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Twisted Form sculpture at the Freer Gallery in Washington, D.C. by Shiro Hayami
Just cropped this in Photoshop, it seems Avery is out to lunch again. I guess our little pals at flickr are "improving" it. On the up side I can upload photos again without half of them being dropped, I guess their improvement didn't work?. Keep improving things guys!
"Possibilidade Afago" foi apresentada na Casa Godoy, como trabalho de conclusão dessas minhas amigas lindas, que acabaram de... tipo, se formar.
Úrsula e Mari, nesta ordem.
(há mais pessoas nesta cozinha do que sonha tua vã filosofia)
- foto do Frank Jeske
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This series of photographs explores existing structural forms through composition, abstracted from their municipal values and purposes. In order to emphasize this concept I chose to defocus my camera so that most of the finer, higher frequency detail would be lost. This style of capture is arresting, atypical, and to many, incorrect. We are trained from birth to find focus and examine detail, but there is much to gain by looking at the often disregarded less energetic patterns that surround us. This is not a new idea, by any means, and we might find this ideology present in any number of modern works of architecture, sculpture, and even product design. Minimalism often takes this approach and forces simple shapes and smooth textures in order to stress form over material or texture. My structural subjects are not uncommon or inaccessible; they are encountered continually through my life. With these photographs, my intention is to render them emotionally, in reduced form, for reflection and consideration.
I had to write that for school.
Collaboration with Nadya Prilutskaya
www.flickr.com/people/35165895@N03/
The object is made for Exhibition called "Transformation". Constructed from natural elements it shows transformation states of a tree - grass, timber, paper, ash.
Artist: Dame Barbara Hepworth
Title: Single Form (Eikon)
Material: bronze
Tate Liverpool
Albert Dock
Liverpool, Merseyside, England, UK
These six images were taken in the Bukit Brown Cemetery in July 2011.
one of the blog posts is here:
leonefabre.blogspot.com/2011/07/sculpture-is-important-fo...
L’exposition L’Usage des formes explore l’ingéniosité humaine et la relation passionnée que les créateurs entretiennent avec leurs outils, en abordant l’instrument comme un élément fondamental du rapport de l’homme au monde. Faisant dialoguer artisans d’art et artistes, l’exposition rassemble les métiers d’art, le design, les arts plastiques et l’architecture dans une scénographie conçue par le designer Robert Stadler et réalisée en collaboration avec des artisans d’art.
Le début du parcours invite à plonger dans l’univers de l’atelier. Au sein de cette fabrique, l’outil se donne à voir comme une incarnation de l’Histoire, en ce qu’il correspond fondamentalement à la transmission ou réécriture de la pratique qui lui est associée. L’exposition aborde ensuite la notion de prise en main de l’outil. L’objet technique est l’instrument de cette préhension qui permet de mettre l’homme en contact avec le monde. Telle une prothèse, l’outil est précisément cette extension du corps qui permet à l’homme d’interagir avec son environnement et de passer ainsi de l’état de nature à l’état de culture. Apprendre à manipuler un outil révèle les propriétés cachées de la matière. L’outil, par conséquent, est un objet qui permet d’extraire de l’information, de mesurer et de quantifier le réel et d’opérer des croisements fructueux entre la science, la technologie et l’artisanat. L’exposition se clôt sur la double dimension symbolique - voire magique - et utilitaire de l’outil : à l’instar du compas des Compagnons du Devoir, devenu symbole philosophique de la Franc-maçonnerie, ou encore du dodécaèdre gallo-romain, mystérieux objet de divination, présentés dans cette section. Par leur préciosité ou par le sens dont ils ont été investis, ces objets, à l’origine simples instruments, deviennent de puissants symboles de l’humanité et des vecteurs de contemplation. (Source : www.palaisdetokyo.com/fr/exposition/lusage-des-formes)
Water & Form: clay, fiber and encaustic by Emily Miller
Oct. 6 - Nov. 17, 2017
510 Museum & ARTspace, Lake Oswego, Oregon
If you wish to buy this image at full resolution in digital or printed form please contact me via Flickrmail
Regards
Andrew Forbes Photography
This image is protected by copyright. It is available free of charge but must be credited to the Electoral Commission. The image must not be used for any party political purpose.
Please email the press team at press@electoralcommission.org.uk if you have any questions.
Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo performance on Whipple Field, Joint Base Myer Henderson-Hall, Va., April 23, 2013. Twilight Tattoo is an hour-long pageant, which showcases the U.S. Army through Old Guard Soldiers and The U.S. Army Band. (U.S. Army photo by Spc. Cody W. Torkelson)
This newly formed Senior Wrestling League competition was between City of Manchester Wrestling Club and Bolton Olympic Wrestling Club.
It was held at the Wrestling Academy on Saturday 17th December 2022
This is part of the two pilot leagues which were launching in September 22.
This could be a huge step for the development of wrestling in this country. If successful with our pilot season this could lead to the launch of a nationwide league launching in every region of the UK by the end of 2023.
The clubs competing in the inaugural Northern Seniors Wrestling League are:-
Manchester Y-Club Wrestling
@aspullwarriorswrestling
@bowcbears
@manchester_wrestling_club
@empower_wrestling
@bradfordwrestlingacademy
O fogo é formado por três entidades distintas, que compõem o "triângulo do fogo". São eles o combustível (aquilo que queima, como a madeira), o comburente (que permite a queima, como o oxigênio) e o calor. Sem uma dessas entidades, não pode haver fogo. Nisso se baseiam os extintores. O extintor de CO2 além de expulsar o oxigênio do meio, já que o CO2 é mais pesado que o ar, resfria consideravelmente o meio, ou seja, retira o calor do ambiente. Removendo duas entidades, não há fogo.
O fogo tem fascinado a humanidade durante milhares de anos. Foi a maior conquista do homem pré-histórico. A partir desta conquista o homem aprendeu a utilizar a força do fogo em seu proveito, extraindo a energia dos materiais da natureza ou moldando a natureza em seu benefício. O Fogo serviu como proteção aos primeiros hominídeos, afastando os predadores. Depois, o fogo começou a ser empregado na caça, usando tochas rudimentares para assustar a presa, encurralando-a. Foram inventados vários tipos de tochas, utilizando diversas madeiras e vários óleos vegetais e animais. No Inverno e em épocas gélidas, o Fogo protegeu o Ser Humano do frio mortal. O Ser Humano Pré-Histórico também aprendeu a “cozinhar” os alimentos em fogueiras, tornando-os mais saborosos e saudáveis, pois o calor matava as muitas bactérias existentes na carne. O fogo foi o maior responsável pela sobrevivência do Ser humano e pelo Grau de Desenvolvimento da Humanidade, apesar de que, durante muitos períodos da história, o Fogo foi usado no desenvolvimento e criação de Armas e como força destrutiva.
por: Fareday
building blocks forming a word fun - Close-up shot of three colorful building blocks forming a word fun over white background.. To Download this image without watermarks for Free, visit: www.sourcepics.com/free-stock-photography/24731810-buildi...
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I've only recently realised that the cactus in our office is trying to master the T'ai Chi Long Form. Very,very slowly.
Formed by continuous circular stitching. Metallic and rayon threads; free-machine embroidery on water soluble fabric
Formed of a Pressed Steel driving trailer (W54287) and Met Cam DMBS (53155), unit no L206 passes Aynho with an Oxford - Banbury local.
Yoichi Ochiai defines "The Form of Digital Nature" as a new perspective on nature, composed of digital media.
Credit: Jürgen Grünwald