View allAll Photos Tagged Exploits
Copyright © Heavenxxx89 2012 You may not, except with my express written permission, copy, reproduce, download,
distribute or exploit In any way Thank you
view My Photstream Here portfotolio.net/heavenxxx23
Texture Lenabem-anna Bucket ruby Blossom
La baie de Halong en pleine mousson.
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Built in the 1960s to NATO specification, and at the height of the Cold War, the Scottish Fuel Depots situated at Garelochhead (adjacent to the Clyde Naval Base), Loch Striven (near Dunoon), Loch Ewe (in Wester Ross) and Campbeltown provide a mainly maritime fuelling facility to visiting UK & NATO vessels.
Capacity of all 4 sites at the time of original build totalled 702M litres, capable of handling Gas Oil and Aviation fuel. This total has since reduced to 600M litres due to infrastructure reductions at Garelochhead. With the withdrawal particularly of the US Navy from the West Coast of Scotland, the UK-only requirements for fuelling have dropped to today’s forecast prediction of approx 50M. Periodic reviews have continued to confirm that from a military perspective the 4 depots and their location are nonetheless strategically required in spite of the considerable excess capacity held.
The challenge therefore was either to offset MOD’s overheads and liabilities by reducing running costs of each site to a minimum care and maintenance basis or to find some means of exploiting the spare capacity whilst retaining the military capability.
A different look at a sunflower. I'm trying to find the maximum number of ways to exploit these beautiful flowers.
Lighting: Lit with a Yongnuo flash in a 24 inch gridded soft box at camera right. Fill light came from a mirror at camera left. The flash, in manual mode was triggered by a Yongnuo RF-603N.
I've photographed a lot of plants and flowers, because they're all around us, work cheap, and never complain. I have an album of these images with over 800 pictures, and for each one, I have described how I lit them, in case you're interested in that kind of thing.
Excerpt from www.grandfallswindsor.com:
The Salmon Enhancement on the Exploits River is the largest of its kind in North America and to highlight this development an Interpretation Centre is operated in Grand Falls-Windsor, Newfoundland and Labrador.
Located on the Exploits River at the "Grand Falls", the Centre has exhibits on the history, biology, ecology and habitat of the Atlantic Salmon. Visitors can view the King of Fish through underwater windows as it travels upstream to the spawning habitat and take in the view of the Falls and nesting seagulls.
By A Cool Bean
A COOL BEAN |FACEBOOK | INSTAGRAM | INTERESTING | TWITTER
Note: As a general photographer its always nice when a family lets you exploit your own nuttiness. Gracious to the Love's
© cuma 2013. © Copyright – Marcelo Moreno©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
© cuma 2013. © Copyright – Marcelo Moreno©. Estas fotos tienen derechos de autor. Todos los derechos reservados. Las imágenes no pueden ser utilizadas sin autorización expresa del autor.
© Copyright – Marcelo Moreno©. © cuma 2013.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside FlickR, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
© Copyright -. Marcelo Moreno © - © cuma 2013
La reproducción, publicación, modificación, transmisión o explotación de una obra contenida en este documento por cualquier uso fuera de Flickr, personal o comercial, sin mi permiso previo y por escrito es estrictamente prohibido. Todos los derechos reservados ".
(Texturas logradas con distintos filtros de PS.)
Copyright © Heavenxxx89 2012 -2013 You may not, except with my express written permission, copy, reproduce, download,
distribute or exploit In any way Thank you
view my photostream here portfotolio.net/heavenxxx23
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treated myself to a new camera this is one of the first images Ive taken using it wished I had brought one ages ago amazing camera
© Leanne Boulton, All Rights Reserved
Candid street photography taken in Glasgow, Scotland. Mobile phones are the modern bane of the street photographers life, it is increasingly impossible to find a subject who is not using one. Sometimes, however, a composition comes along that simply has to be exploited - especially as I heard that 'Emoji' is actually now the fastest growing 'language' in the UK! (sad face, sad face, sad face)
Enjoy full screen by pressing 'L' and thank you all for your appreciation of my work, it means a lot to me!
The site as it stands today dates back to the 1950s and 1960s. Although these lakes are artificial, they were not created for tourism or leisure purposes.
Before the 1950s, Luxembourg exploited local sand pits in this area. In other words, quarries from which sand, gravel and pebbles were extracted for construction purposes. When the quarrying stopped, the artificially created basins filled up with groundwater. This is how the Remerschen lakes came into being.
Some birds aren't meant to be caged, their feathers are just too bright and beautiful.
If you really like to enjoy this picture press f11 on your keyboard them press Here
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© Copyright: The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited.
La Vallée des Saints (Traoñienn ar Sent en breton) est un projet associatif de statuaire monumentale en cours de réalisation en Bretagne, sur la colline de Quénéquillec à 230 m d'altitude, dans la commune de Carnoët (Côtes-d'Armor).
Il s'agit de réaliser une « île de Pâques bretonne du troisième millénaire », un lieu honorant la mémoire collective bretonne à travers la mise en place de grandes statues en granit (de 2,5 à 7 mètres de hauteur en moyenne) à l'effigie de 1 000 saints bretons qui ont fondé une paroisse ; autour de mythes de fondation se sont greffées des légendes racontant les exploits de ces personnages.
THE MAN WITH TWO HATS
The National Canadian War Memorial in Apeldoorn is called 'The Man with Two Hats'. Ottawa, Canada, has an identical statue symbolising the solidarity between the two countries. The two hats represent war and peace, repression and freedom, life and death, sadness and joy. In fact, many Dutch people regard the Canadians as the true liberators of the Netherlands.
Source: excitinghistory.com/liberation-route/apeldoorn-man-met-tw...
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The statue Man with Two Hats stands in Commissioners Park. An explanatory plaque contains the following text:
During the Second World War, Canadian soldiers played a crucial role in the liberation of the Netherlands. With the donation of this monument - an expression of joy and a celebration of freedom - the Netherlands pays lasting tribute to Canada.
A statue identical to this one stands in Apeldoorn in the Netherlands. The twin monuments symbolically link Canada and the Netherlands; though separated by an ocean, the two countries will forever be close friends.
Her Royal Highness Princess Margriet of the Netherlands unveiled the monument in Ottawa on May 11, 2002, and the other in Apeldoorn on May 2, 2000.
Artist: Henk Visch
Source: en.wikipedia.org/wiki/Canadian_Tulip_Festival#Man_With_Tw...
www.flickr.com/photos/rw-v/17016720309/
A little more information about the artist Henk Visch:
www.flickr.com/photos/rw-v/11134790426/in/set-72157637774...
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L'homme aux deux chapeaux - Man with two hats
The Man with Two Hats || L'homme aux deux chapeaux
In the City of Apeldoorn, The Man With Two Hats monument symbolizes many dualities. The two hats in and of themselves represent a time when to come through the war with one hat was something of a feat. It represents the end of the horrors of war but in the same vein the peace and freedom that continue to elude many countries today. It symbolizes the two countries of Canada and the Netherlands. The outstretched arms symbolize the liberation of the Netherlands and also the reaching out of country to country, people to people. The visage, one of sadness and deep meditation and also one of serenity and peace. With the donation of this monument, the Netherlands pays a lasting tribute to Canada. A statue identical to this one stands in Ottawa, Ontario. The twin monuments symbolically link Canada and the Netherlands, forever close friends.
Situé dans la ville D’Apeldoorn, le monument « L'homme aux deux chapeaux » symbolise la dualité. Les deux chapeaux représentent ce temps où c'était un exploit de sortir de la guerre avec un chapeau. Ils représentent la fin des horreurs de la guerre, mais aussi la paix et la liberté que ne connaissent toujours pas de nombreux pays aujourd'hui. Ils symbolisent le Canada et les Pays-Bas. Les bras tendus symbolisent la libération des Pays-Bas et l'entraide entre les pays et les gens. Le visage exprime la tristesse et le recueillement, mais aussi la sérénité et la paix. En faisant le don de ce moneument, les Pays-Bas rendent un hommage durable au Canada. Le double de ce monument, situé à Ottawa (Ontario), a été offert au Canada par les Pays-Bas en témoignage d’honneur. Les monuments identiques symbolisent la forte amitié entre les deux pays.
The monument, which was sculpted by Dutch artist Henk Visch, is made of bronze and measures 4.6 metres. Entitled "The Man with Two Hats" (De man met de twee hoeden), it symbolizes the historic bonds between Canada and the Netherlands.
L'oeuvre - une pièce en bronze mesurant 4,6 mètres - a été réalisée par le sculpteur néerlandais Henk Visch qui l'a intitulée « L'homme aux deux chapeaux » (De man met de twee hoeden). Elle symbolise les liens historiques qui unissent le Canada et les Pays-Bas
Source: www.veterans.gc.ca/eng/remembrance/memorials/overseas/sec...
Source: www.veterans.gc.ca/fra/remembrance/memorials/overseas/sec...
www.flickr.com/photos/rw-v/22891984431/in/album-721576504...
"Cry of Anger"
Statue de Samdech Chuon Nath, fondateur du dictionnaire khmer et compositeur de l'hymne national khmer (Phnom Penh - Cambodge)
Website : www.fluidr.com/photos/pat21
www.flickriver.com/photos/pat21/sets/
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
En 1965, Peter Wolkonsky achète les vieux bâtiments de ferme d'une exploitation agricole et recompose façades et toitures dans le style d'un ancien logis manorial du XVIIe siècle. Il creuse les différentes pièces d'eau, bâtit et décore des constructions annexes, fontaine ou pavillons et grotte italienne ornés de coquillages.
Les tempêtes de 1987 et 1999 causent de grands dégâts. Après la mort de Peter Wolkonsky en 1997, sa fille Isabelle et son mari Timothy Vaughan, paysagiste, restaurent le jardin et poursuivent l'œuvre de son créateur. Le paysagiste meurt en août 2025.
En 2021, les jardins sont achetés par le créateur de chaussures de luxe Christian Louboutin.
En mai 2025, ce jardin est considéré comme l'un des vingt-cinq plus beaux du monde, selon une liste publiée par le New York Times. Le paysagiste Louis Benech est à l'origine du classement du jardin à la 18e place.
Les jardins de Kerdalo s'étendent sur 18 hectares, le long d'un vallon encaissé qui descend en pente douce vers la rivière du Jaudy. Ce jardin-paysage à l'anglaise emprunte différents éléments d'inspiration italienne ou exotique.
lesjardinsdekerdalo.com/?lang=en
In 1965, Peter Wolkonsky purchased the old farm buildings of a working farm and redesigned the facades and roofs in the style of a 17th-century manor house. He created various water features, built and decorated outbuildings, a fountain, pavilions, and an Italian grotto adorned with seashells. Storms in 1987 and 1999 caused extensive damage. After Peter Wolkonsky's death in 1997, his daughter Isabelle and her husband, landscape architect Timothy Vaughan, restored the garden and continued his work. The landscape architect died in August 2025. In 2021, the gardens were purchased by luxury shoe designer Christian Louboutin. In May 2025, this garden was ranked among the twenty-five most beautiful in the world, according to a list published by The New York Times. Landscape architect Louis Benech is responsible for the garden's 18th place ranking.
The Kerdalo gardens extend over 18 hectares, along a narrow valley that slopes gently down to the Jaudy River. This English-style landscape garden incorporates various elements of Italian and exotic inspiration.
corporations and religious control freaks eager to exploit them — the Republican Party and its allies have a bright future :-(
Ted Rall, "The Right Stuff: Conservatism is dead. Long live fictional conservatism!", 2007
copper-flowered common witchhazel, 'Jelena', j c raulston arboretum, ncsu, Raleigh, north carolina
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I was originally enrolled into the GETTY IMAGES collection as a contributor on April 9th 2012, and when links with FLICKR were terminated in March 2014, I was retained and fortunate enough to be signed up via a second contract, both of which have proved to be successful with sales of my photographs all over the world now handled exclusively by them.
On November 12th 2015 GETTY IMAGES unveiled plans for a new stills upload platform called ESP (Enterprise Submission Platform), to replace the existing 'Moment portal', and on November 13th I was invited to Beta test the new system prior to it being officially rolled out in December. ESP went live on Tuesday December 15th 2015 and has smoothed out the upload process considerably.
These days I take a far more leisurely approach to my photographic exploits, and having moved from professional Nikon equipment to consumer bodies and lenses, I travel light less constraints and more emphasis on the pure capture of the beauty that I see, more akin to my original persuits and goals some five decades previously when starting out. I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 22.893+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on March 7th 2018
CREATIVE RF gty.im/925773952 MOMENT OPEN COLLECTION**
This photograph became my 3,019th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
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**** This frame was chosen on August 7th 2018 to appear on FLICKR EXPLORE (Highest Ranking: #80. This is my 103rd photograph to be selected, which for me is both amazing and exciting, as I never view my images as worthy compared to some of the awesome photography out there. EXPLORE is Flickr's way of showcasing the most interesting photos within a given point in time -- usually over a 24 hour period.
Flickr receives about 6,000 uploads every minute -- That's about 8.6 million photos a day! From this huge group of images, the Flickr Interestingness algorithm chooses only 500 images to showcase for each 24-hour period. That's only one image in every 17,000!..... so I am really thrilled to have a frame picked and most grateful to every one of the 17.950 Million people who have visited, favourite and commented on this and all of my other photographs here on my FLICKR site. *****
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Photograph taken at an altitude of Fifty seven metres at 10:29am on Wednesday February 28th 2018 off Woolwich Road and Treetops Close in the grounds of Abbey Wood open space in Bexleyheath, Kent, England.
'The beast from the East', a Siberian cold front and weather phenomenon, has swept across the United Kingdom duringh the past few days, and last night was Kent's turn to brace herself for the deluge of snow.
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Nikon D7200 10mm 1/40s f/11.0 iso100 Exposure Compensation +1.3EV RAW (14 bit Lossless compressed) Image size 6000 x 4000). Colour space RGB. Handheld. AF-C focus 51 point with 3-D tracking. Manual exposure. Matrix metering. Auto white balance. Auto Active D-lighting. Nikon Distortion control on. Vignette control on.
Nikkor AF-S DX 10-24mm f/3.5-4.5G ED DX. Phot-R ultra slim 77mm UV filter. Nikon EN-EL battery. Hoodman H-EYEN22S soft rubber eyecup. Matin quick release neckstrap. My Memory 32GB Class 10 SDHC. Lowepro Flipside 400 AW camera bag. Nikon GP-1 GPS module.
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LATITUDE: N 51d 29m 9.90s
LONGITUDE: E 0d 8m 14.60s
ALTITUDE: 57.0m
RAW (TIFF) FILE: 69.10MB
PROCESSED (JPeg) FILE: 38.40MB
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PROCESSING POWER:
Nikon D7200 Firmware versions A 1.10 C 2.015 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.
staff of zurich's lush shop campaigning against the use of animals in circuses.
aktion zircus ohne tiere: www.azot.ch
kein applaus für tierquälerei: www.zirkusinfo.ch
lush switzerland: www.lush-shop.ch
Ville: Nice
Réseau: Lignes d'Azur
Exploitant: Régie Ligne d'Azur
Numéro de parc: 294
Ligne: 11 Square Daudet - Vallon des Fleurs - Bella Vista
"Off-peak hours"
Saint-Montan (Ardèche)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Limestone pavement an a lone tree above Malham.
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© Copyright 2013 Philip Hunter, All Rights Reserved.
You do NOT have the right to copy, reproduced, download, or exploit any of my images without my permission.
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Hardly I post a "selfie", this is just to point out that even the exploited theme of "feet to the sea", I like to do it my way.
This child has lost all his colour, becoming one with the objects which surround him in his karmic prison.
All photographs in this portfolio are copyrighted and owned by me, Amy Weiss. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission is prohibited. All rights reserved.
"Down to the smallest detail"
Ville portuaire de Tomonoura, Fukuyama (Préfecture de Hiroshima).
Website : www.fluidr.com/photos/pat21
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Pour l'exploitation vapeur, la société SLM Winterthur a réalisé huit locomotives, numérotées de 1 à 8. Ces machines présentent des caractéristiques communes, à ceci près que les cinq premières sont à vapeur saturée (206 tubes à fumée, puissance de 250 ch), et les trois dernières à surchauffe (90 tubes et 15 éléments surchauffeurs, puissance de 280 ch). La chaudière est inclinée de 10 %, de façon que l'eau soit à un niveau suffisant au-dessus du foyer même dans les fortes rampes.
All photographs in this portfolio are copyrighted and owned by me, Amy Weiss. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission is prohibited. All rights reserved.
On this International Workers Day, let us remember the millions of workers all over the world, especially in the world's poorest countries, who do the hardest, dirtiest and most dangerous work for the lowest pay. They contribute so much to our daily lives, yet they ask for so little in return, just enough so they can feed their families. Too often, they are invisible; we don't see their blood, sweat and tears. They have my deepest respect, and their hardships will not be forgotten.
For millions of brick workers in Bangladesh, life is incredibly hard. In the 8,000 brick fields, according to the United Nations Development Program, men and women carry loads of bricks on their heads for 8 or more hours a day. Each brick weighs about 2.5 kilos (5.5 lbs), and many workers carry between 10-20 bricks up to 30 kilos per load. For this exhausting and grueling work, they get paid about US$2-3 a day. The kilns used for baking the bricks burn wood and coal, even plastic and tires, spewing toxic pollutants, smoke and ash. Their day long exposure to so much environmental pollutants, smoke, heat and dust without any protective equipment cause many workers to suffer from lung diseases like asthma, bronchitis, silicosis and cancer, as well as skin diseases and injuries due to falling bricks. Debt bondage forces many workers to labor under such hazardous and punishing conditions. Often, entire families with children old enough to work, labor for years, trapped in a spiraling cycle of poverty to pay off their debts to the bosses /moneylenders. It was heart-breaking for me to see the exploitation and suffering of the brick workers, and moved me to tell their story.
More and more people are realising these days that cows are not just commodities to be exploited for food. No human needs animal products to survive, no matter what you believe about protein and iron. It's all crap. Cows are individuals, they are social, maternal, intelligent, and have just as much a will to live as you do. Exploiting them unnecessarily is cruel and inhumane, no matter how quick the death or how happy their lives were. We all have the responsibility to make the decision to step away from animal exploitation by adopting a vegan lifestyle. It really is the least we can do.
The railway arrived in 1930 in Bobo-Dioulasso and then in 1954 in Ouagadougou. It was initially operated by the Régie Abidjan-Niger (RAN) from 1960 to 1989 before being taken over by SITARAIL (Bolloré Group) in 1995. Despite an ambitious project to connect the different countries of the sub-region by the rail network, almost nothing lasting has been achieved to date apart from two sections currently abandoned.
The first is a section which was to connect Niamey to Parakou, then to the Beninese network, started in 2013 and decommissioned in 2018, which was limited to around a hundred kilometres within Niger.
The second is an ambitious project carried out by the Burkinabe people under the revolutionary regime of Captain Thomas SANKARA (1983-1987). This involved extending the Abidjan-Ouagadougou line towards Niger by serving the Tambao phosphate mines. If the platform was built over most of the distance, the rails could only be laid over a hundred kilometres to reach Kaya. The railway nevertheless operated for several years before being abandoned following the deterioration of specific watercourse crossing structures. Operation of this line is currently limited to the Kossodo industrial zone on the northeastern outskirts of Ouagadougou.
However, this infrastructure could arouse new interest because it passes close to the future Donsin International Airport. Establishing a rail service to avoid traffic jams would be an avenue to explore, primarily as the work to be carried out would be limited.
Le chemin de fer est arrivé en 1930 à Bobo-Dioulasso puis en 1954 à Ouagadougou. Il était initialement exploité par la Régie Abidjan-Niger (RAN) de 1960 à 1989 avant d'être reprise par SITARAIL (Goupe Bolloré) en 1995. Malgré un ambitieux projet de relier les différents pays de la sous-région par le réseau ferré, quasiment rien de durable n'a été réalisé jusqu'à ce jour en dehors de deux tronçons actuellement à l'abandon.
Le premier est un tronçon qui devait relier Niamey à Parakou puis au réseau béninois entamé en 2013 et mis hors service en 2018 qui s'est limité à une centaine de kilomètres au sein du Niger.
Le second est un projet ambitieux réalisé par le peuple burkinabé sous le régime révolutionnaire du Capitaine Thomas SANKARA (1983-1987). Il s'agissait de prolonger la ligne Abidjan-Ouagadougou vers le Niger en desservant les mines de phosphate de Tambao. Si le terreplein a été réalisé sur une majeure parte de la distance, les rails n'ont pu être posés que sur une centaine de kilomètres pour atteindre Kaya. Le chemin de fer a néanmoins fonctionné durant un certain nombre d'années avant d'être abandonné suite à la dégradation de certains ouvrages de franchissement de cours d'eau. L'exploitation de cet ligne se limite actuellement à la zone industrielle de Kossodo dans la périphérie nord-est de Ouagadougou.
Pourtant, cette infrastructure pourrait susciter un nouvel intérêt du fait qu'elle passe à proximité du futur aéroport international de Donsin. La mise en place d'une desserte ferroviaire qui permettrait d'éviter les embouteillages serait une piste à explorer, d'autant que les travaux à réaliser seraient limités.
www.rspb.org.uk/birds-and-wildlife/wildlife-guides/bird-a...
Key information
Noisy and gregarious, these cheerful exploiters of man's rubbish and wastefulness have managed to colonise most of the world. The ultimate avian opportunist perhaps. Monitoring suggests a severe decline in the UK house sparrow population, recently estimated as dropping by 71 per cent between 1977 and 2008 with substantial declines in both rural and urban populations. While the decline in England continues, Breeding Bird Survey data indicate recent population increases in Scotland, Wales and Northern Ireland.
What they eat:
Seeds and scraps.
Measurements:
Length:14-15cm
Wingspan:21-25.5cm
Weight:24-38g
Population:
UK breeding:5,300,000 pairs
Where and when to see them
House sparrows can be found from the centre of cities to the farmland of the countryside, they feed and breed near to people. It is a species vanishing from the centre of many cities, but is not uncommon in most towns and villages. It is absent from parts of the Scottish Highlands and is thinly distributed in most upland areas.
Breeding
House sparrows usually nest in loose colonies and since they don't defend a proper territory, nests can be as little as 20-30 cm apart.
How house sparrows nest
Nests are often placed in holes and crevices within buildings and they will readily use nestboxes. Free-standing nests are also frequently built, in creepers against walls and in thick hedges or conifers.
Pairs often remain faithful to their nest site and to each other for life, although a lost mate of either sex is normally replaced within days. A hole is filled with dry grass or straw with a nesting chamber lined with feathers, hairs, string and paper. Feathers may be plucked from a live pigeon!
The main nesting season is from April to August, although nesting has been recorded in all months. Most birds lay two or three clutches, but in a good year fourth attempts are not uncommon.
About house sparrow chicks
The female lays two to five eggs at daily intervals and often starts to incubate part way through egg-laying. Both sexes incubate, and the chicks hatch after 11-14 days. The parents share nesting duties equally. Chicks are brooded for 6-8 days, but can control their own body temperature only when 10 or 11 days old.
The youngsters are fed on a variety of invertebrates, including aphids, caterpillars, beetles and grasshoppers. Seeds and vegetable matter are also given, particularly during periods when invertebrates are scarce (e.g. cold weather) and become more important after the chicks leave the nest.
The young fledge 14-16 days after hatching. They are unable to feed themselves for about a week after leaving the nest and are cared for by their parents for around a fortnight. Post-fledging care is frequently left to the male as the hen prepares for the next brood. She can begin laying her next clutch of eggs within days of the previous brood leaving the nest.
Newly independent young often gather in large flocks, anywhere there is an abundance of seed, invertebrates and other suitable foods. These may be areas of wasteland or around garden feeding sites. Later, rural flocks may move on to grainfields to feed on the ripening grain, often joined by adult birds, once they have finished nesting. Flocks tend to break up through the autumn and birds return to their nesting colony sites.
Population trends
The house sparrow is common through most of its world range, and can tolerate a wide variety of climates.
The recent decline of house sparrows
UK house sparrow populations have fluctuated greatly over the centuries, with a gradual decline during the last 100 years.
Causes for the rapid recent declines, particularly in urban and suburban environments, remain largely undetermined, although research is underway that aims to establish the cause(s), and develop conservation solutions.
Declines in rural house sparrow populations are thought to be linked to changes in agricultural practices, particularly the loss of winter stubbles and improved hygiene measures around grain stores.
House sparrow numbers were not monitored adequately before the mid-1970s. Since then, numbers in rural England have nearly halved while numbers in towns and cities have declined by 60 per cent. Because of these large population declines, the house sparrow is now red-listed as a species of high conservation concern.
Relations with humans and other animals
People have a love-hate relationship with the house sparrow. However, control attempts have failed to limit the sparrows numbers and range.
Their relationship with humans
People have a love-hate relationship with the house sparrow. For many they are the most familiar of wild animals, bringing life to city centres and other man-made places, bereft of wildlife.
The house sparrows partiality to grain crops and the damage and destruction this caused resulted in attempts to control their numbers. From the mid-18th century most parishes had sparrow clubs with the sole objective to destroy as many sparrows as possible. Bounties were paid for sparrows until the late 19th century, when it was accepted that the control measures did not work. Similar failures were recorded in a number of other European countries.
Ironically, as people in Europe were paid to kill sparrows as pests, others deliberately introduced them to places as far apart as Australia and New York. Initially they were welcomed, although later appreciation turned to serious concern for the impact on crops. By then sparrows had become well established and control attempts have failed to limit the sparrows numbers and range.
How sparrows behave with other animals
Sparrows are aggressive tend to dominate feeders in gardens and prevent other birds from getting to the food. They harass other birds and steal their food and take over their nests, particularly house martins. The eviction and interference often results in a reduction in breeding success and can cause desertion of even large martin colonies.
Sparrows frequently tear to pieces the nests of martins and swallows and eject any eggs or chicks therein. The owners are unable to stop them.
Sparrows are very resilient and for their size have remarkably few serious predators. Main predators are domestic cats, owls (especially tawny) and sparrowhawks, but none are capable of affecting the size of the sparrow population, with the possible exception of localised effects by cats.
Organic mini tomatoes flown in all the way from Okinawa. They are sweet and delicious eaten alone.
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© Margarita Komine | All Rights Reserved
All of my images are copyright protected. You may not use, copy, reproduce, distribute, publish, display, alter or in any way exploit any of my images without my expressed, written permission.
Yup, same sh**, same wavelength, different development however. I like this fire carrot style; first time, never done before (by me). 😊
Man, almost overwhelming how many possibilities there are (now), even for doing "the same" thing, e.g. yellow foliage. But there are differences, nuances, or thing I like or don't (like fringing) to exploit or avoid. I'm trying to stay experimental as long as possible, and to not hone in on something too quickly, I'll do that soon enough I'm sure.
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep orange 4x (22) filter
B+W 010 UV-Haze 1x MRC F-Pro filter
ISO100, 13mm, f/8, 1/500sec (-1,3EV)
(thus 19,5mm full frame equivalent)
handheld, manual focus, via optical viewfinder
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© Copyright: Breuerphotos 2015 The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited.
(Bourgogne - Côte d'Or)
Website : www.fluidr.com/photos/pat21
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
we love the circus, but without animal exploitation.
find out more:
www.ad-international.org/animals_in_entertainment/go.php?...
I'm still exploiting the little plant I bought about 6 weeks ago. I believe that these are my favorite flower to light and photograph because of the elegant shapes. Some of the black and white photos I've seen that were done a long time ago by famous photographers are amazing works of art.
Lighting stuff: I placed a YN560 in a Rogue grid behind the flower and slightly to the right at 1 o'clock for backlighting, and used a YN560-III in an 8.6 inch Lastolite softbox in front and slightly to the left of center for fill. Both flashes, in manual mode, were triggered by a Yongnuo RF-603N.
Other Calla Lily pictures are in my Calla Lilly album. www.flickr.com/photos/9422878@N08/sets/72157626082181550/...
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. In the description for that set, I list resources that I've used to learn how to light with off camera flash. www.flickr.com/photos/9422
I'm editing some family photos for my sister's chritmas cards, and found this one among them. We had lots of pink beauties in the background of their portraits.
It's actually a white waterlily (Nymphaea alba), but the red waterlily variety (Nymphaea alba f. rosea) that was cultivated from Sweden, where it was discovered in the early 19th century. The discovery led to large-scale exploitation which nearly made it extinct in the wild before it was protected.
(Rød nøkkerose, som er variant av hvit nøkkerose, in Norwegian)
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Château de la Belle au bois dormant, Ussé (Indre et Loir)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
"Attention at the Start !"
Gare de Fukuyama (Japon)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
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© VanveenJF Photography
La Grande Saline de Salins-Les-Bains, comme toutes les salines de la région de Franche-Comté, utilisait les sources d'eaux salées comme matière première.
Le sel, "l'Or Blanc", était obtenu par évaporation artificielle, par opposition aux marais salants.
"Salins du Jura" doit sa renommée et son pouvoir dès le Moyen Age, au sel qu'elle exploite et dont elle fait commerce.
Différentes techniques se sont succédées dans le temps pour puiser puis pomper cette saumure (l'eau salée).
La résurgence de sources d’eau salée au fond de la vallée s’explique géologiquement par la présence d’un banc de sel gemme à 240 mètres de profondeur, lessivé par des infiltrations.
La Grande Saline de Salins-les-Bains a été reconnue le 27 juin 2009 au Patrimoine mondial de l’UNESCO en extension de l’inscription de la Saline Royale d’Arc-et-Senans en 1982.
Dans un souci de cohérence, l’ensemble des Salines de Salins a été classé Monument Historique le 8 décembre 2009.
Source : www.salinesdesalins.com/
Australia 2011/12
WIKIPEDIA: The raw material for the limestone of the Pinnacles came from seashells in an earlier epoch rich in marine life. These shells were broken down into lime rich sands which were blown inland to form high mobile dunes.
The mechanisms through which the Pinnacles were formed from this raw material are the subject of some controversy, with three mechanisms having been proposed:
they were formed from lime leaching from the aeolian sand (wind-blown sand) and by rain cementing the lower levels of the dune into a soft limestone. Vegetation forms an acidic layer of soil and humus. A hard cap of calcrete develops above the softer limestone. Cracks in the calcrete are exploited by plant roots. The softer limestone continues to dissolve and quartz sand fills the channels that form. Vegetation dies and winds blow away the sand covering the eroded limestone, thus revealing the Pinnacles.
they were formed through the preservation of cast of trees buried in coastal aeolianites where roots became groundwater conduits, resulting in precipitation of indurated (hard) calcrete. Subsequent wind erosion of the aeolianite would then expose the calcrete pillars.
On the basis of the mechanism of formation of smaller “root casts” occurring in other parts of the world, it has been proposed that plants played an active role in the creation of the Pinnacles, rather than the rather passive role detailed above. The proposal is that as transpiration draws water through the soil to the roots, nutrients and other dissolved minerals flow toward the root. This process is termed "mass-flow" and can result in the accumulation of nutrients at the surface of the root, if the nutrients arrive in quantities greater than needed for plant growth. In coastal aeolian sands which have large amounts of calcium (derived from marine shells) the movement of water to the roots would drive the flow of calcium to the root surface. This calcium accumulates at high concentrations around the roots and over time is converted into a calcrete. When the roots die, the space occupied by the root is subsequently also filled with a carbonate material derived from the calcium in the former tissue of the roots and possibly also from water leaching through the structures. Although evidence has been provided for this mechanism in the formation of root casts in South Africa, evidence is still required for its role in the formation of the Pinnacles.
Lenka's story at the Venice Biennale 2024.
Colonialism, exploitation of plant and animal resources, anthropocentrism and speciesism: a denunciation at the Venice Biennale.
La storia di Lenka alla Biennale di Venezia 2024.
Colonialismo, sfruttamento delle risorse vegetali e animali, antropocentrismo e specismo: una denuncia alla Biennale di Venezia.
www.ilgiornaledellarte.com/Articolo/Diario-da-Venezia-qua...
"The war in Ukraine reminds us how unjust and painful the construction of a people's identity, the affirmation of national independence and the reclamation of one's roots can be. Repairing serious and profound wounds inflicted throughout history is a slow, complex and difficult process. A metaphor and monument of a similar condition is Lenka, in the Czech Pavilion. The famous giraffe captured in Kenya in 1954, transported to the Prague zoo, survived in captivity for only two years, then taxidermied and preserved in the museum, after having thrown its organs into the city sewers. Eva Kotakova's work, «The heart of a giraffe in captivity is twelve kilos lighter», is a walkable environmental installation that reproduces the inside of the long dissected neck of the animal arranged in a circle. In the center of the room there is a blackboard and a space for meeting and reflection to learn about its history, its meaning and its cultural implications. On the floor, Lenka's skeleton is reproduced and as a sound that pervades the Pavilion the hymns of the countries that the giraffe crossed on its long journey to Prague, many of which no longer exist today."
"La guerra in Ucraina ci ricorda quanto ingiuste e dolorose possano rivelarsi la costruzione di un’identità di un popolo, l’affermazione dell’indipendenza nazionale e la rivendicazione delle proprie radici. Risarcire gravi e profonde ferite inflitte nel corso della storia è un processo lento, complesso e difficile. Metafora e monumento di simile condizione è Lenka, nel Padiglione della Cecoslovacchia. La celebre giraffa catturata in Kenya nel 1954, trasportata allo zoo di Praga, sopravvissuta in cattività solo due anni, poi tassidermizzata e conservata nel museo, dopo aver gettato gli organi nelle fogne cittadine. L’opera di Eva Kotakova, «Il cuore di una giraffa in cattività è dodici chili più leggero», è un’installazione ambientale percorribile che riproduce l’interno del lungo collo sezionato dell’animale disposto a cerchio. Al centro della sala una lavagna e uno spazio di incontro e riflessione per conoscerne la storia, il suo significato e le sue implicazioni culturali. Sul pavimento lo scheletro di Lenka riprodotto e come suono che pervade il Padiglione gli inni dei Paesi che la giraffa attraversò nel suo lungo viaggio verso Praga, molti oggi non più esistenti."
labiennale.ngprague.cz/it-2024-eva-kotkov
milano.czechcentres.cz/it/blog/2023/08/eva-kotatkova-bude...
Bing Image Creator
"Break in the shade"
Lausanne (Canton de Vaud - Suisse)
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."