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A bud about to bloom.
I have been told this is a flower from a weed. Not sure what type yet. - A weed is just an unwanted plant -
.
I love its shape.
Photo taken in Melbourne, Australia
My work can be viewed at:
© JWatson, Joy Watson Photography and bubbleblue.
All photographs in my portfolio are copyrighted and owned by the artist © Joy Watson. Any reproduction, publication, modification, or transmission of any of the content for commercial or personal use with out my written permission will be prohibited. All rights reserved.
Thanks for viewing my work.
Pendant from polymer clay, alcohol ink and metallic powders, finished with epoxy resin (according to the Rocky Path-tutorial from Rivervalley)
The now vacant lot at 4575 S. Lake Park (where the mature tree stands on the left) was where the home of Albert Sullivan once stood. It was designed by his brother Louis.
Form 4F 1967
Back row M Caban 1st from left, Tony Firman 3rd from left, Charles Fuller-Rowell 3rd from right.
Front Row ?, Keith Hoddy, Stephen Howlett, Nigel Fox, ?, Peter Devereux, ?, ?, Joseph Gray, John Kemp, ?
Photographic Souvenirs published by Geo. Holdsworth & Son Ltd., Hartlepool.
Kindly sent by Tony Firman.
Formado em 1989 no curso de jornalismo da Universidade Metodista de São Paulo, na cidade de São Bernardo do Campo, em São Paulo.
Ingressou na Folha de S.Paulo em setembro de 1990. Trabalhou no jornal como redator e editor-assistente até o fim de 1992. Após uma temporada em Londres no ano seguinte, retornou à Folha em janeiro de 1994 na função de repórter. Saiu do jornal para trabalhar na campanha presidencial de Luiz Inácio Lula da Silva em abril daquele ano. Atuou como assessor de imprensa de Lula até julho de 1995.
Voltou pela terceira vez à Folha em setembro de 1995. Por seis meses, fez cobertura de polícia. Em 1996, assumiu o cargo de editor da coluna de notas "Painel". Foi enviado especial para a cobertura do conflito no Kosovo em 1999. Escreveu o livro "Kosovo, a Guerra dos Covardes".
Em 2000, incorporou-se ao grupo de repórteres especiais da Folha. Em setembro daquele ano, foi transferido para Brasília, onde passou a escrever sobre os bastidores do poder. Depois do atentado de 11 de setembro de 2001, atuou como correspondente de guerra no Paquistão, Tadjiquistão e Afeganistão.
No ano de 2008, foi convidado para ser comentarista de política do telejornal RedeTV! News, da RedeTV!. Em outubro, estreou um novo programa semanal de entrevistas da emissora, o É Notícia. Conversou com os principais personagens do poder no Brasil. O programa entrevistou figuras de destaque no cenário internacional, como Hugo Chávez, Oliver Stone, Tariq Ali e José Sócrates.
Em 2010, foi o organizador e mediador dos dois primeiros debates presidenciais da RedeTV!. Mediou ainda seis debates estaduais. Em 2012, voltou a organizar e mediar debates eleitorais.
Deixou a versão impressa da Folha em 31 de dezembro de 2010 e a coluna semanal da versão eletrônica do jornal em 05 de outubro de 2012. Saiu da RedeTV! em 30 de setembro de 2013.
Em 07 de agosto de 2013, lançou o Blog do Kennedy, com informações, análises e opiniões principalmente sobre política e economia. É comentarista da CBN desde 15 de março de 2011. De segunda a quinta-feira, entra ao vivo na rádio por volta das 18h03 e comenta os assuntos do dia junto com Roberto Nonato, dentro do Jornal da CBN 2ª Edição, onde faz a coluna "A Política Como Ela É", nome do seu canal no YouTube.
A partir de 17 de março de 2014, passou a trabalhar no SBT. Analisava e informava os bastidores do dia em Brasília no SBT Brasil, no extinto Jornal do SBT e depois no "SBT Notícias". Fazia também entrevistas com personalidades de destaque da política e economia que foram exibidas nos telejornais da emissora. As íntegras das entrevistas estão publicadas no Blog do Kennedy. Em 05 de outubro de 2017, pediu demissão do SBT devido a mudanças no telejornal "SBT Brasil" e ao cancelamento da série "Cenários 2018", que era exibida no "SBT Notícias".
Fotos: Felipe L. Gonçalves/Brasil247
Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo performance in Conmy Hall, Joint Base Myer Henderson-Hall, Va., April 23, 2013. Present for this performance was Mr. Mike Duke CEO of Walmart, NFL commissioner Roger Goodell, Ms. Cheryl Jensen from the Vail Veterans Program, and Ms. Barbara Van Dahlen from the Give an Hour program. (U.S. Army photo by Spc. Cody W. Torkelson)
“Long Shot” was choreographed by Kelly Hagfeldt and features 10 dancers. Pictured here, left to right, are Amanda McCabe, Kodi Auch, Brittney Rau, Jessica Aparicio, Ashley Magelky, Rachel Cross and Kelly Hagfeldt.
This image was scanned from a photograph held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, please contact us.
Tapete formado pelas flores do ipê-amarelo na Igreja Santo Antônio de Cascavel (PR). O "Parque dos Ipês" é o novo ponto turístico da cidade.
this plant (unknown name) is the bane of my life. It looks quite pretty in flower but the seeds mean that the following year it takes over and chokes everything else in the flowerbed.
© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Connie Lemperle/ lemperleconnie or the Cincinnati Zoo & Botanical Garden
Link to Cincinnati Zoo..............Siamang
The Siamang inhabits the forest remnants of Sumatra Island and the Malay Peninsula, and is widely distributed from lowland forest to montane forest, even a rainforest. And can be found at altitudes of up to 3800 m [5]. The Siamang lives in groups of up to 6 individuals (4 individuals on average) with a home range 23 hectares on average.[6][7]. Their day ranges are substantially smaller than those of sympatric Hylobates species, often less than 1 km[8]. The Siamang's melodious choir singing breaks the forest's silence in the early morning after the Agile Gibbon or Lar Gibbon's calls. The Siamang in Sumatra and the Malay Peninsula are similar in appearance, but there are some differences in behaviour between the two populations.
Diet
The Siamang mainly eats various parts of plants. The Sumatran Siamang is more frugivorous than its Malayan cousin, with fruit making up to 60% of its diet. The Siamang eats at least 160 species of plants, from vines to woody plants. Its major food is figs (Ficus spp.), a member of Moraceae family.[7][9] The Siamang prefers to eat ripe fruit rather than unripe fruit, and young leaves rather than old leaves. It eats flowers and a few animals, mostly insects. When the Siamang eats large flowers, it will eat only the corolla (petal), but it will eat all parts of smaller flowers, with the small fruit collected in its hand before being consumed. When it eats big and hard seeds or seeds with sharp edge it will peel out the fruit flesh and throw away the seed.[9] Although its diet consists of substantial portions of fruit, it is the most folivorous of all members of Hylobatidae[10]. As it is also the largest gibbon, and thus fits well with the general primate dietary trend in which larger primates tend to be more folivorous.
Demography and population
A group of Siamang normally consist of an adult dominant male, an adult dominant female, with offspring, infant and sometimes a sub-adult. The sub-adult usually leaves the group after the age 6 to 8 years; sub-adult females tend to leave the group earlier than sub-adult males. Siamang males tend to offer more paternal care than other members of the family Hylobatidae, taking up a major role in carrying the infant after it is about 8 months old [12]. The infant typically returns to its mother to sleep and nurse. A study in relation to effect of habitat disturbance on the Siamang found that group composition is varied in age-sex structure between intact forest and post-burnt forest. The post-burnt population was more adult and sub-adults than the intact population. Post-burnt groups contain fewer infants, small juveniles and large juveniles compared to intact forest groups. Infant survival rates in post-burnt groups are lower than in intact forests. The number of individuals in intact forests is higher than in post-burnt forests.[7] The Siamang in disturbed forests live in small groups and have a density lower than in intact forests because of lack of food resources and trees for living.
In the 1980s, the Indonesian population of the Siamang in the wild was estimated to be 360,000 individuals.[13] This seems over-estimate today, as an example, Bukit Barisan Selatan National Park (BBSNP) is the third largest protected area (3,568 km²) in Sumatra, of which approximately 2,570 km² remains under forest cover inhabit by 22,390 siamangs (in 2002 censuses). According to two different research projects conducted in Sumatra, the Siamang prefer to inhabit lowland forest below between 500 m in altitude and over 1000 m above sea level.
Behavior
The Siamang tends to rest for more than 50% of its waking period (from dawn to dusk), followed by feeding, moving, foraging and social activities. It takes more rest during midday, taking time to groom each other or play. During resting time it usually uses a branch of a large tree lying on their back or on their stomach. Feeding behaviors, foraging, and moving are most often in the morning and after resting time.
In the dry season the length of the Siamang's daily range is longer than in the rainy season. The Siamang in southern Sumatra undertakes less foraging than the Siamang in other places because it eats more fruit and therefore consumes more nutrition, which results in less time needed for looking for food. Sometimes the Siamang will spend all of the day in one big fruiting tree, just moving out when it wants to rest and then coming back again to fruiting trees.
Role of calling
The Siamang starts its day by calling in the early morning and calls less after midday, with the peak of their calls around 9:00 am to 10:00 am. Most of the Siamang's calls are directed to its neighbours rather than to inside its home range. This means that the Siamang's calling is in response to disturbances and is to defend its territory. Calls in the late morning typically happen when it meets or sees another Siamang group. The edge of the Siamang's home range, which may overlap another, is often the places where calling is made. Counter-call (co-response calling) occasionally happens near the border or in the overlap area. Calls are numerous when fruit is more abundant rather than when fruit is less available. Branch shaking, swinging, and moving around the tree crowns accompany the calling. This movement might be to show the other groups where they are.
The Siamang prefers calling in the living, high and big trees, it might be the places where another group is easy to see. Beside that, living, big, and tall trees can support Siamang movement. Calling trees are usually near feeding trees but sometimes they call in the feeding trees.
Siamang and their habitat
As a frugivorous animal, the Siamang disperses seeds through defacation as it travels across its territory. The Siamang can carry seed and defecate over 300 m with the shortest distance being 47.6 m from the seed resource, which supports the forest regeneration and succession.
Threats to population
The Siamang, as an arboreal primate, absolutely depends on the forest for existence, needing trees for its living. At the moment, the Siamang is facing a population decrease due to habitat loss[6], poaching and hunting.
Habitat loss
A major threat to the Siamang is habitat loss due to plantation, forest fire, illegal logging, encroachment, and human development. Firstly, palm oil plantations have removed large areas of the Siamang's habitat in the last four decades. Since 2002 107,000 square kilometres of palm oil have been planted,[17] which has replaced much rainforest in Indonesia and Malaysia, where the Siamang originally used to live. Secondly, in the last two decades, forest fire destroyed more than 20,000 km² of Sumatran rainforest, mainly in the lowland area where most of the Siamang live. Thirdly, the rate of illegal logging in Indonesia increased from 1980 to 1995 and even more rapidly after the reformation era beginning in 1998.[17] These illegal activities devastated the remaining tropical rainforest especially in Sumatra. Fourthly, forest encroachments change forest cover into cultivated land, for example; the rising price of coffee in 1998 has been encouraging people in Sumatra to replace the forest with coffee plantation.[18] Fifthly, development in many areas needs infrastructure such as roads, which now divide a lot of conservation areas have been caused forest fragmentation and edge effects. Unfortunately, the Siamang as an arboreal primate faces difficulty because road establishment has disconnected their pathways.
Poaching and hunting
Unlike other parts of Asia, primates are not hunted for their meat in Indonesia (the exception is in Chinese restaurants in Indonesia which sometimes serve macaque on their menu). However, they are poached and hunted for the illegal pet trade, mostly for infant Siamang. Poachers kill the mothers because mother Siamang are highly protective of their infants. It is therefore very difficult to remove the infant without first killing the mother. Despite the fact that most Siamang on the market are infants many infants nevertheless die during transportation
Note________________________________________________________________
Well my grandson has left for work. He still lives here because he is in the Air Guard. He hopes to relocate to Colorado soon. My grandaughter is still sleeping but I have to get her up soon so she can have a nice breakfast before she has to catch a plane for back home. It sure was so nice to visit with her and I will miss her terribly once she's her for home. It sad that her family isn't still living here but I understand their desire to do this. New experiences in life are always fun even though there are downfalls like not living where your extended family is. I hope to get to Colorado in the fall. That will be a new experience for me plus I'll get to see the rest of my family that lives there. Anyway, everyone please have a very nice day and if you can try something new in your life even if its something right where you live. I'll try to catch up with you all later. Big Hugs!
CRAZY FORM YUNHO
Prince Yunho looking like royalty in his Crazy Form inspired outfit. ATINY's hearts will melt ❤️
#ATZ #secondlife #virtualreality #kpop #slkpop #slkpopfans #CRAZYFORM #secondlifeavatar #tributeband #YUNHO
cr.-
photo: Hongjoong
editing: @valentino.hasu
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Rufus puts his Science Museum credentials to good use, distracting a patiently queuing audience from the ridiculousness of our being denied venue entry with A Cunning Plan...
(C) Isabelle Adam
Flamenco, in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, but also having a historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage.
The oldest record of flamenco music dates to 1774 in the book Las Cartas Marruecas by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of dances, and toques, perfection, newspapers, graphic documents in paintings and engravings. ... in continuous evolution together with rhythm, the poetic stanzas, and the ambiance.”
On 16 November 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Discover all the eMotion dance videos: www.youtube.com/watch?v=h3GjzzIFQHc&list=PLpNOq2dpOWy...
💡HOW ? 🔽
📋 (VIDEO ORIGINAL: youtu.be/PQgedLm66gk)
ℹ️ This Video is Creative Common (Dance) [creativecommons.org/licenses/by/3.0/legalcode]
♾️ The links :
- For Music (🎵) = COPY & PASTE [---]
- For Video (🎥) = COPY & PASTE [~~~]
- For Music & Video (🎵) & (🎥) = COPY & PASTE [---] & [~~~]
ℹ️ Colorimetric and contrast changes, as well as logo additions were made on the original video.
✔️ DOWNLOAD: www.dropbox.com/sh/t7tojasjfmmz93g/AABdEYz3F5A9NOi0n_mjNb...
--- 🎵 MUSIC & DANCE
👸 Mision Flamenca
📌 Website: www.misionflamenca.com
---
~~~ 🎥 VIDEO
San Francisco Public Library
📌 Youtube: www.youtube.com/user/SanFranciscoLibrary
📌 Flickr: www.flickr.com/photos/sfplsanfranciscohistoricalphotograp...
📌 Facebook: www.facebook.com/sfpl.org
📌 Pinterest: www.pinterest.com/sfpubliclibrary
📌 Twitter: twitter.com/SFPublicLibrary
📌 Website: sfpl.org/about-us/blogs
~~~
💃 Dance promoted by eMotion :
📼Video Link: youtu.be/nsQe6wy3Vx4
📋WHAT ? 🔽
🌟 Spanish Folk Dance - Flamenco (Mision Flamenca) [White Dress]
💫 Dance/Spanish Music/Spanish Dance/European Music/European Folk/Flamenco Dance World
🌌Creative Common Dance
✨Dance & Music Universe (💃)(🎵) 💃 Dance (Creative Common) 🎵 Music 🎤 Sing
📝Type : 🇪🇸 Spanish Dance ⭐ European Dance 🍅 Mediterranean Dance 😃 eMotion Happy 💃 Flamenco 🇪🇸 Spanish Music 🌐 World Music ⭐ European Music 🍅 Mediterranean Music Dance 🎸 Acoustic 🎎 Folk
🎺 Musical Instruments : 🎸 Acoustic Guitar Percussion
🔊Language : 🇪🇸 Español (🇬🇧 Description in English)
WHO ? 🔽
🎵 Music by Mision Flamenca
📡 Posted by San Francisco Public Library
📡 Reposted by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
️ Video by San Francisco Public Library
💃 Dance by Mision Flamenca
📍WHERE ? 🔽
🇪🇸 Spain [Music]
🇺🇸 USA (San Francisco) [Video]
🇫🇷 France [eMotion Video]
🇺🇸 USA (San Francisco) [Location]
🇪🇸 Spain [Dance]
🕓WHEN ? 🔽
🎆 ? [Music]
🎆 2020 [Video]
💌 Contact : emotionetoilecontact@gmail.com
🔖 React with official Hashtags :
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Since my studio is in the living room, guests are always exposed to the goings-on of a letterpress printer. They are particularly fascinated by forms, so I decided to spiff up the "decor" by displaying some forms on lacy placemats. I covered the galley with Mylar to keep off the dust.
Simplitatea vietii impovareaza pe multi.
Si nu odata,
"cei multi" isi ascund goliciunea sufleteasca
sub voaluri brodate cu slove dulci.
Cand mainile sunt "oarbe"
si nu pot sa simta
dincolo de materialitate,
cand simturile inspira doar conventionalul,
realitatea ramine doar
un banal punct de comparatie.
Cuvantul
are puterea de-a "vedea"
dincolo de exuberante.
Dar "cei multi" sunt orbi si
paralizati intr-un joc anost de-a viata.
Putini au mai ramas cei care "vad".
Dar si mai putini au ramas
"cei care inteleg"
Positive Runway Global Catwalk African Fashion Show African Ambassadors & Diaspora Interactive Form AAIF United Nations buildings International Maritime Organization HQ IMO London.
"Reclining Connected Forms" 1969-1974 An abstract sculpture of a baby in it's mother's embrace by Henry Moore. Measuring 10.17 x 17 x 7.70 feet. The graceful outer shell of the sculpture depicts the changing shape of a pregnant figure as it protects the new life growing within. This is in the "pocket park" between the Aria Hotel Casino and Crystals Shopping Mall.