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© cuma 2013. © Copyright – Marcelo Moreno©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.© cuma 2013. © Copyright – Marcelo Moreno©. Estas fotos tienen derechos de autor. Todos los derechos reservados. Las imágenes no pueden ser utilizadas sin autorización expresa del autor.© Copyright – Marcelo Moreno©. © cuma 2013.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside FlickR, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved." © Copyright -. Marcelo Moreno © - © cuma 2013
La reproducción, publicación, modificación, transmisión o explotación de una obra contenida en este documento por cualquier uso fuera de Flickr, personal o comercial, sin mi permiso previo y por escrito es estrictamente prohibido. Todos los derechos reservados ".
(Texturas logradas con distintos filtros de PS.)
The Hoh Rainforest is located on the Olympic Peninsula in western Washington state, USA. It is one of the largest temperate rainforests in the U.S.[1] Within Olympic National Park, the forest is protected from commercial exploitation. This includes 24 miles (39 km) of low elevation forest 394 to 2,493 feet (120 to 760 m) along the Hoh River. The Hoh River valley was formed thousands of years ago by glaciers. Between the park boundary and the Pacific Ocean, 48 km (30 mi) of river, much of the forest has been logged within the last century, although many pockets of forest remain.
Curzon Street Tunnel is on the Digbeth Branch Canal, completed in 1799.
The Grade II listed structure is 161 yards long and carries the Birmingham to London railway across the canal. The older brick tunnel was constructed at the same time as Curzon Street station in 1838 and lengthened later when the line was extended into New Street station, opened in 1854.
Petit (et modeste) exploit hier soir : La voûte de la Voie Lactée dans un magnifique paysage malgré un ciel voilé et une pollution lumineuse plus qu'intense.
Agréable instants hors du temps, caressé par une petite brise douillette
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A small (and modest) feat last night: The Milky Way bow in a magnificent landscape despite a veiled sky and intense light pollution.
A pleasant moment out of time, swept by a gentle breeze.
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_DSC9099-Panorama
Another of the places that most impressed me of the Cantabria Coast.
Photographing the north coast, it becomes a difficult task for all the variables to fit, coincidence of sunrise-sunset with high-low tides depending on each place, having good lights and whenever you can look for less-seen frames, it complicates a lot things.
On the technical side, say that I used the combination of a ND four steps filter and a soft gradient ND three steps filter.
I hope you like it. Have a nice Sunday. :)
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Exploité par la société Farafina Tours qui dispose d'une flotte hétéroclite de cars de seconde main venus d'Europe (Setra S213RL, Renault Tracer...) ou d'Asie.
Autumn at the door
Muse: Giulia Pontoni
Foto: Michele Marcolin
Luogo: MEM Studio, Pavia di Udine (UD), Italy
Tools: K1ii + DFA 50mm f1.4
Another of the few shots I stole at the studio, during the short visit I paid to Gigi this year. Due to various commitments that had been keeping my mind busy during my stay in Europe, not lastly also an elbow inflammation that was giving me problems in handling my cameras, I did not have plan to shot this time. However, resisting the call of the photographic wild for a concert and event photographer, which is used to exploit any situation, was impossible to ignore. Particularly with such a beautiful muse.
🇫🇷 L'Argentiera est le nom d'un hameau situé sur le littoral de la commune de Sassari au nord-ouest de la Sardaigne
.La mine était exploitée par les Romains et les Phéniciens.
L'exploitation est rouverte au XIXe siècle par une société minière belge
.Le site connaît une période florissante vers 1940 puis décline après la Seconde Guerre mondiale.
La mine est fermée en 1963.
On peut y voir les vestiges de la laverie avec ses charpentes de bois et les fours destinés à la fonte des minerais formant un des plus intéressants exemples d'archéologie industrielle en Sardaigne. La restauration a commencé .
🇬🇧 L'Argentiera is the name of a hamlet on the coast of the municipality of Sassari in north-west Sardinia.
The mine was exploited by the Romans and Phoenicians.
It was reopened in the 19th century by a Belgian mining company.
The site enjoyed a flourishing period around 1940, before declining after the Second World War.
The mine closed in 1963.
The remains of the washing plant with its wooden frameworks and the furnaces used to smelt the ore can still be seen, making it one of the most interesting examples of industrial archaeology in Sardinia. Restoration work has begun.
🇮🇹 L'Argentiera è il nome di una frazione della costa del comune di Sassari, nella Sardegna nord-occidentale.
La miniera fu sfruttata dai Romani e dai Fenici.
Fu riaperta nel XIX secolo da una società mineraria belga.
Il sito conobbe un periodo di fioritura intorno al 1940, per poi declinare dopo la Seconda Guerra Mondiale.
La miniera chiuse nel 1963.
Sono ancora visibili i resti dell'impianto di lavaggio con le sue strutture in legno e i forni utilizzati per la fusione del minerale, che ne fanno uno degli esempi più interessanti di archeologia industriale in Sardegna. Sono iniziati i lavori di restauro.
🇩🇪 L'Argentiera ist der Name eines Weilers an der Küste der Gemeinde Sassari im Nordwesten Sardiniens.
Die Mine wurde von den Römern und Phöniziern betrieben.
Jahrhundert von einer belgischen Bergwerksgesellschaft wiedereröffnet.
.Die Anlage erlebte um 1940 eine Blütezeit und ging nach dem Zweiten Weltkrieg zurück.
Die Mine wurde 1963 geschlossen.
Die Überreste der Wäscherei mit ihren Holzbalken und den Öfen zum Schmelzen der Erze, die eines der interessantesten Beispiele für Industriearchäologie auf Sardinien darstellen, sind noch zu sehen. Die Restaurierung hat begonnen.
🇪🇸 L'Argentiera es el nombre de una aldea situada en la costa del municipio de Sassari, en el noroeste de Cerdeña.
La mina fue explotada por romanos y fenicios.
Fue reabierta en el siglo XIX por una compañía minera belga.
El yacimiento conoció un periodo de florecimiento hacia 1940, antes de decaer tras la Segunda Guerra Mundial.
La mina cerró en 1963.
Los restos de la planta de lavado, con sus armazones de madera, y los hornos utilizados para fundir el mineral aún pueden verse, lo que la convierte en uno de los ejemplos más interesantes de arqueología industrial de Cerdeña. Se han iniciado trabajos de restauración.
Once a busy goldmining area, Skippers Canyon was accessed by Skippers Road, which is today one of New Zealand's better known scenic roads. Skippers Road is mostly one-way, narrow and steep with sheer drops.
La Ribera Salada al seu pas pel Pont de la Ginebrosa, al oest del Solsonès.
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The Ribera Salada river seen from the old stone bridge at La Ginebrosa, in central Catalonia. The unusual river name (translated more or less like "salted bank" or "salted shore", although I presume a less literal would be "salted river") is explained because in one of it's sources the water has a high salt content, even exploited to this day).
"Autumn red"
Réserve naturelle nationale de la Combe Lavaux (Côte d'Or)
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🇫🇷 La Cala dell'Argentiera se trouve dans un impressionnant cadre d'archéologie industrielle, composé des bâtiments de la mine de l'Argentiera qui a été exploitée pendant des siècles pour ses abondantes réserves de plomb, argent et zinc. Le village de mineurs, fermé en 1962,
🇬🇧Cala dell'Argentiera is set in an impressive setting of industrial archaeology, consisting of the buildings of the Argentiera mine, which was exploited for centuries for its abundant reserves of lead, silver and zinc. The miners' village, closed in 1962,
🇮🇹 Cala dell'Argentiera è inserita in un suggestivo contesto di archeologia industriale, costituito dagli edifici della miniera dell'Argentiera, sfruttata per secoli per le sue abbondanti riserve di piombo, argento e zinco. Il villaggio dei minatori, chiuso nel 1962,
🇩🇪 Die Cala dell'Argentiera befindet sich in einer beeindruckenden industriearchäologischen Umgebung, die aus den Gebäuden der Argentiera-Mine besteht, die jahrhundertelang wegen ihrer reichhaltigen Blei-, Silber- und Zinkvorkommen ausgebeutet wurde. Das Dorf der Bergarbeiter, das 1962 geschlossen wurde,
🇪🇸 Cala dell'Argentiera se encuentra en un impresionante entorno de arqueología industrial, formado por los edificios de la mina Argentiera, explotada durante siglos por sus abundantes reservas de plomo, plata y zinc. El pueblo de los mineros, cerrado en 1962,
"Small farm"
Vallée de Muong Hoa, Sapa (Vietnam)
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"Copyright © – Patrick Bouchenard
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Le gisement d’étain de la région d’Abbaretz a fait l’objet d’exploitations très anciennes, dès l’époque gallo-romaine. Mais c’est au début du 20ème siècle que d’importants travaux de recherche ont débuté par la société nantaise des Minerais de l’Ouest (SNMO). L’exploitation principale a été réalisée à ciel ouvert sur le site du Bois Vert à l’ouest du bourg d’Abbaretz à partir de 1952. La mine à ciel ouvert a atteint des profondeurs allant de 40 à 70 m. Lors de l’exploitation, les matériaux extraits à la pelle mécanique étaient transportés par bandes transporteuses soit au nord de la route départementale directement lorsqu’il s’agit de roche de découverte ou de minerai trop pauvre en étai, soit dans l’usine de traitement du minerai. Dans l’usine, le minerai était concassé et broyé pour récupérer l’étain. Une fois ce dernier récupéré, les résidus de traitement étaient envoyés dans des grandes aires de décantation au nord de la route départementale. Cette activité a généré les terrils du Bois Vert visibles aujourd’hui : le terril conique composé de stériles d’exploitation (matériaux plus ou moins grossiers, moins chargés en métaux) et les terrils tabulaires en forme de plateaux composés de résidus de traitement (matériaux plus fins de type sable, plus chargés en métaux). L’étude menée récemment par le BRGM conclut à une concentration relativement importante en métaux dans les sols (arsenic notamment) présente dans les résidus des anciennes activités de traitement du minerai. Cette zone ayant donné lieu à une exploitation minière dans le passé contient naturellement des teneurs en métaux plus élevées que la moyenne de terres initialement chargées en métaux. Ce rapport indique qu’en dehors d’une promenade le long du chemin de randonnée et sur la montée au belvédère du terril conique, les autres usages ne sont pas compatibles avec le site.
The tin deposit in the Abbaretz region has been exploited for a very long time, since the Gallo-Roman period. But it was at the beginning of the 20th century that important research work began by the Nantes company of West Minerals (SNMO). The main mining was carried out in the open pit at the Bois Vert site to the west of the village of Abbaretz from 1952. The open pit mine reached depths ranging from 40 to 70 m. During operation, the materials extracted with a mechanical shovel were transported by conveyor belts either to the north of the departmental road directly in the case of discovery rock or ore too poor in prop, or to the plant of ore processing. At the plant, the ore was crushed and ground to recover the tin. Once the latter was recovered, the treatment residues were sent to large settling areas north of the departmental road. This activity generated the Bois Vert slag heaps visible today: the conical slag heap made up of waste rock (more or less coarse materials, less loaded with metals) and the tabular slag heaps in the form of trays made up of treatment residues ( finer sand type, more loaded with metals). The recent study carried out by BRGM concludes that there is a relatively high concentration of metals in the soils (arsenic in particular) present in the residues of former ore processing activities. This area, which has been used for mining in the past, naturally contains higher metal contents than the average for soil initially loaded with metals. This report indicates that apart from a walk along the hiking trail and on the climb to the conical slag heap lookout, other uses are not compatible with the site.
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Belvédère des 4 lacs (Jura)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
© cuma 2013. © Copyright – Marcelo Moreno©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
© cuma 2013. © Copyright – Marcelo Moreno©. Estas fotos tienen derechos de autor. Todos los derechos reservados. Las imágenes no pueden ser utilizadas sin autorización expresa del autor.
© Copyright – Marcelo Moreno©. © cuma 2013.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside FlickR, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
© Copyright -. Marcelo Moreno © - © cuma 2013
La reproducción, publicación, modificación, transmisión o explotación de una obra contenida en este documento por cualquier uso fuera de Flickr, personal o comercial, sin mi permiso previo y por escrito es estrictamente prohibido. Todos los derechos reservados ".
(Texturas logradas con distintos filtros de PS.)
The USS Inflict, USS Exploit & USS Fidelity are underway. This was taken from the USS Impervious. A Canon TX camera with 35mm film was used to take this. #USSInflict(MSO-456)
#USSFidelity(MSO-443) #USSExploit(MSO-440) #U.S.Navy
Sprimocoop est copropriétaire d’un parc éolien de 5 machines.
Concrètement, la société d’exploitation des 5 machines appartient pour 3/4 au développeur (VENTIS), le quart restant se partageant en deux parties égales entre la commune de Sprimont et Sprimocoop.
Les éoliennes sont situées au Nord de l’autoroute E25, de part et d’autre de la nationale 678 qui relie Sprimont à Louveigné.
Les cinq machines sont identiques. Ce sont des Nordex N117/3600 Delta. Chacune a une puissance maximum de 3,6 mégawatts (3.600 kW) et fournit de la puissance tant que le vent a une vitesse comprise entre 10 et 75 km/h.
Chaque mât mesure une centaine de mètres de haut et supporte une nacelle qui contient un alternateur connecté à l’axe d’une énorme hélice à trois pales en composite polyester-fibre de verre d’un diamètre de 116 mètres. La surface du cercle parcouru par chaque hélice est de 10.715 m2, soit un peu plus d’un hectare. Chacun des ces mètres carrés amène une puissance de 336 watts à la machine.
Le sommet des pales montera à environ 150 mètres et descendra à un peu plus de 40 mètres du sol. La vitesse de rotation est de 14,1 tours par minute. On verra donc passer une pale au même endroit toutes les 1,4 secondes.
Sprimocoop co-owns a five-turbine wind farm.
Specifically, the operating company for the five turbines is three-quarters owned by the developer (VENTIS), with the remaining quarter being split equally between the municipality of Sprimont and Sprimocoop.
The wind turbines are located north of the E25 motorway, on either side of the Route Nationale 678, which connects Sprimont to Louveigné.
The five turbines are identical. They are Nordex N117/3600 Delta turbines. Each has a maximum output of 3.6 megawatts (3,600 kW) and provides power as long as the wind speed is between 10 and 75 km/h.
Each tower is about 100 meters high and supports a nacelle containing an alternator connected to the shaft of a huge three-bladed polyester-fiberglass composite propeller with a diameter of 116 meters. The surface area of the circle covered by each propeller is 10,715 m², or just over one hectare. Each of these square meters provides 336 watts of power to the machine.
The blade tips will rise to approximately 150 meters and descend to just over 40 meters from the ground. The rotation speed is 14.1 revolutions per minute. Therefore, a blade will pass over the same spot every 1.4 seconds.
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Model intergalacticstock.deviantart.com/art/Longing-8-59813547
...Joe Simpson au Siula Grande - Cordillère Huayhuash - Pérou.
Joe Simpson (né le 13 août 1960) est un écrivain et alpiniste anglais connu principalement pour son terrible accident lors de la descente du Siula Grande (6 334 m) avec Simon Yates en 1985.
"Lors de la descente d'un versant très dangereux en période hivernale, Joe est victime d'une première chute qui lui brise la jambe droite. Son ami décide alors de le descendre à la corde petit à petit dans des conditions climatiques extrêmes. Malheureusement, Joe se retrouve suspendu dans le vide n'ayant pu avertir son ami de l'arrivée d'une énorme coulée. Après une heure et demie d'attente par -25°C Simon prend la terrible décision de couper la corde le reliant à Joe pour avoir une chance de sauver sa propre vie. Joe Simpson chute de plusieurs dizaines de mètres dans une crevasse.
Il réussit ensuite l'exploit de ressortir de la crevasse, de finir la descente du versant et de traverser un glacier pour rejoindre le campement avec la jambe cassée, sans eau et par des températures extrêmes. Ce combat pour la survie dure quatre jours. Joe Simpson perd un tiers de son poids.
Il a écrit un livre adapté par la suite au cinéma, La Mort suspendue, réalisé par Kevin Macdonald en 2003. Cette adaptation est en fait dédiée à son ami Simon Yates pour répondre aux critiques des alpinistes que Simon avait reçues après avoir coupé la corde qui le séparait de Joe durant la descente du Siula Grande. Joe a déclaré qu'il aurait fait exactement la même chose si les rôles avaient été inversés. Après deux ans de rééducation en hôpital et six opérations, Joe profite à nouveau de sa passion, l'alpinisme.
Il est également l'auteur de grandes premières et voies prestigieuses. "
Wikipédia.
This is the scene of slow but age-old struggle: the tenacious tree is probing and poking the rock for cracks and fissures to exploit, while the rock - which probably predates the dinosaurs - holds steadfast and has seen it all before. The tree outgrows its support system and tumbles, to be taken by the sea at the end of this narrow pathway. However, the hardy tree's root-system lives on to sprout a new shoot heading for the light, and the struggle continues.
The Hoh Rainforest is located on the Olympic Peninsula in western Washington state, USA. It is one of the largest temperate rainforests in the U.S.[1] Within Olympic National Park, the forest is protected from commercial exploitation. This includes 24 miles (39 km) of low elevation forest 394 to 2,493 feet (120 to 760 m) along the Hoh River. The Hoh River valley was formed thousands of years ago by glaciers. Between the park boundary and the Pacific Ocean, 48 km (30 mi) of river, much of the forest has been logged within the last century, although many pockets of forest remain.
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Vallée de Varzob près de Douchanbé (Asie Centrale - Tadjikistan)
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Tombeau de Saint Firmin, évêque d'Uzès. La cathédrale Saint-Théodorit d'Uzès (Gard)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
"During the first months on Atlas, we marked out mining fields and progressively established outposts close to each field, to operate and maintain the harvesters from. My parents were stationed at one of those outposts for maintenance duty. For the remaining years of my scholarship in The Ring, before joining service as a drone operator on the sun-side, I only saw them on rare occasions. One of those was the regular medical check they would undergo, as traces of the raw materials on the machinery they were taking care of could be toxic despite all protective equipment. Our med staff quickly discovered that, curiously, not everyone reacted to such exposure.
After refining the resources, command launched unmanned carriers in closely spaced intervals towards other star systems controlled by the confederation. Given Atlas' thin atmosphere and comparably low mass, our engineers had developed highly efficient launch systems early on, halving our colony's fuel expenses for exports. The saved budget was partially redirected towards local causes, the majority however was shoved into the pockets of the Confederation."
Part III of ATLAS, a collaboration hosted in The Workshop.
This scene, like all in this series, was captured entirely in camera. Screen background with complementary light on the left; brickbuilt forced perspective foreground.
Let me know what you think!
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--- Extra ---
Swallow
void
reborn
lel
vco
When taking this photograph, I wanted to highlight an ancient cultural heritage preserved thanks to funding provided by mass tourism, whose presence can be seen through the window.
Temples d'Angkor (Siem Reap - Cambodge)
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"Copyright © – Patrick Bouchenard
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Le terminal Novatrans de Mouguerre exploite encore des BB 300 loués à Captrain France pour les manoeuvres sur le site. La conduite des engins est assurée par les agents du terminal, sur un domaine extérieur au RFN. Ces machines sont employées quotidiennement sur les différents trains traités par le site : combiné, conventionnel, wagons isolés et depuis peu ferroutage avec le trafic Cherbourg - Mouguerre pour Brittany Ferries traité sur une voie Modalohr nouvellement construite sur le site.
Ce soir là, la BB 308 assurait la manoeuvre du Novatrans 50720 à destination de Dourges. Il s'agissait ici de sortir la première demi-rame puis la seconde en refoulement. L'ensemble est ensuite placé sur une des trois voies du faisceau départ, où la BB 27173 sera mise sous tension.
Lenka's story at the Venice Biennale 2024.
Colonialism, exploitation of plant and animal resources, anthropocentrism and speciesism: a denunciation at the Venice Biennale.
La storia di Lenka alla Biennale di Venezia 2024.
Colonialismo, sfruttamento delle risorse vegetali e animali, antropocentrismo e specismo: una denuncia alla Biennale di Venezia.
www.ilgiornaledellarte.com/Articolo/Diario-da-Venezia-qua...
"The war in Ukraine reminds us how unjust and painful the construction of a people's identity, the affirmation of national independence and the reclamation of one's roots can be. Repairing serious and profound wounds inflicted throughout history is a slow, complex and difficult process. A metaphor and monument of a similar condition is Lenka, in the Czech Pavilion. The famous giraffe captured in Kenya in 1954, transported to the Prague zoo, survived in captivity for only two years, then taxidermied and preserved in the museum, after having thrown its organs into the city sewers. Eva Kotakova's work, «The heart of a giraffe in captivity is twelve kilos lighter», is a walkable environmental installation that reproduces the inside of the long dissected neck of the animal arranged in a circle. In the center of the room there is a blackboard and a space for meeting and reflection to learn about its history, its meaning and its cultural implications. On the floor, Lenka's skeleton is reproduced and as a sound that pervades the Pavilion the hymns of the countries that the giraffe crossed on its long journey to Prague, many of which no longer exist today."
"La guerra in Ucraina ci ricorda quanto ingiuste e dolorose possano rivelarsi la costruzione di un’identità di un popolo, l’affermazione dell’indipendenza nazionale e la rivendicazione delle proprie radici. Risarcire gravi e profonde ferite inflitte nel corso della storia è un processo lento, complesso e difficile. Metafora e monumento di simile condizione è Lenka, nel Padiglione della Cecoslovacchia. La celebre giraffa catturata in Kenya nel 1954, trasportata allo zoo di Praga, sopravvissuta in cattività solo due anni, poi tassidermizzata e conservata nel museo, dopo aver gettato gli organi nelle fogne cittadine. L’opera di Eva Kotakova, «Il cuore di una giraffa in cattività è dodici chili più leggero», è un’installazione ambientale percorribile che riproduce l’interno del lungo collo sezionato dell’animale disposto a cerchio. Al centro della sala una lavagna e uno spazio di incontro e riflessione per conoscerne la storia, il suo significato e le sue implicazioni culturali. Sul pavimento lo scheletro di Lenka riprodotto e come suono che pervade il Padiglione gli inni dei Paesi che la giraffa attraversò nel suo lungo viaggio verso Praga, molti oggi non più esistenti."
labiennale.ngprague.cz/it-2024-eva-kotkov
milano.czechcentres.cz/it/blog/2023/08/eva-kotatkova-bude...
Bing Image Creator
Some birds aren't meant to be caged, their feathers are just too bright and beautiful.
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