticum is endemic to the Hawaiian Islands. It has been recorded from Laysan Island in the Northwestern Hawaiian Islands (extirpated), Ni`ihau, Kaua`i, O`ahu (Wai`anae Mountains, Ko`olau Mountains, the central plains between the two mountain ranges, and in certain coastal areas), Moloka`i, Lāna`i, Kaho`olawe (extirpated), Maui (West Maui, East Maui), and Hawai`i (Kohala Mountains to North Kona).
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
While in the building this time, we found a good number of forms on the floor of a room that was full to bursting with huge empty bookcases. These are shipping manifests and similar papers.
I can't figure out how they got there. Someone must have found a bunch of them, hidden somewhere out of the elements, and left them all over the floor.
Rather than see them get ruined sitting out in the open in a room with no windows where water clearly collects in rain, I straightened them up into a stack and took them with me. I have them saved in a folder.
Lark life È Il braccialetto wireless bluetooth che misura il tuo livello di attivitÀ Fisica e ti aiuta a mantenerti in forma ed a dimagrire facilmente
They form strong, lasting pair bonds and it’s usual to see birds in pairs throughout the year. Females usually show dominance over the males, the original hen-pecked male then. A pose on a branch would have been better than next to the seeds, but I see those big brown eyes and then I realize that bird is gonna get her way.
© All rights reserved. Do not use without permission.
Dianella sandwicensis (Ukiuki)
Form sandwicensis habit at West Maui, Maui, Hawaii.
November 12, 2009
#091112-9529 - Image Use Policy
Also placed in Liliaceae and Hemerocallidaceae.
Custom metal forming equipment used in the process of bending steel sheet metal coil in to metal parts. Industrial roll forming machinery manufactured by Metform International
in india tutti chiedono un sacco di feedback.
fosse per dire "fa schifo", o "continua così", ogni mostra esposizione temporanea museo negozio ha la sua FORM per i feedback (commenti, pareri, suggerimenti).
e feedback sia.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
No âmbito do Programa Erasmus +/mobilidade de docentes, a Professora Slavica Vrsaljko, da Universidade de Zadar, Croatia, proferiu no Auditório 2 do IPBeja, a 14 de abril de 2015, o Seminário “Forms of Communication: formal and informal”
Mais reportagens fotográficas em: <a www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
SEGUNDO DÍA DE INTENSIDAD. 10 MAYO
A través de 16 instalaciones, el visitante recorre un espacio vivo que desarrollará en cada uno reacciones absolutamente diferentes. A través de la exhibición y las distintas actividades que la completan, se reflexionará acerca del modo en el que el arte se relaciona actualmente con la realidad. Esta exposición se aleja de las formas más tradicionales y juega con las prácticas performativas para despertar la sorpresa del espectador. Así, el espacio del CA2M se convierte en un lugar de experimentación directa de sensaciones que juegan con lo visual y lo sonoro reflexionando acerca de cómo el cuerpo responde a ese tipo de estímulos.
Esta exposición, concebida como evento, subrayó la performatividad y la forma en que funciona, la forma en que se acciona a sí misma. Incluyó objetos, audiovisuales y cuerpos. Fue una exposición continuamente “en vivo”, ya que las instalaciones, fotografías, películas, performances, debates, etcétera, habitaron el espacio del museo.
Through 16 facilities, the visitor walks through a living space that will develop in each one absolutely different reactions. Through the exhibition and the different activities that complete it, we will reflect on the way in which art is currently related to reality. This exhibition moves away from the more traditional forms and plays with the performative practices to awaken the surprise of the viewer. Thus, the space of the CA2M becomes a place of direct experimentation of sensations that play with the visual and the sonorous reflecting on how the body responds to that type of stimuli.
This exhibition, conceived as an event, underlined the performativity and the way in which it works, the way in which it actuates itself. It included objects, audio-visuals and bodies. It was a continuous exhibition "live", since the installations, photographs, films, performances, debates, etc., inhabited the space of the museum.
Comisaria/ curator: Chantal Pontbriand
CA2M - PER/FORM. CÓMO HACER LAS COSAS CON [SIN] PALABRAS
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Enlaces: WEB CA2M | FACEBOOK CA2M | YOUTUBE CA2M | TWITTER CA2M