Developing world
View allAll Photos Tagged Develop
A seaside resort was developed by Sir Richard Hotham in the late 18th century on what was a sand and gravel, undeveloped coastline. It has been claimed that Hotham and his new resort are portrayed in Jane Austen's unfinished novel Sanditon. The resort grew slowly in the first half of the 19th century but grew rapidly following the coming of the railway in 1864. In 1929 the area was chosen by advisors to King George V which led to its regal suffix, by royal consent. Butlin's has been present in the town since the early 1930s when an amusement park and zoo were opened. A holiday camp followed in 1960 and this has more recently moved towards hotel accommodation with modern amenities.
Information from Wikipedia.
Texture's & Effect's by William Walton & Topaz.
This is developed in DDG with the T2D tool using the sunset image I posted yesterday as a base. No further edits.
As you can see the structure of the image is almost identical. This is an impasto palette knife version with the emphasis on the light reflections and flaming colors. To me this is a lot more alike to what I saw than the camera image. The sky was ablaze!
one of the things I like the most is to play with light and shadow, I was on the top of a hill in the Gran Paradiso Park, in Italy, was almost the sunset. I just had to underexpose a bit to capture this scene, you can’t imagine my surprise once I developed it and the road came out from the dark.
The sunset never really developed, but I'd taken so many photos already, that perhaps it was just as well. There are so many options on these beaches, you're never short of possibilities. Evidently chickentown, by John Cooper Clarke is fine, as it's got nothing to do with it, but it was ducks yesterday, so it's chickens today.
when you get old, people won't think you're going gaga :-)
David Ogilvy
HMM! HPPT!!
Loebner magnolia, 'Leonard Messel', sarah p duke gardens, duke university, durham, north carolina
Hasselblad 503CW
Carl Zeiss Plannar 80mm F2.8
Film: Kodak Plus-X Pan (PXP) expried year 1978
Develop: Kodak HC110 1+63, 9:23mins
Fix:10mins
Scaner: Epson V800
© All Rights Reserved
It took the damselfly about 5 minutes to shed its skin and emerge into its final form. The stubby wings take another 10 mins or so to inflate and the damselfly will rest for a few more minutes before taking its first feeble flight. At this stage, it is very vulnerable to birds and was hiding deep in the foliage. Over the next few days it will develop its colours. Having spent a year or two underwater growing from a deposited egg, it will only live a few weeks as an adult. hopefully surviving long enough to breed. The empty skin shell is called an exuvium. Hundreds of exuvia were visible in the reed beds.
Glendalough is home to one of the most important monastic sites in Ireland. This early Christian monastic settlement was founded by St. Kevin in the 6th century and from this developed the ‘Monastic City’.
The ‘City’ consists of a number of monastic remains, and the most impressive being the Round Tower which stands 30m high. The main group of monastic buildings lies downstream near the Round Tower. The grounds were entered through the Gateway, which has two round headed granite arches.
Beyond St. Mary’s Church is the Priest’s House, a 12th Century building in Romanesque style, with an interesting carving of a much earlier date on the lintel of the doorway.
Just beyond the Priest’s House is a large granite cross (sixth or seventh century) and the “Cathedral”, the largest church on the site, with a nave, chancel and sacristy (11th and 12th C), and St Kevin’s Church.
St Kevin’s Church is commonly known as St Kevin’s Kitchen. This is a barrel-vaulted oratory of hard mica schist with a steeply pitched roof and a round tower belfry (12th C).
Approx 200m east of the Church of the Rock is a cavity in the cliff which is known as St Kevin’s Bed or Hermitage.
At the Glendalough site on the road to Laragh, to the right, stands Trinity Church (11th-12th C). Beyond the river about 1.5km to the east of the Cathedral is St. Saviour’s Priory a church with fine Romanesque carvings on the chancel arch and windows.
The remains of an old stone fort and three stone crosses can be found between the Upper and Lower Lake, and beside the Lower Lake another cross; all four are stations on the pilgrimage route at Glendalough. Near a small bridge by St Kevin’s Bed stands Reefert Church (11th C.) with a nave and chancel.
No takers for the elegant (and presumably) Victorian shelter on the promenade on this freezing cold and blustery winter's morning. In fact, apart from a couple of shore-fishermen, the seafront was practically deserted. Not a 'Ten from Len' day, then.
Ilford FP4, commercially developed.
20th February 1998
Developed in 1919 by the damming of the Wateree River, it is one of South Carolina's oldest man-made lakes. It has 181 miles (291 km) of shoreline and includes Lake Wateree State Park, a bird refuge, and Shaw Air Force Base Recreation Center.
en.wikipedia.org/wiki/Lake_Wateree
wateree lake state park
Flat on my back to take this shot...
Leucojum aestivum is a perennial bulbous plant, generally 35–60 cm tall, but some forms reach 90 cm. Its leaves, which are well developed at the time of flowering, are strap-shaped, 5–20 mm wide, reaching to about the same height as the flowers. The flowering stem (scape) is hollow and has wings with translucent margins. The pendant flowers appear in late spring and are borne in umbels of usually three to five, sometimes as many as seven. The flower stalks (pedicels are of different lengths, 25–70 mm long. The flowers are about 3–4 cm in diameter and have six white tepals, each with a greenish mark just below the tip. The black seeds are 5–7 mm long.
After flowering, the fruits develop flotation chambers but remain attached to the stem. In England, it has been recorded that flooding causes the stems to break and the fruits to be carried downstream and stranded in river debris or on flood-plains. The bulbs can also be transported during heavy floods and deposited on river banks. (Wikipedia)
Nikon FM10 | Ilford HP5 400
Digitized with Sony A7riii | Skier Sunray Copy Box 3
Home developed in Cinestill Monobath | 3:30, 80 F
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
"A Wordless Text, Light on Water"
by Louise LeBourgeois and Steven Carrelli
@louiselebourgeois
@stevencarrellipittore
This drawing was made collaboratively by a remarkable Chicago based artist couple. The drawing brings together their respective practices in a whimsical image that speak (for me) of the tenuous existence of someone like Temma (the indirect subject of all of the works in this project).
This is one of the 23 works in the upcoming enigmatic group exhibition titled "Deposition: Drawn" at North Park University. Opening reception on February 14 (Valentine's Day!) 4:30 - 6:30 and running through March 9.
This exhibition is an unusual mash-up of my work as curator (primarily as gallery director at @npuchicago ) and my work as an artist (particularly work that is related to my most frequent subject, my daughter Temma). I sent each of the participating artists a unique prompt which was for me somehow related to Temma. The participating artists then made a drawing related to their prompt. They also developed an accompanying text / title for the drawing. And then they sent that text to me along with a high resolution scan of their drawing.
Check out Louise's work here:
and Steve's work here:
Das einzige normale Bild aus einem 36er Film (29€). Alle anderen sind schwarz, keine Ahnung, was da passiert ist. :-(
Alternate version - framing is off since I didn't sufficiently account for parallax.
Luci (Her full name, we've decided, is Lucille Dollybird Bumfur!), photographed on Kodak Tri-X, exposed at 200 ASA and developed in home made D-23, diluted 1:3 for 18 minutes.
Camera: Minolta Autocord, one of the best TLRs I have ever had the pleasure to use.
Close to the station at the Nature Reserve, a pair of Common Black Hawks was building a nest while we were there. I still find it quite surprising to see such a black bird in a tropical climate zone (not the only species, if you think of black vultures or other vultures for that matter). They have developed a number of behavioral adaptations to dealing with heat - panting, staying in the shadow when perched and roosting, panting to dissipate heat, drooping their wings, and I also read they actively provide shade for their eggs to protect them from direct sunlight.
TD: Leica M4-P @35 mm f/1.4 Summilux - Kodak Tri-X Pan 35mm film developed in D-76 1+1 11'15" 20°. Exposure ISO 800 natural daylight. Digitised with Alpha 6000 edited in ACR, inverted in CS6.
Explored April 21, 2021
(Image taken recently with a B&W Analog roll film camera).
Very happy with the results from using Perceptol as the film developer. Was able to get almost no grain and high sharpness on my 35mm SLR. Great for printing large.
(Spanish): Muy contento con los resultados obtenidos al usar Perceptol como el revelador. La definition es estupenda y el grano casi no visible. Bueno para ampliaciones).
(Camera: Nikon N8008 + Nikon AF 24mm f/2.8 + Yellow filter).
(Analog Film: Kodak TMax 100 black & white Negative film).
(Technical Data: Develop on Perceptol @75°. Copy negative with a DSLR, then edit on Nik Collection Silver Effex Pro 2).
(Location: Palm Bluff Conservation Area, Osteen, Florida).
This image belong to my Album: Analog Photography.
Explored on April 21, 2021
Kodak Ektar 100 colour negative film
Focal length: 35 mm (standard)
Exp. Corr. Value: 0.0 EV
Exp. Program: Aperture priority
Metering mode: Selective metering
WB Settings: 5500K (daylight)
_____
Developed and scanned by Fujifilm House of Photography, London WC2E 9LH.
Olympus 35RD camera, f/5.6 @ 1/125th, Ilford FP4+ developed in Rodinal 1:50 14 minutes (N+1, to raise the fog level, lol) at 20C in a Jobo.
Digitized with aa Fuji XT5 and Laowa macro lens.