Developing world
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This is You. She definitely has developed an extrovert personality.
Thank you for stopping by. Wishing everyone a great week.
I spotted this beautifully curving rock pool quite late on when the sunset had already developed, but I had a great few minutes trying to use it! Rivers and roads by the Head and the Heart seems fine, either in the pool or on the sides!!!
This is developed in DDG with the T2D tool using the sunset image I posted yesterday as a base. No further edits.
As you can see the structure of the image is almost identical. This is an impasto palette knife version with the emphasis on the light reflections and flaming colors. To me this is a lot more alike to what I saw than the camera image. The sky was ablaze!
Canon AV-1 Camera
FD 28 mm 1:2,8 Lens
Kentmere Pan 400 B&W Film
Developed and scanned via a local lab..
Falls of Shin is a waterfall on the River Shin, in northern Scotland, near the villages of Bonar Bridge and Lairg.
Falls of Shin had a popular visitor centre, managed as part of Balnagown Estates, a company owned by former Harrods boss Mohamed Al-Fayed. This included a restaurant, a branch of Harrods, and a waxwork model of Al-Fayed. The visitor centre was destroyed by a fire in May 2013. Balnagown Estates have since been working with the Kyle of Sutherland Development Trust to develop a new visitor attraction. In May 2017, the new visitor centre opened following the successful construction carried out by William Gray Construction. The opening event was dubbed "Celebra-Shin". The café is currently operated by Mac & Wild- a company created by Andy Waugh and Calum MacKinnon with 2 restaurants in London and Falls of Shin being their third.
The Falls of Shin were dynamited to improve the salmon access.
Aside from the Salmon Viewing Platform, the site also comprises a Mini Golf Course, Woodland Walks and a large Children's Playpark.
Fishing boat with fishermen's equipment on the river bank in the morning at Karnafuli river (Kaptai). When fishermen fish in the fog-covered river in the winter morning, an unearthly environment is created. It's like a heavenly morning.
The name of the traditional river of ancient Chittagong is Karnafuli. This river is an immortal witness of thousands of years of history. Starting from the eastern hills, this river has merged with the Bay of Bengal on the wide western side.
The scenery of the two banks of Karnafuli is amazing. Everyone's eyes will be closed. The only hydropower plant in Bangladesh has been built on Karnafuli.
Chittagong, the holy land of Bar Auliya and the green land of natural beauty, has developed on the banks of Karnafuli. One of the main reasons for this beauty of Chittagong is Karnafuli. The port built on the banks of this river is economically important. Chittagong port is very old. The river is losing its romance. The river is only being attacked because of the profiteering people.
কর্ণফুলী নদীতে (কাপ্তাই) ভোরে নদীর তীরে জেলেদের সরঞ্জাম সহ মাছ ধরার নৌকা। শীতের ভোরে জেলেরা যখন কুয়াশা ঢাকা নদীতে মাছ ধরে তখন অপার্থিব পরিবেশ তৈরি হয়। এ যেন স্বর্গীয় এক সকাল।
প্রাচীন চট্টগ্রামের ঐতিহ্যবাহী নদীর নাম কর্ণফুলী। হাজার হাজার বছরের ইতিহাসের অমর সাক্ষী এই নদী। পূর্ব পাহাড় থেকে শুরু হয়ে বিস্তীর্ণ পশ্চিম পাশে গড়িয়ে গড়িয়ে বঙ্গোপসাগরের সাথে মিলে গেছে এই নদী।
কর্ণফুলীর দুই তীরের প্রাকৃতিক দৃশ্য এক কোথায় অসাধারণ। যে কারও চোখ জুড়াবেই। কর্ণফুলীর ওপরে গড়ে উঠেছে বাংলাদেশের একমাত্র জলবিদ্যুৎ কেন্দ্র।
কর্ণফুলীর তীরে গড়ে উঠেছে বার আউলিয়ার পুণ্যভূমি, প্রাকৃতিক সৌন্দর্যের লীলাভূমি চট্টগ্রাম। চট্টগ্রামের এই সৌন্দর্যের অন্যতম প্রধান কারণ হলো কর্ণফুলী। অর্থনৈতিকভাবে গুরুত্বপূর্ণ হলো এ নদীর তীরে গড়ে ওঠা বন্দর। চট্টগ্রাম বন্দর বহু পুরোনো।
নদী তার রোমান্টিকতা হারিয়ে ফেলছে। মুনাফালোভী মানুষের কারণে নদী কেবল আগ্রাসনের শিকার হচ্ছে।
মানবিক ও শৈল্পিক দৃষ্টিতে তার রূপ উপভোগ কিংবা নদীজীবনের স্বাদ গ্রহণের রুচি আজ হারিয়ে যাচ্ছে। কান পাতলে কর্ণফুলী নদী’র গুঞ্জন আজও শোনা যাবে, চোখ মেলে তাকালে পাহাড়-অরণ্য-উপত্যকা ভেদ করে ছুটে চলা স্রোতস্বিনীর সৌন্দর্যও দেখা যাবে।কিন্তু সে কান আর প্রাণ কোথায় আজ? প্রয়োজনের ক্ষুধিত চাহিদার থাবার নিচে সবই মিথ্যা হয়ে যাচ্ছে। হয়তো কর্ণফুলীর গুঞ্জন আদতে তার ক্রন্দন আজ। হয়তো দেশের অন্য নদীর ক্ষেত্রেও এ-ই সত্য।
Hasselblad 503CW
Carl Zeiss Plannar 80mm F2.8
Film: Kodak Plus-X Pan (PXP) expried year 1978
Develop: Kodak HC110 1+63, 9:23mins
Fix:10mins
Scaner: Epson V800
© All Rights Reserved
Irix Dragonfly 150mm f/2.8 macro, developed in Affinity. For a timelapse vide of this standing rainbow: youtu.be/P5GTpqUJBAk
Hasselblad Xpan
Lens：Hasselblad 45mm f4.0
Film: Ilford Pan 100
Develop：Kodak HC110, 19C 1+31, 8:50 mins
Fix: 1+4, 6mins
© All Rights Reserved
Eurasian Jay (Garrulus glandarius)
My best photos are here: www.lacerta-bilineata.com/ticino-best-photos-of-southern-...
More TICINO/TESSIN Wildlife Photos (all taken in my garden in Monteggio/Ti, Switzerland): it.lacerta-bilineata.com/ramarro-occidentale-lacerta-bili...
If you're interested, you'll find a more detailed closeup here (it's the 8th photo from the top): www.lacerta-bilineata.com/western-green-lizard-lacerta-bi...
My latest ANIMAL VIDEO (it's very brief but pretty unusual: a tiny wall lizard attacks two young great tits): www.youtube.com/watch?v=FQqkSsyrm7E
THE STORY BEHIND THE PHOTO: MY LONG AND ARDUOUS JOURNEY TO BIRD PHOTOGRAPHY
If you've set yourself the challenge of exclusively shooting the wildlife in your own back yard, you might find - as I did - that bird photography is really, really hard.
It's not that reptiles are easy to photograph either, mind - but at least the ones in my garden stay (for the most part) on the ground, and one can learn how to carefully approach them with a camera. They're also clearly egoists, which from a photographer's point of view is is a great character trait: if a lizard detects a human in its vicinity, it's only interested in saving its own skin, and it won't alarm its buddies.
But birds... oh man. Over the years, my feathered friends and I have developed a lovely routine that now defines our peaceful co-existence. As soon as I as much as open a window (let alone the door), I'm instantly greeted by an eruption of panicky fluttering and hysterical shouts from my garden: "SAVE YOUR WOMEN AND CHILDREN AND FLY FOR YOUR LIVES: THE HAIRLESS, PINK MONSTER IS COMING!!! (Yes, I speak bird, and I know that this is exactly what they are shouting 😉).
Needless to say, with the exception of the redstart I already showed here, all my efforts to get the kind of detailed shots I usually strive for with my nature photography ended in complete failure and utter disillusionment. I was ready to give up on stalking the winged misanthropes in my garden altogether, but then winter came - and changed everything.
One day this past January I observed my neighbor Signora P - a kind, elderly Italian lady - putting something on the low garden wall in front of my house. At first I thought she was just putting some treat there for her cat Romeo; the young tom patrols that wall constantly (it's his favorite spot in the garden, and during the warmer months he usually lurks in the thick foliage next to it to prey on lizards).
But once I detected a lot of movement on that wall through my window, I understood she had put a little pile of bread crumbs there; she was feeding the birds who soon arrived in flocks. This was certainly well-intended on my neighbor's part, but her noble action came with a catch, and I'm afraid quite literally.
When I took a stroll through my garden the next day I discovered a suspicious amount of feathers on the ground next to the wall. Romeo had apparently switched from his low-calorie summer diet (lizard) to more energy-rich meals consisting of "fowl" (it was winter after all, so from a nutritionist's point of view this made sense).
I would find fresh traces of Romeo's victims (mostly feathers, but also the odd wing) in my garden over the following days; so my first intuition that my neighbor was feeding her cat hadn't been that far off after all, as Romeo was now clearly being "served" fresh birds on a daily basis. And although the hungry visitors seemed to be aware of the danger and became slightly more prudent, they just couldn't resist the tasty snacks Signora P put on that wall - and neither could Romeo.
It was obvious that I had to act, but talking to my neighbor - who is as stubborn as she is kind - would have been futile, I knew that much. I pondered the matter long and hard - until a light bulb went off in my head. The idea was genius. If successful, what I had in mind would not only increase the birds' chances of surviving Romeo's appetite, but also greatly benefit my own photographic endeavors.
I started to enact my master plan the very next day by buying a giant bag of bird feed (consisting mainly of sunflower seeds) from the store. Then I dragged a huge piece of a tree trunk (approx. 120 cm in height) that we normally chop firewood on from the shed out into the garden and emptied almost half of the bag's content on top of it. Signora P's buffet for birds (and cats) was about to get some serious competition 😊.
My reasoning was as follows: not only would the birds be lured away from the fatally low garden wall to a place where they were safe from the cat - there was nothing around that tree trunk that provided cover for a predator, and the birds had a nice 360° view around it at all times - but I was also able to photograph them while hiding in the shed.
However, in order for my plan to work there was one little extra measure I had to take, and it was one that risked lowering my own life expectancy considerably once the owner of the property - my mom - discovered it. You see, our shed is completely windowless, so if I wanted to use it as a blind, I had no choice but to cut a hole into one of its wooden walls... which I promptly did (I figured all's fair in love - and photography 😉).
Granted, I have absolutely zero carpentering skills, and it showed. That hole was an ugly mess: the shed's wall seemed to have had an encounter with Jack Nicholson's ax-wielding lunatic character from the film 'The Shining'. Needless to say, I was incredibly proud of my work (I mean, come on: there now was a hole where before there wasn't a hole, and it was big enough for the lens of my camera to peek through, so it was mission accomplished as far as I was concerned).
Now all I had to do was wait for the birds to discover the tree trunk. In the meantime I started to mentally prepare myself for the inevitable confrontation with my mom and go through possible explanations for that splintering hole in the wall (it was either gonna be a rabid woodpecker attack or an emergency rescue mission with a feeding tube for a little kid that had accidentally locked himself inside the shed - both seemed valid options, though I slightly preferred the locked-in kid due to the involved drama and heroism 😉).
A whole day went by, and not a single bird visited the sunflower seeds. I had expected that it might take a few hours until the first of the ever curious great tits or blue tits would show up, but given how tiny my garden is, an entire day seemed excessive. Then another day came and went: the birds kept flocking to the bread crumbs on the wall, and my tree trunk kept collecting dust. To add injury to insult, a few fresh feathers on the ground were proof that Romeo was still feasting.
It was incredibly frustrating: I provided my winged guests with a much better view - plus a higher chance of surviving the cuisine - than Signora P's place; I risked (almost) certain death at the hands of my own mother (OK, the act of vandalism on the shed I had committed for my own benefit, but still), yet the birds kept ignoring me.
Then, after three days, just before sunset, I spotted a single blue tit on the tree trunk picking away at the sunflower seeds.
When I got up the next morning I immediately realized that the loud noise that accompanies each and every tit activity had shifted from the wall to the shed. At last the dam had broken: there was a flurry of movement around the tree trunk, and I counted at least 5 different species of birds feasting on the sunflower seeds.
From day 4 onward my plan worked beautifully: the birds now indeed mostly ignored Romeo's "snack wall" and kept to the tree trunk. And yes, I was able to play peeping tom from behind the shed's wall and photograph them!! 😊
Thus, dear readers, I finally managed to produce some acceptable bird photos, and I had even saved my feathered friends from a deadly foe in the process. All through winter and spring I took advantage of my new bird hide, and in late May I started mixing some cherries with the sunflower seeds. The idea was to attract a Eurasian jay (Garrulus glandarius), and as you can see, it worked!
It took me almost three weeks and more than a few tricks to capture that clever fella, but given how long I've been rambling here already, that's a story for another day. As for my mom, she still doesn't know about the hole in the wall, so please don't snitch! 😉.
I hope you like the photo and wish you all a wonderful weekend! Many greetings from Switzerland, and as always: let me know what you think in the comments 🙏 😊 ❤!
P.S. if anyone has their own funny tale about the obstacles we photographers are prepared to overcome for a desired photo, please write it in the comments: I love such stories 😊
Hasselblad 503CW
Carl Zeiss 80mm F2.8
Film: Kodak Plus-x Pan PXP220
ISO125 Expired 1978
Develop: HC110
Time: 10mins 19c
© All Rights Reserved
Nikon "F"
AI Nikkor 35 mm f/2.0
Nikon L1a filter
Kodak professional Tmax 100@ISO200
Developed in Diafine 3,5+3,5 min
1/250 sec@f/11
working in the berry patch
sitting with 3 of the 5 dogs
adventures in color processing:
Zenit-E
Psych Blues # 2, 400 ISO
home developed in tetenal colortec C-41 chemicals
Nikon F3
AI Nikkor 85 mm f/2.0
Nikon L1a filter
Kodak professional Tmax 100@ISO160
1/250 sec@f/8
Developed in Diafine 3+3 min
Every hour of every day, the relentless waves pound the rocks and boulders on the tip of the Schoodic Peninsula in Maine. Photographed at Schoodic Point, the crown jewel of the peninsula, which is known for its dramatic coastline and crashing surf. The granite ledges and rocky outcrops provide excellent vantage points for observing the powerful Atlantic Ocean waves.
Developed with Darktable 4.8.0.
This 120 foot long historic bridge is a rare surviving example of a truss bridge in Michigan. Built in 1930, the design is distinguished by its massive steel members and Parker pony truss configuration.
Looking close, you can see the new bridge in the background slightly above and beyond the old bridge. These bridges are located on Highway 65 just downstream from the Five Channels Dam west of Oscoda, Michigan.
Developed with Darktable 4.8.0.
Hasselblad 503CW
Carl Zeiss Planar 80mm/F2.8
Kodak Tmax 100
Develop
HC110 - 1+63 12mins
© All Rights Reserved
A monochrome image featuring a row of bicycles parked at a rental station. There are about 30 stations with 200 bikes to rent in the greater Des Moines metro area, but at a brisk 20°F this morning, the demand is very low. All the bikes are here, all lined up. This rental station was photographed at E Grand Avenue and Robert D Ray Drive in downtown Des Moines, Iowa.
Developed with Darktable 4.8.0.
Whether it be rivers, roads, tracks in fields -I've got a thing about meandering curves, and I know I'm not the only one!
A lot of us develop it.
Here one of my all time favourite trees; the invaluable Japanese maple variety "Sango Kako" formerly "Senkaki"
or coral bark maple, displays not only its glowing sealing wax red bark, but also the flowing curves which make up its elegant and graceful form.
The red & orange stemmed dogwoods & willows are also beautiful but not in the same league for intense colour & habit.
Had to use the 300mm lens to isolate the curving branch, so you don't get the full effect here but artistically it did what I wanted & gave the Bokeh of course.
Every afternoon around 3pm in my garden the sun lights up this tree & it glows brighter than any tree or shrub in full flower from October through to April - hope you like it :)
when quality mattered...every dial, every gauge, every switch, every flange, every bracket, every screw, without exception, it all mattered, nothing less than perfection!
Claude M. Cox's original Overland car was developed in the early 1900s by the Standard Wheel Company of Terre Haut, Indiana. The Overland Company was formed in 1903 by Mr. Cox and Charles Minshall but it didn't take off until John North Willys arrived in 1907. Mr. Willys was a New York auto dealer and a major Overland customer. He ordered 500 Overlands and paid a deposit of $10,000. After his product was not delivered, he traveled to Indiana only to find Overland on the point of closure. Wanting to recoup his investment, Willys secured additional credit and reorganized the company. By mid-1908 they were in a position to build a new factory. Production increased and by 1909 the company had moved to Toledo, Ohio. Willys eventually became president of the company.
From 1910 to 1914, the company produced only four-cylinder models and they were all right-hand drive. (The company began using left-hand drive in 1915). In 1914, Overland was the second-largest producer of cars in the US, behind only Ford. While the Model T appealed to the masses, the Overland was an upmarket model selling for approximately twice the cost of a T. The Overland was more spacious, more powerful, and larger than the FOrd and its four-cylinder engine had separately cast cylinder jugs. An electric starter was available as a $125 option in 1914.
Overland built a quality automobile that was advanced for its time. The early models had a removable ignition plug that prevents auto theft.
During the 1920s, Willys-Overland produced the Willys Knight, which was powered by the sleeve valve engine designed by Indiana native Charles Knight. During World War II, Willys produced the Jeep. Several modern Jeep models pay homage to their Overland roots with the name of their top models wearing the 'Overland' nameplate.
by Daniel Vaughan
Nikon S3
Nikkor-S 50 mm f/1,4
1/1000 sec@f/16
Hoya 81a filter
Kodak Professional Tri-X 400@ISO 3200
Pushed one more f-stop than previous picture
Developed in Diafine 3,5+3,5 min.
"The line_up is a paperwork series I developed in 2010 /11, the “liners” are made out of paper (Din A4) ,
oil paint and graphite, the theme is the hermetical laws of polarity and movement. There is no ending and no beginning in any direction, just an endless movement. You have the possibility to arrange the papers like you want and that makes it an endless playground for my photo-work and the eyes of the viewers."
Yanomano
Darkroom print on Rollei Vintage 332 RC, toned in selenium. Negative is expired Tri-X (2013), metered normally and developed +1 stop. Camera was Hasselblad 500 C/M with 2.8/80mm Planar, handheld.
I got to see both the chicks together today. Each chick is developing it's own character with the one in front here being the quiet one. The one behind is very curious and a little cheeky.
🇫🇷 La place du Faubourg
Aménagée pour y développer des marchés, la place, longue et étroite, est bordée par deux rangées de maisons qui formaient un lotissement linéaire. Au sud, les maisons en pierre ou à pans de bois des XVème et XVIème siècles, alignées, se prolongent par des couverts sous lesquels étaient abritées les marchandises à vendre. Une saignée correspondant à une demie canne (1 m. environ) creusée dans un pilier rappelle la nécessité qu’avaient les agents consulaires d’étalonner les pièces de draps de laine, de lin ou de chanvre vendues par les marchands étrangers aux mesures de Najac.
🇬🇧 The Place du Faubourg
Designed as a market square, the long, narrow square is bordered by two rows of houses forming a linear development. To the south, the 15th- and 16th-century stone or timber-framed houses are lined up and extend into covered areas under which the goods for sale were sheltered. A groove equivalent to half a cane (about 1 m) dug into a pillar is a reminder of the need for the consular agents to calibrate the pieces of woollen, linen or hemp cloth sold by foreign merchants to the Najac measures.
🇩🇪 Der Place du Faubourg
Der lange und schmale Platz, der für die Durchführung von Märkten angelegt wurde, wird von zwei Häuserreihen gesäumt, die eine lineare Siedlung bildeten. Im Süden reihten sich die Stein- und Fachwerkhäuser aus dem 15. und 16. Jahrhundert aneinander und wurden durch Überdachungen verlängert, unter denen die zu verkaufenden Waren geschützt waren. Ein Einschnitt in einem Pfeiler, der einer halben Rute (ca. 1 m) entspricht, erinnert daran, dass die Konsularbeamten die von ausländischen Händlern verkauften Woll-, Leinen- und Hanftücher nach den Maßen von Najac eichen mussten.
🇪🇸 Plaza del Faubourg
Concebida como una plaza de mercado, esta plaza larga y estrecha está bordeada por dos hileras de casas que forman un conjunto lineal. Al sur, las casas de piedra o entramado de madera de los siglos XV y XVI se alinean y se prolongan en zonas cubiertas bajo las que se resguardaban las mercancías en venta. Una ranura equivalente a media caña (aproximadamente 1 m) excavada en un pilar recuerda la necesidad que tenían los agentes consulares de calibrar las piezas de tela de lana, lino o cáñamo que vendían los mercaderes extranjeros a las medidas nayac.
Leica M6 | Mandler 35mm 2.0 | Fuji 200 200 ISO @ shot at box speed
Digitized with Digital Olympus OM-1 | Valoi Easy 35
Home developed in Cinestill C-41
Today's forms of money have developed from primitive money, e.g. B. mussels or rice, which were accepted as a means of exchange in business life. Money initially belonged to the cultic and legal sphere and referred to "that with which one can repay or pay penance and sacrifices". Only after the 14th century did it assume its current meaning as a "coined currency". From the middle of the 19th century, the gold standard existed in many countries, promising the exchange of legal tender (coins, banknotes) for a fixed amount of gold. By the 1930s almost all major states had abandoned the gold standard. Instead of such a standard, monetary policy measures were taken by the central banks to ensure price stability.
Partial excerpt from: (de.wikipedia.org/wiki/Geld#Etymologie)
Geld, auch benannt als:
Cash (englisch für „Bargeld“)
Kies (jiddisch kis, „Geldbeutel“)
Mäuse (jiddisch meus, „Geld“)
Moneten (lateinisch moneta, „Münze“; vgl. engl. money)
Moos (jiddisch und rotwelsch moos, mous (Plural), „Geld“)
Penunze (berlinisch Penunse, von polnisch pieniądze, aus dem Westgermanischen, verwandt mit althochdeutsch pfenning)
Zaster (rotwelsch saster, „Eisen“)
Kohle
Asche
Pulver (gemeint ist Zündpulver; vgl. sein Geld verpulvern, veraltet: verzünden)
Kröten, Mücken
Entwickelt haben sich die heutigen Geldformen aus Primitivgeld, z. B. Muscheln oder Reis, die im Geschäftsleben als Tauschmittel akzeptiert wurden. Geld gehörte anfangs zur kultischen und rechtlichen Sphäre und bezeichnete „das, womit man Buße und Opfer erstatten bzw. entrichten kann“. Erst nach dem 14. Jahrhundert nahm es seine aktuelle Bedeutung als „geprägtes Zahlungsmittel“ an. Ab Mitte des 19. Jahrhunderts existierte in vielen Ländern der Goldstandard, bei dem der Umtausch von gesetzlichen Zahlungsmitteln (Münzen, Banknoten) in eine feststehende Menge Gold versprochen wurde. Um 1930 haben fast alle größeren Staaten den Goldstandard aufgegeben. An die Stelle eines solchen Standards traten geldpolitische Maßnahmen der Notenbanken, die eine Preisniveaustabilität sicherstellen sollten.
Teilweise Auszug aus: de.wikipedia.org/wiki/Geld#Etymologie
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
The UP-Site tower was developed by Atenor and inaugurated in 2014. It is the tallest residential tower in Belgium with 140 m height, 42 floors and 251 apartments, all with balconies.
It is unpopular in the Brusilia which previously held the title of tallest residential tower in Belgium.
Photo shot in 2021 from the top of the Brusilia Residence.
Azimuth 269.0°, 1.89 km away (1.17 mi), height 140 m (459 ft).
Address: Quai des Péniches 69, 1000 Brussels
FR : Tour UP-Site à Bruxelles (a.m.)
La tour UP-Site a été développée par Atenor et inauguré en 2014. C'est la plus haute tour résidentielle de Belgique avec 140m de haut, 42 étages et 251 appartements, tous avec balcons.
Elle est impopulaire au Brusilia qui détenait auparavant le titre plus haute tour résidentielle de Belgique.
Photo prise en 2021 du haut de la Résidence Brusilia.
Azimut 269.0°, distance 1.89 km, hauteur 140 m.
Adresse : Quai des Péniches 69, 1000 Brussels
NL: UP-Sitetoren in Brussel (a.m.)
De UP-Site toren werd ontwikkeld door Atenor en ingehuldigd in 2014. Het is de hoogste woontoren van België met 140m hoogte, 42 verdiepingen en 251 appartementen, allemaal met balkon.
Het is niet populair in de Brusilia die eerder de titel van hoogste woontoren van België had.
Foto genomen in 2021 vanaf de top van de Brusilia Residentie.
Azimut 269.0°, 1.89 km ver, 140 m hoog.
Adres: Quai des Péniches 69, 1000 Brussels
Copyright © Jacques de Selliers 2021 – All rights reserved.
Reproduction prohibited without my written consent.
Reproduction interdite sans mon accord écrit.
Reproductie verboden zonder mijn schriftelijke toestemming.
Ref.: 210423 UP-Site-pano1