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Saw an article on Petapixel about Super 8 Gose from Dogfish Head, a beer you can develop film in. Why not, right?
The results weren't fantastic by any stretch. The negatives were incredibly thin. I might try it again with a longer development time at some point. But all in all I did come away with some photos I liked. And it was kind of a fun experiment, something different.
Tri-X 400 shot at box speed developed in Dogfish Head Super 8 Gose for 15 minutes.
negatives developed Pyro cat HD 2:2:100
60 seconds initial agitation
10 gentle inversions @30 mins.
1 hour total development time.
(NOTE: My A and B solutions have been in clear glass mason jars in a refrigerator for nearly 2 years and still work great!)
Canon EOS3000V
Agfaphoto Vista 200
Developed with a Digibase C41 home kit in an Agfa Rondinax 35U daylight tank.
This film was a tough nut to crack regarding the processing. This was the first of four tests. Tests 2 and 3 barely had and educational value so I will not post the developing specs as they were too far off. This film in real life is a Dactylographic film, used in the study of finger prints so it very slow and fine grained but you can not see those attributes here.
This film and other fun and fabulous film stocks are available at
but don't wait some films are rare and supply is limited.
Film: Svema Super Positive B/W Slide Film, fresh dated, ISO .75 35mm
Camera/Lens: Olympus OM-1n, Tamron 24mm f2.5
Light metered with a Minolta Flash meter set to it's lowest ISO of 3 then plus 2 stops from the reading to get to .75 ISO.
Image by: Leslie Lazenby, 6 Jun, 2014, Arlington, OH.
Frame cut and developed in a film cannister filled with old room temperature caffenol for about eight minutes. Fixed in hot salt water for a couple of hours. Dried on a peg in direct sun. Batch processed in Camera Raw.
Yashica Electro 35 GT
Kodak Color Plus 200
self-developed (Tetenal Colortec C-41)
Epson Perfection V370
During one year of my studies, I'd play to developed myself some of my shots. It was more experimentations that a real photographic work. But I keep a great memorie of some nights. I've still have materials.. Maybe later with more time..
It's dirty but I liked this one.
Memories, maybe in 1998.
And certainly listening in the red of the lamp some sounds of this movie. Hum, really great nights!
The Rise
Regency Square Mall was originally developed in the mid-to-late 1960s. The project was initiated by Regency Centers, a now-powerful retail real estate trust based in Jacksonville that was at the time just getting started.
The mall was constructed at a cost of $12 million upon a giant clump of sand dunes, and opened its doors to the public in 1967. It featured three anchor stores – JC Penney, Furchgott’s, and May-Cohens – as well as an adjacent movie theater.
Regency quickly became a hit, owing a lot of its success to its location. At the time the Arlington area was among Jacksonville’s fastest-growing neighborhoods, and Regency Square Mall was by far the closest retail hub for its residents as well as shoppers coming into town from the beaches. It also helped that the mall was built in an era where shopping malls were quickly becoming a ubiquitous part of life in America.
The surrounding area experienced a development boom, with shopping centers, car dealers, office parks, and restaurants popping up all along neighboring stretches of Atlantic Blvd. Some of this was a result of continued growth in Arlington, but much was the direct result of traffic brought in by Regency’s success.
By the late ’70s, Regency was one of the country’s most active malls, and completely dominated the Jacksonville shopping landscape. The only “nearby” mall that could claim to compete with Regency’s offerings at the time, Orange Park Mall, was over 24 miles away.
Naturally, the mall’s ownership wanted to capitalize on this success, so around this time plans were developed to double the size of the mall at a cost of around $30 million.
Bizarrely, developers opted to tack on the additional space to the opposite side of May-Cohens, creating two wings divided by an anchor store. Ivey’s and Sears became the anchors of the newly-opened west wing.
Shortly thereafter, the east wing would get upgrades in the form of an AMC theater and a large food court.
All the while, business continued to boom at Regency Square, perhaps more so than ever.
The Fall
There’s an old proverb based on a Bible passage that states, “Pride comes before a fall.”
In the mid ’80s, Furchgott’s announced their merger with Stein Mart. While most of the chain’s stores were converted to the Stein Mart branding, Regency’s operators proudly believed the brand to be too low-class for their mall and opted to pursue a replacement anchor.
At the turn of the decade, Regency faced stiff new competition in the form of The Avenues. This new two-story mall, constructed along the intersection of Philips Highway and Southside Blvd., offered a slightly more upscale shopping experience and threatened to lure customers from the then-thriving Baymeadows area away from Regency.
Around this same time, cracks began to show in the foundation at Regency. The mall changed ownership, being sold off to Chicago-based General Growth Properties.
A couple of anchor stores began a decade-long game of musical chair. Dillard’s moved to yet another new wing, vacating the former Ivey’s, which would then become a Montgomery Ward. May-Cohens would become a Gayfer’s, then later a Belk.
Most significant, however, was the rapidly-growing issue of crime. By the early ’90s, yearly crime reports at the mall reached quadruple digits. Over the following decade, the mall rapidly developed a reputation among locals as “the sketchy mall”.
The mall’s management made attempts to fix their reputation, but for the most part the damage had been done. The addition of a JSO substation in 1998 did little to curb the crime epidemic, and the addition of an aggressively-enforced mall dress code the next year only served to alienate its remaining customers.
It seemed clear that despite the mall’s shortcomings, its management felt as though it was still an elite retail hub. In other words, they let pride take the place of rationality.
Another round of renovations in the late ’90s brought an upgraded food court and theater. When Montgomery Ward left in 2001, management pursued big-name anchors rather than simply looking to fill the vacated spot. As a result, Ward’s spot stayed empty for five years.
In 2005, the opening of the St. Johns Town Center made Regency’s survival even less likely. The Town Center now catered to the upscale crowd, with The Avenues’ savvy management team rolling out renovations around the same time to keep up appearances.
Meanwhile, Regency’s crime rate grew worse and vacancies began piling up within its corridors.
By the late 2000s, it was clear that the mall was dying. Crimes at Regency outpaced those at The Avenues and St. Johns Town Center combined.
The mall’s west wing became a ghost town. Dillard’s converted their location to a clearance center. A shooting in 2008 involving an off-duty JSO officer only served to further solidify the mall’s reputation as a bad place. Many locals refused to shop at the mall by themselves, or after dark.
By 2014, the mall’s occupancy rate slipped well under 50%. Belk, which occupied the anchor space that separated the east and west wings, announced that they planned to bolt to a standalone store further down Atlantic Blvd. General Growth Properties, finally accepting that they wouldn’t be the ones to save the mall, put it up for sale in 2013, and got rid of it just a year later.
When new ownership took over, they opted to close down the west wing and move any remaining tenants over to the east wing in hopes of saving at least one part of the mall.
Shots taken in National Park Tara on 18.08.2012.
Hasselblad 553ELX, Carl Zeiss Distagon f3.5/60mm
EFKE 25ASA, stand developing in Agfa Rodinal 1+200 for 2 hours with 0,5gr of Borax added as a stabilizer. Temperature starting at 15C, reaching 23C at the end. Only one gentle flip after first expired hour.
Seconic L-308
Canoscan 9000F, Silverfast 6.6 2r5
Rolleiflex 2.8C
Schneider Kreuznach 80mm f2.8 Xenotar
FUJI Velvia RVP 100 slide film RVP100
Plustek OpticFilm 120 film scanner
developed by Color Six
日本 福岡 Japan Fukuoka
10Jun2016 20160610 2016 Jun June 六月
Part of my 'photographing the year' series - January. Downham, Lancashire, January 23rd 2011.
Prinzflex (Chinon) TTL and Auto Chinon 55mm f1.7 lens on Kodak Gold 200 home developed in Tetenal C41 chemistry. Meter not working so exposure estimated at 1/500th at f4
Center Gallery
111 Ellis
Wichita, KS
Exhibition: Final Friday, March 26
2010 NATIONAL PHOTOGRAPHY FELLOWSHIP COMPETITION - "DEVELOPED WORK"
Visiting Juror: Natasha Egan, Associate Director, Museum of Contemporary Photography, Chicago, Illinois
Opening Reception: Final Friday, March 26, 7 - 10 p.m.
Exhibition Dates: March 26 - April 23, 2010
Gallery Hours: Friday 12 - 6 p.m. & Saturday 12 - 2 p.m.
$ 500 Fellowship recipient: Larry Robinson, Iowa City, IA.
Exhibiting Artists: Zach Abubeker, Chicago, IL; Roger Boulay. Albuquerque, NM; Jennifer Colten, St. Louis, MO; Mary Farmilant, Chicago, IL; Pete Herzfeld, Washington, DC and Eric White, New York, NY.
Work featured on the Center Gallery website, Honorable Mentions: Ray Klimick, Athens, OH; Brook Reynolds, Charlotte, NC; Rylan Steele, Columbus, GA and Amanda Pfister, St. Louis, MO.
Juror Statement: It’s always a pleasure to serve as a juror for such national exhibitions like the Center Galley’s Developed Work exhibition for the 2010 National Photography Fellowship Competition. The process of looking at each submission opens my eyes to a variety of exciting trends developing in the field of photography. The photographic styles ranged from portraiture to landscape, abstract to sculptural, and conceptual to dreamlike. Overall the dominant theme was a introspect view of the United States’ social political landscape. The seven artists I chose to include in this exhibition reveal the diversity in photographic theme and style seen throughout all the entries.
Larry Robinson’s work cleverly stood out in the submissions with its wit, absurdity and pop culture references. The juxtaposition between the projected images of food in the installations with their contrasting domestic or natural environments speaks humorously to America’s infatuation with food. Roger Boulay’s photographs of sculptural stacks of magazines speak beautifully to America’s consumption of media. Jennifer Colten’s eerie surveillance-like video stills of uninhabited places tap into the more anxiety prone culture Americans have developed since the September 11th attacks. Eric White’s examines the border between Mexico and the United States with particular focus on the security fences, surveillance stations and checkpoints. Through portraiture, still-life and landscape, Zach Abubecker observes Ethiopian immigration in the United States raising issues of assimilation and cultural identity. Mary Farmilant’s striking interiors of abandoned hospital spaces perhaps act as a depiction of the current demise of the heath care system. And lastly, Pete White conflates death notice photographs with weather reports in an attempt to illustrate the social political tension generated by death.
The caliber of the work submitted was stellar and I would like to recognize the following artists that I was unable to include in this exhibition: Brook Reynolds for her pictures of closed gas stations; Rylan Steele for his interior office pictures, and Amanda Pfister for her typography of closed car dealership throughout the United States.
Natasha Egan
Associate Director and Curator
Museum of Contemporary Photography
Columbia College Chicago
For more information regarding Center Gallery and the 2010 National Photography Fellowship Competition - "Developed Work" exhibition, please contact: www.centergalleryonline.com
A storm develops in Montgomery County Missouri as it moves into Warren County. A bit more about how this photograph was captured.
Press L to see the big picture.
In early spring small maple flowers are transformed in a matter of days into winged seeds. I caught this maple tree in the action as its tiny red ovaries began to enlarge into seeds.
Maple flowers lack petals but they provide wonderful color when they are massed on the tree, reminiscent of the color maples provide in the winter.
Please join me in my blog “Botany Without Borders: Where Design Meets Science”
Developed by Horsch and Telth Systems as a fast response interceptor. It later grew an infamous reputation during the Sector 12 crisis where two squadrons of Hobgoblins were able to hold off the massive invasion force sent from Korba. One pilot in particular shot down three hundred and one Korbian ships, earning him the coveted Trillium cross.
Film developed at home with Ilfotec DD-X at 20c
Film: Fuji Acros 100
Scanner: Epson V550
Camera: Olympus OM10
Shimizusawa, Yubari, Hokkaido, 10th August, 2013.
Canon AE-1, FD 50mm F1.4 SSC, negative ISO 400 (45 color) expired, exposed as 1600, developed with alkaline pushing.
Alice Gast, President, Imperial College London, United Kingdom, speaking during the Session "Developing a Vaccine Revolution with Imperial College London" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - IdeasLab
Copyright by World Economic Forum / Mattias Nutt
3 May 2021. ADB has developed an approach to ensure that its operations address the specific challenges and requirements of Fragile and Conflict-Affected Situations (FCAS) and Small Island Developing States (SIDS). ADB’s vision for a prosperous, inclusive, resilient, and sustainable Asia and the Pacific cannot be fully achieved if some countries remain fragile and vulnerable.
The FCAS and SIDS Approach was launched at a high-level panel on understanding the drivers of fragility in Asia and Pacific, how to address the needs in FCAS and SIDS, and the implications on development practices in the region.
In the photo, Sanna Johnson, Regional Vice President for Asia, International Rescue Committee.
The event was held during the 54th Annual Meeting of the ADB Board of Governors.
Impression of the Session "Developing a Vaccine Revolution with Imperial College London" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - IdeasLab
Copyright by World Economic Forum / Mattias Nutt
Jeffrey M. Drazen, Editor-in-Chief, New England Journal of Medicine, USA, speaking during the Session "Developing a Vaccine Revolution with Imperial College London" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - IdeasLab
Copyright by World Economic Forum / Mattias Nutt
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Developed by the Sunkist Co., the seedless fruit is a complex mix of a Citrus and a Citron.
ROCKLEDGE
FLORIDA
USA
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Mamiya 645 Pro - Kodak T-Max 100. Developed in Kodak D-76 full strength, Ilford Stop bath, and Ilford fixer.
IFPRI hosted a policy seminar on Input Subsidy Programs in Developing Countries at its Washington, DC office on April 18, 2013. For more information on the event, please visit: www.ifpri.org/event/input-subsidy-programs-developing-cou...
Pictured from left to right: Derek Byerlee, World Bank (Ret.); Simeon Ehui, The World Bank; Shahidur Rashid, IFPRI; Thomas Jayne, Michigan State University; Shenggen Fan, IFPRI
Photo credit: © 2013 David Popham / IFPRI