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The mission to Orbitar began not with a thunderous launch, but with the quiet anticipation of those who had dedicated years to the dream of interstellar discovery. The crew aboard the ISV Pioneer had trained for a myriad of scenarios, their minds and bodies honed for the challenges of a world beyond the skies of Earth.
Their journey was spent in the quiet camaraderie that forms between those who share a common purpose and the understanding that they might be the first to set foot on a new world. The vessel that carried them was a masterpiece of human engineering, a ship designed not just for travel, but for the establishment of humanity’s first extra planetary outpost.
Upon arrival, Orbitar was as foreboding as it was breathtaking. Its vast landscapes were a sea of dunes and stone, painted in the unrelenting reds and browns of iron oxide. The crew’s initial surveys were filled with wonder and trepidation, the stark beauty of the planet belying its inhospitable nature.
The drones were their lifeline, eyes and ears spread across the desolate terrain, each programmed to seek out the most vital resource—water. The machines flew in precise patterns, their sensors peering beneath the surface, probing for signs of ice among the aridity.
The crew’s optimism began to wane with each passing sol. The planet was calm, yielding no secrets, it's surface a seemingly endless desert. Their technology, so reliable during simulations on Earth, met it's match against the mysterious radiation of Orbitar, an insidious and previously unknown force that irreparably damaged their water reclamation systems.
The careful redundancies built into the mission design were defeated by a phenomenon unknown to the scientists and engineers who had prepared for so many other eventualities. But not this.
This dire turn brought the mission to a precipice. The prospects of finding water grew dim, and the reality of their vulnerability set in—a sobering reminder of the fragility of human life in the vastness of space.
It was during this time of hardship that Surveyor 3 went dark. The loss of communication with one of their most advanced drones was a blow to the already flagging morale. However, when the drone's signal flickered back to life, it brought with it the first sign of hope—the images of the ice formations within a sheltered basin, a discovery that would redefine the entire mission.
The discovery of ice on Surveyor 3’s visual feed was a catalyst that ignited a flurry of activity within the outpost. A mixture of relief and exhilaration swept through the crew as they planned their next steps.
A team of their best, equipped with specialized gear for the trek, was quickly assembled. The journey to the basin was daunting, a traversal across the rugged expanse that would test both their physical limits and their resolve. The twin moons of Orbitar provided their only light, casting a silver hue over the rocky landscape, guiding their path to the site of the discovery.
Their arrival at the basin was met with awe. The ice formations stood before them like ominous giants, frozen in time. With precision and care, they drilled into the pillars of ice, extracting the cores that would sustain them.
The process of converting ice to water began immediately. The crew worked tirelessly, establishing a makeshift refinery that buzzed with activity. The sound of machinery echoed off the basin walls, the thrum of human persistence and ingenuity.
With the successful extraction of water, the outpost began to thrive. Pipes were laid down, creating a network that connected the basin to the heart of the outpost. The once sparse and functional arrangement of domes and habitats expanded, growing into a complex capable of supporting the crew and their mission objectives.
The greenhouses, once dependent on the precious little water they had brought with them, now burst with verdant life. The plants within, carefully selected and genetically modified for Orbitar’s harsh conditions, began to flourish. The sight of green amidst the red landscape was a striking contrast—a visual representation of their success against all odds.
The crew’s spirits were lifted as they watched their hard work manifest into a sustainable living environment. They were no longer just visitors on Orbitar; they were residents, caretakers of the first human outpost on another world.
Word of the mission’s turnaround, of the triumph over adversity, reached Earth with the delay inherent to the vast distances of space. But when it did, the reaction was electric. The world, which had watched the mission with a collective held breath, now exhaled in jubilation.
The success of the Orbitar mission sparked a renaissance in space exploration. The discovery of ice and the establishment of a sustainable human presence on another world galvanized the population. It was a unifying moment for humanity, a shared victory that transcended borders and disputes.
This success story rippled through societies, inspiring a new generation to look up at the stars with wonder and ambition. The tale of Orbitar was not just one of survival, but of growth, of humanity’s relentless drive to explore the universe and find it's place among the stars.
The mission to Orbitar would be chronicled as a significant milestone in human history. The crew’s experiences—their trials, their victories, their day-to-day lives on the alien world—would be studied and remembered for generations to come.
As the outpost grew and the mission evolved, it became clear that the legacy of Orbitar was not confined to the records and the memories of those who had lived it. It was a living, breathing, attestation to human ambition and adaptability.
The pioneers of Orbitar had set the stage for what could be humanity’s greatest adventure—expanding civilization beyond Earth, becoming a multiplanetary species. The ice, once a symbol of mere survival, now represented the foundation of a future rich with potential.
As the outpost continued to expand and the mission progressed, the explorers looked out upon their new world with a sense of ownership and belonging. They had come to Orbitar as scouts and had become its first inhabitants, its stewards, and in doing so, they had assured that humanity’s foray into the stars was not a fleeting endeavor, but a permanent stride into the vast, uncharted wilderness of the universe.
Free Form Quilling - Paper Quilling Curved Jewelry Set (FAH226)
These jewelry are made out of paper. These jewelry has been given waterproof coating. Therefore, it is water resistant.
Size:
Necklace:
Length: 13 - 17.5" (33.02 - 44.45cm)
Earrings:
Height: 1.5" (3.81 cm)
Width : 0.5" (1.27 cm)
My Shop:
www.craftsvilla.com/fahcreations
For more such creations please visit followings:
For the third year running following its great success, St. Mary’s held their creative ‘Trashion Show. Year 13 students came together for the annual event as part of their Catholic Religious Studies (CRS) programme to take a closer look at environmental issues.
The day began with a spiritual reflection where a representative from CAFOD attended and spoke to the students regarding the charity’s environmental work oversees, as well as about how their actions impact the lives of others. The students proceeded to play interactive games, further discuss environmental issues and examine Catholic teachings surrounding the matter, before making clothing out of recycled materials. The day concluded in the fashion show where students
Pamukkale ou Pamukale est un site naturel et touristique de Turquie composé de sources formant une tufière
1) The element investigated in this photograph is form. It is reflected in the composition by contrasting each and every diamond individual.
2) The focused subject would be the diamonds. I approached my subject by using natural light and by taking a birds eye view.
3) The aspect of the photograph that I thought turned out great would be how every diamond reflects off of the light.
4) If I were to take this photo again, I would take it from a different angle and use more light.
Las montañas Cairngorms forman el Parque Nacional más grande de Gran Bretaña y la zona más extensa de paisaje ártico montañoso en las islas británicas. Este fascinante lugar es también considerado como el último gran espacio salvaje de Europa. El corazón del Parque Nacional está formado por una impresionante cadena montañosa que contiene 4 de las 5 montañas más altas de Escocia. También alberga el 25% de los pájaros, animales y plantas en peligro de extinción del Reino Unido. Incluye áreas montañosas de un gran valor ecológico y antiguos bosques, ríos, lagos, valles y páramos que constituyen frágiles ecosistemas de una gran biodiversidad.
La espectacular meseta central está dividida por diferentes valles donde se encuentran los últimos reductos de los bosques primigenios de pino rojo que cubrían todas las Highlands en la antigüedad. Estos bosques son el hogar de innumerables especies animales como la ardilla roja, el urogallo, la marta, el gato montés, el corzo o el tejón, entre otras. También habitan en las proximidades grandes manadas de ciervos rojos o venados, un rebaño de renos y el grupo más numeroso de águilas reales del Reino Unido.
No podemos olvidarnos de la rica herencia cultural que tiene el P.N. Cairngorms y que contribuye a hacer de este espacio un lugar único, mágico y encantador.
The office building of Palais Quartier in Frankfurt. I like this perspective, because the lines look pretty interesting. Don't you think so? Do you prefer the colour version or the bw version?
BTW, this one I took in RAW mode. A colleague of mine recently encouraged me to try again. I had tried it quite some time ago and didn't really get the knack of it. This time it seems to work better. Thanks, Jarek! :-)
Das ist das Bürogebäude des Komplexes Palais Quartier in Frankfurt/Main. Ich mag diese Perspektive, weil die Linien ziemlich interessant aussehen. Findet Ihr nicht auch? Gefällt Euch die Farbvariante besser oder die Schwarz-/Weißvariante?
Übrigens habe ich dieses Bild im RAW-Modus aufgenommen. Ein Kollege hat mich letztens ermutigt, es doch nochmal damit zu probieren. Es ist schon eine Weile her, dass ich es ausprobiert hatte, damals kam ich irgendwie nicht damit zurecht. Dieses Mal scheint es besser zu funktionieren. Danke, Jarek! :-)
This foxglove took on a very unusual form for just the topmost flower - all the rest were normal. Any ideas what caused this strange growth??
Löwenstein - Stein in der Form eines Löwen in der Sense ( Fluss - River ) bei Neuenegg im Kanton Bern in der Schweiz
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Sense
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Die Sense ( Bergbach Bach creek ) befindet sich im Kanton Bern und Kanton F.reib.urg der Schweiz
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Daten Sense - Singine
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- Name : Sense ( französisch Singine )
- Gewässerkennzahl : CH: 269
- Region : Kanton Bern und Kanton F.reiburg in der Schweiz
- Ursprung / Q.uelle : Zusammenfluss von K.alter Sense und W.arme Sense in Z.ollhaus
- Länge : 35,7 km
- E.nde - M.ündung : Bei L.aupen in die S.aane → A.are → R.hein → N.ordsee
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Die Sense ( frz. Singine ) ist ein rechter Nebenfluss der S.aane und G.renzfluss zwischen dem Kanton Bern und dem Kanton F.reiburg in der Schweiz. Ihre Q.uellflüsse, die in Z.ollh.aus zusammenfliessen, sind die K.alte Sense, die im Gebiet des G.antrisch entspringt
und die W.arme Sense, die aus dem S.chwarzsee kommt.
Die Sense fliesst durch eine 15 km lange S.chlucht, die nicht nur bei W.ildwasserfahrern, sondern auch als B.adefluss sehr beliebt ist. Der wichtigste Z.ufluss der Sense ist das S.chwarzwasser.
Nach ca. 35 km mündet die Sense bei L.aupen in die S.aane. Da bei heftigen G.ewittern, besonders im S.ommer, die Sense plötzlich sehr stark ansteigen kann, ist der Aufenthalt in der Nähe des Flusses bei unsicherer W.etterlage gefährlich.
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F.ische
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Die B.achforelle ist die Fischart, welche am häufigsten in der Sense anzutreffen ist. Daneben kommen noch A.let, B.arbe, G.roppe, G.ründling, H.asel, R.egenbogenforelle und – vor allem im U.nterlauf – die Ä.sche vor.
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( BeschriebSense AlbumBergbächeimKantonBern KantonBern Bach creek puro ruisseaucrompán torrente 小川 kreek zatoczka enseada bäck zátoka arroyo Wasser vand water vesi eau uisce Vatn acqua 水 vann woda água vatten Voda agua Natur nature luonto Cineál Náttúra natura 自然 natuur natureza Príroda Narava naturaleza Alps Alpit Alpes Alpi アルプス山脈 Alpene Alpy Alperna Alpen Alperne Schweiz Suisse Switzerland Suissa Svizzera Swiss Sveitsi Sviss スイス Zwitserland Sveits Szwajcaria Suíça Suiza AlbumSense )
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An der S.ense bei F.lamatt mit M.ese, N.adia, K.aren, A.l, D.enise, L.uc, R.ita und L.iliana am Sonntag den 28. Juli 2013
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Hurni130728 KantonBern
E - Mail : chrigu.hurni@bluemail.ch
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Letzte Aktualisierung - Ergänzung des Textes : 220222
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NIF
Brise Lame contrefait les sons organiques et se joue des formes d’ondes. À mi-chemin entre l’IDM et l’électronique ambient, le son du modulariste est bâti sur des beats massifs fusionnés à des mélodies aquatiques, agissant en live sur des visuels générés en temps réel.
Soutenu par la Nouvelle Vague, Brise Lame contrefait les sons organiques, et se joue des formes d’ondes. Créé en 2019 par Victor Boquet, guitariste et batteur dans différents projets (Kosko, DWE), le producteur et modulariste défis les éléments avec un premier EP, « RIPPLES » sorti en 2020 et un single «SEAWEEDS» accompagné d’un clip. En 2021, Le nouvel EP « SIGIL » repousse encore plus loin l’exploration. À mis chemin entre l’IDM, l’ambient et la musique générative, ce nouvel EP est bâti sur des beats massifs fusionnés à et des mélodies aquatiques. Maker et Designer, Brise Lame rythme son live set avec des visuels et lumières synchronisés et générés par sa musique, créant un lien direct avec son public. Influences : Soul Wax, Aphex Twin, Apollo Noir, Fourtet, Look Mum No Computer
À mis chemin entre l’IDM, l’ambient, la musique générative, l’acid house et la drum’n bass, les 10 musiques du set de Brise Lame sont une expérimentation. Mélodique, percussive et se jouant des contraintes, la performance scénique est entièrement réalisée à l’aide d’un synthétiseur modulaire. Des beats massifs fusionnés à des paysages sonores érodés et des mélodies aquatiques, que Brise Lame explore pendant 45 minutes.
L’objectif de sa résidence au Château Éphémère est de finaliser son set live et la scénographie “autonome” en prévision de futurs concerts. En effet, sur scène, la musique de Brise Lame est illustrée par des visuels entièrement générés et synchronisés en temps réel. Entièrement codés et désignés sur Unity 3D par l’artiste, les différentes scènes et visuels projetés apportent de la cohérence à la musique, le tout créant un lien direct en le spectateur, qui peut visualiser la musique en live.
BRISE LAME, Ripples, électro modulaire
Découvrez Ripples, EP 4 titres de Brise lame.
Incursion dans un univers électro saisissant. Nous vous parlons aujourd’hui de Brise Lame, projet électro solo de Victor Boquet ici aux machines (il officie par ailleurs à la guitare ou à la batterie dans divers groupes, dont Kosko dont nous vous avions parlé il y a quelque temps de cela). Son projet électro est saisissant, comme le prouve Ripples, EP 4 titres se situant à la croisée des genres, à la fois dansant/trippant et plus ambient.
En effet, Brise lame se joue des contraintes et des carcans. Pourquoi toujours faire la même chose, ne pas fusionner les genres pour créer sa propre vision ? Telles semblent être les questions ici. Et Ripples nous fournit ici une réponse des plus informelles qui soit. Car en effet, l’effet de surprise généré par ces titres nous plonge dans un ailleurs étrangement organique, marin, tout en restant fondamentalement lié à l’électricité.
4 titres qui donnent le tournis.
Le premier élément qui nous happe, et qui apparaît dès Flock of seagulls, c’est cette recherche mélodique. Elle dégage, on ne sait pas trop comment, une imagerie marine. Sans doute que les toutes premières sonorités y font pour beaucoup car nous avons l’impression d’être transportés instantanément du côté de Tahiti, dans une mer bleue turquoise, où un mur de corail dévoilerait ses splendeurs lors d’une séance de plongée. Le changement d’ambiance est radicale dès que nous abordons Gutural fred, car nous quittons un univers onirique pour celui d’une rave party sauvage. Le contraste est saisissant, ce qui est amplifié par un retour à un univers plus ambient sur Collapse.
Ces montagnes russes émotionnelles caractérisent les expérimentations de Brise Lame. Elles synthétisent de la sorte les ressentiments subits. Il faut d’ailleurs préciser que Ripples a été enregistré en prise live à l’aide d’un modulaire, ce qui explique justement ce grand écart d’énergie(s) (grand écart voulu néanmoins). Ce qui en résulte, c’est une idée que même lorsque la musique est produite par des machines, elle permet néanmoins d’explorer des paysages sonores très différents.
www.youtube.com/watch?v=xBDb98K2oTM&t=9s
lanouvellevague.org/article/brise-lame/
Saint-Malo. Les concerts des Jardins d’été reviennent à la Briantais
La Nouvelle vague organise une série de concerts en plein air et gratuits à la Briantais. Commencés la semaine dernière, les événements se poursuivent vendredi 9, samedi 10 et dimanche 11 juillet 2021.
La Nouvelle vague prend ses quartiers d’été, au domaine de la Briantais, pour une série de concerts en plein air. Lancés le 2 juillet, les concerts reviennent dès ce vendredi et jusqu’à dimanche, avec une multitude d’artistes et de genres différents.
Vendredi 9 juillet, à 18 h, Damien Fléau donnera un concert autour de la thématique des vagues, avant de céder la place à Laurent Bardenne (qui a collaboré avec Pharrell Williams, Cassius, Philippe Katerine, Oxmo Puccino, David Murray, Daniel Darc…) et Tigre d’eau douce pour un voyage sur fond de groove.
Une déambulation
Samedi 10 juillet, quatre artistes et quatre ambiances se succéderont, dès 14 h, avec Elliott Armen (folk), Coupe Colonel (chanson rock), Poésie Chevalier (folk) et Brise Lame (électro). Dimanche 11 juillet, à 14 h, en partenariat avec le festival Les Baleines ont des ailes, une déambulation suivie d’une après-midi festive et artistique sera proposée. En guise de final, le groupe Eighty donnera un concert de disco moderne empreint d’électro et de hip-hop !
Alors que reprendre les concerts dans ses murs reste à ce jour impossible, La Nouvelle Vague investit le jardin du musée Jacques Cartier pour proposer une semaine de rendez-vous musicaux. L’occasion de rappeler que le soutien à la création et à la scène locale est l’une des pierres angulaires de ses activités, et de vous faire découvrir certains projets qu’elle accompagne.
À chaque temps fort de La Nouvelle Vague, une identité dédiée. Pour créer l’univers visuel de nos différents festivals, nous faisons régulièrement appel à des artistes et graphistes.
4 T butter
2/3 c sugar
1 rounded T light corn syrup
1/3 c all purpose flour
1/2 t ground ginger
With and electric mixer, cream the butter and sugar until light and fluffy, then beat in the light corn syrup. Sift over the flour and ginger and mix into a rough dough.
Wrap dough in saran wrap and chill in fridge for at least 30 minutes.
Preheat over to 375, grease cookie sheets.
Work in only batches of 4, roll dough into walnut size balls and place well apart on the cookie sheet. Bake about 4-5 minutes until golden.
Remove from oven, let the cool a minute on the cookie sheet until they come up easily but are still moldable. I drape mine on a rolling pin to get the shape. But you can roll them like a cigar or leave them flat. Either way, once you have achieved the shape you want, transfer the cookie to a wire rack to cool completely.
For the filling, I beat 2 cups of heaving whipping cream until it formed nice stiff peaks. Plopped some in the cradle of the cooke and topped with raspberries. Mmmm Boy.
Close-up of the type form (in the press) with ink on it.
All but the one line of Old English was set on the Linotype - including the border.
The type faces are Memphis Extra Bold Condensed, and Garamond No. 3.
From the Oct 1, 2008 Glens Falls, NY, Post Star Newspaper feature article about me making breads using sourdough cultures. In this photo I am forming a round loaf.
Madison, Ireland mission trip, collects information to form discipleship groups for the Ireland team.
Aufgenommen mii dem "Yashicized"-System, einer Kombination aus einer Yashica 635 und einer Ricoh GX 200
HRE FF15 Flow Form Liquid Silver Wheels
F: 19×8.5 ET47 R: 19×9.5 ET45
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Carbon Fiber Front Lip AMG R-Style
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H&R Sport Springs [29028-1]
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It's the weekend.
Again.
And for a change, we have nothing planned, though plans would be formed through the day.
I laid in bed until half seven, then up for coffee and breakfast.
What to do with the day?
Well, book a tip run as Jools has been trying to rid the garden of the Rosy garlic, and the plan became, drop me off at Tesco to go shopping while she went to the tip.
I'll be frank: Tesco was mad. Not helped by the brainless blocking shelves and aisles either talking or checking their not so smart phones.
Time in store doubled as Tesco decided to hide the celery.
Put it with the salad?
Hell no.
Next to the peppers?
Too easy.
At the end of the aisle next to the strawberries.
Obvs.
Outside, Jools was waiting, so we loaded the car and drove home, where I see, whilst reversing, our verbascum has a good colony of Mullein moth caterpillars hungrily munching their way through leaves and stems.
Non.
Nom.
Nom.
After parking up, I grab the camera and go to take shots of the hungry fellas.
We have breakfast, or was it lunch? I lose track.
Soon, we had lunch of Scotch eggs and salad, I announced I was going to Park Gate Down to meet with Jon and Richard.
All other drivers are clearly shit, so I arrived at PGD in a bad mood, but once I saw the open meadow dotted with pink and red orchids, my mood softened.
Jon, Richard and their tour had not yet arrived, so I went to explore, going to snap a few Monkey spikes. In the paddock, I saw a couple clearly looking down, and as I walked towards the second paddock, they were clearly on a closing vector.
We met at the low gate, and they opened with their gambit: Are there Fly Orchids here, we've been looking in the undergrowth.
Now.
I might not know much, but I know something about orchids. Fly, I said, are spit into two sub-species here: woodland and downland, and the downland have grown to thrive in open meadows and downland paddocks.
However.
It has been a dry year, and I haven't seen any for two or three weeks. But, my young padowan, I will join your quest.
Or words to that effect.
I played down the chances, as we moved up the down, I saw no spikes other than the burnt spikes of EPO, the lone Lady, and emerging CSO and Chalk Fragrants.
But no Fly.
I waved in the direction of the furthest slope of the reserve, stating, that's where the most Fly can be found.
Seconds later I saw the first spike, and nearby two or three more.
Hours Huw and his friend had spent looking, and later, on social media he stated that I had saved his holiday.
That, I do not know.
I walked on to snap the Greater Butterfly, and on my way back I head Jon's voice as the tour parked up.
I searched for half an hour for Musk Orchids, but saw no sign, but then Jon and Richard were close, so I went to say "hello".
After greetings, I was asked if I wanted to see a Musk?
I did.
So, soon, Richard picked his way along the down, until the tiny spike of the orchid, and a smaller one next to it came into view.
So easy.
It had taken Jon two hours on Friday to find this, and me an hour earlier that day.
We took turns to snap them, and then someone else, Monika from a nearby village who had never seen a Fly. So, I called her over to see the Musk, then took her along to see a Fly or ten.
I am good.
Plans to meet up the Jon were scrapped as he was ill, and getting worse, so I made my way home.
But it was the very best of days.
And better than on Monday there was no work either.
Yay.
Back home we had Caprese and focaccia, both bought from Tesco, but both good.
There was time for some #Wildflowerhour-ing and have a wine or two as the sun sank behind the yardarm.
Cheers.
Secretary Price visited Liberia to highlight the United States’ role in and commitment to global health security and to discuss the partnership formed between Liberia and the United States to strengthen capabilities to prevent, detect, and respond to potential health emergencies. During his visit, Secretary Price met with survivors of the 2014 Ebola outbreak, visited facilities that cared for Ebola patients and are continuing efforts to prevent future outbreaks, laid a wreath on the grave of an unknown Ebola victim at Disco Hill, and more. Learn more about Secretary Price’s visit to Liberia: www.hhs.gov/about/news/2017/05/19/secretary-price-visits-.... Monrovia, Liberia. May 17-18, 2017. Photo Credit: U.S. Embassy Monrovia.
Por meio da Educação, o Movimento dos Trabalhadores Rurais Sem Terra (MST) reforça a luta por um novo projeto de agricultura, que respeite a natureza e todas as formas de vida. Esse objetivo se fortalece com a formatura de 44 jovens camponeses, oriundos de dez estados, no Curso Superior de Agronomia com Ênfase em Agroecologia. A colação de grau dos trabalhadores Sem Terra e Atingidos por Barragens foi realizada na noite do dia 15 de dezembro de 2018 no Assentamento Novo Sarandi, em Sarandi, no Norte do Rio Grande do Sul.
As aulas de Bacharelado em Agronomia acontecem desde 2014 no Instituto Educar, uma escola de ensino superior e técnico construída pelo MST na antiga Fazenda Annoni, em Pontão, também na região Norte gaúcha. Essa é a primeira turma de engenheiros agrônomos formada na instituição. A segunda conclui seus estudos em 2020 e a terceira deve ingressar em fevereiro de 2019. O curso, que possui cinco anos de duração e ocorre em regime de alternância, é viabilizado através do Programa Nacional de Educação na Reforma Agrária (Pronera), em parceria com a Universidade Federal da Fronteira Sul (UFFS) – Campus Erechim.
Colação de grau
O ato de colação de grau lembrou o papel histórico das mulheres camponesas na descoberta e no desenvolvimento da agricultura, por meio do cultivo e da preservação de sementes crioulas. Também criticou a ofensiva do modelo capitalista de produção, que destrói a natureza com o uso abusivo de insumos químicos, agrotóxicos e sementes transgênicas. O novo projeto de agricultura, defendido pelo MST para o campo brasileiro, foi representado pelos 44 jovens formandos, que simbolizaram o sonho de milhares de famílias Sem Terra de transformar a sociedade com a agroecologia.
Nesse sentido, a assentada Irene Manfio ressaltou que esse novo projeto deve incluir “as famílias camponesas como sujeitos de uma transformação histórica no campo e na cidade” e ser capaz de produzir alimentos saudáveis e de interpretar a natureza como aliada e não como inimiga. “Queremos relações mais humanas e não de interesses econômicos. Assim, se faz necessário formar agrônomos militantes que construam junto com o campesinato a agroecologia”, disse.
O juramento dos formandos complementou o tom das declarações de Irene. Eles se comprometeram a trabalhar pelo bem da humanidade, a respeitar a natureza e os saberes camponeses, a buscar a sustentabilidade ambiental, uma agricultura socialmente justa, economicamente viável e ecologicamente sustentável, além de compartilhar seus conhecimentos, honrar o legado de luta herdado de seus pais e educadores e sempre seguir, na execução das atividades de Agronomia, os princípios da agroecologia.
Desafios e superações
Os oradores Tatiana Lopes e Lucas da Silva, representando todos os integrantes da turma, compartilharam com os participantes da formatura os momentos mais marcantes durante os cinco anos de curso. Lembraram que a ocupação do espaço universitário ainda é um privilégio no país e uma barreira colocada principalmente aos filhos de camponeses, historicamente privados do direito de estudar. Diante dessa realidade, destacaram a luta do MST desde 2012 para tornar possível o Curso Superior de Agronomia com Ênfase em Agroecologia no Instituto Educar. “O processo inicial não foi fácil. Houve intensas negociações com representantes da universidade, apresentando o projeto, os objetivos do curso, a importância da formação para a juventude camponesa e do desenvolvimento da produção agroecológica nos assentamento de Reforma Agrária”, resgataram.
Segundo os recém-formados, lutas em torno de objetivos coletivos se fizeram necessárias para garantir a continuidade dos seus estudos, em função do desmonte do Pronera após o golpe político, midiático e parlamentar de 2016. Recordaram a maturidade que tiveram para enfrentar aquele momento, com a decisão de destinar recursos que estavam sendo guardados à formatura para apoiar financeiramente o Instituto Educar, garantir a infraestrutura básica e impedir a paralisação das aulas.
Para a turma, que recebeu o nome de Ênio Guterres — em homenagem e memória ao engenheiro agrônomo e militante da agroecologia falecido em 2005 —, a elaboração teórica e a pesquisa acadêmica também foram grandes desafios, pois vinham acompanhadas da tarefa de estudar e pesquisar costumes, técnicas, culturas e problemáticas que envolveriam a base Sem Terra. No entanto, os jovens se destacaram pela qualidade dos trabalhos de conclusão de curso e o resultado das avaliações, feitas por doutores — as notas mais baixas foram oito, 15 jovens receberam nota 10 e 15 já estão publicando artigos.
Além disso, o único trabalho brasileiro premiado na Conferência Internacional sobre Agricultura e Alimentação em uma Sociedade Urbanizada, evento que envolveu este ano mais de 400 elaborações de acadêmicos, mestres e doutores de 32 países em Porto Alegre, é de autoria da primeira turma de Agronomia do Instituto Educar. Conforme a educadora Salete Campigotto, os recém-formados possuem alta qualidade e contribuirão com o desenvolvimento sustentável dos assentamentos da Reforma Agrária. “Muitos já estão inseridos em cooperativas e no Setor de Produção do MST em várias regiões do Brasil, e alguns jovens ajudarão camponeses a aplicarem a agroecologia na Venezuela e no Haiti”, contou.
Motivos de orgulho
O engenheiro agrônomo Adalberto Martins foi escolhido para ser paraninfo da turma Ênio Guterres, juntamente com a educadora Salete Campigotto. Durante o ato de colação de grau, eles demonstraram o orgulho que sentem pela formação dos pioneiros em Agronomia do Instituto Educar e elogiaram a trajetória trilhada pelos 44 formandos durante as etapas do curso. “Vocês amadureceram e se transformaram. Se tornaram seres humanos melhores e comprometidos com os camponeses e as mudanças necessárias ao país. Essa turma nos orgulha, porque é a maior formada pela UFFS no Campus de Erechim, porque alguns de vocês nós vimos crianças, vimos seus pais em acampamentos e em assentamentos se sacrificando para organizar o MST. Sem vocês aqui hoje, isso tudo não faria sentido. Agora é a hora de nos responsabilizarmos, de darmos sequência a essa dedicação pela causa popular”, apontou Martins.
Já Mário Lill, coordenador geral do Instituto Educar, agradeceu a todos que, de uma forma ou outra, contribuíram para que o curso se tornasse realidade. Ele destacou que a instituição é resultado da luta do MST, que traz como frutos a Reforma Agrária, a reorganização da produção, a socialização do conhecimento e condições melhores de vida. “O Educar fez tudo o que pôde para que os formandos saíssem daqui os mais humanos possíveis e com o máximo de conhecimento para transformar a produção em nossos assentamentos”, finalizou.
Texto: Catiana de Medeiros
Fotos: Maiara Rauber
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