View allAll Photos Tagged Exploit
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 7
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/35159
Exploitant : Transdev SETRA
Réseau : Mobilien
Ligne : 23
Lieu : Créteil – Préfecture du Val-de-Marne (Créteil, F-94)
Lien TC Infos : tc-infos.fr/id/34872
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Photo 2, Fall 2011
My work is about the exploitation of women.
As you can see, I was influenced heavily by Barbara Kruger's work. Similar to her, I used bold text for a saying that is controversial and offensive. I want these to be offensive. These sayings are not necessarily my views but more of how society sometimes views women. I want my viewers to understand how it feels to be a woman. I myself am offended every day when I am told how to act, look, feel, and that I am being “unladylike”. It doesn’t feel good to see beautiful women everywhere you go bringing you down even more because apparently my peers don’t do that enough.
I am saddened that some women actually try to fit into the stereotypes and do whatever society tells them. I admit, I do some of them too. It’s a rough world trying to “fit” in. It also saddens that because I am not thin, don’t sleep around, don’t always look the prettiest, don’t suffice to a man, I feel like I don’t fit in or even to the point that I may not be considered a woman to some.
But I AM woman. I am strong. I am brave. I DO have the power to fight these stereotypes and be my own person. I hope you feel empowered by these images. Never forget, a woman brought you into this world. Appreciate that. We have the power and we are strong.
Round Table on the role of European institutions in the exploitation of Ariane 6 and Vega-C, at the ESA pavilion, during the Paris Air and Space Show, on 22 June 2017.
Satellites from European institutions will play a major role during the exploitation of the new family of ESA-developed launchers, Vega-C and Ariane 6 which will be operative from 2019/2020.
In this round table, high level representatives from important European institutions were invited to debate how they can contribute to guarantee a level playing field for Ariane 6 and Vega-C exploitation with respect to competitors that can count on a very large number of institutional payloads.
Participants : Pierre Delsaux, European Commission, Deputy-Director General; Alan Ratier, Eumetsat, Director General; Stephan Israel, Arianespace, CEO; Joel Barre, CNES, Deputy Director General; Wolfgang Scheremet, German Ministry for Economic Affairs and Energy, Director-General Industrial Policy; Roberto Battiston, ASI, President; Daniel Neuenschwander, ESA, Director of Space Transportation; Gaele Winters, former ESA Director of Launchers (moderator).
Credit: ESA–Philippe Sebirot, 2017
Exploitant : Transdev STRAV
Réseau : Marne et Seine
Ligne : K
Lieu : Créteil – Préfecture du Val de Marne (Créteil, F-94)
Lien TC Infos : tc-infos.fr/id/27142
You might have heard about the exploits of Sindbad the Sailor, but do you know how he met his one true love and saved her from a fate worse than death? Now you can find out as you become the legend in this new hidden object adventure!
Help Princess Chalida locate the seven gems of her royal crown and break the curse that has trapped her in a body of wood. Find hidden objects, identify specific spots in each scene and overcome powerful guardians as you seek out the precious stones. Along the way, you'll have to solve dozens of clever riddles and beat eight challenging mini-games. Before you're through, you'll find a crystal in the heart of a volcano, outsmart a scheming ice god and defeat a raging sea demon, all in the name of adventure!
Become the legend in this new hidden object adventure - 1001 Nights The Adventures Of Sindbad game!
Police and Crime Commissioner Tony Lloyd at the launch.
Greater Manchester is taking a stand against child sexual exploitation with a groundbreaking new campaign.
Greater Manchester Police, Police and Crime Commissioner Tony Lloyd, health organisations, the ten local authorities and the voluntary sector are working together to target perpetrators and to educate young people and their carers on the warning signs of child sexual exploitation and how to get help.
Today (Friday 19 September), a new website has been launched – www.itsnotokay.co.uk – which contains information for children, young people, parents, carers and professionals on how to spot the signs of child sex exploitation and what to do about it.
The launch of the It’s Not Okay campaign follows a week of action across Greater Manchester to tackle child sex exploitation; a week which consisted of education and empowerment of young people, but also the detection and disruption of CSE-related activity, which saw three warrants executed and 19 arrests made across the seven days.
High visibility patrols have taken place in Manchester City Centre and surrounding areas, with over two thousand children spoken to by specially trained officers. During these approaches the young people were advised about CSE and keeping themselves safe. Those who were identified as being vulnerable were taken to their home or a place of safety.
The rest of the week saw a number of inputs with professionals in the hospitality sector and other industries, as well as multi-agency visits to 'premises of interest' across Greater Manchester such as pubs, off licenses and takeaways.
A series of school visits and educational lessons have also taken place, with a mixture of officer inputs and a viewing of award-winning and thought-provoking CSE production ‘Somebody’s Sister, Somebody’s Daughter’ by GW Theatre.
Police and Crime Commissioner Tony Lloyd is also writing to every high school and college in Greater Manchester to make them aware of the campaign and urge them to act if they are worried about a young person.
Assistant Chief Constable Dawn Copley said:
“Tackling the sexual exploitation of children and young people is an absolute priority for Greater Manchester Police and its partners. Protecting children is everyone’s responsibility and it is crucial that we work together to identify and prosecute individuals who prey on vulnerable children.
“Historically mistakes have been made; however, we are more determined than ever to get it right. It is crucial that the children of Greater Manchester understand what child sexual exploitation is, to recognise when this happening to them, and that it is NOT okay. We want children to know that they will be believed and that we will do everything in our power to protect and help them.
“I want to reassure our communities that we have, and will continue to hunt out offenders who prey on some of the most vulnerable in our society and urge anyone with any information or concerns to come to us - we will take action."
Police and Crime Commissioner Tony Lloyd said:
“Child sexual exploitation is a scourge on our communities and we all have a responsibility to protect our children and young people. Despite the recent media coverage around this issue it is still a hidden problem and it’s common sense for all agencies to work together with communities to eradicate it.
“By raising awareness and educating people about the warning signs of child sex exploitation we can encourage people to speak out and all play a part in keeping our children safe.”
Mike Livingstone, Chair of Manchester Safeguarding Partnership, said:
"This is a massively important issue and we shouldn't be afraid to talk about it. Child sexual exploitation is child abuse and it ruins lives.
"Children at risk don't recognise local authority boundaries and abusers often deliberately manipulate these - so it's vital that we work together across local authority areas to tackle it.
“Through Project Phoenix we're determined to do everything we can at a regional level to educate, prevent, and ultimately protect young people from this most serious form of child abuse."
Gary Murray, Crimestoppers North West Regional Manager, said:
“The independent charity Crimestoppers are delighted to support this campaign. Each year we receive over 2,000 pieces of information with regard to sexual offences and we would encourage anyone with information to contact the charity anonymously on 0800 555 111.”
For more information on child sexual exploitation and who to contact if you have any concerns that a young person you know may be a victim of child sexual exploitation visit www.itsnotokay.co.uk.
You can also report it to Greater Manchester Police by calling 101 or call Crimestoppers anonymously on 0800 555 111. If someone is in immediate danger, dial 999.
An officer listening to Muna Abugala during a workshop by AMISOM to sensitize its Officers on sexual exploitation and Abuse held on 30th January 2014. AU UN IST PHOTO/David Mutua
Employee at the Port Group Co. Company in charge of the exploitation of the port of Tianjin, wears a safety hard hat at work. The port is considered as one of the twenty biggest ports in the world. Tianjin, China.
e5535
August 2007
Photo © Marcel Crozet / ILO
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Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 6
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/8586
Nepalese peacekeepers in United Nations Mission in South Sudan receive an important card for prevention of Sexual Exploitation and Abuse on 26th March 2019.
The card contains clear instructions to peacekeepers to honour the UN values; it warns of zero tolerance for sexual exploitation and abuse, each peacekeeper must now take the card everywhere they go. It’s a constant reminder of the UN policy: There’s No excuse and no second chance for any sexual misconduct.
UN Photo: Isaac Billy
On the platform.
Police have launched a two-day operation to protect the most vulnerable members of the community.
The initiative codenamed Operation Longford will see officers from across the Force and specialist units including traffic, tactical aid and the ANPR intercept teams take to the streets in a bid to target vulnerability in the community.
Some of the work as part of the days of action (Friday 29 to Saturday 30 May) will include visits to licensed premises, policing open spaces that attract youths and alcohol, takeaway enforcement, visit to shisha bars in addition to Metrolink and Child Sexual Exploitation (CSE) patrols.
Superintendent Craig Thompson operational lead said: “Safeguarding vulnerable people is an on-going priority for the Force which makes days of action like this so important. By having mechanisms in place and working alongside our partners we can ensure those at greater risk in our community are protected before the actions such as exploitation and abuse begin.
“As with our day to day policing we will also carry out enforcement work and will target offenders for a range of offences including, human trafficking, Child Sexual Exploitation (CSE*), antisocial behaviour and general criminality.”
As part of the operation officers from the City Centre Neighbourhood Policing Team and partners such as Manchester City Council, Greater Manchester Police and Crime Commissioner will launch the partnership Safe Haven scheme. It is a place of safety for anyone who is out and about in the city centre on a Friday or Saturday night and in need of help, support, a place of safety or a designated meeting point for when you lose your friends.
Superintendent Thompson added: “We want Operation Longford to show our community that their safety comes first and will always be our priority. We will make use of all of our disruption tactics to put a stop to criminals.”
For live updates from the operation follow #OpLongford from the GMP twitter accounts. You can find your local Twitter account by visiting: www.gmp.police.uk/socialmedia.
A 17 –year-old girl from Oldham who does not wish to be identified is working with Fixers the charity which campaigns for youth action to create a campaign warning others against sexual predators. Using her experiences of being groomed and exploited for sex she wants to warn others.
Her story was broadcast on ITV Granada. Please note the image is of an actor.
For more info, interviews etc contact communications@fixers.org.uk call 01962810970. Please credit Fixers when using this image.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
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Dilworth Tce, harbour, north-east, side.
A co-ordinated grouping rhythmically marking top of the cliff that once rose along the shoreline here. Furthermore, with Arts and Crafts influence! A nice balance of variation within unity.
Dilworth Terrace (1900) was designed by Thomas or Ed Mahoney (Thomas, the father, was architect for Auckland's Customhouse of 1888.)
"Terrace houses are rare in Auckland so it's all the more remarkable to have this row on the cliffs of lower Parnell, exploiting a splendid site and proving once more, with its organised tumble of gables, bays, and balconies, the skill of one of Auckland's most prolific architects." (J. Stacpoole.)
(They were built as a rental investment for Dilworth Trust.)
Dilworth Terrace comprises eight linked houses, each with a distinctive front-veranda and shingle-faced gable looking to morning sun. Generous for the city fringe. The four smaller gables relate to the two-storey houses, the four larger to three-storey houses. The designed asymmetry provides visual interest and absorbs the fact that the main ridge of the terracotta-tiled roof steps down towards Augustus Tce with the lateral land-slope. The rear of each house was less elaborate than the front, each having a fenced yard with out-shed ----- often now enhanced.
The terrace alignment overlooked St George's Bay. The Bay was reclaimed after 1914 to provide for railway yards and commercial development to the loss of housing above.
Today these places have become special and high-valued partly thanks to the response to cliff-top site and the quality materials used. Surroundings are now more-muddled commercial.
More photos.
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During a Sensitive Site Exploitation (SSE) mission, U.S. Navy SEALs (SEa, Air, Land) explore the entrance to one of 70 caves they discovered in Zhawar Kili area. Used by Al Qaeda and Taliban forces, the caves and other above-ground complexes were subsequently destroyed either by Navy Explosive Ordnance Disposal (EOD) personnel or through air strikes called in by the SEALs. Navy special operations forces are conducting missions in Afghanistan in support of Operation Enduring Freedom. Credit photo to Official U.S. Navy photo. FOR THIS PHOTO DO NOT CREDIT PHOTOGRAPHER. Photo cleared for public release by LCDR Darryn James, USN, Naval Special Warfare Command, Public Affairs Officer.
To learn more about living and serving in Korea with the US Army, visit our official website at: imcom.korea.army.mil
Whether you are fresh off of active-duty, a military spouse or a seasoned professional, you will find a career with U.S. Army in Korea both challenging and inspiring. If you ready to join an award winning team and embark on the adventure of a lifetime, you can learn more about living and working in Korea online: imcom.korea.army.mil
Photos from the US Army in Korea can be viewed online at www.flickr.com/imcomkorea
The Morning Calm Weekly command information newspaper is available online at imcom.korea.army.mil
Published for those serving in the Republic of Korea - an assignment of choice.
About this image: Operation Enduring Freedom. A Department of Defense Image Collection.
These images are generally cleared for release and are considered in the public domain. Request credit be given the Department of Defense and individual photographer.
To learn more about living and serving in Korea with the US Army, visit our official website at: imcom.korea.army.mil
Whether you are fresh off of active-duty, a military spouse or a seasoned professional, you will find a career with U.S. Army in Korea both challenging and inspiring. If you ready to join an award winning team and embark on the adventure of a lifetime, you can learn more about living and working in Korea online: imcom.korea.army.mil
Photos from the US Army in Korea can be viewed online at www.flickr.com/imcomkorea
The Morning Calm Weekly command information newspaper is available online at imcom.korea.army.mil
Published for those serving in the Republic of Korea - an assignment of choice.
About this image: Operation Enduring Freedom. A Department of Defense Image Collection.
These images are generally cleared for release and are considered in the public domain. Request credit be given the Department of Defense and individual photographer.
To learn more about living and serving in Korea with the US Army, visit our official website at: imcom.korea.army.mil
Whether you are fresh off of active-duty, a military spouse or a seasoned professional, you will find a career with U.S. Army in Korea both challenging and inspiring. If you ready to join an award winning team and embark on the adventure of a lifetime, you can learn more about living and working in Korea online: imcom.korea.army.mil
Photos from the US Army in Korea can be viewed online at www.flickr.com/imcomkorea
The Morning Calm Weekly command information newspaper is available online at imcom.korea.army.mil
Published for those serving in the Republic of Korea - an assignment of choice.
About this image: Operation Enduring Freedom. A Department of Defense Image Collection.
These images are generally cleared for release and are considered in the public domain. Request credit be given the Department of Defense and individual photographer.
This statue of the Danish-Norwegian naval hero Peter Tordenskjold stands in Oslo's Rådhusplassen, the area between the waters of Oslofjord and the Oslo rådhus, or city hall.
Peter Jansen Wessel Tordenskiold (28 October 1690 – 12 November 1720), commonly referred to as Tordenskjold (lit. Thunder Shield), was a Danish-Norwegian nobleman and an eminent naval flag officer in the service of the Royal Dano-Norwegian Navy. He rose to the rank of Vice-Admiral for his services in the Great Northern War. Born in Trondheim, Peter Wessel travelled to Copenhagen in 1704, and was employed in the navy. He won a name for himself through audacity and courage, and was ennobled as Peter Tordenskiold by King Frederick IV in 1716. His greatest exploit came later that year, as he destroyed the supply fleet of Charles XII of Sweden at the Battle of Dynekilen. In 1720, he was killed in a duel. In Denmark and Norway he is among the most famous national naval heroes. He experienced an unusually rapid rise in rank and died when he was only 30 years old.
Finally uploading some analog goodness after a couple months absence. This Fomapan 400 shot in my Pentax K1000 went though a cycle in my dishwasher (cool dry) and then was developed in HC-110.
Starring Michael Greene, Jennifer Gan, Richard Rust, Howard Lester, Penelope Spheeris, Art Jenoff, Sahn Berti, Corey Fischer, Glen Lee, Mike Peratta, Frank Whiteman. Directed by Bruce D. Clark.
synopsis
In this biker flick, the leader of an LA gang rides out for revenge against the Las Vegas-based Hotdoggers, who beat him senseless, hospitalizing him. He becomes so violent and obsessed that his own gang kicks him out. In the end, they change their minds and readmit him. Then they all roar off to prove that the vicious Hotdoggers are nothing more than big weenies in black leather jackets. The sex and violence herein marks this as an exploitation feature destined to become a big hit with lowbrow scooter trash everywhere.
Title: Exploitation Poster Art.
Author: Tony Nourmand & Graham Marsh (Editors).
Publisher: Aurum Books.
Date: 2005.
Artist:
Please don't use my images on websites, blogs or other media without my explicit permission - rr.restifo@gmail.com. © All rights reserved.
----------------------------------------
Da/from www.facebook.com/iononmilasciofregare/info/?tab=page_info:
IO NON MI LASCIO FREGARE
#iononmilasciofregare
Questo appello nasce dalla volontà di ricordare cosa è successo il 19 novembre 2015 a Verona...un appello che abbiamo scritto a più mani in maniera ANONIMA e che vuole essere una "chiamata alle armi" per amici artisti di buona volontà.
IN BREVE
Presso il Museo Civico di Castelvecchio sono state trafugate 17 opere di grandissimo valore: Tintoretto, Mantegna, Rubens solo per citare alcuni autori, in pratica un piccolo museo per intero (le foto delle opere rubate le trovate nel nostro album a questo indirizzo: www.facebook.com/media/set/?set=a.1064799210228843.107374....)
L’operazione è durata quasi un’ora e mezza ed è stata condotta con molta tranquillità. Un vero scandalo! Poche le parole spese dai media in seguito all’accaduto, le Istituzioni hanno messo in scena il solito scaricabarili e la raccolta firme on-line ha avuto poco seguito.
Ma un pezzettino di quelle straordinarie opere è anche MIO, è ANCHE VOSTRO! Io rivoglio il nostro pezzettino di MANTEGNA, TINTORETTO, BELLINI, etc! Non so se ve ne siete accorti ma si stanno rubando il passato e soprattutto IL FUTURO!
Io non ci sto, noi non ci stiamo! Portiamo un segnale fuori, per le strade e in rete per tenere viva l’attenzione su questo caso letteralmente scomparso, senza lasciare traccia.
Ci rivolgiamo quindi agli amici artisti: quello che sappiamo fare è dipingere, non perdiamo tempo, facciamolo. L'idea che ci è venuta è di adottare ognuno di noi una delle 17 opere e di realizzare un murale (ma anche un poster o una qualsiasi installazione urbana) reinterpretando a modo nostro il lavoro originale. Sfrutteremo l'interesse dei media per l'arte urbana per poter denunciare ad alta voce insieme questo incredibile furto!
Vi chiediamo di farlo liberamente, ognuno con i propri mezzi, ognuno con le proprie capacità,
Siete invitati a partecipare tutti e di farlo in maniera ANONIMA senza firmare le opere che lascerete nelle nostre città, per far parlare direttamente i vari TINTORETTO, MANTEGNA, PISANIELLO ETC, coinvolgendo chi volete (le realtà che oggi hanno a disposizione spazi non mancano, quindi destinatarie di questo messaggio e di certo non abbiamo niente da insegnarvi su come si può fare arte per strada...).
Quando avete fatto mandateci le foto a questo indirizzo:
iononmilasciofregare@gmail.com
o postatele su questa pagina
www.facebook.com/iononmilasciofregare/
sarà nostra cura farle girare il più possibile perchè #iononmifacciofregare
Ecco la lista dei nostri 17 capolavori da adottare:
1 Antonio Pisano detto Pisanello, Madonna col bambino
2 Jacopo Bellini, San Girolamo penitente
3 Andrea Mantegna, Sacra Famiglia
4 Giovanni Francesco Caroto, Ritratto di giovane con disegno infantile
5 Giovanni Francesco Caroto, Ritratto di giovane monaco benedettino
6 Jacopo Tintoretto, Madonna allattante
7 Jacopo Tintoretto, Trasporto dell’arca dell’alleanza
8 Jacopo Tintoretto, Banchetto di Baltassar
9 Jacopo Tintoretto, Sansone
10 Jacopo Tintoretto, Giudizio di Salomone
11 Cerchia di Jacopo Tintoretto, Ritratto maschile
12 Domenico Tintoretto, Ritratto di Marco Pasqualigo
13 Bottega di Domenico Tintoretto, Ritratto di ammiraglio veneziano
14 Peter Paul Rubens, Dama delle licnidi
15 Hans de Jode, Paesaggio
16 Hans de Jode, Porto di mare
17 Giovanni Benini, Ritratto di Girolamo Pompei
-----------------------------------------
(eng)
I WON'T GET SCREWED OVER
# Iononmilasciofregare
This call arises from the desire to remember what happened on Nov. 19, 2015 in Verona, a call that we have written many hands in an ANONYMOUS way and that wants to be a "call of duty" for artist friends and people of good will.
THE FACT
17 works of great value were stolen from the Museum of Castelvecchio: Tintoretto, Mantegna, Rubens just to mention a few painters, basically a real small museum (photos of stolen works can be found in our album to this address: https: //www.facebook.com/media/set/....)
The operation lasted nearly an hour and a half and it was carried out with extreme calm. A real scandal! A few words spoken by the media after the incident, the institutions have staged the usual buck and the online sensibilization campaign has had little success.
A part of those extraordinary works is also MINE, is also YOURS! I want back our piece of MANTEGNA, TINTORETTO, BELLINI, etc! I do not know if you are aware of that but they are stealing our past and our FUTURE!
I do not accept it, do you? Let's transmit a signal on the streets and in the internet to keep attention focused on this case that risks to disappear without a trace.
We appeal to artist friends: what we do is painting, do not waste time, let's do it. The idea is to take each of us one of the 17 works and create a mural (or a poster or any urban installation) reinterpreting our own way the original work. Let's exploit the media interest in street art to denounce loud together this incredible theft!
We ask you to do it freely, each with their own means, each with their own abilities,
You are all invited to attend and do it in an ANONYMOUS way, without signing the works that you will leave in our cities, to speak directly to TINTORETTO, MANTEGNA, PISANELLO, etc, involving those who want to participate.
Once you did it, please send photos to this address:
iononmilasciofregare@gmail.com
or post them on this page
www.facebook.com/iononmilasciofregare/
We will spread them as much as possible, because:
I WON'T GET SCREWED OVER
Exploitant : Transdev STRAV
Réseau : Marne et Seine
Ligne : B
Lieu : Créteil – Préfecture du Val de Marne (Créteil, F-94)
Lien TC Infos : tc-infos.fr/id/52784
NCMEC held its “40 Years of Hope” celebration on Sept. 26, 2024, at the National Building Museum in Washington, D.C. For 40 years, the National Center for Missing & Exploited Children has been the leading global nonprofit in child protection. Over the past four decades, NCMEC has assisted with the safe recovery of more than 400,000 missing children, stopped the spread of millions of child sexual abuse images, and protected children with groundbreaking prevention education around the world. Claire Edkins /NCMEC
Photo André Knoerr, Genève. Reproduction autorisée avec mention de la source.
Utilisation commerciale soumise à autorisation spéciale préalable.
Sur un "92 barré" la motrice PCC 7702 passe devant le dépôt de Schaerbeek où elle effectuera un rebroussement non programmé en raison d'une perturbation d'exploitation.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 6
Lieu : Pont de Bezons (Bezons, F-95)
Lien TC Infos : tc-infos.fr/id/14525
The London School of Exploitation Under Occupation: London School of Economics and Political Science (LSE) Students Stand Against Exploitation and Corporate Education: Vera Anstey Suite: Old Building, London School of Economics, London, March 20, 2015.
Statement from the Occupation:
Why we are occupying
We have have occupied the Vera Anstey Suite, the central meeting room of the university administration, to demand a change to the current university system.
LSE is the epitome of the neoliberal university. Universities are increasingly implementing the privatised, profit-driven, and bureaucratic ‘business model’ of higher education, which locks students into huge debts and turns the university into a degree-factory and students into consumers. LSE has become the model for the transformation of the other university systems in Britain and beyond. Massive indebtedness, market-driven benchmarks, and subordination to corporate interests have deeply perverted what we think university and education should be about.
We demand an education that is liberating – which does not have a price tag. We want a university run by students, lecturers and workers.
When a University becomes a business the whole of student life is transformed. When a university is more concerned with its image, its marketability and the ‘added value’ of its degrees, the student is no longer a student - they become a commodity and education becomes a service. Institutional sexism and racism, as well as conditions of work for staff and lecturers, becomes a distraction for an institution geared to profit.
We join the ongoing struggles in the UK, Europe and the world to reject this system that has changed not only our education but our entire society. From the occupations in Sheffield, Warwick, Birmingham and Oxford, to the ongoing collective takeover of the University of Amsterdam– students have made clear that the current system simply cannot continue.
We are not alone in this struggle.
Why Occupy?
In this occupation we aim to create an open, creative and liberated space, where all are free to participate in the building of a new directly democratic, non-hierarchical and universally accessible education: The Free University of London.
The space will be organized around the creation of workshops, discussions and meetings to share ideas freely. Knowledge is not a commodity but something precious and valuable in its own right. And we hope to prove, if only within a limited time and space, that education can be free.This liberated space should also be a space for an open discussion on the direction this university and our educational system as a whole is heading. We want to emphasise that this process is not only for students, and we encourage the participation of all LSE staff, non-academic and academic.
We base our struggle on principles of equality, direct democracy, solidarity, mutual care and support. These are our current demands which we invite all to openly discuss, debate and add to.
1 - Free and universally accessible education not geared to making profit
We demand that the management of LSE lobby the government to scrap tuition fees for both domestic and international students.
2 - Workers Rights
In solidarity with the LSE workers, we demand real job security, an end to zero-hour contracts, fair remuneration and a drastic reduction in the gap between the highest and lowest paid employees.
3 - Genuine University Democracy
We demand a student-staff council, directly elected by students and academic and non-academic staff, responsible for making all managerial decisions of the institution.
4 - Divestment
We demand that the school cuts its ties to exploitative and destructive organisations, such as those involved in wars, military occupations and the destruction of the planet. This includes but is not limited to immediate divestment from the fossil fuel industry and from all companies which make a profit from the Israeli state’s occupation of Palestine.
5 - Liberation
We demand that LSE changes its harassment policy, and to have zero tolerance to harassment.
We demand that LSE does not implement the Counter Terrorism Bill that criminalises dissent, particularly targeting Muslim students and staff.
We demand that the police are not allowed on campus.
We demand that LSE becomes a liberated space free of racism, sexism, ableism, homophobia, transphobia and religious discrimination.
We demand that the school immediately reinstates the old ethics code and makes it legally binding, in line with the recently passed SU motion.
We demand that the school ensures the security and equality of international students, particularly with regards to their precarious visa status, and fully include them in our project for a free university.
The London School of Exploitation Under Occupation: London School of Economics and Political Science (LSE) Students Stand Against Exploitation and Corporate Education: Vera Anstey Suite: Old Building, London School of Economics, London, March 20, 2015.
Statement from the Occupation:
Why we are occupying
We have have occupied the Vera Anstey Suite, the central meeting room of the university administration, to demand a change to the current university system.
LSE is the epitome of the neoliberal university. Universities are increasingly implementing the privatised, profit-driven, and bureaucratic ‘business model’ of higher education, which locks students into huge debts and turns the university into a degree-factory and students into consumers. LSE has become the model for the transformation of the other university systems in Britain and beyond. Massive indebtedness, market-driven benchmarks, and subordination to corporate interests have deeply perverted what we think university and education should be about.
We demand an education that is liberating – which does not have a price tag. We want a university run by students, lecturers and workers.
When a University becomes a business the whole of student life is transformed. When a university is more concerned with its image, its marketability and the ‘added value’ of its degrees, the student is no longer a student - they become a commodity and education becomes a service. Institutional sexism and racism, as well as conditions of work for staff and lecturers, becomes a distraction for an institution geared to profit.
We join the ongoing struggles in the UK, Europe and the world to reject this system that has changed not only our education but our entire society. From the occupations in Sheffield, Warwick, Birmingham and Oxford, to the ongoing collective takeover of the University of Amsterdam– students have made clear that the current system simply cannot continue.
We are not alone in this struggle.
Why Occupy?
In this occupation we aim to create an open, creative and liberated space, where all are free to participate in the building of a new directly democratic, non-hierarchical and universally accessible education: The Free University of London.
The space will be organized around the creation of workshops, discussions and meetings to share ideas freely. Knowledge is not a commodity but something precious and valuable in its own right. And we hope to prove, if only within a limited time and space, that education can be free.This liberated space should also be a space for an open discussion on the direction this university and our educational system as a whole is heading. We want to emphasise that this process is not only for students, and we encourage the participation of all LSE staff, non-academic and academic.
We base our struggle on principles of equality, direct democracy, solidarity, mutual care and support. These are our current demands which we invite all to openly discuss, debate and add to.
1 - Free and universally accessible education not geared to making profit
We demand that the management of LSE lobby the government to scrap tuition fees for both domestic and international students.
2 - Workers Rights
In solidarity with the LSE workers, we demand real job security, an end to zero-hour contracts, fair remuneration and a drastic reduction in the gap between the highest and lowest paid employees.
3 - Genuine University Democracy
We demand a student-staff council, directly elected by students and academic and non-academic staff, responsible for making all managerial decisions of the institution.
4 - Divestment
We demand that the school cuts its ties to exploitative and destructive organisations, such as those involved in wars, military occupations and the destruction of the planet. This includes but is not limited to immediate divestment from the fossil fuel industry and from all companies which make a profit from the Israeli state’s occupation of Palestine.
5 - Liberation
We demand that LSE changes its harassment policy, and to have zero tolerance to harassment.
We demand that LSE does not implement the Counter Terrorism Bill that criminalises dissent, particularly targeting Muslim students and staff.
We demand that the police are not allowed on campus.
We demand that LSE becomes a liberated space free of racism, sexism, ableism, homophobia, transphobia and religious discrimination.
We demand that the school immediately reinstates the old ethics code and makes it legally binding, in line with the recently passed SU motion.
We demand that the school ensures the security and equality of international students, particularly with regards to their precarious visa status, and fully include them in our project for a free university.
Getting ready for #OpLongford on social media.
Police have launched a two-day operation to protect the most vulnerable members of the community.
The initiative codenamed Operation Longford will see officers from across the Force and specialist units including traffic, tactical aid and the ANPR intercept teams take to the streets in a bid to target vulnerability in the community.
Some of the work as part of the days of action (Friday 29 to Saturday 30 May) will include visits to licensed premises, policing open spaces that attract youths and alcohol, takeaway enforcement, visit to shisha bars in addition to Metrolink and Child Sexual Exploitation (CSE)* patrols.
Superintendent Craig Thompson operational lead said: “Safeguarding vulnerable people is an on-going priority for the Force which makes days of action like this so important. By having mechanisms in place and working alongside our partners we can ensure those at greater risk in our community are protected before the actions such as exploitation and abuse begin.
“As with our day to day policing we will also carry out enforcement work and will target offenders for a range of offences including, human trafficking, Child Sexual Exploitation (CSE*), antisocial behaviour and general criminality.”
As part of the operation officers from the City Centre Neighbourhood Policing Team and partners such as Manchester City Council, Greater Manchester Police and Crime Commissioner will launch the partnership Safe Haven scheme. It is a place of safety for anyone who is out and about in the city centre on a Friday or Saturday night and in need of help, support, a place of safety or a designated meeting point for when you lose your friends.
Superintendent Thompson added: “We want Operation Longford to show our community that their safety comes first and will always be our priority. We will make use of all of our disruption tactics to put a stop to criminals.”
For live updates from the operation follow #OpLongford from the GMP twitter accounts. You can find your local Twitter account by visiting: www.gmp.police.uk/socialmedia.
OCÉANIEN 1884 – 1922
Afin d'assumer les dispositions de la convention de 1881 créant la ligne d'Australie et prévoyant un départ de Marseille toutes les 4 semaines, avec une vitesse d'exploitation de 13 nœuds et une réserve de deux nœuds aux essais, 7 paquebots furent construits à La Ciotat entre 1881 et 1884. NATAL – MELBOURNE – CALÉDONIEN – SYDNEY – SALAZIE – YARRA – OCÉANIEN. La coque à la même dimension que celle du SAGHALIEN (plans de Vésigné lancé le 25 juillet 1880 pour la ligne de Chine) mais la machine a 500cv de plus. Ils sont au départ, gréés en 3 mâts-barque, transformés ultérieurement en 3 mâts-goélette, ils perdront vergues et guis avant la guerre de 14 à laquelle il participera activement.
OCÉANIEN 7ème et dernier de la série du programme de 1881
1884 le 22 juin Lancé par Mr Risbec à La Ciotat
1885 en janvier – Livraison par le chantier de La Ciotat.
Paquebots à hélice et coque en fer, avec deux cheminées, gréé en 3 mâts-barque. Avec un avant droit et un long gaillard, roof arrière entre les 2èmes et 3ème mâts. Premier navire de la compagnie à ne plus avoir les porte-haubans sur la paroi verticale de la coque, ceux-ci étant fixés directement sur le pont.
CARACTÉRISTIQUES :
Longueur : 126,15 m entre pp 130,75m ht
Largeur : 12,06 m
Jauge brute : 4.162 tjb
Jauge nette : 2.081 Tn
Port en Lourd : 3.123 tonnes
Déplacement : 5.900 tonnes pour 6,30 m de tirant d'eau.
1885 Installation à La Ciotat d'un salon de musique.
1887 Installation d'un éclairage électrique à incandescence à La Ciotat. La dunette arrière est transformée en salon de musique.
PROPULSION :
Une machine à vapeur compound à 3 cylindres. HPØ 1,10m - MP Ø 1.53m- HP Ø 1.53m - Course 1.10m
8 chaudières cylindriques timbrées à 6 kg/cm²
Puissance : 3400 cv
Vitesse : 15.6 nœuds aux essais.
1890 – Transformations pour être éventuellement utilisé comme croiseur auxiliaire.
1895 – Machine triple expansion de 4000 cv avec 16 nœuds atteints aux essais. Enlèvement des vergues. La voilure passera de 965 m² à 572 m².
ÉQUIPAGE :
État-major : 11 officiers
Personnel : 185 hommes marins et ADSG
PASSAGERS :
1ères Classes 90 passagers
Sdes Classes 44 passagers
3èmes Classes 75 passagers
LIGNES DESSERVIES :
1885 le 14 janvier – Premier départ sur l'Australie avec le Cdt Didier en ligne régulière sur l'Australie. Il y restera jusqu'en 1892. NB (Le Dr Bois donne le 16 janvier comme date du 1er départ.) Marseille, Suez, Mahé des Seychelles, Réunion, Maurice, Australie, Nouvelle Calédonie
1892 à 1900 – Placé sur la ligne d'Extrême-Orient.
1900 à 1913 - Divers lignes suivant les besoins. Sur le Levant - 1902 sur La Plata puis de nouveau sur l'Extrême-Orient. Quelques voyages sur l'Australie.
1913-1914 – Sur la ligne de Madagascar.
1919 – Désarmé car très usé par un service de 34 années.
1922 – En février Vendu à Gênes il est démoli en Italie.
ÉVÉNEMENTS :
1861 le 1er Avril. - Paul Gauguin embarque à son bord pour se rendre à Nouméa via l'Australie le 12 mai 1891, puis embarque sur l'aviso VIRE pour Tahiti.
1886 en août – Essai de passage de nuit dans le canal de Suez avec un projecteur à incandescence à l'avant et deux projecteurs sur les flancs. Ces 2 projecteurs sont commandés de la passerelle. Il n'est pas le premier à passer de nuit SALAZIE étant le premier navire à transiter de nuit.
1901: Revenant d'Extrême-Orient il ramène le Général Voyron qui commandait l'expédition de Chine et le cercueil du prince Henri d'Orléans mort à Saïgon au cours d'un voyage d'exploration en Indochine.
1915 le 22 octobre : Embarque à Majunga l’État Major et la 3ème Cie du 1er Bataillon de Marche de Tirailleurs Malgaches, il arrivera à Bizerte le 14 novembre.
1916 Le 11 mai : Il embarque à Majunga les 500 hommes du 6ème régiment de marche Somalis, arrivée à Marseille le 5 juin
1917 le 29 mai - Voyage retour d'un convoi postal sur Madagascar, il fait route avec l’Empereur NICOLAS II, le YARRA escorté par le torpilleur ARBALÈTE, la canonnière DÉDAIGNEUSE et le HLMS LILY entre Port Saïd et Marseille le YARRA sera coulé par torpillage.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Lieu : Centre Opérationnel Bus d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/23629
The Troops of Tomorrow album sleeve and Exploited logo painted in acrylic paint. The bottom panel was far from symmetrical so the logo was painted on to balance the whole of the jacket, not just that panel. See more at www.paintedleatherjackets.com
Zeshan Abdul-Shakoor, 13 years old, walk on the street near to his center in Lahore city the capital of Punjab province, Pakistan. Lives in a shelter in Lahore with up to 20 other children. His basic needs are met, but he faces a sometimes-abusive environment and he doesn't like it there. He currently works at a billiard parlour for up to 12 hours a day, earning just over 50 cents a day. Customers sometimes verbally abuse him. He went to live with relatives on the death of his father and later ended up on the streets. On the streets, Zeshan has faced abuse and exploitation.One of the highlights for Zeshan was attending a UNICEF-supported Child Protection Centre last year, where the staff was caring and compassionate, and he learned valuable life skills and had a chance to be a child. Unfortunately the centre had to close due to lack of funding.Zeshan is not happy with his life and would like to be back with his family and living in a better environment. Zeshan is not currently going to school, but liked going to school.
For more information about 'The State of the World's Children 2012: Children in an Urban World' please visit www.unicef.org/sowc/index_61804.html
09 February 2012
© UNICEF Pakistan/2011/Asad Zaidi
To learn more:
www.facebook.com/unicefpakistan
Title / Titre :
Normand Charbonneau, Chief Operating Officer of Library and Archives Canada /
Normand Charbonneau, chef de l’exploitation à Bibliothèque et Archives Canada
Description :
Normand Charbonneau delivers the opening remarks on the first day of the Project Naming 15th anniversary event. /
Normand Charbonneau accueille les participants à la première journée d’activités célébrant le 15e anniversaire d’Un visage, un nom.
Creator(s) / Créateur(s) : Tom Thompson
Date(s) : March 2017 / mars 2017
Reference No. / Numéro de référence : AMICUS n/a, MIKAN n/a
Location / Lieu : Ottawa, Ontario, Canada
Credit / Mention de source :
Tom Thompson. Library and Archives Canada, IMG_2419 /
Tom Thompson. Bibliothèque et Archives Canada, IMG_2419